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Drugs are not the way to the light. They won't lead to a fairy-tale life, they lead to suffering.

quote by Layne Staley
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Fairy Tale High

On a fairy tale high
Don't you believe that your dreams all come true
The fairy tale world inside can bring it to you
You just have to wish, and you'll take off and fly
On a fairy tale high, fairy tale high
Fairy tale high, fairy tale high
On a fairy tale high
Just look around you, the dark clouds are far
Stand on your tiptoes, and reach for a star
As stardust comes sprinkling, it will brighten your eyes
On a fairy tale high, fairy tale high
Fairy tale high, fairy tale high
Fairy tale high, fairy tale high, fairy tale high
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher

song performed by Donna Summer
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(Freedom poems) Fairy child

Fairy child
You child of a god
Fairy child
You have given
up your freedom
Fairy
Fairy child
And now you roam
our world free
Fairy child
because
you know no borders
and your education
Ain't enough fairy child
So you cross borders
to disrespect international
Treaties
You're wanted by INTERPOL
(Can you spell that out loud?)
and the host of
The international agencies
you fairy child
You will know forwards
Fairy child
That the world serves
the interests of one
Super state
When the sanctions
begin to bite fairy child
You will cry like your
Fairy mama fairy
Because here there's
the scarcity
of the sanctions busters
Fairy child
You better go away fairy child
And find yourself
A love mate in Tokyo
Fairy child
'Cause in Tel Aviv
They hunt down the black
infiltrators
Yes they do fairy child
'cause they fear the black brothers
'cause they and the Israelis
Share the same black ancestor fairy child
You better run my brother
And fall in love and marry yourself
off to a Ethiop woman
To get a alien citizenship fairy child

[...] Read more

poem by Ngaka Motaung
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Tennants Anster Fair

I.

'TIS the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,
And through their clustering branches dark
Glimmers and dies the fire-fly's spark -
Like starry twinkles that momently break
Through the rifts of the gathering tempest's rack.

II.

The stars are on the moving stream,
And fling, as its ripples gently flow,
A burnished length of wavy beam
In an eel-like, spiral line below;
The winds are whist, and the owl is still,
The bat in the shelvy rock is hid,
And nought is heard on the lonely hill
But the cricket's chirp, and the answer shrill
Of the gauze-winged katy-did;
And the plaint of the wailing whip-poor-will,
Who moans unseen, and ceaseless sings,
Ever a note of wail and wo,
Till morning spreads her rosy wings,
And earth and sky in her glances glow.

III.

'Tis the hour of fairy ban and spell:
The wood-tick has kept the minutes well;
He has counted them all with click and stroke,
Deep in the heart of the mountain oak,
And he has awakened the sentry elve
Who sleeps with him in the haunted tree,
To bid him ring the hour of twelve,
And call the fays to their revelry;
Twelve small strokes on his tinkling bell -
('Twas made of the white snail's pearly shell:- )
"Midnight comes, and all is well!

[...] Read more

poem by Joseph Rodman Drake
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The Culprit Fay

'TIS the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,
And through their clustering branches dark
Glimmers and dies the fire-fly's spark -
Like starry twinkles that momently break
Through the rifts of the gathering tempest's rack.

II.

The stars are on the moving stream,
And fling, as its ripples gently flow,
A burnished length of wavy beam
In an eel-like, spiral line below;
The winds are whist, and the owl is still,
The bat in the shelvy rock is hid,
And nought is heard on the lonely hill
But the cricket's chirp, and the answer shrill
Of the gauze-winged katy-did;
And the plaint of the wailing whip-poor-will,
Who moans unseen, and ceaseless sings,
Ever a note of wail and wo,
Till morning spreads her rosy wings,
And earth and sky in her glances glow.

III.

'Tis the hour of fairy ban and spell:
The wood-tick has kept the minutes well;
He has counted them all with click and stroke,
Deep in the heart of the mountain oak,
And he has awakened the sentry elve
Who sleeps with him in the haunted tree,
To bid him ring the hour of twelve,
And call the fays to their revelry;
Twelve small strokes on his tinkling bell -
('Twas made of the white snail's pearly shell:- )
'Midnight comes, and all is well!
Hither, hither, wing your way!
'Tis the dawn of the fairy day.'

[...] Read more

poem by Joseph Rodman Drake
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Lead Balloon

Kiss my ass! I said
And I threw my drink
Tequila trickling
Down his business suit
Must be the irish blood
Fight before you think
Turn it now
You cant cowtow
You cant undo it
Its his town
And that went down
Like a lead balloon
Lead lead lead lead balloon
He said sic her, rover
That went over
Like a lead balloon
Lead lead lead lead balloon
Lead balloon
An angry man is just an angry man
But an angry woman
Bitch!
I had to ask him for a helping hand
It came with the heart
Of a bonaparte
Of a frozen fish
Its his town
And that went down
Like a lead balloon
Lead lead lead lead balloon
He said sic her, rover
That went over
Like a lead balloon
Lead lead lead lead balloon
Lead balloon
Lead balloon, lead lead lead lead balloon
Lead balloon, lead lead lead lead balloon
Lead balloon, lead lead lead lead balloon
Lead balloon
Its his town
And that went down
Like a lead balloon
Lead lead lead balloon
He said sic her, rover
That went over
Like a lead balloon
Lead lead lead lead balloon
Lead balloon
Lead lead lead lead balloon
Lead lead lead lead balloon
Lead balloon

song performed by Joni Mitchell
Added by Lucian Velea
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

poem by Thomas Moore
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Kensington Garden

______ Campos, ubi Troja fuit.
Virg.

Where Kensington, high o'er the neighbouring lands
Midst greens and sweets, a regal fabric, stands,
And sees each spring, luxuriant in her bowers,
A snow of blossoms, and a wild of flowers,
The dames of Britain oft in crowds repair
To gravel walks, and unpolluted air.
Here, while the town in damps and darkness lies,
They breathe in sun-shine, and see azure skies;
Each walk, with robes of various dyes bespread,
Seems from afar a moving tulip-bed,
Where rich brocades and glossy damasks glow,
And chints, the rival of the showery bow.
Here England's daughter, darling of the land,
Sometimes, surrounded with her virgin band,
Gleams through the shades. She, towering o'er the rest,
Stands fairest of the fairer kind confest,
Form'd to gain hearts, that Brunswick's cause deny'd,
And charm a people to her father's side.
Long have these groves to royal guests been known,
Nor Nassau first prefer'd them to a throne.
Ere Norman banners wav'd in British air;
Ere lordly Hubba with the golden hair
Pour'd in his Danes; ere elder Julius came;
Or Dardan Brutus gave our isle a name;
A prince of Albion's lineage grac'd the wood,
The scene of wars, and stain'd with lovers' blood.
You, who thro' gazing crowds, your captive throng,
Throw pangs and passions, as you move along,
Turn on the left, ye fair, your radiant eyes,
Where all unlevel'd the gay garden lies:
If generous anguish for another's pains
Ere heav'd your hearts, or shiver'd through your veins,
Look down attentive on the pleasing dale,
And listen to my melancholy tale.
That hollow space, were now in living rows
Line above line the yew's sad verdure grows,
Was, ere the planter's hand its beauty gave,
A common pit, a rude unfashion'd cave.
The landscape now so sweet we well may praise:
But far, far sweeter in its ancient days,
Far sweeter was it, when its peopled ground
With fairy domes and dazzling towers was crown'd.
Where in the midst those verdant pillars spring,
Rose the proud palace of the Elfin king;
For every edge of vegetable green,
In happier years a crowded street was seen;

[...] Read more

poem by Thomas Tickell
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Heavy Metal Poisoning

Written by james young
Lead vocals by james young
Murolces odro suvon sitpeoc tiunna
What the devils goin on
Why dont your turn that music down
Youre going deaf and thats for sure
But all you do is scream for more
Get the lead out go for broke
Pop your pills and drink and smoke
Shoot those chemicals into your vein
Anything to ease the pain
Heavy metal (heavy metal) poisoning (its a poison)
A toxic wasteland (got a toxic wasteland) in your ear canal (in your ear canal!)
Overloaded (Im overloaded), suffering (yeah!)
Overloaded (overloaded) on sex and drugs
Everything is black and white
You are wrong and we are right
First well spank your big behinds
Then well twist your little minds
Im dr. righteous (Im dr. righteous), and Im here to sing (yeah!)
That heavy metal (heavy metal) is poisoning
Its a music wasteland, that destroys the young (yeah!)
Theyre overloaded (overloaded) on sex and drugs, sex and drugs, sex and drugs
And rock and roll!
Sterces eht sdloh natas
Im dr. righteous (Im dr. righteous), and Im here to sing (yeah!)
That heavy metal (heavy metal) is poisoning
Its a music wasteland, that destroys the young (yeah!)
Theyre overloaded (overloaded) on sex and drugs, sex and drugs, sex and drugs
And rock and roll!
Heavy metal (heavy metal) poisoning (its a poison)
A toxic wasteland (got a toxic wasteland) in your love canal love canal!)
Overloaded (Im overloaded), suffering (yeah!)
Overloaded (overloaded) on sex and drugs, sex and drugs, sex and drugs
Sex and drugs, sex and drugs, sex and drugs, sex and drugs, sex and drugs
Righteous! righteous!...
Shut up!
...righteous! righteous! righteous! righteous! righteous! yeah!
Shut up! shut up!
[giggles]

song performed by Styx
Added by Lucian Velea
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Talking China Doll Dreams of Merry Go Round, Playground & Fairy Stage

Fair fairy tales would be perfect for putting child to bed,
inciting images of speedy spinner merry-go-round or swings instesad,
for once ignoring the bare wood or carpet
which level inner sides of the house to let.

Listen to talking over obscure passage abiss
that drops as the gentle rain from heaven's bliss
of the midwinter's nightmarish dream,
that most fairies piece together in writing a reem.

Legendary voices appear as light, flexible and round ales
who are drunk upon observing intoxicating illustrations to fairy tales.
For the poet, without talking about it.
is being there were gone except for royal wit.

However under fairy tales of old bloat
the wizard encounters the talking scape goat.
Metamorphosis of stork to love is unlike modern fairy tale
of wolves abd talking animals where imginative realms fail.

With merry nonchalance man and beast encounter each other
in obnoxious gossiping all over this book in smother.
On the stage will be seen the actual play operated
just as it is operational all seem to have done liberated.

On her frock the doll wore a yellow ribbon and made dismayed more.
Dolls face reality in this versional reversion score.
Glittering fountains in forgotten fairy tale draw what you
regards as gentlemen, friends and brought back talk out of the blue.

Dreams appeal naturally of course, to you
that without looking round wants to compare old with new,
Or not yet created, in talking to himself or with audience,
asking what was the man other than personified benevolence.

Protagonist in play gets a porcelain doll
which the protagonist covets less than a troll;
having always a merry day, when asunder in party,
parting in fine clothes and gay laughter hearty.

When up in the morning, recalled his dream and before
in prefernce of dreams of future wind and more,
yet not indicating despair to merry friend
talking about later reading tale to end.

Unveiled doll gazes at crescent moon, sun and star
past the merry-go-round, carousel and picturesque postcards from afar.
The of and to is to with of that what is to he
for merciful merriment's enjoy and benefit for all to see.

[...] Read more

poem by Hercolena Oliver
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Fanciful Dream

I left my love in the Fairy Glen
Home of the litte fairy men
I met her there on a July night
When a Summer moon was beaming bright.

For my love was the Fairy Queen
In Fairyland she reign supreme
She wore a glittering diamond cloak
Queen of the little fairy folk.

Though the night was bright it was bright as day
In a wooded vale I lost my way
Then I sat me down by a tall oak tree
And the Fairy Queen she came to me.

I gazed upon this fairy small
She stood scarcely more than two foot tall
Tiny shoes covered her tiny feet
And she bowed towards me in a fairy greet

Her pretty little face showed no trace of woe
And her hair was white as new fallen snow
And her eyes were sparkling bright and brown
And on her head she wore a tiny crown.

Then she smiled at me and this did say
You're in Fairyland you have lost your way
Sorry to disturb you from your rest
Come along with me and be my guest.

Then she led me to the fairy ball
To a fairy dance in a fairy hall
All the fairy folk were dancing there
And fairy music filled the air.

But when we stepped inside the fairy dance hall door
A hushed silence fell across the floor
Fairy men and women scarce one third my size
All looked up at me with fear in their eyes.

But their Queen she spoke to them and said
Of this gentle giant you need hold no dread
I met him in the oak tree shade
Into Fairyland he has somehow strayed.

Then the fairy band started playing anew
And the fairy folk started dancing too
Round and round the dance floor they did wheel
To the haunting sound of a fairy reel.

[...] Read more

poem by Francis Duggan
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The Undying One' - Canto I

MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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The Bride of Abydos

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,

BYRON.

THE BRIDE OF ABYDOS

CANTO THE FIRST.

I.

Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.

II.

Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,

[...] Read more

poem by Byron
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The Canterbury Tales; the Wyves tale of Bathe

The Prologe of the Wyves tale of Bathe.

Experience, though noon auctoritee
Were in this world, were right ynogh to me
To speke of wo that is in mariage;
For, lordynges, sith I twelf yeer was of age,
Thonked be God, that is eterne on lyve,

Housbondes at chirche-dore I have had fyve-
For I so ofte have ywedded bee-
And alle were worthy men in hir degree.
But me was toold, certeyn, nat longe agoon is,
That sith that Crist ne wente nevere but onis

To weddyng in the Cane of Galilee,
That by the same ensample, taughte he me,
That I ne sholde wedded be but ones.
Herkne eek, lo, which a sharpe word for the nones,
Biside a welle Jesus, God and Man,

Spak in repreeve of the Samaritan.
'Thou hast yhad fyve housbondes,' quod he,
'And thilke man the which that hath now thee
Is noght thyn housbonde;' thus seyde he, certeyn.
What that he mente ther by, I kan nat seyn;

But that I axe, why that the fifthe man
Was noon housbonde to the Samaritan?
How manye myghte she have in mariage?
Yet herde I nevere tellen in myn age
Upon this nombre diffinicioun.

Men may devyne, and glosen up and doun,
But wel I woot expres withoute lye,
God bad us for to wexe and multiplye;
That gentil text kan I wel understonde.
Eek wel I woot, he seyde, myn housbonde

Sholde lete fader and mooder, and take me;
But of no nombre mencioun made he,
Of bigamye, or of octogamye;
Why sholde men speke of it vileynye?
Lo, heere the wise kyng, daun Salomon;

I trowe he hadde wyves mo than oon-
As, wolde God, it leveful were to me
To be refresshed half so ofte as he-
Which yifte of God hadde he, for alle hise wyvys?
No man hath swich that in this world alyve is.

[...] Read more

poem by Geoffrey Chaucer
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We Are All On Drugs

When you're out with your friends
In your new Mercedes-Benz
And you're on drugs
And you show up late for school
'Cause you think you're really cool
When you're on drugs
And you put on your headphones
And you step into the zone
When you're on drugs
But the world don't care
If you are not there
'Cause you're on drugs
GIVE IT TO ME
We are all on drugs yeah
Never getting enough (never get enough)
We are all on drugs yeah
Give me some of that stuff (WOO)
And you twitch in your seat
'Cause you wanna hit the street
When you're on drugs
And you cause such a fuss
'Cause there's no one you can trust
When you're on drugs
And the best of your days
Will vanish into haze
When you're on drugs
And you wish you can quit
'Cause you're really sick of it
But you're on drugs
GIVE IT TO ME
We are all on drugs yeah
Never getting enough (never get enough)
We are all on drugs yeah
Give me some of that stuff (WOO)
I wanna confiscate your drugs
I don't think I can get enough
We are all on drugs yeah
Never getting enough (never get enough)
We are all on drugs yeah
Give me some of that stuff (WOO)

song performed by Weezer
Added by Lucian Velea
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The Troubadour. Canto 3

LAND of the olive and the vine,
The saint and soldier, sword and shrine!
How glorious to young RAYMOND'S eye
Swell'd thy bold heights, spread thy clear sky,
When first he paused upon the height
Where, gather'd, lay the Christian might.
Amid a chesnut wood were raised
Their white tents, and the red cross blazed
Meteor-like, with its crimson shine,
O'er many a standard's scutcheon'd line.

On the hill opposite there stood
The warriors of the Moorish blood,--
With their silver crescents gleaming,
And their horse-tail pennons streaming;
With cymbals and the clanging gong,
The muezzin's unchanging song,
The turbans that like rainbows shone,
The coursers' gay caparison,
As if another world had been
Where that small rivulet ran between.

And there was desperate strife next day:
The little vale below that lay
Was like a slaughter-pit, of green
Could not one single trace be seen;
The Moslem warrior stretch'd beside
The Christian chief by whom he died;
And by the broken falchion blade
The crooked scymeter was laid.

And gallantly had RAYMOND borne
The red cross through the field that morn,
When suddenly he saw a knight
Oppress'd by numbers in the fight:
Instant his ready spear was flung,
Instant amid the band he sprung;--
They fight, fly, fall,--and from the fray
He leads the wounded knight away!
Gently he gain'd his tent, and there
He left him to the leech's care;
Then sought the field of death anew,--
Little was there for knight to do.

That field was strewn with dead and dying;
And mark'd he there DE VALENCE lying
Upon the turbann'd heap, which told
How dearly had his life been sold.
And yet on his curl'd lip was worn
The impress of a soldier's scorn;

[...] Read more

poem by Letitia Elizabeth Landon
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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poem by Byron
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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poem by Mahendra Bhatnagar
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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poem by Byron
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The Troubadour. Canto 4

IT was a wild and untrain'd bower,
Enough to screen from April shower,
Or shelter from June's hotter hour,
Tapestried with starry jessamines,
The summer's gold and silver mines;
With a moss seat, and its turf set
With crowds of the white violet.
And close beside a fountain play'd,
Dim, cool, from its encircling shade;
And lemon trees grew round, as pale
As never yet to them the gale
Had brought a message from the sun
To say their summer task was done.
It was a very solitude
For love in its despairing mood,
With just enough of breath and bloom,
With just enough of calm and gloom,
To suit a heart where love has wrought
His wasting work, with saddest thought;
Where all its sickly fantasies
May call up suiting images:
With flowers like hopes that spring and fade
As only for a mockery made,
And shadows of the boughs that fall
Like sorrow drooping over all.

And LEILA , loveliest! can it be
Such destiny is made for thee?
Yes, it is written on thy brow
The all thy lip may not avow,--
All that in woman's heart can dwell,
Save by a blush unutterable.
Alas! that ever RAYMOND came
To light thy cheek and heart to flame,--
A hidden fire, but not the less
Consuming in its dark recess.

She had leant by his couch of pain,
When throbbing pulse and bursting vein
Fierce spoke the fever, when fate near
Rode on the tainted atmosphere;
And though that parch'd lip spoke alone
Of other love, in fondest tone,
And though the maiden knew that death
Might be upon his lightest breath,
Yet never by her lover's side
More fondly watch'd affianced bride,--
With pain or fear more anxious strove,
Than LEILA watch'd another's love.

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poem by Letitia Elizabeth Landon
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