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And sometimes I do films so my daughter can see me work.

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Work To Make It Work

(r palmer)
Push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve it
Push it along
It's all there for you to feel it
Help your self to one that you can't deal with
Ain't no way that you could steal it
You misunderstand if you get greedy
Ah push
Work work work to make it work push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve
Don't confine your dreams to bed
You'll get scared if you get lazy
If you can't take enough to satisfy yourself
Then you'll go crazy
Wont do no good thinking
You got to do it
So it don't come easy the first time
Practice makes perfect, you know that i'll try hard
Use it or lose it
You got to put your heart and soul into it
Yeaheheh
Push it along
Work work work to make it work
Push it along
Work work work if you want to move it
Push it along
Work to make it work
Push it along
Work work work if you want to improve
It's all there for you to feel it
Help your self to one that you can't deal with
Ain't no way that you could steal it
You misunderstand if you get greedy forget wishful thinking
You can do it
You just need a push to make a start
If you don't succeed the first time
Try and try again
Use it or lose it
You got to put your back into it
Work work work to make it work
Push it along

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Payment

A tortuous path of neurons arced a call: ‘Awake! ’
I did; in rising, peering, stretching, bearing,
Pained anticipation saw it all:
Foretold, another filthy day.

I drew the drape: diluvian lay the ground
Beneath a lazy leaden cloud – apissing out
The puddles; irksome on the roof –
The drumming drops of bitter glee
Were hounding out a hapless me
Reinforcing doubt that I am sound.

I left the house
to go to work
to earn a crust
without a perk
then on to bust
another straining vessel.

Trudging on thro’ mud and clay, I pondered:
‘Why a drought of happy times?
Auspicious climes were
Old and fusty books
Atop a dusty shelf
Inside a morgue-of-a-room,
Somewhere in a long-forgotten library
Down a lane without a way.’

I thought again: ‘And still I pay.’

Copyright © Mark R Slaughter 2010


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Work To Make It Work 99

Push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve it
Push it along
Its all there for you to feel it
Help your self to one that you cant deal with
Aint no way that you could steal it
You misunderstand if you get greedy
Ah push
Work work work to make it work push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve
Dont confine your dreams to bed
Youll get scared if you get lazy
If you cant take enough to satisfy yourself
Then youll go crazy
Wont do no good thinking
You got to do it
So it dont come easy the first time
Practice makes perfect, you know that Ill try hard
Use it or lose it
You got to put your heart and soul into it
Yeaheheh
Push it along
Work work work to make it work
Push it along
Work work work if you want to move it
Push it along
Work to make it work
Push it along
Work work work if you want to improve
Its all there for you to feel it
Help your self to one that you cant deal with
Aint no way that you could steal it
You misunderstand if you get greedy forget wishful thinking
You can do it
You just need a push to make a start
If you dont succeed the first time
Try and try again
Use it or lose it
You got to put your back into it
Work work work to make it work
Push it along
Work work work if you want to move it

[...] Read more

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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The rain and my newborn baby daughter

The rain was uninhibitedly untamed; and so was my new born baby
daughter;
kicking left; right and center; in her diminutively blessed cradle,

The rain was Omnipotently pristine; and so was my new born baby
daughter;
mischievously tossing in unadulterated joy on the tufts of majestic
green
grass galore,

The rain was magically mitigating; and so was my new born baby
daughter;
miraculously ameliorating me of my most horrific despair; with her
innocuously fluttering eyelashes,

The rain was eternally liberating; and so was my new born baby
daughter;
naughtily smiling amidst her spectrum of teddy bears; as if there was
not
even the most infinitesimal trace of tension on this fathomless
Universe,

The rain was perennially fructifying; and so was my new born baby
daughter;
perpetually proliferating into unparalleled festoons of happiness;
every
unfurling minute of inscrutable existence,

The rain was unbelievably colorful; and so was my new born baby
daughter;
unfurling into the infinite shades of mystically emollient life; every
time
she alighted her pristinely nimble foot,

The rain was timelessly life-yielding; and so was my new born baby
daughter;
perpetuating a paradise of unsurpassably undefeated newness; in every
direction that she cast her immaculately dancing sight,

The rain was pricelessly inimitable; and so was my new born baby
daughter;
unconquerably enamoring even the most farthest quarter of heaven; with
the
twinkle in her rhapsodically infallible eyes,

The rain was the ultimate gift of the heavens; and so was my new born
baby
daughter; whose cries of stupendously charismatic freshness; spawned a
civilization of boundless beauty; till times beyond infinite infinity,

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The Raven And The King's Daughter

King’s daughter sitting in tower so high,
Fair summer is on many a shield.
Why weepest thou as the clouds go by?
Fair sing the swans ’twixt firth and field.
Why weepest thou in the window-seat
Till the tears run through thy fingers sweet?

The King’s Daughter.

I weep because I sit alone
Betwixt these walls of lime and stone.
Fair folk are in my father’s hall,
But for me he built this guarded wall.
And here the gold on the green I sew
Nor tidings of my true-love know.

The Raven.

King’s daughter, sitting above the sea,
I shall tell thee a tale shall gladden thee.
Yestreen I saw a ship go forth
When the wind blew merry from the north.
And by the tiller Steingrim sat,
And O, but my heart was glad thereat!
For ’twixt ashen plank and dark blue sea
His sword sang sweet of deeds to be.

The King’s Daughter.

O barren sea, thou bitter bird,
And a barren tale my ears have heard.

The Raven.

Thy father’s men were hard thereby
In byrny bright and helmet high.

The King’s Daughter.

O worser waxeth thy story far,
For these drew upon me bolt and bar.
Fly south, O fowl, to the field of death
For nothing sweet thy grey neb saith.

The Raven.

O, there was Olaf the lily-rose,
As fair as any oak that grows.

The King’s Daughter.

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Elizabeth Barrett Browning

Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

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Work, Sleep, Work, Sleep, Work

Work, sleep, work, sleep,
Work, sleep, work, sleep,
Work, sleep, work, sleep,
Work:

Work, sleep, work, sleep,
Work, sleep, work, sleep,
Work, sleep, work, sleep,
Work.

Oh free me please with gentle ease
From work, sleep, work, sleep, work!
This odium, pounding tedium
Of my work, sleep, work, sleep, work.

Just whisk me off to lands afar
From work, sleep, work, sleep, work -
That grinding train of rhythmic pain
Called ‘Work, sleep, work, sleep, work.’

Poor neural circuits fizzle and pop
In work, sleep, work, sleep, work,
In trying to make some sense of all this
Work, sleep, work, sleep, work.

But Hark! I see a golden gleam -
A saving spirit of hope:
‘You’re fired! ’ He screams. What news to bear,
This wondrous hangman’s rope!

So now I’m free, released from all this
Work, sleep, work, sleep, work -
Eternal peace and rest for me, no
Work, sleep, work, sleep, work.

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Ashley Jones

Got To Go To Work

gotta go to work
work work work wok work work work work work work work
gotta go to work
work work work work work work work work work work work
12697566846748857455848
work work work work work
gotta go to work
work work work work wok work
136498368574934
gotta go to work
repeatedly, until u want to stop
By: Ashley jones

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Farmers Daughter

I could come from miles away
Aint got (aint got, aint got)
No place to stay (place to stay, place to stay)
Glad to (glad to, glad to)
Help you plow your fields (help you plow, help you plow)
Farmers daughter (farmers daughter, farmers daughter)
Might be (might be, might be)
Just a couple of days (couple of days, couple of days)
Clean up (clean up, clean up)
Rest and on my way (on my way, on my way)
Thank you (thank you, thank you)
And Im must obliged (much obliged, much obliged)
Farmers daughter (farmers daughter, farmers daughter)
Mmmm-mmm-mmm-mmm-mmmmm
Mmmm-mmm-mmm-mmm-mmmmm
So long (so long, so long)
Better leave your land (leave your land, leave your land)
Many thanks (many thanks, many thanks)
It was mighty grand (mighty grand, mighty grand)
I do (hope to, hope to)
Hope to see you again (see you again see you again)
Farmers daughter (farmers daughter, farmers daughter)
Oh oh
Farmers daughter (farmers daughter, farmers daughter)
Oh oh
Farmers daughter (farmers daughter, farmers daughter)

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The Farmers Daughter

Written by brian wilson.
I could come from miles away
Aint got (aint got, aint got)
No place to stay (place to stay, place to stay)
Glad to (glad to, glad to)
Help you plow your fields (help you plow, help you plow)
Farmers daughter (farmers daughter, farmers daughter)
Might be (might be, might be)
Just a couple of days (couple of days, couple of days)
Clean up (clean up, clean up)
Rest and on my way (on my way, on my way)
Thank you (thank you, thank you)
And Im must obliged (much obliged, much obliged)
Farmers daughter (farmers daughter, farmers daughter)
Mmmm-mmm-mmm-mmm-mmmmm
Mmmm-mmm-mmm-mmm-mmmmm
So long (so long, so long)
Better leave your land (leave your land, leave your land)
Many thanks (many thanks, many thanks)
It was mighty grand (mighty grand, mighty grand)
I do (hope to, hope to)
Hope to see you again (see you again see you again)
Farmers daughter (farmers daughter, farmers daughter)
Oh oh
Farmers daughter (farmers daughter, farmers daughter)
Oh oh
Farmers daughter (farmers daughter, farmers daughter)

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We Can Work It Out

Now that I know your name and U know mine
Ain't it just about time that we got 2gether?
We should make such beautiful music 4ever
Oh, 2gether 4ever
Put your trust in me, I'll never let U down
Cuz I know I can count on U 2 help me make it
Ain't no doubt about it
We can work it out, work it out
I know we can work it out
Work it out, work it out
Ooh wee!
CHORUS:
Hope we work it out, I hope we work it out
(Everybody sing) Hope we work it out, I hope we work it out
Hope we work it out, I hope we work it out
(Everybody sing) Hope we work it out, I hope we work it out
Makin' music naturally, me and W.B. (CHORUS)
Music 4 the young and old, music bound 2 be gold
Work it out
Hope we work it out, I hope we work it out {x2}
Hope we work it out, I hope we work it out (Can we work it out?)
Hope we work it out, I hope we work it out (I want 2 work it out)
Hope we work it out, I hope we work it out
(Everybody sing) Hope we work it out, I hope we work it out
Hope we work it out, I hope we work it out
(Everybody sing) Hope we work it out, I hope we work it out
Hope we work it out, I hope we work it out
(Everybody sing) Hope we work it out, I hope we work it out
Makin' music naturally, me and W.B

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All I wanted is for you to love me

All I wanted is for you to love me! ! ! !

  She had her when she was only 15 years old, and her baby was so beautiful! many people told her that, and she smiled tho  but! ! ! ! in the back of her mind she hated her child tho.From taking thee attention away that she craved! ! ! ! ! and she was thinking it will never be about her, but always about her so called  beautiful daughter.    Now as time went along  her mother blamed her for the  men that went away and didn't stay the mother claimed that men would say, that her child act so childish each and everyday that there developed a frown on the mother face like her daughter was the case that her men friends went away, but it was always how she miss treated her daughter in there faces like calling her Miss. little red **** In front of her male acquaintance and she would laugh! ! ! ! when they didn't think it was funny, she ask for them to leave, and they would say you crazy! ! ! If that was my baby you would regret the day you ever mat me. And when they left she start yelling at her baby telling her look what the **** you did again! ! ! ! Thee anger, the rage, the look she gave. She grabbed her baby slammed! ! ! ! ! her on her bottom in a chair and piece, by piece, start cutting her hair. Telling her you think your better then me! ! ! ! you think your prettier, then me, you red  **** You think you can compete with me **** even tho she's only eight years old. Talked  about her birthmark on her feet and said thats the start of you being ugly, and the daughter just cried! ! ! ! The mother said you make me do these things to you because you think you so got dam! ! ! beautiful. 
 
Years later a history of events occurred thur out the years and now the daughter is now 15 and her mom hating on her body, that she covered up all the mirrors or gave them away so her daughter wouldn't be able to look at her face. What ever the daughter can see thur the mother trash that too  the daughter asked why are you so mean and taking everything because this is mine **** you always think your cutter then me! ! ! You red ****you want to hit me so I can **** up your face! ! ! ! wearing your tight jeans acting like you so much better then me you red **** And the daughter didn't say a word she just looked at her and her mom responded you looking down on me and the daughter responded no! ! ! ! Then responded I should have gave you away when the doctor placed you in my ***** hand, and she went on to say that day I brought you home I should took your clothes off and left you in the cold! ! ! ! !  you red ***** should be thankful and grateful that I didn't do that **** to you I'm only telling you this for your own *** good! ! !  then her  mom said you want to hit me don't you **** and the daughter responded no but I'm sad for you tho, that you couldn't be the mother I needed  you to be, and it hurts it really hurts, and the mom responded **** you **** and the mom said  what is that chair doing in your room! ! ! ! I just wanted you to love me. The daughter stood up in the chair the mom responded **** get down off my **** the daughter said I would never be loved by you the mother said  you got that right! ! ! the daughter started to cry and the mom responded you ugly **** daughter went to her pocket grabbed the knife and cut her own wrist I had to do this JUST TO GET AWAY FRom you, you jealousy **** she smiled and fell to the floor bleeding to death. Then the mom started yelling noooooooooo my baby my beautiful baby girl! ! ! ! ! ! !

Clarence Williams of greater

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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Elizabeth Barrett Browning

Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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Mama Talk To Your Daughter

Talk to your daughter
(J B Lenoir)
Mama, mama please talk to your daughter bout me
Mama, mama please talk to your daughter bout me
She made me love her and I aint gonna leave her be
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
She made me love her and I aint gonna leave her be
I aint gonna stand no quitting and she wont have me around
I aint gonna stand no quitting and she wont have me around
If she got me a ride, shed be six feet in the ground
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
She made me love her and I aint gonna leave her be
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
You should talk to your daughter (talk, talk)
She made me love her and I aint gonna leave her be

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The King's Daughter

WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.

We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.

The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.

The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.

The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.

The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.

We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.

By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.

“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.

He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.

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