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I think we're really getting it right the last few months and hopefully we'll get better and better at it.

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The mother and the artist

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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Special Needs

Remember me when youre the one whos silver screen
Remember me when youre the one you always dreamed
Remember me when everyones noses start to bleed
Remember me, special needs
Just 19 and suckers dream I guess I thought you had the flavour
Just 19 and dream obscene with six months off for bad behaviour
Remember me when you clinch your movie deal
And think of me stuck in my chair that has four wheels
Remember me through flash photography and screams
Remember me, special dreams
Just 19 this suckers dream I guess I thought you had the flavour
Just 19 and dream obscene with six months off for bad behaviour
Just 19 and suckers dream I guess I thought you had the flavour
Just 19 and dream obscene with six months off for bad behaviour
Remember me...
Just 19 this suckers dream I guess I thought you had the flavour
Just 19 and dream obscene with six months off for bad behaviour
Just 19 and suckers dream I guess I thought you had the flavour
Just 19 and dream obscene with six months off for bad behaviour
Remember me...

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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Thank You In Advance

Excuse me, I know we just met
But may I have this dance?
Sitting here with a drink in my hand
Your presence I can't ignore
I must admit I like watching you dance
But it seems like I've seen this before
Girl, you look like my first wife
Though I've never been married before
So I kiss your hand and tell you "Thank you"
You turn and ask me what for
For our first kiss, oh, next week
For when we make love, it seems sweet (?)
For the ring you wore probably three months from now
For when you said "I do" next March
And for those beautiful children of ours
Yes, I know it might sound strange cuz we just met
But I thank you in advance
(Shawn, help me sing it)
Hi, my name is Shawn
Tell me your name
Although I know the last one
It's funny that we're shaking hands
[Wait a minute, I know this hand]
It's the same hand (I'll hold in front of a minister)
Same hand (when you're havin' my son and his sister)
I don't mean to sound so bold and forward
But I thank you in advance
For our first kiss, oh, next week
For when we make love, it seems sweet (?)
For the ring you wore probably three months from now
For when you said "I do" next March
And for those beautiful children of ours
Yes, I know it might sound strange cuz we just met
But I thank you in advance
It's like I came back in time to tell you thank you
You were as beautiful then as you are now
Look in the mirror, there is a picture
Of you and the man you love
For our first kiss, oh, next week
For when we make love, it seems sweet (?)
For the ring you wore probably three months from now
For when you said "I do" next March
And for those beautiful children of ours
Yes, I know it might sound strange cuz we just met
But I thank you in advance
For our first kiss, oh, next week
For when we make love, it seems sweet (?)
For the ring you wore probably three months from now
For when you said "I do" next March
And for those beautiful children of ours

[...] Read more

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First Year Blues

Written by ernest tubb 1941. rec. by e.t. 11-17-41
Key d demo recorded by hank williams, probably 1949.
(d) now Ive been married about six months,
Only six (d7) months you (g) see,
The (a7) first three months, was all ok,
But the last three is killin (d) me,
My wife began her hissin, cut down on her kissin,
And then she failed to (d7) shine my (g) shoes,
My (a7) shirts they came up wrinkled,
My pants with dirt were sprinkled,
And then I took the first year (d) blues.
(d) well then she started naggin,
She left the sink asaggin,
With dishes (d7) piled up (g) high,
No (a7) food upon the table, she said if she was able,
Shed cook something bye and (d) bye,
Then I began to wonder, if I had made a blunder,
When I (d7) said I (g) do, she (a7) must have read my thinkin,
Her eyes began to blinkin and that gal broke in -(d) - to.
(d) well I heard the dishes crashin,
And I began to dashin, gettin (d7) out of (g) sight,
For (a7) right there was my honey,
On who Id spent my money, turnin into dy - na - (d) - mite,
Then after shed exploded, her meanness all unloaded,
And things began to (d7) simmer (g) down,
I (a7) found myself ableedin, and very much aneedin,
Of stitches taken all a - (d) - round.
(d) well then she started cryin, I felt myself asighin,
And then I took her (d7) in my (g) arms,
I (a7) was afraid to scold her, so I just gently told her,
She didnt do a bit of (d) harm,
Now the first six months is over, and I am much the older,
And experienced (d7) with a (g) wife,
If (a7) I can stand the next six, my friends all say Ill be fixed,
To take it the rest of my (d) life.

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Charles Kingsley

Saint Maura: A.D. 304

Thank God! Those gazers' eyes are gone at last!
The guards are crouching underneath the rock;
The lights are fading in the town below,
Around the cottage which this morn was ours.
Kind sun, to set, and leave us here alone;
Alone upon our crosses with our God;
While all the angels watch us from the stars.
Kind moon, to shine so clear and full on him,
And bathe his limbs in glory, for a sign
Of what awaits him! Oh look on him, Lord!
Look, and remember how he saved thy lamb!
Oh listen to me, teacher, husband, love,
Never till now loved utterly! Oh say,
Say you forgive me! No-you must not speak:
You said it to me hours ago-long hours!
Now you must rest, and when to-morrow comes
Speak to the people, call them home to God,
A deacon on the Cross, as in the Church;
And plead from off the tree with outspread arms,
To show them that the Son of God endured
For them-and me. Hush! I alone will speak,
And while away the hours till dawn for you.
I know you have forgiven me; as I lay
Beneath your feet, while they were binding me,
I knew I was forgiven then! When I cried
'Here am I, husband! The lost lamb returned,
All re-baptized in blood!' and you said, 'Come!
Come to thy bride-bed, martyr, wife once more!'
From that same moment all my pain was gone;
And ever since those sightless eyes have smiled
Love-love! Alas, those eyes! They made me fall.
I could not bear to see them, bleeding, dark,
Never, no never to look into mine;
Never to watch me round the little room
Singing about my work, or flash on me
Looks bright with counsel.-Then they drove me mad
With talk of nameless tortures waiting you-
And I could save you! You would hear your love-
They knew you loved me, cruel men! And then-
Then came a dream; to say one little word,
One easy wicked word, we both might say,
And no one hear us, but the lictors round;
One tiny sprinkle of the incense grains,
And both, both free! And life had just begun-
Only three months-short months-your wedded wife
Only three months within the cottage there-
Hoping I bore your child. . . .
Ah! husband! Saviour! God! think gently of me!
I am forgiven! . . .
And then another dream;

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Treatments

Six months treatment with oil and myrrh,
Six months treatment with perfumes and cosmetics,
But wisdom is better than rubies!
The treaments of our lives is like the linen from Egypt.

Wisdom is my sister and i am with the lovers of summer,
Understandiing is my kinswoman and it is like the flowers of spring;
But my fruit is better than gold!
Like the eaters of winter and the players of summer,
Ethiopia and Seba are for a price;
But i have six months of treatments with my mind on the moon too.

Drinkers of autumn and the life on the seas,
Like a ritual bath without hope;
But before the dark black of the night,
You need six months of treatments before the flood.

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June And July

June and July are right in the middle
Of a time that is a period to learn.
The months of our summer in this land
I call England,
Are like these months.
The other months work for these ones,
And those ones that are not these two months
Still believe in the sun and moon and planets.
They trust the stars, walk in the mind
And state our successes, in all our graveness.
The grave has no month, but lives in years
To manage the time in heaven.
For some June is like July,
But I think what they look is what they are.

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Home After Three Months Away

Gone now the baby's nurse,
a lioness who ruled the roost
and made the Mother cry.
She used to tie
gobbets of porkrind in bowknots of gauze--
three months they hung like soggy toast
on our eight foot magnolia tree,
and helped the English sparrows
weather a Boston winter.

Three months, three months!
Is Richard now himself again?
Dimpled with exaltation,
my daughter holds her levee in the tub.
Our noses rub,
each of us pats a stringy lock of hair--
they tell me nothing's gone.
Though I am forty-one,
not forty now, the time I put away
was child's play. After thirteen weeks
my child still dabs her cheeks
to start me shaving. When
we dress her in her sky-blue corduroy,
she changes to a boy,
and floats my shaving brush
and washcloth in the flush. . . .
Dearest I cannot loiter hre
in lather like a polar bear.

Recuperating, I neither spin nor toil.
Three stories down below,
a choreman tends our coffin's length of soil,
and seven horizontal tulips blow.
Just twelve months ago,
these flowers were pedigreed
imported Dutchmen; no no one need
distinguish them from weed.
Bushed by the late spring snow,
they cannot meet
another year's snowballing enervation.

I keep no rank nor station.
Cured, I am frizzled, stale and small.

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The Noble Moringer

I.
O, will you hear a knightly tale of old Bohemian day,
It was the noble Moringer in wedlock bed he lay;
He halsed and kiss'd his dearest dame, that was as sweet as May,
And said, 'Now, lady of my heart, attend the words I say.

II.
''Tis I have vow'd a pilgrimage unto a distant shrine,
And I must seek Saint Thomas-land, and leave the land that's mine;
Here shalt thou dwell the while in state, so thou wilt pledge thy fay,
That thou for my return wilt wait seven twelvemonths and a day.'

III.
Then out and spoke that Lady bright, sore troubled in her cheer,
'Now tell me true, thou noble knight, what order takest thou here:
And who shall lead thy vassal band, and hold thy lordly sway,
And be thy lady's guardian true when thou art far away?'

IV.
Out spoke the noble Moringer, 'Of that have thou no care,
There's many a valiant gentleman of me holds living fair;
The trustiest shall rule my land, my vassals and my state,
And be a guardian tried and true to thee, my lovely mate.

V.
'As Christian-man, I needs must keep the vow which I have plight,
When I am far in foreign land, remember thy true knight;
And cease, my dearest dame, to grieve, for vain were sorrow now,
But grant thy Moringer his leave, since God hath heard his vow.'

VI.
It was the noble Moringer from bed he made him boune,
And met him there his Chamberlain, with ewer and with gown:
He flung the mantle on his back, 'twas furr'd with miniver,
He dipp'd his hand in water cold, and bathed his forehead fair.

VII.
'Now hear,' he said, 'Sir Chamberlain, true vassal art thou mine,
And such the trust that I repose in that proved worth of thine,
For seven years shalt thou rule my towers, and lead my vassal train,
And pledge thee for my Lady's faith till I return again.'

VIII.
The Chamberlain was blunt and true, and sturdily said he,
'Abide, my lord, and rule your own, and take this rede from me;
That woman's faith's a brittle trust - Seven twelve-months didst thou say?
I'll pledge me for no lady's truth beyond the seventh fair day.'

IX.
The noble Baron turn'd him round, his heart was full of care,

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Nationalistic Catastrophe Governs-Mentally Engendered

In New Zealand
potential equalled people
source sustaining
planned future prosperity.

Turkey’s critical
expanding ethnic cultures
within politically
limited land mass.

Attracts foreign forces like PPK
influencing social degeneration.
Profit geared militarist capitalist
environmental economic rape ruination.

Potentially ultimately neo-liberalism
nationalistic amoral annihilation.

New Zealand required operation...?
Nats (national) Nazi health care policy.
User pays death awaiting...
on delaying pain credit waiting lists?

Die by waiting expedient
political cost cutting agenda.

Armed offenders
face off with paroled
formally institutionalized crazies
in community released liquidation?

Self medicated not sequel
equals tragic home shoot out.
On street gun running fad
future police shooting scenarios?

While eighty thousand await judgement
on crown health hospital operational lists.
Pensioners dying to painful order
on Jenny Mengler’s experimental...

“Twelve months
about right
good long wait not theoretical

permanent damage done
observational negligence
six star programme.

Faithfully fulfilling party policy

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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The Brothers

'These Tourists, heaven preserve us! needs must live
A profitable life: some glance along,
Rapid and gay, as if the earth were air,
And they were butterflies to wheel about
Long as the summer lasted: some, as wise,
Perched on the forehead of a jutting crag,
Pencil in hand and book upon the knee,
Will look and scribble, scribble on and look,
Until a man might travel twelve stout miles,
Or reap an acre of his neighbour's corn.
But, for that moping Son of Idleness,
Why can he tarry 'yonder'?--In our churchyard
Is neither epitaph nor monument,
Tombstone nor name--only the turf we tread
And a few natural graves.'
To Jane, his wife,
Thus spake the homely Priest of Ennerdale.
It was a July evening; and he sate
Upon the long stone-seat beneath the eaves
Of his old cottage,--as it chanced, that day,
Employed in winter's work. Upon the stone
His wife sate near him, teasing matted wool,
While, from the twin cards toothed with glittering wire,
He fed the spindle of his youngest child,
Who, in the open air, with due accord
Of busy hands and back-and-forward steps,
Her large round wheel was turning. Towards the field
In which the Parish Chapel stood alone,
Girt round with a bare ring of mossy wall,
While half an hour went by, the Priest had sent
Many a long look of wonder: and at last,
Risen from his seat, beside the snow-white ridge
Of carded wool which the old man had piled
He laid his implements with gentle care,
Each in the other locked; and, down the path
That from his cottage to the church-yard led,
He took his way, impatient to accost
The Stranger, whom he saw still lingering there.
'Twas one well known to him in former days,
A Shepherd-lad; who ere his sixteenth year
Had left that calling, tempted to entrust
His expectations to the fickle winds
And perilous waters; with the mariners
A fellow-mariner;--and so had fared
Through twenty seasons; but he had been reared
Among the mountains, and he in his heart
Was half a shepherd on the stormy seas.
Oft in the piping shrouds had Leonard heard
The tones of waterfalls, and inland sounds
Of caves and trees:--and, when the regular wind

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A Rhapsody

There is a God most surely in the heavens,
Who smileth always, though His face be hid.
And young Joy cometh as His messenger
Upon the Earth, like to a rushing wind,
Scattering the dead leaves of our discontent
Ere yet we see him. Then he setteth us
Upon his back and flieth to God's presence,
Till on our faces there is seen the light
Which streameth from His brows for evermore.

There is a God. Ay, by this breath of dawn,
I swear there is a God, even here on Earth.
And see, a blush upon the edge of heaven,
Bearing me witness! There is something changed
About these woods since yesterday; a look
Of shame on Nature's face; a consciousness
In the bent flowers; a troubled tell--tale gleam
On the lake's brim. This morning, as I passed
Over the lawn, there was an instant's hush
Among the trees, and then a whispering
Which woke the birds; and of a sudden, lo!
A thousand voices breathed conspiracy;
And now a silence. There are listening ears
In all these bushes waiting till I speak.

There is a God. I swear it on the truth
Of my new joy, which is not of the Earth,
But grows within my hand, a thing of strength,
A wonder to the Earth, whose old worn heart
Has long been joyless. Listen, while I speak,
Ye autumn woods. Ye ancient forest trees,
Lend me your ears. Thou little brook, be still
Till I have spoken, for I have a tale
For the morning's ear; and O! thou Nature's voice,
Be silent this one day and hear of joy
Newer than thine. You friends whom I have loved,
Listen, and stop me not with word or sign
Till I have poured my heart into your ears,
For if you spoke to me I should not hear,
And if you wept with me I should not see,
And if you mocked me I should not suspect,
Being this day the fool of happiness.
And all my blood is full of dancing motes;
And in my brain are chords of silver tone
Divinely struck to statelier harmonies
Than Heaven's own harping; and my eyes have tears
Which brim and quiver, but they will not fall,
For they are far too happy in my eyes.
Tears,--what of tears? which are but new delights,
New visions of new joys which none have seen,

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Life From 1835 to 1851

And, now, a vacancy occurs,
For very nearly sixteen years,
In which I'd not the least desire,
To strike the harp or tune the lyre.
But having left the good old 'Medway:
I tried on shore to make some headway.
I first a situation got,
And not amiss I found my lot:-
My wages good, my work was various;
My living far above precarious.
I then began to look around,
And thought ere long to settle down:
And then a letter I wrote home,
And ask'd my love if she would come;
Offering at once to pay her passage:-
And in due time received this message:-
'I'll wait till many years are past,
If you'll say you'll come home at last;-
But can't consent to such removal,
Without my fathers full approval:
Which I'm afraid he'll never give;
But come home dear, we'll happy live.'
And, then I thought if home I went,
I could not feel the same content,
As if I'd never come away,
But work'd for half a crown a day:-
While here, I thought I'd every chance
My future prospects to advance.
And after some more serious thought:
Another letter home I wrote;-
Which now I cannot give verbatim,
Though it contain'd my ultimatium.
From her engagement I relieved her,
And I've no doubt it sorely grieved her:-
Then, married in due time I got:-
Though not my first love, still my lot.
We had our sorrows and our joys,
And in due time we had four boys;
But on the day our fifth was born,
My heart was with sad anguish torn:-
A fearful illness seiz'd my wife,
Which nearly drain'd away her life:
It was so sudden and severe;
It fill'd me with a dreadful fear.
We lost the babe; and my poor wife
Show'd very little sign of life,
For thirteen hours; then, I went near her;
And what I could, I did to cheer her:-
And in due time again she rallied:
But oh! she look'd so deathly pallid.

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