Bourgeois class domination is undoubtedly an historical necessity, but, so too, the rising of the working class against it. Capital is an historical necessity, but, so too, its grave digger, the socialist proletariat.
quote by Rosa Luxemburg
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Bourgeois Blues
(huddie ledbetter/alan lomax)
(g7) - (c7) - (g) - (d7)
(g7) me and my wife went all over town
And everywhere we went people turned us down
Lord, in a (c7) bourgeois town
Its a (g) bourgeois town
I got the (d7) bourgeois blues
Gonna spread the news all a- (g) round
Home of the brave, land of the free
I dont wanna be mistreated by no bourgeoisie
Lord, in a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, me and my wife we were standing upstairs
We heard the white man say i dont want no niggers up there
Lord, in a bourgeois town
Uhm, bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, them white folks in washington they know how
To call a colored man a nigger just to see him bow
Lord, its a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
I tell all the colored folks to listen to me
Dont try to find you no home in washington, dc
cause its a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
song performed by Ry Cooder
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The Bourgeois Blues
(Huddie LedbetterAlan Lomax)
(G7) - (C7) - (G) - (D7)
(G7) Me and my wife went all over town
And everywhere we went people turned us down
Lord, in a (C7) bourgeois town
It's a (G) bourgeois town
I got the (D7) bourgeois blues
Gonna spread the news all a- (G) round
Home of the brave, land of the free
I don't wanna be mistreated by no bourgeoisie
Lord, in a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, me and my wife we were standing upstairs
We heard the white man say ?I don't want no niggers up there?
Lord, in a bourgeois town
Uhm, bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, them white folks in Washington they know how
To call a colored man a nigger just to see him bow
Lord, it's a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
I tell all the colored folks to listen to me
Don't try to find you no home in Washington, DC
?Cause it's a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
song performed by Ry Cooder
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Job Networks and Enlightenment Rooms
The unemployed proletariat had just finished with the Centrelink’s rigmarole,
Of paper forms, and signing his name, and all the stuff the unemployed got to do.
Running around doing the paper chase, which is a part of the dole regime.
Next, it was the Job Networks, the employment organization now privatised.
A new dole treadmill for the unemployed, encouraging an attitude highly industrialized.
“Welcome to Job Network” the t.v. monitor said, on a recorded video machine.
“We are a privatized organization for the purpose of getting you into employment.
We are here to help you to find your talents, and potentials, to improve your
Abilities, so that you can re-enter the work force to have a life of independents.
This is far better than being on welfare forever with your dependants”.
The interviewers in the Job Network office were old grannies,
Complete with false colorings and artificial additives.
“I’m your case manager, I’m assigned to you, and you are here to sign a contract.
The Job Search And Activities Plan and responsibilities and employment to find.
To ensure you’re meeting your obligations to society not to be in your dole grind”.
The granny said.”Under governmental policies your association with us is for all life.”
Granny continued.“There will be no talk-back, yak-back, smart-back nor fart-back.
If we find you to be deficient in abilities, then you have to do a course of some sort.”
The proletariat looked a bit stunned said. “At my age, late forties, it's a bit late.”
Granny said. “It’s never too late to train.” she did not like his mind’s negative state.
The proletariat said to the false colored granny with artificial additives.
“I got a really bum hip, and with it I can't do much, and it seems I can't have a pension.
I’m not 97 per cent dead, nor can I work in a factory any more, it’s quite hopeless.”
Continuing. “I’m 49, over the hill and even at 40 no one is going to hire me any more”.
Granny said. “There’s anti-age-discrimination laws that help’s you in life furthermore.”
The proletariat bemused said. “Funny, I never heard. Daadaa-daatatitit-dududdaada-daaa”
THIS IS THE CHANNEL NINE NEWS, THE MOTORING ORGANIZATION
DISCRIMINATED AGAINST THIS MIDDLE AGED BLOKE FOR A CLERICAL
JOB AND THE ANTI-DISCRIMINATION BOARD IS TAKING ACTION.
FURTHERMORE ITS INTOLERABLE THE UNEMPLOYED CANT HAVE TRACTION.
This made grandma very angry, and she looked at the proletariat with contempt.
And said that the proletariat didn't want to work and had a severe attitude problem.
Grandma said it was about time to do a attitude course against negative attitudes.
It was being held in the same building in the “Enlightenment Room” for all dolies.
Grandma said it’s about time that the proletariats guard against their follies.
“Follies? ? I don’t think I have attitudes nor follies” The proletariat said, and continued.
“I lost my job due to imports from India, how can I possibly find work if Australia
Imports everything in untold billions of dollars worth of imported goods.
Further more, Australia has call centres and “IT” jobs in India, sucking all jobs out
Of Australia, so how could I possibly find work, faaarout.
Grandma was starting to become impatient with this proletariat smart arse.
“We have anti-discrimination laws against what you’re saying.”
[...] Read more
poem by Jerry Behr Number 2
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The Ride Of Rody Burke
The heat haze veiled the distant hills, the white clouds floated high,
Drifting in slow content across the blue Australian sky;
And down in Clancy’s paddock there were mirth and laughter gay,
Where the She-Oak Jockey Club were met upon St. Patrick’s day.
There were carts and cars and buggies ranged beneath the spreading trees,
Where country folk for miles around were clustered thick as bees,
Watching the prancing horses pass with keen appraising eyes,
All out to win the Squatters’ Cup, the hundred-guinea prize.
Jim Daintry on The Digger rose; hopes for his mount were high,
A gallant roan with swinging pace, game head and fiery eye,
And Jim’s horse was the favourite, the betting there was keen,
But some were backing Rody Burke upon Dark Rosaleen.
A thing of velvet, fire and steel-a little dark brown mare,
With dainty legs and shoulders slant, lean head and high-bred air,
But knowing backers simply scoffed her chances of the race,
“She’ll never see his heels when once The Digger sets the pace.”
‘Twas just before the starting time that Rody reached the course,
And little Nora Shanahan watched for the dark brown horse,
And sighed to mark the rider’s face was white as if with pain,
Could Rody after all her prayers, be ‘going wild’ again?
How could she know that very morn as Rody cross the yard
The old white draught-horse lumbering by, had lashed out good and hard.
The broken ribs, the searing pain that caught his breath away—
Ah! Naught but Irish pluck and grit brought Rody there that day.
As he and Jim rose side by side, each cast a wistful eye
Where little Nora Shanahan looked on aloof and shy;
And each man thrilled at sight of her, the simple girlish grace,
The little kind brown hands of her, the apple-blossom face.
Rivals were they in sport and love, and yet good friends withal,
Whose true Australian mateship held no feeling mean or small,
And Nora, long her maiden heart had done an angels’ work,
With tears and prayers to save the soul of reckless Rody Burke.
Jim Daintry, manly, straight and true, had spreading acres wide,
And any girl in she-Oak might be proud to be his bride,
But who shall read a woman’s heart, or pierce its hidden screen,
Sweet Nora’s hopes were on the track with Rod and Rosaleen.
They’re off! A rush of flying hoofs, a blur of colours bright –
Tim Clancy’s Skylark in the lead, The Digger well in sight,
Dark Rosaleen leads the bunch behind, nor falters in her stride,
While Rody bears with sobbing breath the torture in his side.
[...] Read more
poem by Alice Guerin Crist
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A Square Deal
'Dreamin'?' I sez to Digger Smith.
'Buck up, ole sport, an' smile.
Ain't there enough uv joy to-day
To drive the bogey man away
An' make reel things worth while?
A bloke would think, to see you stare,
There's visions on the 'ill-tops there.'
'Dreamin',' sez Digger Smith. 'Why not?
An' there is visions too.
An' when I get 'em sorted out,
An' strafe that little bogey, Doubt,
I'll start me life all new.
Oh, I ain't crook; but packed in 'ere
Is thoughts enough to last a year.
'I'm thinkin' things,' sez Digger Smith.
'I'm thinkin' big an' fine
Uv Life an' Love an' all the rest,
An' wot is right an' wot is best,
An' 'ow much will be mine.
Not that I'm wantin' overmuch:
Some work, some play, an' food an' such.'
'See 'ere,' I sez. 'You 'ark to me.
I've done some thinkin' too.
An' this 'ere land, for wot yeh did,
Owes some few million solid quid
To fightin' blokes like you.
So don't be too damn modest or
Yeh'll get less than yeh're lookin' for.'
'Money?' sez Digger. 'Loot?' sez 'e.
'Aw, give that talk a rest!
I'm sick uv it. I didn't say
That I was thinkin' all uv pay
But wot was right an' best.
An' that ain't in the crazy game
Uv grabbin' wealth an' chasin' fame.
'Do you think us blokes Over There,
When things was goin' strong,
Was keepin' ledgers day be day
An' reck'nin' wot the crowd would pay?
Pull off! Yeh got it wrong.
Do you think all the boys gone West
Wants great swank 'eadstones on their chest?
'You coots at 'ome 'as small ideer
Uv wot we think an' feel.
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Working For The Man
Roy orbison
Re-recorded version of 1987
----------------------------------
Hey now
You better listen to me every one of you
We got a lot of lot of lot of lot of work to do
Forget about your women
No, no water can
Today you're working for the man
Well pick up your feet
We got a deadline to meet
I'm gonna see you make it on time
Now, don't relax
I want elbows and backs
I wanna see everybody from behind
'cause you're working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Well i'm pickin' em' up
And i'm layin' 'em down
I believe he's gonna work me into the ground
I pulled to the left, and i heaved to the right
I wanna kill him but it wouldn't be right
'cause i'm working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Well the bossman's daughter sneaks me water
Everytime her daddy's down the line
She says "meet me tonight,
Love me right
And everyting's gonna be fine."
So i slave all day, without much pay
I'm just abiding my time
'cause the company and the daughter, you see
They both gonna be all mine
Yeah i'm gonna be the man
Gonna be the man
Gotta make him a hand
If you gonna be the man
Working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Working for the man
Working for the man
Original version
------------------------
Hey now
[...] Read more
song performed by Roy Orbison
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Eureka
Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the anvils is as clear as silver bells.
I hear the broken English from the mouth of many a one
From every state and nation that is known beneath the sun;
The homely tongue of Scotland and the brogue of Ireland blend
With the dialects of England, right from Berwick to Lands End;
And to the busy concourse here the States have sent a part,
The land of gulches that has been immortalised by Harte;
The land where long from mining-camps the blue smoke upward curled;
The land that gave the "Partner" true and "Mliss" unto the world;
The men from all the nations in the New World and the Old,
All side by side, like brethren here, are delving after gold.
But suddenly the warning cries are heard on every side
As closing in around the field, a ring of troopers ride,
Unlicensed diggers are the game--their class and want are sins,
And so with all its shameful scenes, the digger hunt begins.
The men are seized who are too poor the heavy tax to pay,
Chained man to man as convicts were, and dragged in gangs away.
Though in the eyes of many a man the menace scarce was hid,
The diggers' blood was slow to boil, but scalded when it did.
But now another match is lit that soon must fire the charge
"Roll up! Roll up!" the poignant cry awakes the evening air,
And angry faces surge like waves around the speakers there.
"What are our sins that we should be an outlawed class?" they say,
"Shall we stand by while mates are seized and dragged like lags away?
Shall insult be on insult heaped? Shall we let these things go?"
And with a roar of voices comes the diggers' answer--"No!"
The day has vanished from the scene, but not the air of night
Can cool the blood that, ebbing back, leaves brows in anger white.
Lo, from the roof of Bentley's Inn the flames are leaping high;
They write "Revenge!" in letters red across the smoke-dimmed sky.
[...] Read more
poem by Henry Lawson
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When I saw the Sun rising in the sky
When I saw the sun rising in the sky; I felt waves of unparalleled enchantment circumvent my persona,
When I saw the sun rising in the sky; nascent pores embedded in my skin sprung up with exuberant intensity,
When I saw the sun rising in the sky; I felt waves of marathon despair deeply embodied in me; vanish into thin wisps of oblivion,
When I saw the sun rising in the sky; I felt besieged by volatile gushes of resplendent light,
When I saw the sun rising in the sky; stale pools of air in my lungs got profoundly reinvigorated; revitalizing my dreary senses,
When I saw the sun rising in the sky; I felt innovative perceptions about beauty circulating wildly through intricate pores of my mind,
When I saw the sun rising in the sky; I felt newly born droplets of sweat trickle down my nape; washing away sins of the previous day,
When I saw the sun rising in the sky; I felt golden beams of light gently caress my obscured eyes,
When I saw the sun rising in the sky; I felt an unprecedented vigor suddenly impregnate my feeble veins,
When I saw the sun rising in the sky; I felt a compassionate warmth engulfing me from all sides; annihilating completely the barbaric chill I had encountered in the night,
When I saw the sun rising in the sky; I felt my legs rhythmically sway; my ears absorbedly focused to melodious chirping of the humming bird,
When I saw the sun rising in the sky; I felt catapulted to supreme heights of ecstasy; with benevolent feelings of forgiveness slowly creeping in my soul,
When I saw the sun rising in the sky; I felt the palpitations of my heart grow faster; loads of enthusiasm embodied in my blood,
When I saw the sun rising in the sky; I felt the color of my skin dramatically change; it had now acquired tinges of robust crimson; profusely replacing patches of pallid flesh,
When I saw the sun rising in the sky; it made me retrospect more nostalgically about my past; forming a pellucid picture of my entity,
When I saw the sun rising in the sky; I felt inundated with images of celestial gods; hovering very near my silhouette,
When I saw the sun rising in the sky; I made a plethora of resolutions before commencing nondescript activities of the day,
When I saw the sun rising in the sky; I pictured all my ancestors living in coordinated harmony as the rays emanating out,
When I saw the sun rising in the sky; I dreamt about my love which was immortal as the perpetual shine,
And when I saw the sun rising in the sky; I conceived a new beginning to life; felt like bestowed with another opportunity to prove my mettle in this unsparing world.
poem by Nikhil Parekh
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Massacre in Nanjing
On a clear winter day you can see from Tokyo
The snow-capped volcanic cone of Mount Fuji.
Towering to a height of 3,776 meters on Honshu Island,
About 100 kilometers south-west from the capital,
The majestic mountain is a staunch symbol
Of the Land of the Rising Sun.
During the Sino-Japanese War of 1937-1945,
Hirohito's armies invaded China, carrying along
A fascist banner of samurai honor and pride.
The Japanese Imperial troops
Advanced with brutal force,
Committing dreadful atrocities
Against prisoners and civilians.
They reinterpreted bushido virtues and believed
That their war crimes elevated the splendor and glory
Of Mount Fuji to new heights.
Articles published in November and December 1937
In the Tokyo Nichi Nichi Shimbun reported the exploits
Of Japanese Imperial Army officers Toshiaki Mukai and
Tsuyoshi Noda, who on the road to Nanjing competed,
For being the first to behead 100 Chinese with a sword.
Okumiya Masatake, a Japanese officer,
Was a witness to the atrocities.
He was a principled aviator in the Imperial Navy,
Serving in Jiangsu.
He was shocked by the carnage he saw in China.
On December 12,1937,
He participated outside Nanjing
In the bombing and sinking
Of the American Gunboat USS Panay
In the Yangtze River.
A few days after the sinking of the Panay,
Okumiya rode a chauffeur-driven car,
Searching for the bodies of downed Japanese pilots.
It was then that he had witnessed
His Majesty's Imperial Troops
Perpetrating gruesome Massacres.
In the streets of Nanjing, Japanese soldiers
Were slaughtering indiscriminately
Chinese men and women, young and old.
On December 25 and 27 of 1937,
Okumiya photographed in the capital
Piles of innumerable bodies of Chinese people,
Lying unburied along the Yangtze River
[...] Read more
poem by Paul Hartal
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Working Class Hero
As soon as you're born they make you feel small,
By giving you no time instead of it all,
Till the pain is so big you feel nothing at all.
A working class hero is something to be,
A working class hero is something to be.
They hurt you at home and they hit you at school,
They hate you if you're clever and they despise a fool,
Till you're so f***ing crazy you can't follow their rules.
A working class hero is something to be,
A working class hero is something to be.
When they've tortured and scared you for twenty odd years,
Then they expect you to pick a career,
When you can't really function you're so full of fear.
A working class hero is something to be,
A working class hero is something to be.
Keep you doped with religion and sex and TV,
And you think you're so clever and classless and free,
But you're still f***ing peasants as far as I can see.
A working class hero is something to be,
A working class hero is something to be.
There's room at the top they are telling you still,
But first you must learn how to smile as you kill,
If you want to be like the folks on the hill.
A working class hero is something to be.
A working class hero is something to be.
If you want to be a hero well just follow me,
If you want to be a hero well just follow me.
song, music by John Lennon, lyrics by John Lennon from John Lennon/Plastic Ono Band (11 December 1970)
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Everything Is Kiling Me....
As soon as you're born they make you feel small
By giving you no time instead of it all
Till the pain is so big you feel nothing at all
A working class hero is something to be
A working class hero is something to be
They hurt you at home and they hit you at school
They hate you if you're clever and they despise a fool
Till you're so fucking crazy you can't follow their rules
A working class hero is something to be
A working class hero is something to be
When they've tortured and scared you for twenty odd years
Then they expect you to pick a career
When you can't really function you're so full of fear
A working class hero is something to be
A working class hero is something to be
Keep you doped with religion and sex and TV
And you think you're so clever and classless and free
But you're still fucking peasants as far as I can see
A working class hero is something to be
A working class hero is something to be
There's room at the top they are telling you still
But first you must learn how to smile as you kill
If you want to be like the folks on the hill
A working class hero is something to be
A working class hero is something to be
If you want to be a hero well just follow me
If you want to be a hero well just follow me
poem by Adnan Zahedi
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Step Outside
Well the walls to wet to sit on
And theres a curtain right over my head
Stamp my feet waiting for a bus
But decide to walk instead
And the american saxophoner follows me
All the way from the tele to the public house
My fingers are always in my ears
But the reeds always in their mouth
And if youve ever crossed your heart and hoped to die
The voices in your head saying you must cry
Then theres more to you than meets the eye
But if you go about your business with capital b
Theyre sure to cut you up with a capital c
And then you will be dead with a capital d
Just step outside
Well we could stop for a conversasion
If we could think of anything to say
But you know youve got nothing to talk about
When nothing happened yesterday
And if I ever commited a murder
I think Id go about it this way
Never mine a rope or a dagger and a cloak
I could spend a week on this estate
And if youve ever crossed your heart and hoped to die
The voices in your head saying you must cry
Then theres more to you than meets the eye
But if you go about your business with capital b
Theyre sure to cut you up with a capital c
And then you will be dead with a capital a
Just step outside
What are you doing tomorrow
And the day after and the day after that
Got some money I can borrow?
Ive become the person Ive admired
And if youve ever crossed your heart and hoped to die
The voices in your head saying you must cry
Then theres more to you than meets the eye
But if you go about your business with capital b
Theyre sure to cut you up with a capital c
And then you will be dead with a capital b
song performed by Housemartins
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Love Working On You
(jim collins/craig wiseman)
You woke up this morning
Changes were taking place
You looked in the mirror
A smile was all over your face
cause out of nowhere
Someone was there
Who dared to climb
Those walls you made
Its exciting, a little frightening
But girl dont you be afraid
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Cant even remember
All the sorrow that you left behind
Its a brand new day
Theres a bright new way
And your tears have turned into wine
You never forget
When your eyes met
Or just how clearly you could see
Where the turns are deep in your heart
That lead you to believe
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
All of the while you felt forsaken
And all of the while
Loves been waiting, waiting
Suddenly you see how it could be
If we all only felt this way
And for a while girl you can see this world
Looking through the eyes of fate
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Thats just the love working on you
Thats just the love working
Working on pulling you through
song performed by John Michael Montgomery
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The Premier and the Socialist
The Premier and the Socialist
Were walking through the State:
They wept to see the Savings Bank
Such funds accumulate.
"If these were only cleared away,"
They said, "it would be great."
"If three financial amateurs
Controlled them for a year,
Do you suppose," the Premier said,
"That they would get them clear?"
"I think so," said the Socialist;
"They would -- or very near!"
"If we should try to raise some cash
On assets of our own,
Do you suppose," the Premier said,
"That we could float a loan?"
"I doubt it," said the Socialist,
And groaned a doleful groan.
"Oh, Savings, come and walk with us!"
The Premier did entreat;
"A little walk, a little talk,
Away from Barrack Street;
My Socialistic friend will guide
Your inexperienced feet."
"We do not think," the Savings said,
"A socialistic crank,
Although he chance just now to hold
A legislative rank,
Can teach experienced Banking men
The way to run a Bank."
The Premier and the Socialist
They passed an Act or so
To take the little Savings out
And let them have a blow.
"We'll teach the Banks," the Premier said,
"The way to run the show.
"There's Tom Waddell -- in Bank finance
Can show them what is what.
I used to prove not long ago
His Estimates were rot.
But that -- like many other things --
I've recently forgot.
"Advances on a dried-out farm
Are what we chiefly need,
[...] Read more
poem by Andrew Barton Paterson
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Anzac Square: What The Digger Said
Said the Digger: 'Soon forgot! Soon forgot, the deeds of war.
Better so, may be. . . Why not?
Beauty fades and laurels rot;
Last year's roses are no more.
Fame?' the one-armed Digger said,
'What of glory when you're dead?'
'Stone and brass,' the Digger said. 'Stone and brass: tho' these endure,
Marble flaunting o'er my head
Would be dead, as I'd be dead.
How may any man be sure
That the hearts of men shall hold
Memories of tales once told?
This alone I surely know: earth I am, and earth shall be,
Only Mother Earth can show,
When I go where all men go,
Aught of this that had been me.
Mother Earth, once stained so red,
She must know,' the Digger said.
'Would you raise, in braggart heaps, stone, cold stone, to mark the fame
Of full many a man who sleeps
Where the earth of Anzac keeps
Guard o'er legions lacking name
Plinth and pillar reared to show
Pomp and pride they cannot know?
'They ask no portentous pile, boasting to a heedless sky,
Stirring men a little while,
Subject, then, for sigh or smile,
Not for this do soldiers die,
With our passing let Pride be,
All we ask is Memory:
'Memory of such fair worth as a fighting man may claim,
And a plot of hallowed earth
In the city of our birth:
Earth that bears a hallowed name.
Let it be envisioned there:
Anzac worth in Anzac Square.
'Memory,' the Digger said. 'If so be the city judge
Soldiers worthy, who have bled.
Worthy of her love, the dead,
Shall the city, then, begrudge
One wide acre of her soil
For who saved the whole from spoil?
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Digger Smith
'E calls me Digger; that's 'ow 'e begins.
'E sez 'e's only 'arf a man; an' grins.
Judged be 'is nerve, I'd say 'e was worth two
Uv me an' you.
Then 'e digs 'arf a fag out uv 'is vest,
Borrers me matches, an' I gives 'im best.
The first I 'eard about it Poole told me.
'There is a bloke called Smith at Flood's,' sez 'e;
'Come there this mornin', sez 'e's come to stay,
An' won't go 'way.
Sez 'e was sent there be a pal named Flood;
An' talks uv contracts sealed with Flanders mud.
'No matter wot they say, 'e only grins,'
Sez Poole. ''E's rather wobbly on 'is pins.
Seems like a soldier bloke. An' Peter Begg
'E sez one leg
Works be machinery, but I dunno.
I only know 'e's there an' 'e won't go.
''E grins,' sez Poole, 'at ev'rything they say.
Dad Flood 'as nearly 'ad a fit today.
'E's cursed, an' ordered 'im clean off the place;
But this cove's face
Jist goes on grinnin', an' he sez, quite carm,
'E's come to do a bit around the farm.'
The tale don't sound too good to me at all.
'If 'e's a crook,' I sez, ''e wants a fall.
Maybe 'e's dilly. I'll go round and see.
'E'll grin at me
When I 'ave done, if 'e needs dealin' with.'
So I goes down to interview this Smith.
'E 'ad a fork out in the tater patch.
Sez 'e, 'Why 'ello, Digger. Got a match?'
'Digger?' I sez. 'Well, you ain't digger 'ere.
You better clear.
You ought to know that you can't dig them spuds.
They don't belong to you; they're ole Dad Flood's.'
'Can't I?' 'e grins. 'I'll do the best I can,
Considerin' I'm only 'arf a man.
Give us a light. I can't get none from Flood,
An' mine is dud.'
I parts; an' 'e stands grinning at me still;
An' then 'e sez, ''Ave yeh fergot me, Bill?'
I looks, an' seen a tough bloke, short an' thin.
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Half a Man
'I wash me 'ands uv 'im,' I tells 'em straight.
'You women can do wot yeh dash well like.
I leave this 'arf a man to 'is own fate;
I've done me bit, an' now I'm gone on strike.
Do wot yeh please; but don't arsk 'elp from me;
'E's give me nerves; so now I'll let 'im be.'
Doreen an' ole Mar Flood 'as got a scheme.
They've been conspirin' for a week or more
About this Digger Smith, an' now they dream
They've got 'is fucher waitin' in cold store
To 'and 'im out, an' fix 'im up for life.
But they've got Buckley's, as I tells me wife.
I've seen them whisperin' up in our room.
Now they wants me to join in the debate;
But 'Nix,' I tells 'em. 'I ain't in the boom,
An' Digger Smith ain't risin' to me bait;
'E's fur too fly a fish for me to catch,
An' two designin' women ain't 'is match.'
I puts me foot down firm, an' tells 'em, No!
Their silly plan's a thing I wouldn't touch.
An' then me wife, for 'arf an hour or so,
Talks to me confident, of nothin' much;
Then, 'fore I know it, I am all red 'ot
Into the scheme, an' leader uv the plot.
'Twas Mar Flood starts it. She got 'old uv 'im --
You know the way they 'ave with poor, weak men --
She drops a tear or two concernin' Jim;
Tells 'im wot women 'ave to bear; an' then
She got 'im talkin', like a woman can.
'E never would 'ave squeaked to any man.
She leads 'im on -- It's crook the way they scheme --
To talk about this girl 'e's let be'ind.
Not that she's pryin'! Why, she wouldn't dream! --
But speakin' uv it might jist ease 'is mind.
Then, 'fore 'e knows, 'e's told, to 'is surprise,
Name an' address -- an' colour uv 'er eyes!
An' then she's off 'ere plottin' with Doreen --
Bustin' a confidence, I tells 'em, flat.
But all me roustin' leaves 'em both serene:
Women don't see a little thing like that.
An' I ain't cooled off yet before they've got
Me workin' for 'em in this crooked plot.
Nex' day Mar Flood she takes 'er Sunday dress
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Over the Fence
'Taint my idea uv argument to call a man a fool,
An' I ain't lookin' round for bricks to 'eave at ole man Poole;
But when 'e gets disputin' 'e's inclined to lose 'is 'ead.
It ain't so much 'is choice uv words as 'ow the words is said.
'E's sich a coot for takin' sides, as I sez to Doreen.
Sez she, ''Ow can 'e, by 'imself?' Wotever that may mean.
My wife sez little things sometimes that nearly git me riled.
I knoo she meant more than she said be that soft way she smiled.
Today, when I was 'arrowin', Poole come down to the fence
To get the loan uv my long spade; an' uses that pretence
To 'ave a bit uv friendly talk, an' one word leads to more,
As is the way with ole man Poole, as I've remarked before.
The spade reminds 'im 'ow 'e done some diggin' in 'is day,
An' diggin' brings the talk to earth, an' earth leads on to clay,
Then clay quite natural reminds a thinkin' bloke uv bricks,
An' mortar brings up mud, an' then, uv course it's politics.
Now Poole sticks be 'is Party, an' I don't deny 'is right;
But when he starts abusin' mine 'e's lookin' for a fight.
So I delivers good 'ome truths about 'is crowd, then Poole
Wags 'is ole beard across the fence an' tells me I'm a fool.
Now that's the dizzy limit; so I lays aside the reins,
An' starts to prove 'e's storin' mud where most blokes keeps their brains.
'E decorates 'is answers, an' we're goin' it ding-dong,
When this returned bloke, Digger Smith, comes sauntering along.
Poole's gripped the fence as though 'e means to tear the rails in two,
An' eyes my waggin' finger like 'e wants to 'ave a chew.
Then Digger Smith 'e grins at Poole, an' then 'e looks at me,
An' sez, quite soft an' friendly-like, 'Winnin' the war?' sez 'e.
Now, Poole deserves it, an' I'm pleased the lad give 'im that jolt.
'E goes fair mad in argument when once 'e gets a holt.
'Yeh make me sad,' sez Digger Smith; 'the both uv you,' sez 'e.
'The both uv us! Gawstruth!' sez I. 'You ain't includin' me?'
'Well, it takes two to make a row,' sez little Digger Smith.
'A bloke can't argue 'less 'e 'as a bloke to argue with.
I've come 'ome from a dinkum scap to find this land uv light
Is chasin' its own tail around an' callin' it a fight.
'We've seen a thing or two, us blokes 'oo've fought on many fronts;
An' we've 'ad time to think a bit between the fightin' stunts,
We've seen big things, an' thought big things, an' all the silly fuss,
That used to get us rattled once, seems very small to us.
'An' when a bloke's fought for a land an' gets laid on the shelf
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Fourth Book
THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'
So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Socialist And The Suffragist
Said the Socialist to the Suffragist:
'My cause is greater than yours!
You only work for a Special Class,
We work for the gain of the General Mass,
Which every good ensures!'
Said the Suffragist to the Socialist:
'You underrate my Cause!
While women remain a Subject Class,
You never can move the General Mass,
With your Economic Laws!'
Said the Socialist to the Suffragist:
'You misinterpret facts!
There is no room for doubt or schism
In Economic Determinism–
It governs all our acts!'
Said the Suffragist to the Socialist:
'You men will always find
That this old world will never move
More swiftly in its ancient groove
While women stay behind! '
'A lifted world lifts women up,'
The Socialist explained.
'You cannot lift the world at all
While half of it is kept so small,'
The Suffragist maintained.
The world awoke, and tartly spoke:
'Your work is all the same:
Work together or work apart,
Work, each of you, with all your heart–
Just get into the game!'
poem by Charlotte Perkins Stetson Gilman
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