In theater, you have a rehearsal period and you know just who to be.
quote by Marcia Gay Harden
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Related quotes
Real Life
Certain, genuine, almost positive
Right definite, sincere
Broke vitality, truth humanity
That's not what's happening here
oooh, oooh, this is real life
oooh, oooh, this is real life
I'm sitting here waiting, wondering where you been
Don't you know you're late again?
Sitting here thinking, figuring you would call
The phone don't ring at all
I'm not a girl whose living in a fantasy world
So tell me are we fictional, fact
Cause right now I gotta know (gotta know)
I wanna know where we're at
Get a grip baby we're no rehearsal
It's not a game, we are not playing virtual
When are you going to wake up and realize
This is real life, this is real life
?Have honey? would never be true love
I can almost never be in love
I tell you straight up, not telling you twice (you twice)
This is real life, uh, this is real life (real life)
You're blowing hot and cold
And I don't know where you're coming from
What planet are you living on?
And I'm not the girl of a type who will forgive and forget
(Have I, Have I got you attention yet?)
I'm not a girl whose living in a big dream world
This time there's no compromise
So if you want me for good, you better open your eyes
Certain, genuine, almost positive
Right definite, sincere
Broke vitality, truth humanity
That's not what's happening here
oooh, oooh, this is real life
oooh, oooh, this is real life
Get a grip baby we're no rehearsal
It's not a game, we are not playing virtual
When are you going to wake up and realize
This is real life, this is real life
?Have honey? would never be true love
I can almost never be in love
I tell you straight up, not telling you twice (you twice)
This is real life, uh, this is real life (real life)
Get a grip baby we're no rehearsal
It's not a game, we are not playing virtual
When are you going to wake up and realize
This is real life, this is real life
?Have honey? would never be true love
I can almost never be in love
[...] Read more
song performed by Vitamin C
Added by Lucian Velea
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The Chateau Disaster Tapes
A) scenario
In long years of ancient time, stood alone a friend of mine.
Reflected by the ever-burning sigh of a God who happened by.
And in the dawn, there came the song of some sweet lady singing in his ear.
Your God has gone, and from now on, youll have to learn to hate
The things you fear.
We want to know, are we inside the womb
Of passion plays, and by righteousness consumed?
Or just in lush contentment of our souls?
And so began the age of man.
They left his body in the sand.
Their glasses raised to a God on high
Who smiled upon them from the sky.
So take the stage. spin down the ages. loose the passion.
Spill the rage upon your son who holds the gun up to your head ---
The plays begun.
B) audition
Then god, the director, smells a rat.
Pulls another rabbit from his hat.
Sniffs the air and he says, ''well, thats that --- Im going.
The actors milling helplessly --- the script is blowing out to sea.
But what the hell, we didnt even pass an audition.
The lines youll have to improvise. the words are written in
The eyes of politicians who despise their fathers.
And so the play necessitates that all you boys participate
In fierce competition to eliminate each other.
And groupies, on their way to war,
Get to write the next film score.
But the rock and roll star knows his glory is really nothing.
Men of religion, on the make,
Pledge an oath they undertake to
Make you white for gods own sake, and none other.
While ladies get their bedding done
To win themselves a bouncing son ---
But bad girls do it for the fun of just being.
And me, Im here to sing along,
And Im not concerned with the righting wrongs,
Just asking questions that belong without an answer.
The God is laughing up his sleeve
As he pours himself another cup of tea,
And he waves goodbye to you and me,
At least for now.
C) no rehearsal
Did you learn your lines today? well, there is no rehearsal.
The tickets have all been sold for tomorrows matinee.
Theres a telegram from the writer,
But there is no rehearsal.
The electrician has been told to make the spotlights brighter.
Theres one seat in the circle --- five hundred million in the stalls.
Simply everyone will be there, but the safety curtain falls when
[...] Read more
song performed by Jethro Tull
Added by Lucian Velea
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Notes On An Unadorned Night
after Rene Char
Let's agree that the night is a blank canvas, a station
break, a bridge of a song.
Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.
I have come to regard these two statements as
contradictory. Let me explain.
First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.
The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.
You could do nothing at night! Just lay and sleep!
A Cézanne sketch I looked at last night bears
mentioning.
A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.
The man's eyes are wide open and unfulfilled.
The two disemboweled deer I saw the night before also
bear mentioning.
The torsos of both deer were connected to faces, both
looking up.
I assumed they were struck by trains near the house
where I was sleeping.
Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.
I want to be among people. I do.
But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.
Those deer weren't an emblem of anything. I'm not like that.
I don't need dead animals to mirror my own interior world.
[...] Read more
poem by Daniel Nester
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Theatre Of Dreams
Oh can I lie here, can I whisper; can I tell
you anything that you want to hear,
Is it thoughts, is it feelings, is it what you
need, can I make you feel good,
It's just something that I thought that
you'd like, in a world that's dying,
Oh I can see you smiling. Oh, can I do this
for you?
In the pale and lonely light you feel so
exciting ah,
I fail the words, I need to speak to tell you
how,
You can love who you love, you can be who
you want, in the theater of dreams,
Oh, you can love who you love, you can be
who you want, in the theater of dreams. In
the theater of dreams.
Oh can I touch you, can I hold you, I can
do anything, that you want me to,
Does it hurt, is it OK is it what you need to
make you feel good,
I got something that I think that you'd like,
in a world that's changing,
Oh I can feel you smiling, Oh can I do this
for you?
In a pale and lonely life, you seem so
exciting ah,
I fail the words, I need to speak to tell you
how.
You can love who you love, you can be who
you want, in the theater of dreams.
Oh, you can love who you love, you can be
who you want, in the theater of dreams.
This is where you open up your mind, yeah.
This is where you lose, lose your chains of
time.
In the theater of dreams.
poem by Pawan Kumar 'Meonlafesta'
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Nickels And Dimes
I used to stand on a corner when i was a child
And i'd play my guitar and sing as the people went by
The sidewalks were crowded but i'd just sing louder cause i didn't mind
Just spending my time, spinning my rhymes and singing for nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
I'd brighten their day as they go on their way and they'd brighten mine
A sidewalk rehearsal for dreams that i held in my mind
I knew that someday in my own special i'd repay all their nickels and dimes
I recall the sidewalk each night as i stand on the stage
As i play my guitar and sing for the people who paid
Cause i finally made it to what they all call the big time
But i still remember i still owe some nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that i held in my mind
So if you remember a child on the corner of time
You'll know that i wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that i held in my mind
So if you remember a child on a corner of time
You'll know that i wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that i held in my mind
So if you remember a child on a corner of time
You'll know that i wrote this to repay your nickels and dimes
song performed by Dolly Parton
Added by Lucian Velea
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Nickels & Dimes
I used to stand on a corner when I was a child
And Id play my guitar and sing as the people went by
The sidewalks were crowded but Id just sing louder cause I didnt mind
Just spending my time, spinning my rhymes and singing for nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
Id brighten their day as they go on their way and theyd brighten mine
A sidewalk rehearsal for dreams that I held in my mind
I knew that someday in my own special Id repay all their nickels and dimes
I recall the sidewalk each night as I stand on the stage
As I play my guitar and sing for the people who paid
Cause I finally made it to what they all call the big time
But I still remember I still owe some nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that I held in my mind
So if you remember a child on the corner of time
Youll know that I wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that I held in my mind
So if you remember a child on a corner of time
Youll know that I wrote this to repay your nickels and dimes
Nickels and dimes a song at a time for nickels and dimes
A sidewalk rehearsal for dreams that I held in my mind
So if you remember a child on a corner of time
Youll know that I wrote this to repay your nickels and dimes
song performed by Dolly Parton
Added by Lucian Velea
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Dress Rehearsal Rag
Four oclock in the afternoon
And I didnt feel like very much.
I said to myself, where are you golden boy,
Where is your famous golden touch?
I thought you knew where
All of the elephants lie down,
I thought you were the crown prince
Of all the wheels in ivory town.
Just take a look at your body now,
Theres nothing much to save
And a bitter voice in the mirror cries,
Hey, prince, you need a shave.
Now if you can manage to get
Your trembling fingers to behave,
Why dont you try unwrapping
A stainless steel razor blade?
Thats right, its come to this,
Yes its come to this,
And wasnt it a long way down,
Wasnt it a strange way down?
Theres no hot water
And the cold is running thin.
Well, what do you expect from
The kind of places youve been living in?
Dont drink from that cup,
Its all caked and cracked along the rim.
Thats not the electric light, my friend,
That is your vision growing dim.
Cover up your face with soap, there,
Now youre santa claus.
And youve got a gift for anyone
Who will give you his applause.
I thought you were a racing man,
Ah, but you couldnt take the pace.
Thats a funeral in the mirror
And its stopping at your face.
Thats right, its come to this,
Yes its come to this,
And wasnt it a long way down,
Ah wasnt it a strange way down?
Once there was a path
And a girl with chestnut hair,
And you passed the summers
Picking all of the berries that grew there;
There were times she was a woman,
Oh, there were times she was just a child,
And you held her in the shadows
Where the raspberries grow wild.
And you climbed the twilight mountains
And you sang about the view,
[...] Read more
song performed by Leonard Cohen
Added by Lucian Velea
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No Rehearsal
Did you learn your lines today?
Well, there is no rehearsal.
The tickets have all been sold
For tomorrows matinee.
Theres a telegram from the writer,
But there is no rehearsal.
The electrician has been told
To make the spotlights brighter.
There is one seat in the circle--
Five hundred million in the stalls.
Simply everyone will be there,
But the safety curtain falls
When the bomb thats in the dressing room
Blows the windows from their frames.
And the prompter in his corner is sorry that he came.
There is one seat in the circle--
Five hundred million in the stalls.
Simply everyone will be there
But the safety curtain falls
When the bomb thats in the dressing room
Blows the windows from their frames.
And the prompter in his corner is sorry that he came.
When the bomb thats in the dressing room
Blows the windows from their frames.
And the prompter in his corner is sorry that he came.
Did you learn your lines today?
Well there is no rehearsal.
The interval will last until
The ice-cream lady melts away.
The twelve piece orchestra are here,
But there is no rehearsal.
The first violinists hands are chilled--
Hes gone deaf in both ears.
Well, the scenery is colorful,
But the paint is so damn thin.
You see the wall behind is crumbling,
And the stage door is bricked in.
But the audience keep arriving
til theyre standing in the wings.
And we take the final curtain call,
And the ceiling crashes in.
song performed by Jethro Tull
Added by Lucian Velea
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Nancy Boy
Alcoholic kind of mood
Lose my clothes, lose my lube
Cruising for a piece of fun
Looking out for number one
Different partner every night
So narcotic outta sight
What a gas, what a beautiful ass.
And it all breaks down at the role reversal,
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
And it all breaks down at the first rehearsal,
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
Kind of buzz that lasts for days
Had some help from insect ways
Comes across all shy and coy
Just another nancy boy.
Woman man or modern monkey
Just another happy junkie
Fifty pounds, press my button
Going down.
And it all breaks down at the role reversal
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
And it all breaks down at the first rehearsal,
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
Does his makeup in his room
Douse himself with cheap perfume
Eyeholes in a paper bag
Greatest lay I ever had
Kind of guy who mates for life
Gotta help him find a wife
Were a couple, when our bodies double.
And it all breaks down at the role reversal
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
And it all breaks down at the first rehearsal,
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
And it all breaks down at the role reversal,
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
And it all breaks down at the first rehearsal,
Got the muse in my head shes universal,
Spinnin me round shes coming over me.
song performed by Placebo
Added by Lucian Velea
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Great Conductors
Hans Richter Parsifal did not conduct,
and to the National Gallery he never paid
a visit, but he showed Franz Strauss who never sucked
just how the horn in Meistersinger should be played.
Franz Strauss refused to play a second time
for Hans von Bülow Meistersinger’s second act;
Hans begged his pardon when Franz told him: “I’m
retiring, since you for the hornist show no tact.”
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene How can a conducter to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersingers. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you cant do it again, so you must better ask for retirement! , replied von Buelow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene. How can a conductor to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersinger. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you can’t do it again you had better ask for retiremen! replied von Bülow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
8/25/08
poem by Gershon Hepner
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The Great Stealth-burger Caper
A head cold had settled in with a vengeance.
After a couple of days at home I felt stir crazy.
Was it time to go somewhere, maybe a movie?
A quick glance at Arts & Entertainment section
and we made our choice of movies playing at our
favorite theater.
We jumped in the car and headed to the cinema.
“Haven’t eaten all day lets get a burger” I said.
“We don’t have enough time to stop to eat, lets
get something at the theater” Laureen replied.
“Nope, too expensive and the food is crappy anyway.
Let’s get some burgers to go and sneak them into the theater”
“What? ” You know they don’t let people take in food”
“Yeah, so they don’t need to know, right? ”
We wheeled into “Cruisers” a 50’s throwback diner.
You know the kind with old pictures of Elvis and Marilyn,
hanging on the walls and black & white checkerboard floors.
Cruisers make great burgers cheap (volume...Over a zillion sold) .
Thin patties, shredded lettuce, onions, tomatoes, pickles
and fresh sesame buns. Burgers better than the guys
with the “Golden Arches” or “flame broiled” belly busters.
It was 30 minutes before show time, but we were in luck.
Things were going well because we arrived 15 minutes before noon.
The movie gods were with us…
Just as we placed our order, people started lining up behind us.
“Two regular burgers with the works and mustard dressing please”
“Want fries with your burgers”
“Nope” I said hurriedly.
Laureen placed her order,
“One regular burger with everything except onions and an order of fries.”
“Do you want curly, regular, tatter tots or steak fries? ”
“Uh, I’ll take the steak fries please”
“Anything to drink? ”
“No thanks, just a cup for water (she wasn’t about to let me drink from her water bottle) .
We looked at each other as we sat down holding
our plastic tent with a black number 3 on it.
“Uh, how are we going to smuggle in that much food”, laureen asked.
“In your purse” I answered with a clueless grin on my face.
“Are you kidding, it’s already full and besides my water bottle is in it”
“I’ll put the water bottle in my back pocket”
[...] Read more
poem by Ray Lucero
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The Art Of Life
If anyone believes,
The one standing alone...
Taking the heat under spotlight,
Runs the show...
Hasn't met the director or the producer,
The manager, assistant manager.
The script writer, agent, publicist...
And a host of others behind the scenes.
If anyone believes,
The one standing alone...
Taking the heat under spotlight,
Runs the show...
Doesn't know theater.
Or who calls the shots,
To enable any light to shine
And be spotted anywhere.
Theater is staged.
No matter whose name is on the marquee,
To sell the tickets.
Theater is staged.
And the best acts are trained to fill the seats.
If one knew theater,
One would know the art of life.
And the importance of having not only a good director...
But one with the bucks,
Who can keep the production afloat long enough to seduce...
Is the key to selling an audience sold on what they see,
Until the curtain drops to signal the end of the performance.
Taken from its natural habitat to be staged,
The art of life...
Is only theater to delude and to captivate believers.
poem by Lawrence S. Pertillar
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Allegany Camp
amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
amc movie camps
amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp
[...] Read more
poem by Rwetewrt Erwtwer
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I Am Writing A Poem That You Can Understand So Easily
this is not to insult your intelligence
or your sensibility
your capacity for managing angst,
to see the wholeness
of the matter
in the eye of the needle
where the camel enters where you claim you have seen it,
this, this is it, the quick brown fox jumps over the lazy dog near the bank of the riverthe quick brown fox jumps over the lazy dog near the bank of the riverthe quick brown fox jumps over the lazy dog near the bank of the riverthe quick brown fox jumps over the lazy dog near the bank of the river the quick brown fox jumps over the lazy dog near the bank of the riverthe quick brown fox jumps over the lazy dog near the bank of the riverthe quick brown fox jumps over the lazy dog near the bank of the riverthe quick brown fox jumps over the lazy dog near the bank of the river
do you not find wisdom in it, it is filled with questions to be answered:
why is the fox quick
why is it brown? why does it jump on a lazy dog? and is the dog really lazy? is this not offensive to the dogs in the royalty? and why should the river be near? and this bank of the river? is this where the dog lives? or the fox or the dog, do they relate to the word quick and lazy?
i tell you, there is wisdom in every word, no matter where you place it.
every verb serves its purpose in giving us action,
every question calls for an answer
and every period serves the purpose it is intended to be.
rest.
the purpose of an easy poem is to understand it, and so the poem is written in the most familiar language that you know and speak,
period.
i don't want to understand things really, there is no point there.
period.
some poems are not meant to be understood, they are only meant to be read.
period.
some poems are not meant to be digested, they are meant to make
us full, even only for a while.
period.
some poems are written by Someone Else, and this writer does not
even understand it.
period.
rest.......
poem by Ric S. Bastasa
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The Cremona Violin
Part First
Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.
A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.
She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting
This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'
A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?
Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.
[...] Read more
poem by Amy Lowell
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I Know Their Name
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name
song performed by Men Without Hats
Added by Lucian Velea
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6 Minutes Of Pleasure
Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
[...] Read more
song performed by LL Cool J
Added by Lucian Velea
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In Pursuit of the Poetic Soul of Ryan Adams
In Pursuit of the Poetic Soul of Ryan Adams
By Uriah Lee Hamilton
Last day of summer, football Saturday afternoon. A Warm breeze was pushing me toward Ann Arbor like a happy autumn leaf in pursuit of the beautiful poetic soul of Ryan Adams. Lovely charming mood all the way playing Easy Tiger and Demolition and feeling like the universe was kind and smiling.
Exit off 94 West onto State Street and all excited to make my way to Liberty Street and the heart of the College town I love. Kids were milling around everywhere in their gold and blue, gleeful and happy that Michigan is now playing 500 football after a discouraging start. Parking spaces across the street from Michigan Theater in the parking structure are all taken, I have to drive to the roof and still wait for a football fan to leave.
Me and my friend Cassandra start walking around and dig everything and everyone we see. Ann Arbor brings out your gentle Jack Kerouac nature, the part of you that wants to praise everything for it’s sad but beautiful, integral purpose to this existence.
We enter an Eastern clothing and folk art store that is positively charming and enlightening. I can’t remember the name of the store. Perhaps, it is called the Enchanted Sarong. It almost felt like George Harrison was there with us, beautiful carved statues of Buddha and Krishna and Ganesha were everywhere. The sales lady was friendly and helpful and said sweetly, “we’re Om friendly” as we asked about carved symbols for the breath-word Om. The serene incense Nag Champa drifted through the room but it was now time to leave and make our way to the Ryan Adams concert at Michigan Theater.
I purchased my tickets the very minute they went on sale and prayed I had front row despite my tickets saying double A. No Such luck, but I was still happy to be in row 27. As I was waiting for the show to begin, I saw my concert friend Jeremy and got his attention. He looked as happy and as excited as myself and said he had spent a fortune at some cool record store. Jeremy then handed me a beautiful soundboard copy of Ryan Adams at the Gem Theater in downtown Detroit June 20th 2007. Man, how I’ve been longing for that show! I then gave Jeremy a copy of Ryan’s punk rock band the Finger.
Now the lights go out and the music begins. Ryan Opens with Goodnight Rose and closes with Goodnight Hollywood Boulevard. Everything in-between is just magical. The first auspicious sign was that Ryan came out playing guitar! ! In June, he only sang, he didn’t play any instruments, some injury sidelined him. The June Show as a result was more subtle, almost like MTV Unplugged. Subtle but amazing. Last night was more rocking and adventurous with reworked extended arrangements, ala the Grateful Dead. In particular was a long and lovely version of Off Broadway from Easy Tiger. At the completion of Off Broadway, I shouted, “That was gorgeous! ” Of course, I may have added an expletive, all in the interest of ecstatic joy for music.
Ryan told a story during the show about running into a girl on her way to the concert that didn’t recognize him because he dresses like a plumber. My friend after the show said she thought she saw Ryan Adams on the street near the theater. I asked, “Really? ” She said, “I saw someone that looked like a plumber.” I can say, I didn’t see Ryan on the streets anywhere in Ann Arbor yesterday, but I have been known to miss a plumber or two in my day.
The first two songs in the encore made the whole show for me. Ryan came out by himself with an acoustic guitar and sang Call Me On Your Way Back Home. Toward the end of the song, Ryan played harmonica and I screamed like a schoolgirl, pretty much the way I do whenever Bobby Dylan plays harmonica! And if that wasn’t enough to make the end of summer completely magical, Ryan then sat down at the piano and sang Sylvia Plath: Oh my God, the point of tears! I’ve waited six years to hear him sing that song live from the Album Gold. As I told my friend, that was the song that sealed the deal making Ryan Adams my modern hero! If you want to get my attention and loyalty, sing about one of the tragic poets I love.
poem by Uriah Hamilton
Added by Poetry Lover
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The Dictaphone Bard
[And here is a suggestion: Did you ever try dictating your stories or articles to the dictaphone for the first draft? I would be glad to have you come down and make the experiment.--From a shorthand reporter's circular letter.]
(As "The Ballad of the Tempest" would have to issue from the dictaphone to the stenographer)
We were crowded in the cabin comma
Not a soul would dare to sleep dash comma
It was midnight on the waters comma
And a storm was on the deep period
Apostrophe Tis a fearful thing in capital Winter
To be shattered by the blast comma
And to hear the rattling trumpet
Thunder colon quote capital Cut away the mast exclamation point close quote
So we shuddered there in silence comma dash
For the stoutest held his breath comma
While the hungry sea was roaring comma
And the breakers talked with capital Death period
As thus we sat in darkness comma
Each one busy with his prayers comma
Quote We are lost exclamation point close quote the captain shouted comma
As he staggered down the stairs period
But his little daughter whispered comma
As she took his icy hand colon
Quote Isn't capital God upon the ocean comma
Just the same as on the land interrogation point close quote
Then we kissed the little maiden comma
And we spake in better cheer comma
And we anchored safe in harbor
When the morn was shining clear period
poem by Franklin P. Adams
Added by Poetry Lover
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You Know My Name
You know my name
Look up the number
You know my name
Look up the number
You you know you know my name
You you know you know my name
Good evening and welcome to slaggers
Featuring denis o'bell
Come on ringo, let's hear it for denis
Good evening
You know my name
Better look up the number
You know my name
(that's right) look up the number
You you know you know my name
You you know you know my name
You know my name
Ba ba ba ba ba ba ba ba ba
Look up my number
You know my name
That's right look up the number
Oh you know you know
You know my name you know you know you know my name.
Huh huh huh huh
You know my name
Ba ba ba pum
Look up the number
You know my name
Look up the number
You-a you know you know my name
Baby you-a you know you know my name
You know my name you know you know you know my name
Go on denis, let's hear it for denis o'bell
You know my name you know you know you know you know you know my name
Prrr you know my name and the number
You know my name and the number you know you know my name
Look up me number
You know my number three you know my number two
You know my number three you know my number four
You know my name you know number too
You know my name you know my number
What's up with you?
You know my name
That's right
Yeah.
song performed by Beatles
Added by Lucian Velea
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