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John F. Kennedy

We would like to live as we once lived, but history will not permit it.

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Live 4 Love

{last words from the cockpit}
Lauch procedure commence
Countdown start
10,9,8,7,6,5,4
Keep goin
Acceleration into temporal space continuum now begins...
30,000 feet and still-a-counting (live 4 love)
The attack on my plane is steadily mounting (live 4 love)
They killed my buddy, but Im supposed to feel nothing (live 4 love)
How can I live 4 love? Im calling...
Live 4 love
Live 4 love - Im calling...
Live 4 love - Im calling...
Live 4 love
Kicked out of my home at 17 (live 4 love) ((get outta here))
A real family,
Now what does that mean (what does that mean) (live 4 love)
Dont nobody know the trouble Ive seen (live 4 love)
How can I live 4 love? Im calling...
Live 4 love
Live 4 love
Live 4 love - calling, Im calling
Live 4 love
My mission, so they said, was just 2 drop the bombs
Acceleration into temporal space continuum now begins...
Just like I got no conscience, just like I got no qualms
Alpha 7, acknowledge
Now what does that mean?
Go tommy go, go tommy go
Go tommy go, go tommy go
Go tommy go, go tommy go
Go tommy go, go tommy go
So here, my target is approaching
The angel on my shoulder starts coaching
Live 4 love, without love u dont live
Boom - I take a deep breath
Is it boom - life?
Is it boom - death?
(live 4 love)
Maybe I was better off staying in school (live 4 love)
But everybody said flying planes was cool (live 4 love)
Its so easy 4 them 2 say
Cuz they never have to go through
How can I live 4 love? (live 4 love) Im calling
Live 4 love - Im calling
Live 4 love - Im calling
Live 4 love
Live 4 love (live 4 love)
Live 4 love
Live 4 love

[...] Read more

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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems


March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush


SONS AND DAUGHTERS OF WORLD WAR III


Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

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The History Of Tomorrow

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of light
By dumping us in the dark with pits everywhere

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of food
By asking us to chop several fire-woods to heat up a pot full of stones

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of job creation
By making us slaves on our own soil

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of education
By dumping us in dilapidated buildings without teachers

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of accountability
By looting our treasury and asking us for yet another term in office

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of safety
By leaving pot holes large enough to swallow countless accident victims on our roads

I want to tell you the history of tomorrow
It’s the history of how our bows and arrows
Would secure our future

I want to tell you the history of tomorrow
It’s the history of a country, a country with countless heroes
It’s the history of a country, a country with countless robbers
Robbers with fame
Robbers without shame
Robbers that we would roast with flame

© Adegbenro Adekunle Jacob

Tomorrow’s history is today. All world leaders must make real democracy work. They must be selfless. We must not wait until there is horror and terror before we learn. Nigerian leaders must shun CORRUPTION.

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Wake Up & Live

One, two, three, four!
Wake up and live, yall,
Wake up and live!
Wake up and live now!
Wake up and live!
Life is one big road with lots of signs,
So when you riding through the ruts, dont you complicate your mind:
Flee from hate, mischief and jealousy!
Dont bury your thoughts; put your vision to reality, yeah!
All together now:
Wake up and live (wake up and live, yall),
Wake up and live (wake up and live),
Wake up and wake up and live, yeah! (wake up and live now),
Wake up and (wake up and live) - wake up and live!
Rise ye mighty people, ye-ah!
Theres work to be done,
So lets do it-a little by little:
Rise from your sleepless slumber! yes, yeah! yes, yeah!
Were more than sand on the seashore,
Were more than numbers.
All together now:
Wake up and live now, yall!
(wake up and live) wake up and live!
Wake up and live, yall!
(wake up and live) wake up and live now!
You see, one - one cocoa full a basket,
Whey they use you live big today: tomorrow you buried in-a casket.
One - one cocoa full a basket, yeah, yes!
Whey they use you live big today: tomorrow you bury in-a casket.
Wall together now:
(wake up and live now!) wake up and live! oh! yeah-eah!
(wake up and live!) uh!
(wake up and live now!) wake up and live!
(wake up and live) keep on playin!
(wake up and live, yall) uh! yeah! yeah!
(wake up and live!)
(wake up and live now!)
(wake up and live!) break it down!
---
/saxophone solo/
Come on, man!
How is it feelin over there?
(wake up and live now) all right!
(wake up and live!) yeah, yeah, yeah, yeah, yeah.
Uh!
Come on, man!
You gotta wake up and live!
---
Life is one big road with lots of signs, yes!
So when you riding through the ruts, dont you complicate your mind:

[...] Read more

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Live

Clear out your mind
Look to your past and see what you can find
Stole soul afraid
Of the prophets perfect picture falls away
Is this the life that we choose to live
Or is this the life that has been giving
Now is the time to see what my life should be
What is mine!?
We live in Shangri La now!
We live in!
We live in!
We live in Shangri La now
We live in!
We live in!
It's a timeless rage
For many people praying to be saved
Truth is so strong
It needs lights to guide it so it can carry on
I've seen blood on my hands
Am I dead or is this where it begins
I feel the shame
For my friend who put a bullet in his brain!
We live in Shangri La now!
We live in!
We live in!
We live in Shangri La now
We live in!
We live in!
I've got
You've got
We've got
Something to die for
I've got
You've got
We've got
Something to die for
I've got
You've got
We've got
Something to die for
I've got
You've got
We've got
Something to die for
We live in Shangri La now!
We live in!
We live in!
We live in Shangri La now
We live in!
We live in!

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Pharsalia - Book IX: Cato

Yet in those ashes on the Pharian shore,
In that small heap of dust, was not confined
So great a shade; but from the limbs half burnt
And narrow cell sprang forth and sought the sky
Where dwells the Thunderer. Black the space of air
Upreaching to the poles that bear on high
The constellations in their nightly round;
There 'twixt the orbit of the moon and earth
Abide those lofty spirits, half divine,
Who by their blameless lives and fire of soul
Are fit to tolerate the pure expanse
That bounds the lower ether: there shall dwell,
Where nor the monument encased in gold,
Nor richest incense, shall suffice to bring
The buried dead, in union with the spheres,
Pompeius' spirit. When with heavenly light
His soul was filled, first on the wandering stars
And fixed orbs he bent his wondering gaze;
Then saw what darkness veils our earthly day
And scorned the insults heaped upon his corse.
Next o'er Emathian plains he winged his flight,
And ruthless Caesar's standards, and the fleet
Tossed on the deep: in Brutus' blameless breast
Tarried awhile, and roused his angered soul
To reap the vengeance; last possessed the mind
Of haughty Cato.

He while yet the scales
Were poised and balanced, nor the war had given
The world its master, hating both the chiefs,
Had followed Magnus for the Senate's cause
And for his country: since Pharsalia's field
Ran red with carnage, now was all his heart
Bound to Pompeius. Rome in him received
Her guardian; a people's trembling limbs
He cherished with new hope and weapons gave
Back to the craven hands that cast them forth.
Nor yet for empire did he wage the war
Nor fearing slavery: nor in arms achieved
Aught for himself: freedom, since Magnus fell,
The aim of all his host. And lest the foe
In rapid course triumphant should collect
His scattered bands, he sought Corcyra's gulfs
Concealed, and thence in ships unnumbered bore
The fragments of the ruin wrought in Thrace.
Who in such mighty armament had thought
A routed army sailed upon the main
Thronging the sea with keels? Round Malea's cape
And Taenarus open to the shades below
And fair Cythera's isle, th' advancing fleet

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Amazing Grace

'Live, live with me, and thou shalt see
The pleasures I'll prepare for thee:
What sweets the country can afford
Shall bless thy bed, and bless thy board.'
So Robert Herrick's poetry
has written yet his words may be
as nought compared to all that's poured
in soul-song here for my adored.

'Come live with me and be my love,
And we will all the pleasures prove
That hills and valleys, dale and field,
Or woods or steepy mountain yield.' -
Though Marlowe's maid as hand and glove
swain fain would fit her heart to move,
his verse is but an empty shield
compared to all I'd have revealed.

'But Time drives flocks from field to fold;
When rivers rage and rocks grow cold;
And Philomel becometh dumb;
The rest complains of cares to come.'
Thus Walter Raleigh mocks, shortsold,
the love whose span cannot be told
no empty write I'd write, hymn's hum -
no strings save mandolin to strum.

'For thee, thou need'st no such deceit,
For thou thyself art thine own bait,
That fish, that is not catched thereby,
Alas, is wiser far than I.'
John Donne declaimed - admire his feat -
as none could e'er exaggerate
your angel wings, your beauty's eye,
your heart whose depth none chart, your sigh!

'Care on thy maiden brow shall put
A wreath of wrinkles, and thy foot
Be shod with pain: not silken dress
But toil shall tire thy loveliness.'
Day-Lewis says, - bride's white turns soot
with high ideals crushed underfoot -
yet my heart feel the years' duress
must only add to happiness.

'Come, live with us and be our cook,
And we will all the whimsies brook
That German, Irish, Swede, and Slav
And all the dear domestics have.'
Says F.P.A. - beyond my book

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Come Dance with Me - Parody Christopher Marlowe - Come Live with Me and be My Love

Come dance with me and find release,
howl to the moon, with wild wolves run,
no nightmares now as heart finds peace, -
a stellar future crowned with fun
shall underwrite harvest increase
two reap together, story spun
from morn to night as worries cease,
while one and one at last make one.

Come dance we'll circumnavigate
the seven seas as zephyr’s breeze
anticipates and may translate
past cares to luck which soul strings frees.
Harp, Terpsichore shall play as Fate
unwinds past phantom_mime banshees,
life’s letter stamps ‘reciprocate’
inventing new realities.

Come dance with me, unlearn life’s woe
owe only to your inner voice
as chivalry and honour flow -
no need to justify your choice.
Slow motion – Time stood still – will throw
away wait’s weights as both rejoice
in unexpected overthrow
of anchors as trim sails we hoist.

Come dance with me, no strings attached –
except of harp or violin -
devotion, eloquence unmatched,
will shed all lies of ties that sin.
Thus inner doors may be unlatched,
as new dimensions open in
embracing wave which saves unscratched
soul stirred from hibernation’s bin.


Come dance with me, endearing smile
will echo caring, sharing, joy,
while Lara’s theme will reconcile
true love to trust, no wiles employ.
Tiara crowned Princess no guile
may meet who, sweet, greets verse employ
as an expression timed to dial
away Time’s hands all else destroy.

Come dance with me, no judgment blind
will claim, will, blame, will shame, reject, -
all icicles soon left behind
Spring’s robin sings you’re soul elect.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Black History Month

In January...
There they are making history.
In February...
There they are making history.
In March...
There they are making history.
In April...
There they are making history.
In May...
There they are making history.
In June...
There they are making history.
In July...
There they are making history.
In August...
There they are making history.
In September...
There they are making history.
In October...
There they are making history.
In November...
There they are making history.
In December...
There they are making history.

But...
It's nice to know
The shortest month of the year
Was chosen to celebrate
The great deeds of African-Americans!
However...
It is those LEAP YEARS,
That really have the blacks jumping for joy!

Note: 'Black History Month' along with other
works of interest can be found in...

*'MindPrints from Untouched Places-VOL I'*
~Now available online at a PC near you~

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Makin History

Tonight theres a magic that I cant explain
Tune-up and start the show all set now ready to go
This bands gonna really rock tonight
Steppin out upon the stage
Under those lights again
Were gonna shake the place tonight
They gotta new song high in the charts you know
You must have heard them play it on the radio
When that flat top starts that picking
Hear the bass drum start that kicking
The joint is really jumpin now
Ooh mama its so exiting to feel
That tension rising when they turn the house lights down
Its a strange kinda magic that never seems to age
Makin history
Makin history
Adding a new leaf to the story that is rocknroll
Makin history
Makin history
Playing a new beat to the glory
That is rocknroll
Rock on
They gotta new song
High in the charts you know
You must have heard them play it on the radio
Hear the start and the jumbo gibson
You dont know what youre missing if youre not
Painting the town tonight
Ooh mama its so exiting to feel
That tension rising when they turn the house lights down
Makin history
Makin history
Adding a new leaf to the story that is rocknroll
Makin history
Makin history
Playing a new beat to the glory
That is rocknroll
Makin history
Makin history
Adding a new leaf to the story that is rocknroll
Makin history
Makin history
Playing a new beat to the glory that is rocknroll
Mama its so exiting-oh oh
Dont you find the beat exiting

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The History of Now

The recording of culture is history;
but our culture is more than that.
It's the world of human action,
and the myths we make of the fact.

The recording of history is culture,
but our history is more than that.
It informs a hidden agenda.
Unconscious of motive we act.

It's the history of now, the history of now.
It's only the present that exists as endowed.
It's the history of now. The moment - KAPOW!
That knocks you right over and muddies your brow.

Through the prism of language, we know what we know.
We carry our baggage and stories of woe.
Victor and vanquished pride cannot budge,
the dead weight of hatred and ancestral grudge.

We fight our good fights with our hand on our heart;
the music is swelling as loved ones depart.
As sheep to the slaughter, the script cannot chart,
a course more ignoble: the propagandist's art.

The recording of history is culture,
but our culture is more than that.
More than the great individuals,
the scholars so love in their tracts.

The recording of culture is history;
but our history is more than that.
Not simple dates or statistics,
the full horror and gore still attracts.

It's the history of now, the history of now.
A strange contradiction that makes sense somehow.
It's the history of now, a mystery and shroud.
The past and the future: best fiction allowed.

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On Passing Cromwell Street

In Melbourne streets named in his honour though he does not warrant such fame
For he lived a life of dishonour yet he never felt any shame
For his crimes against the poor of Ireland the winners write the history they say
And historians are too kind to Cromwell the one who did awful things in his day.

He evicted the poor of rural Ireland those who only knew of poverty
And put them on the hard road to Connacht the victims of crimes against humanity
His army were thugs and not soldiers for they did things that soldiers ought not do
The winners always write the history though their version of history is often not true.

In Cromwell's time the winners wrote the history and the winners still write the history today
But for any crimes against humanity the winners too should be made to pay
But Cromwell and his army honoured for their crimes in Ireland against the poor defenceless poor
'Tis sad to think that one so unworthy of a place in history is secure.

To hell or to Connacht his catch cry he forced thousands of poor families on the road
To people who were penniless and innocent not one scrap of mercy he showed
Thousands of them died in the harsh Irish Winter when homelessness on them took it's toll
Because they were poor they were punished though their life circumstances beyond their control.

I think of the untruths of history each time I drive by Cromwell street
The history written by winners their history of lies and deceit
I say to myself they honour a tyrant and I struggle for to understand
Why they name a street after somebody who oppressed the poor of Ireland.

Andrew Marvell in verse glorified Cromwell but he was one who would not know
What Cromwell and his army got up to in Ireland in those bleak times centuries ago
But he only believed what they told him and they told him what he wanted to hear
History often written by unworthy people those who rule by terror and fear.

In Melbourne streets named in his honour his poor victims long forgotten and gone
Into the World of the forgotten but Cromwell's fame is living on
And the lessons we should have learned from history did not lead to a fair go for all
And the winners only write the story though the real truth they never recall.

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Working At The Factory

All my life I've been a workin' man
When I was at school they said that's all you'll ever understand
No profession. I didn't figure in their plans
So they sent me down factory to be a workin' man
All I lived for, All I lived for
All I lived for was to get out of the factory
Now I'm here seemingly free, but working at the factory.
The music came along and gave new life to me
And gave me hope back in 1983
The music came and set me free
From working at the factory
All I lived for, All I lived for
All I lived for was to get out of the factory
All I lived for, All I lived for
All I lived for was to get out of the factory
Never wanted to be like everybody else
But now there are so many like me sitting on the shelf
They sold us a dream but in reality
It was just another factory
I made the music , thought that was mine
It made me free , but that was in another time
But then the corporations and the big combines
Turned musicians into factory workers on assembly lines.
All I lived for, All I lived for
All I lived for was to get out of the factory
We made the music to set ourselves free
From working at the factory.
All my life I've put in a working day
Now it's sign the contract. Get production on the way
Take the money, make the music pay
Working at the factory
All I lived for was to get out of the factory.
Never wanted to be like everybody else
But now there are so many like me sitting on the shelf
They sold us a dream but in reality
Was just another factory
Working at the factory.

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History Stones People.

History stones people.


They stoned Moses, David and Linclon,
history did that for all to see


Marbel and cement,
that's all it leaves behind
of a long changing life.


Great heroes of time,
fall under the mercy
of the sculptor's knife.


History stones faces,
in a way that would make
ecclestias cringe.
History stones feet,
in a way that would make
piligrims cry.


History stones life
to always stay fresh,
yet, what is life without
the sins of the flesh.


All the radical kids
get stoned
and never change
or even move a muscle.

All the sword raising warriors
history stoned
without blood in their veins.


You can see all the victims
that history stoned
when you walk in the park,
they got kings
and queens
hell, they even got Gods.


They are there captive

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Ten Words Circularly

History is ‘Nothing to be done’; and Time passes circularly.
Nothing passes circularly: History and Time is to be done.
Time is circularly Nothing and History passes to be done.
History circularly passes Time and Nothing is to be done.
To be Nothing, Time passes and History is circularly done.
Nothing is to be done: Time and History circularly passes.
Nothing is History and, to be done, Time circularly passes.
To be is History; and Time done circularly passes Nothing.
Time is to be; and Nothing circularly done passes History.
Nothing passes History and Time to be done circularly is.
To be is: Nothing done circularly passes History and Time.

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I Cant Live With You

Words and music by queen
I cant live with you
But I cant live without you
I cant let you stay
Ooh but I cant live if you go away
I dont know just how it goes
All I know is I cant live with you
Yeah Im having a hard time
Im walking a fine line between hope and despair
You may think that I dont care
But I travelled a long road to get hold of my sorrow
I tried to catch a dream
But nothings what it seems
Love is saying baby its all right
When deep inside youre really petrified
Lover turns to hater
On this escalator
I cant live with you - yeah
But I cant live without you
I cant breathe if you stay
But I cant bear you to go away
I dont know what time it is
All I know is I cant live with you
Were stuck in a bad place
Were trapped in a rat race
And we cant escape
Maybe theres been some mistake
Were trying to make a high score
Were walking through a closed door
And nobodys winning
Were just sinning against ourselves
Hold on baby tell me its all right
Angers breaking from the hurt inside
Passions screaming hotter
Doin what we gotta do - yeah
I cant live with you I cant live with you
I cant live I cant live
I cant I cant live with you
But baby Ill never ever leave you
I cant live with you
But I cant live without you
Cause Im in love with you
Ooh and everything about you
I cant live with you
No I just cant live I just cant live
I cant live with you
Yeah and I cant live without you
Through the madness through the tears
Weve still got each other
For a million years - yeah

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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poem by from Aurora Leigh (1856)Report problemRelated quotes
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