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Obviously there are times with acting when exactly what is required is just going through the motions, and when doing nothing is the best thing. But at other times, you have to make that leap beyond the immediate environment of people putting up lights on the set.

quote by Christian Bale
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Book II - Part 02 - Atomic Motions

Now come: I will untangle for thy steps
Now by what motions the begetting bodies
Of the world-stuff beget the varied world,
And then forever resolve it when begot,
And by what force they are constrained to this,
And what the speed appointed unto them
Wherewith to travel down the vast inane:
Do thou remember to yield thee to my words.
For truly matter coheres not, crowds not tight,
Since we behold each thing to wane away,
And we observe how all flows on and off,
As 'twere, with age-old time, and from our eyes
How eld withdraws each object at the end,
Albeit the sum is seen to bide the same,
Unharmed, because these motes that leave each thing
Diminish what they part from, but endow
With increase those to which in turn they come,
Constraining these to wither in old age,
And those to flower at the prime (and yet
Biding not long among them). Thus the sum
Forever is replenished, and we live
As mortals by eternal give and take.
The nations wax, the nations wane away;
In a brief space the generations pass,
And like to runners hand the lamp of life
One unto other.
But if thou believe
That the primordial germs of things can stop,
And in their stopping give new motions birth,
Afar thou wanderest from the road of truth.
For since they wander through the void inane,
All the primordial germs of things must needs
Be borne along, either by weight their own,
Or haply by another's blow without.
For, when, in their incessancy so oft
They meet and clash, it comes to pass amain
They leap asunder, face to face: not strange-
Being most hard, and solid in their weights,
And naught opposing motion, from behind.
And that more clearly thou perceive how all
These mites of matter are darted round about,
Recall to mind how nowhere in the sum
Of All exists a bottom,- nowhere is
A realm of rest for primal bodies; since
(As amply shown and proved by reason sure)
Space has no bound nor measure, and extends
Unmetered forth in all directions round.
Since this stands certain, thus 'tis out of doubt
No rest is rendered to the primal bodies
Along the unfathomable inane; but rather,

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poem by Lucretius
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Goin Through The Motions

(ian hunter and eric bloom)
Producer for bonnie: jim steinman
Chant:
In and out and out and in
And up and down and all around
Were going through it
V nothing to it
V all youve got to do is do it
Going through the motions - 1,2,3,4
I go you go you go me go
Everywhere that we go well be
Going through the motions - 1,2,3,4
1,2
Going through the motions
Going through the motions
I dont really care
Cause youre going nowhere
Youve got nothing but fear in your eyes
Youre leading me on
But you can be anyone
Cause I know youll be gone when I rise
And were going through the motions
Going through the motions
Going through the motions
Going through the motions
Staying with you
Gave us something to do
I always thought it was true for a while
Your loving your lies
Youre so thinly disguised
You couldnt tell right from wrong if you tried
And were going through the motions
Going through the motions
Going through the motions
Going through the motions
To thee Ill dedicate this photograph
Ill even sign it love to you, again
And when its faded and forgotten in some book
Youll sometimes look
Youll sometimes look
Youll sometimes look
Instrumental
Its a game its a game
No lets call it a shame
Cause theres no one to blame
Its a pain
You were a friend for a day
So dont cry if I say
That you got what you want, its ok
Going through the motions

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song performed by Bonnie Tyler
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Cat People

See these eyes so green
I can stare for a thousand years
Colder than the moon
Feel my blood enraged
It's just the fear of losing you
Don't you know my name
Well, you been so long
And i've been putting out fire
With gasoline
See these eyes so red
Red like jungle burning bright
Those who feel me near
Pull the blinds and change their minds
It's been so long
Still this pulsing night
A plague i call a heartbeat
Just be still with me
But it wouldn't believe what i've been thru
You've been so long
Well it's been so long
And i've been putting out the fire with gasoline
Putting out the fire
With gasoline
See these tears so blue
An ageless heart that can never mend
Tears can never dry
A judgement made can never bend
See these eyes so green
I can stare for a thousand years
Just be still with me
You wouldn't believe what i've been thru
Well you've been so long
It's been so long
And i've been putting out fire with gasoline
Putting out fire with gasoline
Putting out fire
We've been putting out fire
Well it's been so long so long so long
Yes it's been so long so long so long
I've been putting out fire
Been so long so long so long
And putting out fire
Been so long so long so long
Yeah yeah putting out fire
Been so long so long so long
Been putting out fire
Been so long so long so long
Yeah putting out fire
Been so long so long so long
Putting out fire

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song performed by David Bowie
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Book III - Part 02 - Nature And Composition Of The Mind

First, then, I say, the mind which oft we call
The intellect, wherein is seated life's
Counsel and regimen, is part no less
Of man than hand and foot and eyes are parts
Of one whole breathing creature. But some hold
That sense of mind is in no fixed part seated,
But is of body some one vital state,-
Named "harmony" by Greeks, because thereby
We live with sense, though intellect be not
In any part: as oft the body is said
To have good health (when health, however, 's not
One part of him who has it), so they place
The sense of mind in no fixed part of man.
Mightily, diversly, meseems they err.
Often the body palpable and seen
Sickens, while yet in some invisible part
We feel a pleasure; oft the other way,
A miserable in mind feels pleasure still
Throughout his body- quite the same as when
A foot may pain without a pain in head.
Besides, when these our limbs are given o'er
To gentle sleep and lies the burdened frame
At random void of sense, a something else
Is yet within us, which upon that time
Bestirs itself in many a wise, receiving
All motions of joy and phantom cares of heart.
Now, for to see that in man's members dwells
Also the soul, and body ne'er is wont
To feel sensation by a "harmony"
Take this in chief: the fact that life remains
Oft in our limbs, when much of body's gone;
Yet that same life, when particles of heat,
Though few, have scattered been, and through the mouth
Air has been given forth abroad, forthwith
Forever deserts the veins, and leaves the bones.
Thus mayst thou know that not all particles
Perform like parts, nor in like manner all
Are props of weal and safety: rather those-
The seeds of wind and exhalations warm-
Take care that in our members life remains.
Therefore a vital heat and wind there is
Within the very body, which at death
Deserts our frames. And so, since nature of mind
And even of soul is found to be, as 'twere,
A part of man, give over "harmony"-
Name to musicians brought from Helicon,-
Unless themselves they filched it otherwise,
To serve for what was lacking name till then.
Whate'er it be, they're welcome to it- thou,
Hearken my other maxims.

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poem by Lucretius
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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poem by Gert Strydom
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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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poem by Alfred Lord Tennyson
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Going Through The Motions

Standing in line
At the usual time
With a dollar and a dime
Are you going through the motions?
Do you wear the latest style?
Can you guarantee a smile?
Won't you stop and talk awhile?
Are you going through the motions
(Chorus)
And is your day just a reflection of the day before?
Don't you ever stop and wonder if there's something more?
Do you really mean to tell me that you're satisfied?
Are you for real or are you going through the motions?
Heresay, theresay
Everything is fine
Are you running out of time?
Going through the motions
Some things never change
Easy chair, nine to five
Get ahead, stay alive
Are you going through the motions
(Chorus)
Stop and take a look around you
Don't say it isn't there
People going through the motions
Everywhere
I know it isn't easy
It gets tougher every day
But we keep going through the motions
Anyway
Going through the motions

song performed by Kansas
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
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Set Me Free

You operate and motivate on synthetic fuel
you're Mother Nature and an atom bomb
As long as you're kept full of pretty bodies
your little secret will be safe with me
around again insane again
it somes again it sets me free
so set me free
set me free
'cause I think you need my soul
set me free
set me free
Your kept alive and polarized with one thing in mind,
metabolizin' everything that you see
but now and then or a little later
now I'm gonna take you down with me
Around again insane again
she comes again it sets me free
so set me free
set me free
'cause I think you need my soul
set me free
set me free
so set me free
set me free
'cuase I think you need my soul
set me free
set me free
So, take me down
take me down, down, down, down
take me down, take me down
So, take me down
take me down, down, down, down
take me down, take me down
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free

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song performed by Velvet Revolver
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Teapots and Quails

Teapots and Quails,
Snuffers and Snails,
Set him a sailing
and see how he sails!
..
Mitres and Beams,
Thimbles and Creams,
Set him a screaming
and hark! how he screams!
..
Houses and Kings,
Whiskers and Swings,
Set him a stinging
and see how he stings!
..
Ribands and Pigs,
Helmets and Figs,
Set him a jigging
and see how he jigs!
..
Rainbows and Knives,
Muscles and Hives,
Set him a driving
and see how he drives!
..
Tadpoles and Tops,
Teacups and Mops,
Set him a hopping
and see how he hops!
..
Herons and Sweeps,
Turbans and Sheeps,
Set him a weeping
and see how he weeps!
Lobsters and Owls,
Scissors and Fowls,
Set him a howling
and hark how he howls!
..
Eagles and Pears,
Slippers and Bears,
Set him a staring
and see how he stares!
..
Sofas and Bees,
Camels and Keys,
Set him a sneezing
and see how he'll sneeze!
..
Wafers and Bears,

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poem by Edward Lear
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Leap Of Faith

Words and music by michelle branch
One less call to answer,
Feeling full of despair,
Dont think I can get through it,
Just one last prayer.
*and its a leap of faith,
When you believe theres someone out there,
Its a leap of faith when you believe that someone cares, oh,
And when I call out to you,
Will you be right there,
Right there.
Searching for the answer,
Nobody seems to care,
Oh how I wish that you were here,
Beside me,
To wipe away my tears.
*and its a leap of faith,
When you believe theres someone out there,
Its a leap of faith when you believe that someone cares, oh,
And when I call out to you,
Will you be right there,
Right there.
Waiting for the answer,
Remembering times we would share,
Somehow I feel you here beside me,
Even though your not there.
*and its a leap of faith,
When you believe theres someone out there,
Its a leap of faith when you believe that someone cares, oh,
And when I call out to you,
Will you be right there-
Bridge:
Right there---
And Ill be waiting by the window for your smile to come through,
And Ill be waiting in the darkness when I call out to you,
And Ill remember when you told me,
I could trust in you-
*and its a leap of faith,
When you believe theres someone out there,
Its a leap of faith when you believe that someone cares, oh,
And when I call out to you,
Will you be right there-
Its a leap of faith,
And I believe that you are out there,
Its a leap of faith and I believe you truly care, oh,
And when I call out to you,
I know youll be right there,
Right there,
And its a leap of faith.

song performed by Michelle Branch
Added by Lucian Velea
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Ill Never Set You Free

Theres nothing I can say
Theres nothing I can do
To show you the love
That I got for you
Theres nothing in this world
That could ever take your place
When I look into your eyes
I see a sweet face
Ill never set you free
till you give your love to me
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
Will you open up your heart
So love could make a start
I know that if you do
Dreams will come true
Ill never set you free
till you give your love to me
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
Ill never set you free
till you give your love to me
Theres nothing you can do
To stop my love for you
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
[repeat / fade]

song performed by Rick Astley
Added by Lucian Velea
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A Leap For Love

One who fears the heights
And another lone of heart
Struggled from isolation’s depths
Hoping to make a fresh start

One who always occupied
The same solitary spaces
Through a curious window found
Another who traveled to many places

One who never really searched
For a lifetime counterpart
Dared make a real connection with
One who knew more of Love’s Art

One who never tried, yet true
One who tried and lost a few
Steeled themselves as small steps they took
To precipice’s edge to risk a look

Two having weighed the risk
Of making promises to keep
Held hands and shared a smile
Then together took the leap

One and One became One
On Leap Year Day 2004
Instead of the separate Two
That they had been before

So if you are thinking of
Taking just such a leap
For the sake of sharing love
That’s both true and deep
On Leap Year Day in 2008
Leap, Leap, I say!
Leap! Marriage is great!
Leap! Leap! Leap!
Leap! Don’t hesitate!

poem by Mary Havran
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Lullaby-Little Little Let Sleep Leap

Lullaby-Little Little Let Sleep Leap

Let sleep leap little little,
Let sleep leap brittle brittle.

Little little let sleep leap,
Light of candle shinning deep.
Let not fight dear for mere pillow,
“Look I sing a lullaby then you follow”.
Lauded Dadi patting hands on Pomu’s head.
Long bell rang ten Dadi quickly arranged the bed.

Little little let sleep leap,
A King was there who liked sleep.
At ten even he was lost in his dream.
Was so fond of milk, butter and ice cream.
Always was angry on Queen for breaking sleep;
Who smiled giggled and mimicked in his fairy trip.

Lttle little let sleep leap,
Once the Queen played a trick.
Snored so loud as his belly dance.
She sneaked to bath room mild tense.
Before He rises She must finish her job;
Neither Her idea would become a big flop.

Little little let sleep leap,
Fetch a mug of water to drip.
King then frowned getting soaked;
Shouted so loud feeling the chilly red.
“How dare you throw? ” He spitted venom.
Poor Queen fearful stood by him silent and dumb.

Lttle little let sleep leap,
She saw a lizard on roof top;
Pointed at the sinner in tearful eye.
The King then told her no need to cry.
Scared Queen then told him to take a bath.
The King was cleaned bowled by his own wrath.

Little little let sleep leap,
Let Bless my child as the night dip!
Last Queen then smiled at mighty King.
Long he leapt to the tub for mere silly thing.
Lazy was King indeed really a very bad habit;
Lay my gold-son Pomu is neither King nor the rabbit.

Let sleep leap little little
Let sleep leap brittle brittle

[...] Read more

poem by Tuna Biswal
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Maybe I'm crazy

I am not Emo
I’m not a Goth
I’m perfectly normal
But I know what it feels to be lost
Stuck in the crowd
Can’t hear a sound
Feels like I’m pushed back in the distance
Can’t come out
Do people see?
Do they believe?
Or am I just crazy from being lonely?

The words burst from my lips as I scream
But the people around me don’t seem to hear a thing
Am I invisible? Am I going crazy?
The world is acting like they don’t know about me
Am I forgotten? Am I just crazy?
Am I just lost? Am I just lonely?
Somebody hear me
Somebody save me

I check my phone, nobody calls
I can’t help, but feeling so forgot
I put on a show, nobody knows
Where did all the people I used to love, go?
I see a face, forgot its name
But they don’t seem to recognize me, anyway
All of my friends are with somebody else
And now I’m sitting here all by myself
(All by myself)

The words burst from my lips as I scream
(From my lips, as I scream)
But the people around me don’t seem to hear a thing
(But the people, don’t hear a thing)
Am I invisible? Am I going crazy?
(Am I invisible? Am I going crazy?)
The world is acting like they don’t know about me
(Acting like, don’t know about me)
Am I forgotten? Am I going crazy?
(Am I forgotten? Am I going crazy?)
Am I just lost? Am I just lonely?
(Am I just lost, maybe I’m lonely)
Somebody hear me
(Somebody near me)
Somebody save me
(Somebody save me)
Or am I just crazy?
Or am I just crazy?

[...] Read more

poem by Sugar Bear
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Book II - Part 04 - Absence Of Secondary Qualities

Now come, this wisdom by my sweet toil sought
Look thou perceive, lest haply thou shouldst guess
That the white objects shining to thine eyes
Are gendered of white atoms, or the black
Of a black seed; or yet believe that aught
That's steeped in any hue should take its dye
From bits of matter tinct with hue the same.
For matter's bodies own no hue the least-
Or like to objects or, again, unlike.
But, if percase it seem to thee that mind
Itself can dart no influence of its own
Into these bodies, wide thou wand'rest off.
For since the blind-born, who have ne'er surveyed
The light of sun, yet recognise by touch
Things that from birth had ne'er a hue for them,
'Tis thine to know that bodies can be brought
No less unto the ken of our minds too,
Though yet those bodies with no dye be smeared.
Again, ourselves whatever in the dark
We touch, the same we do not find to be
Tinctured with any colour.
Now that here
I win the argument, I next will teach

Now, every colour changes, none except,
And every...
Which the primordials ought nowise to do.
Since an immutable somewhat must remain,
Lest all things utterly be brought to naught.
For change of anything from out its bounds
Means instant death of that which was before.
Wherefore be mindful not to stain with colour
The seeds of things, lest things return for thee
All utterly to naught.
But now, if seeds
Receive no property of colour, and yet
Be still endowed with variable forms
From which all kinds of colours they beget
And vary (by reason that ever it matters much
With, what seeds, and in what positions joined,
And what the motions that they give and get),
Forthwith most easily thou mayst devise
Why what was black of hue an hour ago
Can of a sudden like the marble gleam,-
As ocean, when the high winds have upheaved
Its level plains, is changed to hoary waves
Of marble whiteness: for, thou mayst declare,
That, when the thing we often see as black
Is in its matter then commixed anew,
Some atoms rearranged, and some withdrawn,

[...] Read more

poem by Lucretius
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