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One can never know for sure what a deserted area looks like.

quote by George Carlin
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Allegany Camp

amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
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amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
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amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
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amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

[...] Read more

poem by Rwetewrt Erwtwer
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Restricted Area

High voltage in the air
No way to know its good or bad
Dont try to trick it down
Otherwise you could be dead
So just look out
It may be mean
Just cant be too afraid of this machine
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
Restricted area
Your brains been mesmerized
And in your mind this place is full of steel,
So full of steel
So shift to overdrive
Crash away the gang with the men from another space
So be aware
Just leave the scene
The worlds been metallized by this machine
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
The worlds been metallized
A hole in the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
Its a restricted area
Hold on - hold on - hold on
Your brains been mesmerized
A hole in the middle of the night
In the middle of the night
Youre heavy metallized
A hole in the middle of the night

song performed by U. D. O.
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

poem by Gert Strydom
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

poem by Mahendra Bhatnagar
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Sneaky With the Looks

Sneaky with the looks that they give.

I perceive myself alone.
I feel a curiosity directed.
At first I am not sure,
If the curiosity is directed towards me.
And I look around.
Nothing is there to block my steps.
And I begin to whistle in nervousness.
To then talk to myself...
In a calming peacefulness.
I admit is beginning to get a bit restless.

Sneaky with the looks that they give.

I am among the trees.
Alone in fresh Spring breezes.

Sneaky with the looks that they give.

I begin to hear the chirping of birds.
Conversing to break the silence,
With a charm that does not disturb.
And they fly high between the trees.
Trying to hide within the leaves.

Sneaky with the looks that they give.

I follow a path made clear of obstacles.
I stop.
So does the chirping.
I pick up a small rock,
To toss as I also pick up a twig.
There is a wind.
And I continue my journey.

Wings flap as if there is clapping.
I adjust my cap.
And two squirrels chase...
Across my path!
To play tag and hide and seek.
I stop to watch.

Sneaky with the looks that they give.

I look up!
And there they all sit.
As if in conference on a branch.
Together...
Laughing!

[...] Read more

poem by Lawrence S. Pertillar
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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

song performed by Men Without Hats
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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

[...] Read more

poem by Coventry Patmore
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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

song performed by LL Cool J
Added by Lucian Velea
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It Looks Like Rain

I stand at the window
Looking out, looking out at the grey
After getting up and reading the paper today
Sometimes I just want to crawl back in bed
Pull the covers over my eyes
This world is so full of trouble
All the war planes in the sky
Chorus:
And it looks like rain
Cant you hear the thunder
And it looks like rain
Dont it make you wonder
Killers make the front page
Good deeds go unnoticed
Seems like, like theres no change
No matter what the vote is
It used to be we were
All looking out for everybody else
But now it seems the only law is
Every man for himself
(chorus)
And it looks like rain
Cant you hear the thunder
It looks like rain
Dont it make you
And it looks like rain
Falling down my eyes
It looks like rain
Dont you wonder why
I hear, hear it pounding
In the courtrooms and halls
I hear, hear it sounding
Through these paper-thin walls
I can hear people lying under oath
Lovers breaking their vows
I dont want to give up hope
Is it too late now
Chorus:
And it looks like rain
Cant you hear the thunder
It looks like rain
Dont it make you
And it looks like rain
Falling down my eyes
It looks like rain
Dont you wonder why
And it looks like rain
Cant you hear the thunder
It looks like rain
Dont it make you

[...] Read more

song performed by Toto
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Poem (‘It Doesn’t Look Like A Finger...’)

It doesn’t look like a finger it looks like a feather of broken glass
It doesn’t look like something to eat it looks like something eaten
It doesn’t look like an empty chair it looks like an old woman
searching in a heap of stones
It doesn’t look like a heap of stones it looks like an estuary where
the drifting filth is swept to and fro on the tide
It doesn’t look like a finger it looks like a feather with broken teeth
The spaces between the stones are made of stone
It doesn’t look like a revolver it looks like a convolvulus
It doesn’t look like a living convolvulus it looks like a dead one
KEEP YOUR FILTHY HANDS OFF MY FRIENDS USE THEM ON
YOUR BITCHES OR
YOURSELVES BUT KEEP THEM OFF MY FRIENDS
The faces between the stones are made of bone
It doesn’t look like an eye it looks like a bowl of rotten fruit
It doesn’t look like my mother in the garden it looks like my father
when he came up from the sea covered in shells and tangle
It doesn’t look like a feather it looks like a finger with broken wings
It doesn’t look like the old woman’s mouth it looks like a handful
of broken feathers or a revolver buried in cinders
The faces beneath the stones are made of stone
It doesn’t look like a broken cup it looks like a cut lip
It doesn’t look like yours it looks like mine
BUT IT IS YOURS NOW
SOON IT WILL LOOK LIKE YOURS
AND ANYTHING YOU SEE WILL BE USED AGAINST YOU

London Bulletin, No. 2 (May 1938), 7.

poem by Hugh Sykes Davies
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I've Seen The Devil (And He Looks Like You)

I've watched people in this world,
do evil things to each other,
I've seen them do evil things to the ones,
that they love and cherish,
but I never understood why they did,
the things that they do,

war to me is so useless,
couldn't we just find other ways,
to settle our differences,
except for trying to talk it out,
we put guns in the arms of our young ones,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but do we really know what its all about,
do we really know why we do the things we do,
like going to war with one another,
trying to beat the devil that lives inside all of us,

I see the devil every single day,
I see him on the late night news,
and I see him on the covers of our magazines,
he tells us it’s going to be alright,
and that the wars going to be over,
only if we follow him,
and his un-holy union,

Chorus: I've Seen The Devil,
and He looks like you,
I've Seen The Devil,
and he looks like you,
I've Seen The Devil,
and He Looks like you,

but I don't see why we should,
follow you and your ways,
follow your path of destruction,
follow you and your destruction of the world,
why should we follow you,

you whisper stuff in our ears,
you say it’s going to be alright,
the next war that we fight will be the war of wars,
and we'll all die a Nuclear Holocaust,

[...] Read more

poem by Robert Rumery
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

poem by Percy Bysshe Shelley
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

poem by William Wordsworth
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My Paint Heroes

All of paris giggles with flags
Laughing lions leap up from the page
My the world looks good from where you are
My the world looks good from where you paint from
Barcelona, nuclear festive, wire women
Wriggle from lifes cage
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like its all a party
Packed with my paint heroes
Like its all a party
Packed with rousseau
Miro, miro, on my wall
I love you the most of all
In port lligat, liked his gala
Waxed antenna, brushes up a storm
My the world looks good from where you are
My the world looks good from where you paint from
Catalonias atom caveman
Cracks his whipline tipped in purest form
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like its all a party
Packed with my paint heroes
Like its all a party
Packed with dali
Miro, miro, on my wall
I love you the most of all

song performed by Xtc
Added by Lucian Velea
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My Paint Heroes (home Demo)

All of Paris giggles with flags
Laughing lions leap up from the page
My the world looks good from where you are
My the world looks good from where you paint from
Barcelona, nuclear festive, wire women
Wriggle from life's cage
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like it's all a party
Packed with my paint heroes
Like it's all a party
Packed with Rousseau
Miro, Miro, on my wall
I love you the most of all
In Port Lligat, liked his Gala
Waxed antenna, brushes up a storm
My the world looks good from where you are
My the world looks good from where you paint from
Catalonia's atom caveman
Cracks his whipline tipped in purest form
My the world looks good from where you are
My the world looks good from where you paint from
My the world looks good from where you are
My the world looks like it's all a party
Packed with my paint heroes
Like it's all a party
Packed with Dali
Miro, Miro, on my wall
I love you the most of all

song performed by Xtc
Added by Lucian Velea
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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

[...] Read more

poem by Coventry Patmore
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Dark Side of Town

we came home on the dark side of town

we came home to a deserted rubble of half forgotten memories, children’s toys, fenced yards grown heavy with weeds, and a cold wind blowing

we came home on the wrong side of the tracks

we came home to the industrial miasma of where we used to live and found we didn’t live there anymore

we came home to the cold shoulder of forgotten dreams and forgotten neighborhoods

we came home to where the unlocked door stood open and the floorboards flapped in the wind that blew through the empty house

we came home to the unreality of lifetimes that used to be lived by the people who used to live them

we came home to the midnight of deserted railroad yards, rusted tracks, empty boxcars, noon whistles and the paper mill once prosperous now deserted but for the white haired old man in the shipping office

we came home to the vacant lot where our childhood was

we came home to a new land of strangers, commerce, and the implacability of change

we came home to where our poverty came as inexplicably as other people’s success

we came home on the dark side of loneliness where a forgotten sun rose over the trancelike horizon of a deserted junkyard

we came home to the inner melancholy where even now the memories lie dormant

we came home to where a greeting card on valentine’s day was the most meaningful thing to us

we came home to lost pages of forgotten poetry flapping like leaves in the wind of silent refuse beaches

we came home to where horizons were closer and the radio tower on the hill beamed concentric rings of our loneliness

we came home to the nocturnal setting of long deserted friends and the surreal back roads of our youth

we came home to where our grandmother’s house was still standing and the city fountain still stood in the center of town

we came home to where there was no modern jazz or poetry and psychedelia was still a long lost dream away

we came home to where the fear of sex merged with the fear of death and the future still lay before us like a carpet of unrealized potential

we came home to the innocence of christmas lights, parental hands held crossing the street, and the expectation of giving

we came home to where our interment by day in the school was sharply contrasted to our interment at home by night

we came home to where snowed in by a blizzard gave us our only holiday and the tiny transmitted voice from the radio station gave us our only hope of vibraphones and cool jazz

we came home to where we looked for but could not find an avenue of entry into the esoteric knowledge of an elite inner circle

we came home to where good grades eventually gave way to apathy and absenteeism

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poem by Theresa Haffner
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Missionary - Canto Eighth

The morn returns, and, reddening, seems to shed
One ray of glory on the patriot-dead.
Round the dark stone, the victor-chiefs behold!
Still on their locks the gouts of gore hang cold!
There stands the brave Caupolican, the pride
Of Chili, young Lautaro, by his side!
Near the grim circle, pendent from the wood,
Twelve hundred Spanish heads are dripping blood.
Shrill sound the notes of death: in festive dance,
The Indian maids with myrtle boughs advance;
The tinkling sea-shells on their ancles ring,
As, hailing thus the victor-youth, they sing:--

SONG OF INDIAN MAIDS.

Oh, shout for Lautaro, the young and the brave!
The arm of whose strength was uplifted to save,
When the steeds of the strangers came rushing amain,
And the ghosts of our fathers looked down on the slain!

'Twas eve, and the noise of the battle was o'er,
Five thousand brave warriors were cold in their gore;
When, in front, young Lautaro invincible stood,
And the horses and iron-men rolled in their blood!

As the snows of the mountain are swept by the blast,
The earthquake of death o'er the white men has passed;
Shout, Chili, in triumph! the battle is won,
And we dance round the heads that are black in the sun!

Lautaro, as if wrapt in thought profound,
Oft turned an anxious look inquiring round.
He is not here!--Say, does my father live?
Ere eager voices could an answer give,
With faltering footsteps and declining head,
And slowly by an aged Indian led,
Wounded and weak the mountain chief appears:
Live, live! Lautaro cried, with bursting tears,
And fell upon his neck, and, kissing, pressed,
With folding arms, his gray hairs to his breast.
Oh, live! I am thy son--thy long-lost child!
The warrior raised his look, and faintly smiled;
Chili, my country, is avenged! he cried:
My son!--then sunk upon a shield--and died.
Lautaro knelt beside him, as he bowed,
And kissed his bleeding breast, and wept aloud.
The sounds of sadness through the circle ran,
When thus, with lifted axe, Caupolican:
What, for our fathers, brothers, children, slain,
Canst thou repay, ruthless, inhuman Spain?

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poem by William Lisle Bowles
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