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Arthur Conan Doyle

There is nothing more deceptive than an obvious fact.

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It Ain't Obvious

I keep trying
but I'm running out of ways to make you want me baby
I cannot be everything you want you drive me crazy
you're never satisfied
its not even worth a try times are for making up your mind
maybe we'll never see eye to eye

so treat me cruel to be kind
lets play it straight down the line
I'm sure you wanna be mine
but it ain't obvious

why cant you just let it be
what would you have me believe
I'm sure you really want me
but it ain't obvious

why don't you put a little trust in me
and let it go
if you don't take a chance
how will you ever know
baby im on your side

have I been foolish all along
have you been leading me on
just to walk away
if this is where you belong

so treat me cruel to be kind
lets play it straight down the line
I'm sure you wanna be mine
but it ain't obvious

why cant you just let it be
what would you have me believe
I'm sure you really want me
but it ain't obvious

but it ain't obvious
but it ain't obvious
but it ain't obvious
but it ain't obvious

come on wont you be with me
what would you have me believe
come on wont you be with me
oh no no

if its not even worth a try times are for making up your mind
maybe we'll never see eye to eye

[...] Read more

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As A Matter Of Fact

Written by s. garrett & d. boyette
Blow daddy, aww, yeah
Here we are, standing at the hard line
We made it last this long
The two of us, together since the first time
And I believe our love is still strong
Seems love has a funny way
Well, it can come or go or it can choose to stay
But love says what it has to say
(chorus)
Matter of fact (ooh, as a matter of fact)
I love you (oh, as a matter of fact)
And I love that you love me back
As a matter of fact (ooh, as a matter, a matter)
Some said we wouldnt make it this far
But they dont talk no more (no more)
The love we share is precious as a big star
And what we haves what others hope for
Seems love has a funny way
Well, it can come or go or it can choose to stay
But love says what it has to say
(chorus)
Matter of fact (ooh, as a matter of fact)
I need you (oh, as a matter of fact)
And Im glad that you need me back
As a matter of fact (ooh, as a matter, a matter)
Mm, matter of fact, yeah (ooh as a matter of fact)
I want you (yeah, as a matter of fact)
And I cant tell you more than that
As a matter of fact, (ooh, as a matter) yeah (matter)
Aww, blow, daddy
Musical interlude
Yeah, yeah, yeah
Seems love has a funny way
Well, it can come and go or it can choose to stay
But love says what it has to say
(repeat chorus)
Matter of fact (ooh, as a matter of fact)
I love you (oh, as a matter of fact)
Yeah and I love that you love me back
As a matter of fact (ooh, as a matter of fact)
Ooh, ooh, baby
Matter of fact (ooh, as a matter of fact)
I need you (yeah, as a matter of fact)
And Im glad that you need me right back
As a matter of fact
(ooh, as a matter) yeah (a matter)

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Two Fuse

Interactive,
And a catalyst that captures...
And a catalyst that captures,
Manufactures what it matches...
To attach and sack a catch.

Two fuse and they become attracted,
To be seen as a known fact.

Interactive,
And a catalyst that captures...
Factors in and snatches fast.

Interactive,
And a catalyst that captures...
And a catalyst that captures,
Manufactures what it matches...
To attach and sack a catch.

Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and they become attracted,
To be seen as a known fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.

Interactive,
And a catalyst that captures...
Factors in and snatches fast.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and they become attracted,
To be seen as a known fact.

Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.
Two fuse and this becomes a fact.

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Symbiotic Symphony

Slim beauty, fair hair sun-bright cloud
about her billows, surface calm
masks deep emotions, soul uncowed,
search newly blessed by soothing balm.
She wandered, lonely, through the crowd,
observing all, yet often seemed
both close and distant, head unbowed,
epitome of dreams she’d dreamed.

Sweet symbiotic symphony
awaiting liberating call,
preparing serendipity,
would nonetheless retain high wall
until discovering within
an infinite capacity
for stretching wings devoid of sin,
freed from former opacity.

Perpetual priority
protecting family until
each child - Ambre, Axel, Alice and Camille -
could thread autonomy and will
to flourish confident and be
emancipate - though never still -
from ignorance, fatuity.

Priority number two: to join
to present questions answers which
might mint fresh happiness' bright coin
a future fair, shared feelings rich
that none could question, none purloin,
an idyll oasis to stitch
nest nurturing til kids conjoin.

Deceptive calm! Her mind must try
to comprehend and then translate,
so children share, none e’er run shy
of fighting prejudice and hate.
Though world be harsh, though time swift fly,
empowered troupe she'd teach instate
an energy none misapply
true joy, fresh focus liberate.

Mistrusting superfluity
she scans horizons far beyond
face values, gilt annuity,
both mass hysteria, mass despond.
With natural ingenuity
imagination's magic wand
ingenuous spells melody

[...] Read more

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But he didn't love (Russian romance)

He said be mine dear, be mine forever

And I will live with burning desire.

Charming his smile was, bliss in the glances

And all that promised Garden of Eden.

Sweet words deceptive

My heart was broken

Sweet words deceptive

My heart was broken

But it was not love

He didn't love me,

No, he didn't love me.

He said I lighted his gloomy soul,

His gloomy soul with blazing star.

He said I gave him

Gave him some hopes

Filling his heart with

Sweet dreams and wishes.

First he was smiling

Then he shed tears

First he was smiling

Then he shed tears

But it was not love

He didn't love me.

No, he didn't love me.

[...] Read more

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Quick Seizures

Run...
Through the valleys of your deepest fears,
And escaping pain.

Run...
And stay clear of deceptive faces,
Some may take time...
To define and clarify.

Run...
Out pace temptations chasing,
They too seek someone to cling onto.
Someone like you,
In denial and yet,
Knowing on the inside
Someone like you,
Not showing it on the outside
Is inside desiring...
Needs you have to be touched,
Fucked and satisfied!
But prostitution should not be,
What this feeling can deliver...
When it's been on hold overtime!
To slowly freeze.

You're ready to thaw!

Run...
They seek quick seizures.
With judgements passed to place!
They come to haunt you with false charges.
Memories revealed you knew weren't real of face!

Run...
Your peace of mind is wanted,
And it threatens those with no sense.
Even though they know you know it shows...
They feel better with you caged and fenced!

Run...
Through the valleys of your deepest fears,
And escaping pain.

Run...
And stay clear of deceptive faces,
Some may take time...
To define and clarify.

When you've got them out of view...
Forget their constant screaming!

[...] Read more

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Obvious Song

There was a man in the jungle
Trying to make ends meet
Found himself one day with an axe in his hand
When a voice said buddy can you spare that tree
We gotta save the world - starting with your land
It was a rock n roll millionaire from the usa
Doing 3 to the gallon in a big white car
And he sang and he sang til he polluted the air
And he blew a lot of smoke from a cuban cigar
And the stars are looking down
Through a hole in the sky
And if they can see, they cry
Thats obvious
And the walls are coming down
Between the west and the east
You dont have to be a hippie to believe in peace
Thats obvious . . . obvious
There was a kid in the city selling crack to get by
Got caught one day with a gun in his hand
When a voice said, okay, get em up in the air
Youre too young to live like this
But you aint too fast to die.
Just another foot-soldier in a stupid little war
Another sound-bite on the american scene
Caught between the supplier only dreaming of money
And the demand of the man with money
Who needs a little help to dream
So we starve all the teachers
And recruit more marines
How come we dont even know what that means
Its obvious
And the walls are coming down
Between the eagle and the dove
You dont have to be a hippie to believe in love
Thats obvious . . . obvious

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Odessa - My Principessa

About many famous cities we can talk:
London, Paris, Naples or New York,
But when you walk along Odessa
You will love our principessa
If you are wise enough and not a bore.

The fact is such,
The fact is such:
There's no city in the world
I love so much.

You will smile to the famous Duke,
From the second hatch at him you'll look
And if he gives you the welcoming hand
You will have to understand

That Odessa is the smile of God.
The fact is such,
The fact is such:
There's no city in the world
I love so much.

The girls in our city are the pearls,
God gave them sense of humor and a charm.
You come here and you will see
The beauty of the bluest sea
And you will be surprised but not alarmed.

The fact is such,
The fact is such:
There's no city in the world
I love so much.

And Sasha Pushkin was an odessite,
As here he recalled a wonderous moment
He cursed and praised our and his Odessa
Because he really loved principessa,
Which was and is and always bright.

The fact is such,
The fact is such:
There's no city in the world
I love so much.

You can go any place you like
To New York, Paris or even London,
All of them are really so nice,
But in Odessa you'll be certainly surprised
By the smell of sea, acacia, cherry, linden...

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I Hate The Fact

I hate the fact
that one can steal your heart
and leave it broken in many parts
I hate the fact
that one can make you feel
but then you looked he had turned the wheel
I hate the fact
that one can catch your eye
and finally find it was for a while
I hate the fact
that one can sweep you off your feet
into a fantasy that only you could feel
I hate the fact
that when you hear ones name
you remember he was once your dame
I hate the fact
that you had to go
and you left me here with a broken soul
I hate the fact
that love was there
but left me in pain that one cant bare
I hate the fact
that memories hurt
and that nothing ever seems to ever work
I hate the fact
that i cry so much
that everyday i long to feel your touch
I hate the fact
that i cant move on
but maybe its something that can make me strong

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Who's Got My Back?

Run...hide
All that was sacred to us
Sacred to us
See the signs
The covenant has been broken
By mankind
Leaving us with no shoulder...with no shoulder
To rest our head on
To rest our head on
To rest our head on

Who's got my back now?
When all we have left is deceptive
So disconnected
So what is the truth now?

There's still time
All that has been devastated
Can be recreated
Realize
We pick up the broken pieces
Of our lives
Giving ourselves to each other...ourselves to each other
To rest our head on
To rest our head on
To rest our head on

Who's got my back now?
When all we have left is deceptive
So disconnected
So what is the truth now?

Tell me the truth now...Tell us the truth now

Who's got my back now?
When all we have left is deceptive
So disconnected
So what is the truth now?

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The Master of Intrigue

As you take a look around, souls all over the earth abound.
However, one day soon many of these souls will not be found.

First it will be all of the true believers in Christ one day,
They will hear The Lord's Trumpet and be snatched away.

Then the Master of Intrigue will attempt to explain away,
What happened to millions and millions of people that day.

Many, who were left behind, as they chose to despise The Light,
Will believe this man's deceptive folly, to Satan's sheer delight.

Seven years after this awesome and truly mysterious event,
Half of those who remain will be taken in God’s Judgment.

God’s Judgment will not be apparent at all, but totally ignored,
As people will believe that through a man peace has been restored.

Unfortunately this man who is doomed to God’s Eternal Destruction,
Will also lead others astray, through his deceptive cultic seduction.

His end will come after Satan, who filled him, gives him the nod,
And he goes to the Jewish Temple, and proclaims himself to be God.

He's finally destroyed at The Lord's return in Power and Glory,
And that my friend, will be the end of Antichrist’s deceptive story.

But you my dear friend still have time to make the decision,
If you would like to accept God's Glorious, Eternal Provision.

(Copyright © 07/2002)

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Depression isn't obvious suicide is

Depression isn't obvious but suicide is.
My pain nobody sees.
My my mangled body they shall see.
My head was all but a mess.
Depression overtaking me.
Suicide was to be my bid for freedom.
Becuase deppression isn't obvious but suicide is.

Depression is never obvious even when its staring them in the face.
But now suicide will be obvious how can it not?
Now my life is too much to bear.
Suicide I shall commit.
Now its obvious but its all too late.

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The Obvious Child

Im accustomed to a smooth ride
Or maybe Im a dog whos lost its bite
I dont expect to be treated like a fool no more
I dont expect to sleep through the night
Some people say a lies a lies a lie
But I say why
Why deny the obvious child?
Why deny the obvious child?
And in remembering a road sign
I am remembering a girl when I was young
And we said these songs are true
These days are ours
These tears are free
And hey
The cross is in the ballpark
The cross is in the ballpark
We had a lot of fun
We had a lot of money
We had a little son and we thought wed call him sonny
Sonny gets married and moves away
Sonny has a baby and bills to pay
Sonny gets sunnier
Day by day by day by day
Ive been waking up at sunrise
Ive been following the light across my room
I watch the night receive the room of my day
Some people say the sky is just the sky
But I say
Why deny the obvious child?
Why deny the obvious child?
Sonny sits by his window and thinks to himself
How its strange that some rooms are like cages
Sonnys yearbook from high school
Is down from the shelf
And he idly thumbs through the pages
Some have died
Some have fled from themselves
Or struggled from here to get there
Sonny wanders beyond his interior walls
Runs his hand through his thinning brown hair
Well Im accustomed to a smoother ride
Maybe Im a dog thats lost his bite
I dont expect to be treated like a fool no more
I dont expect to sleep the night
Some people say a lie is just a lie
But I say the cross is in the ballpark
Why deny the obvious child?

song performed by Paul SimonReport problemRelated quotes
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Jumpin Jack Flash / Youngblood

(george: a couple of numbers from leon)
[jumpin jack flash]
I was born in a crossfire hurricane
And I howled at my mama in the driving rain
But its alright now in fact its a gas
And its alright, hey
Im jumping jack flash its a gas gas gas
I was raised by a toothless bearded hag
I was schooled with a strap right across my back
But its alright now in fact its a gas
And its alright, hey
Im jumping jack flash its a gas gas gas
But its alright now in fact its a gas
And its alright
Im jumping jack flash its a gas gas gas
[...]
But its alright now in fact its a gas
Its alright now in fact its a gas
But its alright now in fact its a gas
But its alright now, but its alright now
But its alright
[jumpin jack flash end - 3:48]
Well, you know that I love my woman
But just sometimes she just dont treat me right
Yeah, I woke up this morning and I looked her in the eye
She said sweet daddy, you got what I want
But you aint givin it to me
Oh, and it hurt me deep down into my soul
And I had [...] out of the door
I was [..] my heart [...]
Gonna ever see my baby no more
I went a-walkin down the street
And I was ashamed to look at anyoone I meet
Ooh, [..] and there she was standing
Leaning up against a lamp post
(well, tell it, tell it)
[youngblood - 4:35]
I saw her standing on the corner
A yellow ribbon in her hair
All night long my heart was shudder
Look at there, look at there
Youre the one, look at there
Youngblood, youngblood, youngblood
Woo, I cant get you out of my mind
And I couldnt sleep, I went on crying
And I saw the risin of the sun
All night long my heart was crying
Youre the one, youre the one
Youre the one, youre the one
Youngblood, youngblood, youngblood

[...] Read more

song performed by George HarrisonReport problemRelated quotes
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by from The Ring and the BookReport problemRelated quotes
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