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If Britney would paint her ass green, I'm sure you could spot green asses all over LA as soon as the word was out.

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Me Against The Music [Rishi Rich's Desi Kulcha Remix]

Britney:All my people in the crowd
Grab a partner take it down
It's me against the music
Madonna: Uh-ha
Britney: It's just me
Madonna: And me.
Britney: Yeah
Madonna: C'mon
Brintey: Hu!
Madonna: Hey Britney.
Britney: Are you ready?
Madonna: Uh-ha. Are you?
Britney: Uh
Madonna: When no-one cares
Britney: It's whipping my hair
It's pulling my waist
Madonna: To hell with stares
Britney: The sweat is dripping all over my face
Madonna: And no-one's there
Britney: I'm the only one dancin up in this place
Madonna: Tonight I'm here
Britney: For the beat of the drum gotta get with that base
BRIDGE
I'm up against the speaker
Tryna take on the music
It's like a competition
wanna get in the beat
I wanna get IN THE ZONE
I wanna get IN THE ZONE
If you really wanna battle
Saddle up n get the rhythm
Try to hit it
Chic-a-taa
In a minute Im'a' tak you on
Im'a' taka you on
Hey, hey, hey!
CHORUS
All my people on the floor
Let me see you dance
All my people wanting more
Let me see you dance
All my people round and round
Let me see you dance
All my people in the crowd
Let me see you dance
I wanna see you
how would you like a friendly competition?
Let's take on the song
Let's take on the song
It's you and me baby we're the music

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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

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Me Against The Music

(britney) its me against the music
(madonna) uh huh
(britney) its just me
(madonna) and me
(britney) yeah
(madonna) c'mon
(madonna) hey britney?
(britney) are you ready?
(madonna) uh huh, are you?
no one cares its whipping my, hair its pulling my waist
to hell with stares the sweat is dripping
all over my face
and no ones there im the only one dancin
up in this place
tonite im here feel the beat of the drum
gotta get with that base
im up against the speaker trying to take on the
music its like a competition me against the beat i
wanna get in the zone a wanna get in the zone
if ya really wanna battle saddle up and get your rhythm tryin' to hit
it, chic-a-taa you in a minute im a take u on, im a take u on
hey, hey, hey
CHORUS
all my people on the floor
let me see you dance, let me see ya
all my people wantin' more
let me see u dance, let me see ya
all my people round and round
let me see ya dance, let me see ya
all my people in the crowd
let me see ya dance, i wanna see ya
so how would u like a friendly competiton
lets take on the song, lets take on the song
it's u and me baby were the music
time to party all night long, all night long
were almost here
im feelin' it bad and i can't explain
my soul is bare
my hips are movin' at a rapid pace
baby feel it burn
from the tip of my toes, runnin' through my veins
and now's ur turn
let me see what ya got don't hesitate
im up against the speaker, tryin' to take on the music
its like a competitin, me against the beat
i wanna get in the zone, i wanna get in the zone
if u really wanna battle saddle up and get ur rhythm
tryin' to hit it chic-a-taa in a minute
im a take u on, im a take u on
hey, hey, hey

[...] Read more

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I Like You The Way You Are (Don't Change Your Love)

MICAHEL JACKSON feat. BRITNEY SPEARS
the way you make me feel
(Live at Michael Jackson's 30th Anniversary Concert Tribute)
MICHAEL:
Hey pretty baby with the high heels on
You give me fever like I've never, ever known
I feel your fever from miles around
I'll pick you up in my car and we'll paint the town
Just kiss me baby and tell me twice
That you're the one for
MICHAEL:
The way you make me feel, babe
You really turn me on
You knock me off of my feet
Hee
My lonely days are gone
Ooh
[MICHAEL] (BRITNEY):
(I like the feeling you're giving me)
(Just hold me closer baby, I'm in ecstasy)
[Oh, I'll be working from nine to five]
[To buy you things to keep you by my side]
(I never felt so in love before)
(Just promise baby, you'll love me forevermore)
[(I swear I'm keeping you satisfied)]
[(Cuz you're the one for me)]
[MICHAEL] (BRITNEY):
[The way you make me feel]
(The way you make me feel)
[You really turn me on]
(You really turn me on)
[You knock me off of my feet]
[Now baby, hee]
(You knock me off of my feet)
[My lonely days are gone]
(My lonely days are gone)
[Ooh]
[MICHAEL] (BRITNEY):
[Go on girl]
(I never felt so in love before)
[Promise baby, you'll love me forevermore]
(I swear I'm keeping you satisfied)
[(Cuz you're the one for me)]
[MICHAEL] (BRITNEY):
[The way you make me feel]
(The way you make me feel)
[(You really turn me on)]
(You really turn me on)
[(You knock me off of my feet darling)]
[Now baby, hee]

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Henry Wadsworth Longfellow

Tales Of A Wayside Inn : Part 3. The Sicilian's Tale; The Monk of Casal-Maggiore

Once on a time, some centuries ago,
In the hot sunshine two Franciscan friars
Wended their weary way, with footsteps slow
Back to their convent, whose white walls and spires
Gleamed on the hillside like a patch of snow;
Covered with dust they were, and torn by briers,
And bore like sumpter-mules upon their backs
The badge of poverty, their beggar's sacks.

The first was Brother Anthony, a spare
And silent man, with pallid cheeks and thin,
Much given to vigils, penance, fasting, prayer,
Solemn and gray, and worn with discipline,
As if his body but white ashes were,
Heaped on the living coals that glowed within;
A simple monk, like many of his day,
Whose instinct was to listen and obey.

A different man was Brother Timothy,
Of larger mould and of a coarser paste;
A rubicund and stalwart monk was he,
Broad in the shoulders, broader in the waist,
Who often filled the dull refectory
With noise by which the convent was disgraced,
But to the mass-book gave but little heed,
By reason he had never learned to read.

Now, as they passed the outskirts of a wood,
They saw, with mingled pleasure and surprise,
Fast tethered to a tree an ass, that stood
Lazily winking his large, limpid eyes.
The farmer Gilbert of that neighborhood
His owner was, who, looking for supplies
Of fagots, deeper in the wood had strayed,
Leaving his beast to ponder in the shade.

As soon as Brother Timothy espied
The patient animal, he said: 'Good-lack!
Thus for our needs doth Providence provide;
We'll lay our wallets on the creature's back.'
This being done, he leisurely untied
From head and neck the halter of the jack,
And put it round his own, and to the tree
Stood tethered fast as if the ass were he.

And, bursting forth into a merry laugh,
He cried to Brother Anthony: 'Away!
And drive the ass before you with your staff;
And when you reach the convent you may say
You left me at a farm, half tired and half

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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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Asses

'I KNOW where I'd get
An ass that would do,
If I had the money
A pound or two.'

Said a ragged man
To my uncle one day;
He got the money
And went on his way.

And after that time
In market or fair
I'd look at the asses
That might be there.

And wonder what kind
Of an ass would do
For a ragged man
With a pound or two.

O the black and roan horses the street would fill,
Their manes and tails streaming, and they standing still,

And their owners, the men of estate, would be there,
Refusing gold guineas for a colt or a mare.

And one, maybe, riding up and down like a squire
So that buyers from Dublin might see and admire

The hunter or racer come to be sold
And be willing and ready to pay out their gold.

With men slouching beside them and buyers not near
It's no wonder the asses held down head and ear.

They had been sold or in by-ways bought
For a few half-crowns tied up in a knot,

And no one so poor as to buy one might come
To that fair that had horses so well prized at home!

And then it fell out
That at Arva or Scrabbey,
At some down-county fair,
Or Mohill or Abbey,

On two asses I happened
Without duress or dole
They were there in the market,
A dam and her foal.

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Today... 'The Word

Word of love and the Word made flesh
Word incarnate forever blessed
Word of life and the Word of light
Word of power and Word of might.

Word that was spoken, Word of the Lord
Word of the Law and the Word of God
Word of peace and Word eternal
Word of truth and last Word of all.

Word of wisdom and the Word of healing
Word from heaven, a Word so appealing
Word fulfilling the Word of prophecy
Word of the Spirit and Word of destiny.

Word of exhortation and Word of grace
Word of encouragement and Word of faith
Word of promise and a Word of insight
Word from the beginning and Word of delight.

Word of knowledge and a Word of boldness
Word of peace and the Word of righteousness
Word of the covenant and Word of love
Word of the Father from heaven above.


(see also the additional information in the Poet's notes box)

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Like A Virgin/Hollywood Medley

Britney Spears:
I made it through the wilderness.
Somehow I made it through. Didn't
Know how lost I was until I found
You. I was beat incomplete. I've
Been had. I was sad and blue but
You made me feel, yeah, you
Made me feel shiny and new.
Christina Aguilera:
Like a virgin, ooooh, touched for
The very first time. Like a virgin
With your heartbeat next to mine.
Britney Spears and Christina Aguilera:
Like a virgin, oooh, touched for
The very first time. Like a virgin
With your heartbreat next to mine.
Like a virgin. Ooooh, like a virgin.
Feels so good inside.
Madonna:
Everybody comes to Hollywood.
They wanna make it in the
Neighborhood. They like the
Smell of it in Hollywood. How
Could it hurt you when it looks
So good?
Madonna, Britney Spears, and Christina Aguilera:
Shine your light now. This time
It's got to be good. You'll get it
Right now, yeah, 'cause you're in
Hollywood.
Missy Elliott:
Is it worth it? Let me work it. I put
My thing down, flip it, and reverse
It. Its your fremme neppa venette.
It's your fremme neppa venette.
Is it worth it? Let me work it. I put
My thing down, flip it, and reverse
It. Its your fremme neppa venette.
It's your fremme neppa venette.
Madonna, Britney Spears, Christina Aguilera, and Missy Elliott:
Shine your light now. This time
It's got to be good. You'll get it
Right now, yeah, 'cause you're in
Hollywood.
Madonna, Britney Spears, Christina Aguilera, and Missy Elliott:
Shine your light now. This time
It's got to be good. You'll get it
Right now, yeah, 'cause you're in
Hollywood.
Madonna, Britney Spears, Christina Aguilera, and Missy Elliott:

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I Got That

Shorty! We're gona go 2 the club n get crunk wi Britney
Shorty! She thinks she's fine. Fine enough to blow your mind.
Shorty! She thinks she's bad, get on the floor and shake that ass.
Shorty! She thinks she's fine. Fine enough to blow your mind.
Shorty! She thinks she's bad, get on the floor and shake that ass.
Yeah,
This is for all those southern boys out there
Hehehe
Check this out!
Check this out
I see you lookin' my way
And I know that
You have something to say
Watching every inch of my body
Like you wanted to play
Boom boom boom
Boy you look so sexy
Boom boom boom
Boy you look so sexy
I begin to dance just a little bit
To turn you on
(Yeah, I got that)
I've got that boom boom
That you want
Watching me all night long
Hurry up before its gone
I've got that boom boom
That you want
I don't think you should wait
One minute might be to late
You had caught my eye
And I wanted to get to know you
Don't be shy
I want you to come closer
So what you gonna do?
So here we go
Boom boom boom
Boy you look so sexy
Boom boom boom
Boy you look so sexy
I've got that boom boom
That you want
Watching me all night long
Hurry up before its gone
I've got that boom boom
That you want
I don't think you should wait
One minute might be to late
Shorty
She think she fine

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Cool, Daddy Cool (feat. Joe C)

(Daddy Cool)
(ohhh, yeah, yeah)
(Oh, wo, wo, yeah)
Verse 1 - Joe C.
See me cruisin' in my caddy
Ho's they like to call me "Daddy Cool"
When I'm stylin'
Just rollin on the island
Now just in case I pack heat
Keep a case of brew in my back seat
Got a pocket full of cash hey
Got a fatty in my ashtray
I'm Cool (Daddy Cool)
Call Me Cool (Daddy Cool)
I'm Cool (Daddy Cool)
Call Me Cool (Daddy Cool)
(Bad Ass) (Daddy Cool)
(Bad Ass) (Daddy Cool)
(Bad Ass) (Daddy Cool)
(Bad Ass)
Verse 2 - Kid Rock
Mackin' to this phat beat
Bass pushin' through my back seat
You know I got that gangsta lean
Ho's they all adore me
I stop and they all swarm me
To check out all my fly gold rings
The treat my like the mayor
Cause I'm the biggest player
(Joe C) Mackin' all honeys up here in the "D" baby (Kid Rock) You know I do
Grubbin' on some pork rinds
Kickin' out them sex rhymes
Everybody wants to be my friend
But I can't be your friend no
Unless you got some endo to smoke
(Joe C.) I ain't no joke
(Joe C.)
Call Me Cool (Daddy Cool)
I'm Cool (Daddy Cool)
Call Me Cool (Daddy Cool)
I'm Cool (yeah, yeah, yeah)
(Bad Ass) (Daddy Cool)
(Bad Ass) (Daddy Cool)
(Bad Ass) (Daddy Cool)
(Bad Ass)
(Female singer)
I like the way you profile
Them posey's they got style
Daddy can I roll with you?
Here's some money for your gas tank

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Na Na Na Na

[Supercat]
This is the "Long Long He Love" fe the gal dem, Na, Na, Na Na,
The Rapper Don and 112 he nah gon stay pon the shelf.
I wanna see you rock that ass
Rock that ass
Rock that ass
Rock that ass
Work your body body
Work your body body
Work your body body
Work your body body
Change positions
Change positions
Change positions
New position
I want a new position
Twirk it for me
Twirk it for me
Twirk it for me
Twirk it for me
[Q]
Come a little closer baby
Girl I want to feel your body
Lead you right next to me
We can be the life of the party
I just wanna let you know
I love the way your movin
Never wanna let you go
Never wanna stop the music
[Chorus:]
Girl Na Na Na Na
You don't know what you doin to me
Girl you lookin so sexy
When you doin the dance for me
Hey we goin Na Na Na Na
You don't know what you doin to me
Girl you lookin so sexy
When you doin the dance for me
[Slim]
Now that I've got you babe
Know we gotta keep it sexy
Touchin all over me
Baby it's ecstasy
Lady won't you take my hand
Let's go to VIP I don't think you understand
What you are doin to me
[Chorus:]
Girl Na Na Na Na
You don't know what you doin to me
Girl you lookin so sexy

[...] Read more

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Like A 24

Make dat ass roll like a 24 (24)
Lemme see you make dat ass roll like a 24 (24)
Shawty make dat ass roll like some 24s (24)
Lemme see you make dat ass roll like a 24 (24)
I can make my ass roll like a 24 (24) [repeat]
I can make my ass roll like some 24s (24s)
I can make my ass roll like a 24 (24)
Now drop it (now drop it) to tha floor
Spin it like some stop n go
Drop it (drop it) to tha floor
Spin it like some stop n go
Roll like a 24
Lemme see you make dat ass roll like a 24
Now I could tell from back in tha days when we was shawtys in tha hood
Dat you was gone grow up to be thick as hell and lookin good
Now you 21 and them thighs aint no crunk
Lookin fine as hell like a penny junk up in the trunk
Make a nigga get (get) what you want
Put dat ass on dubs
Feel it when you get tha party crunk
Feel it when you twirk it in tha club
Feel it when you get down on tha floor
Love when you get down on tha low
Feel I wanna jack dat ass wanna bump and get that ho get tha hoe
Baby I jus got some 24s and I love to watch em spin (spin)
So let me see you make dat ass roll like my rims
Spinnin like omega jones
Pop dat booty fo my squad
Work dat booty tho it hard roll it like a ?
[Chorus]
You already know hoes down pimps up
When pimpin step up in tha house put ya bitch up
I got a remi bottle instead of a pimp cup
It shine like a summer day when my wrist up
She wanna wave now cuz my nigga Twista
Dissed her then bounced wit her sista
I tell her keep her head down and her hips up
You can keep dat pussy imma tear dem pretty lips up
Let dat ass roll like 24s on a big truck
And ya g-string let it bounce when da beat bang
Make it drop like dem cars in a

song performed by TwistaReport problemRelated quotes
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Like A 24

Make dat ass roll like a 24 (24)
Lemme see you make dat ass roll like a 24 (24)
Shawty make dat ass roll like some 24s (24)
Lemme see you make dat ass roll like a 24 (24)
I can make my ass roll like a 24 (24) [repeat]
I can make my ass roll like some 24s (24s)
I can make my ass roll like a 24 (24)
Now drop it (now drop it) to tha floor
Spin it like some stop n go
Drop it (drop it) to tha floor
Spin it like some stop n go
Roll like a 24
Lemme see you make dat ass roll like a 24
Now I could tell from back in tha days when we was shawtys in tha hood
Dat you was gone grow up to be thick as hell and lookin good
Now you 21 and them thighs aint no crunk
Lookin fine as hell like a penny junk up in the trunk
Make a nigga get (get) what you want
Put dat ass on dubs
Feel it when you get tha party crunk
Feel it when you twirk it in tha club
Feel it when you get down on tha floor
Love when you get down on tha low
Feel I wanna jack dat ass wanna bump and get that ho get tha hoe
Baby I jus got some 24s and I love to watch em spin (spin)
So let me see you make dat ass roll like my rims
Spinnin like omega jones
Pop dat booty fo my squad
Work dat booty tho it hard roll it like a ?
[Chorus]
You already know hoes down pimps up
When pimpin step up in tha house put ya bitch up
I got a remi bottle instead of a pimp cup
It shine like a summer day when my wrist up
She wanna wave now cuz my nigga Twista
Dissed her then bounced wit her sista
I tell her keep her head down and her hips up
You can keep dat pussy imma tear dem pretty lips up
Let dat ass roll like 24s on a big truck
And ya g-string let it bounce when da beat bang
Make it drop like dem cars in a

song performed by TwistaReport problemRelated quotes
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by from The Ring and the BookReport problemRelated quotes
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Paint Me Down

Paint me down
Paint me down
Paint me down
Im walking into studio
Consider strange appeal
Paint me in the home
Im brushing up on sketchbook
Designs for love unreal
Paint me in the home
Oil and skin youll need to buy it
Consider what I mean
She sinks beneath thr moving pictures
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down
Im soaking up the surface
Conceaiving new idea
Paint me in the home
Shes oiling up her subject
But all still life is here
Paint me in the home
All the boys with framed dimension
A cover up on lust
Hell take his pain and paint it over
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down

song performed by Spandau BalletReport problemRelated quotes
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Fra Lippo Lippi

I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do—harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off—he's a certain...how d'ye call?
Master—a...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair prize what comes into this net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hangdogs go
Drink out this quarter-florin to the health
Of the munificent House that harbors me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face—
His, elbowing on his comrade in the door
With the pike and lantern—for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye—
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night—
Ouf! I leaned out of window for fresh air.

[...] Read more

poem by from Men and Women (1855)Report problemRelated quotes
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