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William Shakespeare

Lady Macbeth: What's done cannot be undone.

line from the play Macbeth, Act V, Scene 1, script by (1606)Report problemRelated quotes
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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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Christabel

PART I

'Tis the middle of night by the castle clock
And the owls have awakened the crowing cock;
Tu-whit!- Tu-whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.-
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air

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The Cōforte of Louers

The prohemye.

The gentyll poetes/vnder cloudy fygures
Do touche a trouth/and clokeit subtylly
Harde is to cōstrue poetycall scryptures
They are so fayned/& made sētēcyously
For som do wryte of loue by fables pryuely
Some do endyte/vpon good moralyte
Of chyualrous actes/done in antyquyte
Whose fables and storyes ben pastymes pleasaunt
To lordes and ladyes/as is theyr lykynge
Dyuers to moralyte/ben oft attendaunt
And many delyte to rede of louynge
Youth loueth aduenture/pleasure and lykynge
Aege foloweth polycy/sadnesse and prudence
Thus they do dyffre/eche in experyence
I lytell or nought/experte in this scyence
Compyle suche bokes/to deuoyde ydlenes
Besechynge the reders/with all my delygence
Where as I offende/for to correct doubtles
Submyttynge me to theyr grete gentylnes
As none hystoryagraffe/nor poete laureate
But gladly wolde folowe/the makynge of Lydgate
Fyrst noble Gower/moralytees dyde endyte
And after hym Cauncers/grete bokes delectable
Lyke a good phylozophre/meruaylously dyde wryte
After them Lydgate/the monke commendable
Made many wonderfull bokes moche profytable
But syth the are deed/& theyr bodyes layde in chest
I pray to god to gyue theyr soules good rest

Finis prohemii.

Whan fayre was phebus/w&supere; his bemes bryght
Amyddes of gemyny/aloft the fyrmament
Without blacke cloudes/castynge his pured lyght
With sorowe opprest/and grete incombrement
Remembrynge well/my lady excellent
Saynge o fortune helpe me to preuayle
For thou knowest all my paynfull trauayle
I went than musynge/in a medowe grene
Myselfe alone/amonge the floures in dede
With god aboue/the futertens is sene
To god I sayd/thou mayst my mater spede
And me rewarde/accordynge to my mede
Thou knowest the trouthe/I am to the true
Whan that thou lyst/thou mayst them all subdue
Who dyde preserue the yonge edyppus
Whiche sholde haue be slayne by calculacyon
To deuoyde grete thynges/the story sheweth vs

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Climbing From Ruts

Not 'who' is he?
But 'what' is he?
To know.
Before the showing?
To have that showing...
Grow.
To be known.

Not 'who' is she?
But 'what' is she?
To know.
Before the showing?
To have that showing...
Grow.
To be known.

They are the ones,
Unstung.
And freed,
From under a thumb.

They are the ones,
Unstung.
And freed,
From under a thumb.

Climbing from ruts.
Undone.
And looking up.
Undone.
And taking risks,
Unlimited...
Others may sit and resist.

Climbing from ruts.
Undone.
And looking up.
Undone.
And taking risks,
Unlimited...
Others may sit and resist.

They are the ones,
Unstung.
And freed,
From under a thumb.

Not 'who' is he?
But 'what' is he?
To know.

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The Flight of the Duchess

I

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!


II

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore
—And the whole is our Duke's country.


III

I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,

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Flight Of The Duchess, The

I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,---
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
---And the whole is our Duke's country.

III.

I was born the day this present Duke was---
(And O, says the song, ere I was old!)
In the castle where the other Duke was---
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive

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The Sorcerer: Act II

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


(Twelve hours are supposed to elapse between Acts I and II)

ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight


Scene--Exterior of Sir Marmaduke's mansion by moonlight. All the
peasantry are discovered asleep on the ground, as at the end
of Act I.

Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
carries a dark lantern.

TRIO--ALEXIS, ALINE, and MR. WELLS

'Tis twelve, I think,
And at this mystic hour
The magic drink
Should manifest its power.
Oh, slumbering forms,
How little ye have guessed
That fire that warms
Each apathetic breast!

ALEXIS. But stay, my father is not here!

ALINE. And pray where is my mother dear?

MR. WELLS. I did not think it meet to see
A dame of lengthy pedigree,

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Lady Lynda

Lady lady lady lady
Wont you come here and lie lady lynda with me
We can lie in the green canyon meadows
And well hear the birds sing in the spring
Dont you know if you;ll stay lady lynda with me
We can talk about love everafter
When you lie lady lynda with me
Lynda, wont you say that we can be near
Cannot deny thereve been hard times
Darlin, evolution is drawing us near
Look in my eyes whoa
Lynda, wont you say that I am your man
Your lips are dry (? ) its all in his past
But darlin, evolution is drawing us near
Lie lady lie
Oooh lady wont you lie lady
Now wont you stay lady lynda with me
We can talk about love everafter
When you lie lady lynda with me
Ohh lady wont you lie lady
Wont you ooh lady wont you stay lady with me
When you lie lady lynda
Come along with me
Ohh lady wont you lie lady
Wont you lie with me
Darlin you know you make my heart sing
Wont you come along and sing a song
Sing the sound of love
Ohh lady wont you lie lady
Wont you lie with me
Darlin your love is like the coming spring
Wont you come along and sing a song
Sing the song my love
Ohh lady wont you lie lady
Wont you lie with me darlin your love is like the coming spring
Wont you come along and sing a song
Sing the song my love
Ohh lady wont you lie lady
Wont you lie with me
Darlin your love is like the coming spring
Wont you come along and sing a song
Sing the song my love
Ooh lady wont you lie lady wont you marry me

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Treat Her Like A Lady

Treat her like a lady
By: jimmy buffett, david loggins
1979
Chorus:
Some of us sailors call her home
Shes big and shes strong and shes mighty
Some of us sailors call her our own
Guess thats the reason why
I treat her like a lady
Just treat her like a lady
Now I dont like the sound of the ground movin round
Or winds spinnin out of control
California earthquakes, only seem to make a me
Shake, rattle, and roll
Ive been too long on the mainland
Hotels, rental cars, and phones
Time to cast em aside, catch the very next tide
And go back, where I belong
Chorus:
Some of us sailors call her home
Shes big and shes strong and shes mighty
Some of us sailors call her our own
Guess thats the reason why
I treat her like a lady
Treat her like a lady
Now great whales travel the rhumb lines
Dodging those deadly harpoons
Spawning their young, as their ancestors done
In the depths of her hidden lagoons
Therere times I find myself with them
And times I feel as they do
Were on a similar course, its just a different source
But Im in danger of extinction too
Chorus:
Some of us sailors call her home
Shes big and shes strong and shes mighty
Some of us sailors call her our own
Guess thats the reason why
I treat her like a lady
Treat her like a lady
Treat her like a lady
Treat her like a lady
And miss her when Im gone
(lady, lady) treat her like a lady
(lady, lady) treat her like a lady
(lady, lady) got to treat her like a lady
(lady, lady) treat her like a lady
Lady, lady
Lady, lady
Lady, lady

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Christina Georgina Rossetti

Under The Rose

'The iniquity of the fathers upon the children.'

Oh the rose of keenest thorn!
One hidden summer morn
Under the rose I was born.

I do not guess his name
Who wrought my Mother's shame,
And gave me life forlorn,
But my Mother, Mother, Mother,
I know her from all other.
My Mother pale and mild,
Fair as ever was seen,
She was but scarce sixteen,
Little more than a child,
When I was born
To work her scorn.
With secret bitter throes,
In a passion of secret woes,
She bore me under the rose.

One who my Mother nursed
Took me from the first:—
'O nurse, let me look upon
This babe that costs so dear;
To-morrow she will be gone:
Other mothers may keep
Their babes awake and asleep,
But I must not keep her here.'—
Whether I know or guess,
I know this not the less.

So I was sent away
That none might spy the truth:
And my childhood waxed to youth
And I left off childish play.
I never cared to play
With the village boys and girls;
And I think they thought me proud,
I found so little to say
And kept so from the crowd:
But I had the longest curls
And I had the largest eyes
And my teeth were small like pearls;
The girls might flout and scout me,
But the boys would hang about me
In sheepish mooning wise.

Our one-street village stood
A long mile from the town,

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Little Lady Love

Oh yeah x 5
Chorus
Im little lady love
Ive been touched from above
And you just cant get enough
Of little lady love
Chorus
Im little lady love
Ive been touched from above
And you just cant get enough
Of little lady love
We maybe young
But only for a while
I may look brave
But boy thats just my style
Taken from my teens
But feeding from the tears
Falling with the love
Ive holding back the years
Chorus
Im little lady love
Ive been touched from above
And you just cant get enough
Of little lady love
The miracle of love
Is something Ive observed
And speaking for myself
Is something Ill preserve
Until I feel my way
Along the sticky road
Ill save the miracle
Im gonna take it slow
Chorus
Im little lady love
Ive been touched from above
And you just cant get enough
Of little lady love
Lady love, lady love
Lady love, lady love
Lady love, lady love
Lady love, lady love, love
I think Ive been seperate
Makes it so desperate
I think Ill moderate
Better to wait, its favourite
Chorus
Im little lady love
Ive been touched from above
And you just cant get enough
Of little lady love

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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That Lady

Who's that lady (who's that lady)
Beautiful lady (who's that lady)
Lovely lady (who's that lady)
Real fine lady (who's that lady)
Hear me calling out to you
'Cause that's all that I can do
Your eyes tell me to pursue
But you say "Look yeah, but don't touch, baby"
Nah, nah, nah don't touch
Who's that lady (who's that lady)
Sexy lady (who's that lady)
Beautiful lady (who's that lady)
Real fine lady (who's that lady)
I would dance upon a string
Any gift she'd want I'd bring
I would give her anything
If she would just do what I say
Come 'round my way, baby
Shine my way
Who's that lady (who's that lady)
Beautiful lady (who's that lady)
Lovely lady (who's that lady)
Real real fine lady (who's that lady)
I would love to take her home
But her heart is made of stone
Gotta keep on keepin' on
If I don't she'll do me wrong
Do me wrong, yeah
(Instrumental)

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Who's That Lady

Who's that lady (who's that lady)
Beautiful lady (who's that lady)
Lovely lady (who's that lady)
Real fine lady (who's that lady)
Hear me callin' out to you
'Cause it's all that I can do
Your eyes tell me to pursue
But you say look yeah, but don't touch (but don't touch), baby
nah, nah, nah don't touch
Who's that lady (who's that lady)
Sexy lady (who's that lady)
Beautiful lady (who's that lady)
Real fine lady (who's that lady)
I would dance upon a string
Any gift she'd wanna bring
I would give her anything
If she would just do what I say (just do what I say)
Come 'round my way, baby
Shine my way
Who's that lady (who's that lady)
Beautiful lady (who's that lady)
Lovely lady (who's that lady)
Real fine lady (who's that lady)
I would love to take her home
But her heart is made of stone
I would keep on keepin' on
If I don't she'll do me wrong
Do me wrong, yeah

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The Best Is Yet To Come Undone

It's behind you and
It's in your face
Close your eyes
Selling years of their
Smoke and mirrors and
Open minds
And they try to find a way to make me something that
I'm not
I touched the world
I felt the sun
I know the best is yet to come undone
I looked around
At everyone
I know the best is yet to come undone
The best is yet to come undone
It's so obvious
That the promise
Keeps me here
Painting pictures where
All the colors Disappear And they try to find a way to make me something that I'm not
I touched the world
I felt the sun
I know the best is yet to come undone
I looked around
At everyone
I know the best is yet to come undone
The best is yet to come undone
The best is yet to come undone
And I find my way out
And I find my way out
It's so obvious
That the promise
Keeps me here
Painting pictures where
All the colors Disappear
And they try to find a way to make me something that I'm not
I touched the world
I felt the sun
I know the best is yet to come undone
I looked around
At everyone
I know the best is yet to come undone
Touched the world
Felt the sun
I know the best is yet to come undone
I looked around
At everyone
I know the best is yet to come undone
The best is yet to come undone
The best is yet to come undone

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Flashy Lady

Prance,prance I'm goin go in to your dance
Flashy lady
Shake,shake you know you got what it take
Flashy lady
Everything I got depends on you
Flashy lady
No one else can love me like you do
No one else but you
Cause you got that think
Flashy lady
Come on and strut your stuff
Strut your stuff
Now'now flashy lady
I just can't get enough
No not enough
You know when other people call you trash
I love to love a flashy lady
Wild,wild you really got on me now
Flashy lady
Shine,shine you know your looking find
Flashy lady
I can never let you get away
Flashy lady
And it doesn't matter what they say
Your goin to get your way
Cause you got that think
Flashy lady
Come on and strut you stuff
Come on come on now
Flashy lady
I just can't get enough
Not a ,not enough
You know when other people call you trash
I love to love a flashy lady
Flashy lady
Don't you know you got a grandprance
Come on go in to your dance
Flashy lady
Shake,shake you know you got what it takes
Flashy lady
I can use a taste of what you got
Flashy lady
You can chase away the blues I got
The bad news I got
When you use that thing
Flashy lady
Come on and strut your stuff
Come on,come on now
Flashy lady
I just can't get enough

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Sophisticated Lady (She's A Different Lady)

Written by Chuck Jackson, Marvin Yancy and Natalie Cole
Sophisticated lady, sophisticated lady
She's a different lady with a different style
She stands tall and steady like the Eiffel Tower
She is hip to politics but loves her jazz
She's got lots of rhythm she's got lots of class
Everybody knows how she got her name, yeah
Oh, ha, she wears knee length dresses with her high heel steppers
She's not no back stabber but she's sure a pleaser
She talks quiet and gentle, she acts very cool
She sticks close to her lover, she obey God's rules, woh
(Sophisticated lady) Sophisticated lady, yeah
(Sophisticated lady) Oh
(Sophisticated lady) That's her name, that's her name
(Sophisticated lady) Woh, woh
Everybody knows how she got her name
Yeah, yeah, yeah, yeah----
Woh--, oh, oh, oh, oh
She's the kind of person that you'd like to meet
'Cause she's always smiling and she's always neat
She can start a fire in the coldest man
She's a hip slick sister known throughout the land, oh
(Sophisticated lady) That's her name
Sophisticated lady (sophisticated lady) yeah
Oh, well, woo, woo, woo, woo, woo, woo, hoo, that's her name
Sophisticated lady (sophisticated lady) lady, lady
Sophisticated lady (sophisticated lady) oh
Sophisticated lady, (sophisticated lady) ah
Sophisticated lady (sophisticated lady)
Ooh, ooh (sophisticated lady)
Repeat (Sophisticated lady

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Sophisticated Lady

Written by chuck jackson, marvin yancy and natalie cole
Sophisticated lady, sophisticated lady
Shes a different lady with a different style
She stands tall and steady like the eiffel tower
She is hip to politics but loves her jazz
Shes got lots of rhythm shes got lots of class
Everybody knows how she got her name, yeah
Oh, ha, she wears knee length dresses with her high heel steppers
Shes not no back stabber but shes sure a pleaser
She talks quiet and gentle, she acts very cool
She sticks close to her lover, she obey gods rules, woh
(sophisticated lady) sophisticated lady, yeah
(sophisticated lady) oh
(sophisticated lady) thats her name, thats her name
(sophisticated lady) woh, woh
Everybody knows how she got her name
Yeah, yeah, yeah, yeah----
Woh--, oh, oh, oh, oh
Shes the kind of person that youd like to meet
cause shes always smiling and shes always neat
She can start a fire in the coldest man
Shes a hip slick sister known throughout the land, oh
(sophisticated lady) thats her name
Sophisticated lady (sophisticated lady) yeah
Oh, well, woo, woo, woo, woo, woo, woo, hoo, thats her name
Sophisticated lady (sophisticated lady) lady, lady
Sophisticated lady (sophisticated lady) oh
Sophisticated lady, (sophisticated lady) ah
Sophisticated lady (sophisticated lady)
Ooh, ooh (sophisticated lady)
Repeat (sophisticated lady)

song performed by Natalie ColeReport problemRelated quotes
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The Moat House

PART I

I

UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,

Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.


The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.


The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?


Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--


Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?


Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.

[...] Read more

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Charles Baudelaire

L'Idéal (The Ideal)

Ce ne seront jamais ces beautés de vignettes,
Produits avariés, nés d'un siècle vaurien,
Ces pieds à brodequins, ces doigts à castagnettes,
Qui sauront satisfaire un coeur comme le mien.

Je laisse à Gavarni, poète des chloroses,
Son troupeau gazouillant de beautés d'hôpital,
Car je ne puis trouver parmi ces pâles roses
Une fleur qui ressemble à mon rouge idéal.

Ce qu'il faut à ce coeur profond comme un abîme,
C'est vous, Lady Macbeth, âme puissante au crime,
Rêve d'Eschyle éclos au climat des autans;

Ou bien toi, grande Nuit, fille de Michel-Ange,
Qui tors paisiblement dans une pose étrange
Tes appas façonnés aux bouches des Titans!

The Ideal

It will never be the beauties that vignettes show, Those damaged products of a good-for-nothing age,
Their feet shod with high shoes, hands holding castanets,
Who can ever satisfy any heart like mine.

I leave to Gavarni, poet of chlorosis,
His prattling troop of consumptive beauties,
For I cannot find among those pale roses
A flower that is like my red ideal.

The real need of my heart, profound as an abyss,
Is you, Lady Macbeth, soul so potent in crime,
The dream of Aeschylus, born in the land of storms;

Or you, great Night, daughter of Michelangelo,
Who calmly contort, reclining in a strange pose
Your charms molded by the mouths of Titans!


— Translated by William Aggeler

The Ideal

It's not with smirking beauties of vignettes,
The shopsoiled products of a worthless age,
With buskined feet and hands for castanets —
A heart like mine its longing could assuage.

I leave Gavarni, poet of chloroses,
His twittering flock, anaemic and unreal.
I could not find among such bloodless roses,

[...] Read more

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