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Satire is people as they are; romanticism, people as they would like to be; realism, people as they seem with their insides left out.

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The Authors: A Satire

Bright Arts, abus'd, like Gems, receive their Flaws;
Physick has Quacks, and Quirks obscure the Laws.
Fables to shade Historic Truths combine,
And the dark Sophist dims the Text Divine.
The Art of Reasoning in Religion's Cause,
By Superstition's Taint a Blindness draws.
The Art of Thinking Free (Man's noblest Aim!)
Turns, in Half-thinking Souls, his equal Shame.
Colours, ill-mingled, coarse, and lifeless grow!
Violins squeak, when Scrapers work the Bow!
Distortion deadens Action's temper'd Fire!
Belab'ring Poetasters thrum the Lyre!
Gesture shuns Strut, and Elocution, Cant!
Passion lies murder'd by unmeaning Rant!
Wit we debase, if Ribaldry we praise,
And Satire fades, when Slander wears the Bays.

YOU, to whose Scrolls a just Neglect is shewn,
Whose Names, tho' printed oft, remain unknown;
I war not with the Weak, if wanting Fame,
The Proud, and Prosp'rous Trifler is my Game.
With usual Wit, unfelt while you assail,
Remark unanswer'd, and unheeded Rail!
Or heeded, know I can your Censure prize,
For a Fool's Praise is Censure from the Wise;
If then my Labour your kind Malice draws,
Censure from you is from the Wise Applause.

YOU, who delineate strong our Lust of Fame,
These mimic Lays your kind Protection claim!
My Frown, like your's, would to Improvement tend,
You but assume the Foe, to act the Friend.
Pleasing, yet wounding, you our Faults rehearse,
Strong are your Thoughts! Inchanting rolls your Verse!
Deep, clear, and sounding! decent, yet sincere;
In Praise impartial, without Spleen severe.

'HOLD, Criticks cry-Erroneous are your Lays,
'Your Field was Satire, your Pursuit is Praise.'
True, you Profound!-I praise, but yet I sneer;
You're dark to Beauties, if to Errors clear!
Know my Lampoon's in Panegyric seen,
For just Applause turns Satire on your Spleen.

SHALL Ignorance and Insult claim my Rage?
Then with the World a gen'ral War I wage!
No-to some Follies Satire scorns to bend,
And Worth (or press'd, or prosp'rous) I commend.

FIRST, let me view what noxious Nonsense reigns,

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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

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The Farewell

_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise--
If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,

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The Author

Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Why write our names? A mark will do as well.
Much are the precious hours of youth misspent,
In climbing Learning's rugged, steep ascent;
When to the top the bold adventurer's got,
He reigns, vain monarch, o'er a barren spot;
Whilst in the vale of Ignorance below,
Folly and Vice to rank luxuriance grow;
Honours and wealth pour in on every side,
And proud Preferment rolls her golden tide.
O'er crabbed authors life's gay prime to waste,
To cramp wild genius in the chains of taste,
To bear the slavish drudgery of schools,
And tamely stoop to every pedant's rules;
For seven long years debarr'd of liberal ease,
To plod in college trammels to degrees;
Beneath the weight of solemn toys to groan,
Sleep over books, and leave mankind unknown;
To praise each senior blockhead's threadbare tale,
And laugh till reason blush, and spirits fail;
Manhood with vile submission to disgrace,
And cap the fool, whose merit is his place,
Vice-Chancellors, whose knowledge is but small,
And Chancellors, who nothing know at all:
Ill-brook'd the generous spirit in those days
When learning was the certain road to praise,
When nobles, with a love of science bless'd,
Approved in others what themselves possess'd.
But now, when Dulness rears aloft her throne,
When lordly vassals her wide empire own;
When Wit, seduced by Envy, starts aside,
And basely leagues with Ignorance and Pride;
What, now, should tempt us, by false hopes misled,
Learning's unfashionable paths to tread;
To bear those labours which our fathers bore,
That crown withheld, which they in triumph wore?
When with much pains this boasted learning's got,
'Tis an affront to those who have it not:
In some it causes hate, in others fear,
Instructs our foes to rail, our friends to sneer.
With prudent haste the worldly-minded fool
Forgets the little which he learn'd at school:
The elder brother, to vast fortunes born,
Looks on all science with an eye of scorn;
Dependent brethren the same features wear,
And younger sons are stupid as the heir.
In senates, at the bar, in church and state,
Genius is vile, and learning out of date.

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Pseudo-Romanticism

If lips shall lock,
hands be bolted,
should eyes be closed?
Should souls be soused
in ice, in fire, in electric shivers?

The scintillating intermingling
would linger deep
etched to never cease
like how poetries seal
the bashful emotions,
the reticent desires,
and the feral suffering

Teach me how
to lull your tremors;
what scull your waves
and funnels your vertigo?

Teach me how
to paint your bliss
and erode your malaise
for I know nothing
but the honesty in
entangling strings,
and eloquent attraction

Teach me how to pry
behind your perfumes
and the buds of your
daffodils and carnations

The mellifluous quartz
would recognize my weight
if I can carry you
as I trespass shadows,
chase vicissitude and
molest limitations

But you have to teach me -
Instill knowledge in my
deterred incarceration
if knowledge is important
in romanticism

Or perhaps
all you need is
to unfurl a face,
your empty hands,
your crimson lips

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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March of Memories

Left, right - left, right . . .
We march today for memories (the grizzled Digger said)
Memories of lost dreams and comrades gone ahead
Comrades bloody war took, dreams that men have slain
(Left, right - left, right . . .) Not ours to dream again.
There was Shorty Hall and Len Pratt, Long Joe and Blue,
Skeet and Brolga Houlihan, and Fat and me and you:
Bright lads, the old bunch; eager lads and keen
That first day we marched down thro' this familiar scene.
Dreams were ours, and high hopes went with us overseas.
(Left, right - left, right . . . ) And now 'tis memories.

We march again for memories (the grizzled Digger sighed)
Memories of lost mates, of foolish hopes that died.
First, Shorty got his issue on the beach at Sari Bair.
(Left, right - left, right . . .) The vision of him there
Brought the dawn of disillusion. I needed little more
To blood me to the butchery, the filthiness called war.
Shorty, like a limp rag, slung there anyhow,
Sprawling on the warm sand like I can see him now.
Always was a merry mate, a rare lad for fun.
(Left, right - left, right . . .) And Shorty, that was one.

We march today for memories; and they come crowding fast
As each year adds another page to the story of the past.
Pratt went west at Mena Base; raved of home and peace.
(Left, right - left, right . . . ) His was a kind release.
For a Lone Pine shell-burst got him; and he was less than man.
'Twas a sniper's bullet bore the name of Brolga Houlihan.
We called him Happy Houlihan, the man who took a chance.
Then the Reaper paused and plotted for the rest of them in France -
Except Long Joe, the luckless, a youth ill-shaped for war.
(Left, right - left, right . . .) And Long Joe was four.

We march today for memories. Little else had we
When we marched home as veterans. Blue and you and me.
For Skeet went with a night raid, and none came back alive.
(Left, right - left, right . . .) So Skeet, he tallied five.
Five gone and four to fight; us and Blue and Fat,
Who vowed he was too big to hit; but a whizz-bang settled that.
Yet Fat was lucky to the end - an end that held no pain.
All hell erupted where he stood; and none saw him again.
And Blue marched, and you marched, and I, a war-torn three.
(Left. right - left, right . . . ) Marched with memory.

We march again with memories (the grizzled Digger spake)
One year? Ten years? How soon shall we awake
To glorious reality? For lately it would seem -
(Left, right - left, right . . .) - we march within a dream.
Where Shorty is, and Blue is, and Happy Houlihan,

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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Alexander Pope

Epistles to Several Persons: Epistle to Dr. Arbuthnot

Neque sermonibus vulgi dederis te, nec in præmiis spem posueris rerum tuarum; suiste oportet illecebris ipsa virtus trahat ad verum decus. Quid de te alii loquantur, ipsi videant,sed loquentur tamen.
(Cicero, De Re Publica VI.23)["... you will not any longer attend to the vulgar mob's gossip nor put your trust in human rewards for your deeds; virtue, through her own charms, should lead you to true glory. Let what others say about you be their concern; whatever it is, they will say it anyway."
Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.

What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide;
By land, by water, they renew the charge;
They stop the chariot, and they board the barge.
No place is sacred, not the church is free;
Ev'n Sunday shines no Sabbath-day to me:
Then from the Mint walks forth the man of rhyme,
Happy! to catch me just at dinner-time.

Is there a parson, much bemus'd in beer,
A maudlin poetess, a rhyming peer,
A clerk, foredoom'd his father's soul to cross,
Who pens a stanza, when he should engross?
Is there, who, lock'd from ink and paper, scrawls
With desp'rate charcoal round his darken'd walls?
All fly to Twit'nam, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damn'd works the cause:
Poor Cornus sees his frantic wife elope,
And curses wit, and poetry, and Pope.

Friend to my life! (which did not you prolong,
The world had wanted many an idle song)
What drop or nostrum can this plague remove?
Or which must end me, a fool's wrath or love?
A dire dilemma! either way I'm sped,
If foes, they write, if friends, they read me dead.
Seiz'd and tied down to judge, how wretched I!
Who can't be silent, and who will not lie;
To laugh, were want of goodness and of grace,
And to be grave, exceeds all pow'r of face.
I sit with sad civility, I read
With honest anguish, and an aching head;
And drop at last, but in unwilling ears,
This saving counsel, "Keep your piece nine years."

"Nine years!" cries he, who high in Drury-lane
Lull'd by soft zephyrs through the broken pane,
Rhymes ere he wakes, and prints before Term ends,
Oblig'd by hunger, and request of friends:

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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The Candidate

This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.

Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,

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~ Ma Mama Ma Mama Ma Maaaa! ~

~ Ma Mama Ma Mama Ma Maaaa! ~
Ms. Nivedita
UK
23 November 2010

Into ~ After reading several comments I humbly give backdropp of this poem.

In poetry much experimentation are going on and critiques are categorizing in various ways like Realism Surrealism Modernism Romanticism etc.

To be honest no poetry can be canopied under one canvas and there will be pits where other flavors fill up.

Here I’ve used Satire Rasa [please Google for meaning] in anxious canvas ~ niv

Is Poetry
Frame n’ fill
Or
Fill n’ frame
Or both or none
Or myriad mosaic? [1]

Its dialectal dilemma
Info from you wanna ~
Frau Primadonna
Tehara Gitana
Prez. Obama
Obtuse Osama
Smut Casanova
Fiesta Flora n’ Fauna? [2]

Any foolproof
Ikebana
Pro forma? [3]

Google:
Bema
Roma
Hiroshima
Pasadena
Goma
Proxima! [4]

Result: This page can’t be displayed. [5]

Marxian dialect
Is but emotional Watergate! [6]

Tote poetic Prana

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Daggers In The Eyes

Some people
I saw
Some daggers in their eyes
A constant gaze
The gaze about to kill me
Or provoke me
To an extent
That I do something
To turn the daggers away
Aimed at me
The whole bunch of people
And their common intent
Having daggers in their eyes
Unleashed
And in control of a spirit
A calm effect was needed
And after a night
The spirit had gone
Like a virus
And slowly
Softness retuning to the eyes
Of those people
Some evil averted
Or magic of the village
In a reality that was
Though not palpable
But for the spirit
Harsh
And my experiment with magic realism
So the realism was
Subjected to magic
With a long line
And a time span
But I knew what it was
Instead
The daggers were pulled down
Softness returning
Experimenting with magic realism
And some demons of love
Some vital interests
And the dark side of the feminine

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Transcendentalism According To Emerson

Ralph Waldo Emerson
believed the concept...

that “God was in man
and in a sense
that God was man”

to individuals born
to achieve
the fulfillment of God’s

purpose! By working
towards attainment
of the divine or Over-Soul

throughout their lives...

Transcendentalism
according to Emerson
thus stresses spiritual realities

within the human embodiment
because our intuitive thoughts
could guide us to knowledge of

higher spiritual truth...

but not conceived as a versimilitude
of realism because a truthlikeness
as a quality of realism in arts literature

films is only a created slice of realism!

Emerson’s desire to focus upon objects
in nature that surround us
to reflect upon events occurring in our lives

and their universal purpose
(to attain knowledge of these events is Greek
observation) as an aid when

correctly applied for the advancement of human
evolution towards higher
planes of existence (in self advancement Buddhism?)

I however claiming blood sacrifice of Jesus Christ
shall ascend directly into Perfection in Heaven.


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All We Got Left Is The Beat

[Intro]
Ey, ey, check it out homie
man, you need to get up out of this spot man
and get a job man before you get smoked man
(yeah, yeah, yeah, yeah, yeah, yeah son...)
I know you don't wanna hear it man
but, ey, man, wait, hold up loc. you got company man
(where's my guns?)
[Gunshot]
[LL Cool J]
When I'm ridin' on the street I hear gunshots [rare shots]
(swear) crack niggas cause they moms missed flips
So black man really care about politics
In the ninety's, our governments so slick
I watch CNN sometimes and I realize
they're playin' tricks on my mind
They want a man to work with his hands
Too young to die, and they don't give a damn
Rare-momma got down on her knees
But not no more, god damn it, I make cheese
I'm on the move and I'ma show and prove
you might cry to my political groove
Rest in peace, Sauce Brothers underneath
I love you to death while my beats' like a reef
In the middle of the night on the city streets
The only thing we got left is the beat
[Chorus: LL Cool J]
All we got left is the beat, is the beat, yo
All we got left is the beat, huh, give it to me
All we got left is the beat, the beat, yo
All we got left is the beat, uh
[LL Cool J]
Who brings guns into the USA?
And then makes sure that they come around the way
Gain the points until the whole race traps
And teach up my woman that she should call up the cops
The projects are hell, wait a, minute
There's nothin' we do but ride on top of an elevator
Say the clubs, I can't get a job
Mouth to feed, somebody's gettin' robbed
I ain't worked, but I ain't workin' for crumbs
You ever seen a man-shelter?
Check out the bombs!!!
Brother of pain, their whole lives are over
They spent every dime tryin' not to be sober
And all the ladies got bags of clothes
They'll be your long lost momma, one never knows
The streets are like a nightmare
While the presidents secretary is chillin' in his leather chair
[Chorus: LL Cool J]

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Pharsalia - Book III: Massilia

With canvas yielding to the western wind
The navy sailed the deep, and every eye
Gazed on Ionian billows. But the chief
Turned not his vision from his native shore
Now left for ever, while the morning mists
Drew down upon the mountains, and the cliffs
Faded in distance till his aching sight
No longer knew them. Then his wearied frame
Sank in the arms of sleep. But Julia's shape,
In mournful guise, dread horror on her brow,
Rose through the gaping earth, and from her tomb
Erect, in form as of a Fury spake:
'Driven from Elysian fields and from the plains
The blest inhabit, when the war began,
I dwell in Stygian darkness where abide
The souls of all the guilty. There I saw
Th' Eumenides with torches in their hands
Prepared against thy battles; and the fleets
Which by the ferryman of the flaming stream
Were made to bear thy dead: while Hell itself
Relaxed its punishments; the sisters three
With busy fingers all their needful task
Could scarce accomplish, and the threads of fate
Dropped from their weary hands. With me thy wife,
Thou, Magnus, leddest happy triumphs home:
New wedlock brings new luck. Thy concubine,
Whose star brings all her mighty husbands ill,
Cornelia, weds in thee a breathing tomb.
Through wars and oceans let her cling to thee
So long as I may break thy nightly rest:
No moment left thee for her love, but all
By night to me, by day to Caesar given.
Me not the oblivious banks of Lethe's stream
Have made forgetful; and the kings of death
Have suffered me to join thee; in mid fight
I will be with thee, and my haunting ghost
Remind thee Caesar's daughter was thy spouse.
Thy sword kills not our pledges; civil war
Shall make thee wholly mine.' She spake and fled.
But he, though heaven and hell thus bode defeat,
More bent on war, with mind assured of ill,
'Why dread vain phantoms of a dreaming brain?
Or nought of sense and feeling to the soul
Is left by death; or death itself is nought.'

Now fiery Titan in declining path
Dipped to the waves, his bright circumference
So much diminished as a growing moon
Not yet full circled, or when past the full;
When to the fleet a hospitable coast

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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New Morality

From mental mists to purge a nation's eyes;
To animate the weak, unite the wise;
To trace the deep infection, that prevades
The crowded town, and taints the rural shades;
To mark how wide extends the mighty waste
O'er the fair realms of Science, Learning, Taste;
To drive and scatter all the brood of lies,
And chase the varying falsehood as it flies;
The long arrears of ridicule to pay,
To drag reluctant Dulness back to day;
Much yet remains.--To you these themes belong,
Ye favor'd sons of virtue and of song!
Say, is the field too narrow? Are the times
Barren of folly, and devoid of crimes?


Yet, venial vices, in a milder age,
Could rouse the warmth of Pope's satiric rage;
The doting miser, and the lavish heir,
The follies, and the foibles of the fair,
Sir Job, Sir Balaam, and old Euclio's thrift,
And Sappho's diamonds, with her dirty shift,
Blunt, Charteris, Hopkins;--meaner subjects fired
The keen-eyed Poet;--while the Muse inspired
Her ardent child--entwining as he sate,
His laurell'd chaplet with the thorns of hate.


But say,--indignant does the Muse retire,
Her shrine deserted, and extinct its fire?
No pious hand to feed the sacred flame,
No raptured soul a Poet's charge to claim.


Bethink thee (Gifford); when some future age
Shall trace the promise of thy playful page;--
"[1]The hand which brush'd a swarm of fools away,
"Should rouse to grasp a more reluctant prey!"--
Think then, will pleaded indolence excuse
The tame secession of thy languid Muse?


Ah! where is now that promise? Why so long
Sleep the keen shafts of satire and of song?
Oh! come with Taste and Virtue at thy side,
With ardent zeal inflamed, and patriot pride;
With keen poetic glance direct the blow,
And empty all thy quiver on the foe:
No pause--no rest--till weltering on the ground
The poisonous hydra lies, and pierced with many a wound.

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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