The principle of the Gothic architecture is infinity made imaginable.
quote by Samuel Taylor Coleridge
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Infinity
Standin' on a trap door, there's a hole in the ground.
Underneath the door there's a hole and it goes to infinity.
Standin' on a dark street, there's a light in the sky.
Followin' the light through the night as it goes to infinity.
How can I avoid infinity? How have I annoyed infinity?
I'm movin' slow in infinity. I even glow in infinity.
Chorus:
It's hard being' small, (hard bein' small)
Shrinkin' into space, (shrinkin' into space)
The world is just a ball, (world is just a ball)
It was my fav'rite place (it was my fav'rite place)
Lookin' for the blue skies, watchin' for the sunrise.
One thing you can bet, you won't see it set in infinity.
Gonna take a light beam, on the wings of the Jet Stream.
Gonna take my place in the infinite space of infinity.
How can I be friends with infinity? Can I make ammends with infinity?
How can I complain to infinity? What'll I explain to infinity?
(Chorus)
Give me just a time shield before the world has it's fate sealed.
Protect me for a while before they turn my dial to infinity.
I hope I can contribute, oh, but I don't want a tribute.
Hypocrites will come and say somethin' really dumb in infinity.
I can't hear you sing in infinity. I can't change a thing in infinity.
The absence of light in infinity gives me a fright in infinity.
(Chorus)
song performed by Don McLean
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U. N. I. T. Y.
Queen latifah - u.n.i.t.y.
Uh, u.n.i.t.y., u.n.i.t.y. thats a unity
U.n.i.t.y., love a black man from infinity to infinity
(who you calling a bitch? )
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black woman from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black man from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
Instinct leads me to another flow
Everytime I hear a brother call a girl a bitch or a ho
Trying to make a sister feel low
You know all of that gots to go
Now everybody knows theres exceptions to this rule
Now dont be getting mad, when we playing, its cool
But dont you be calling out my name
I bring wrath to those who disrespect me like a dame
Thats why Im talking, one day I was walking down the block
I had my cutoff shorts on right cause it was crazy hot
I walked past these dudes when they passed me
One of em felt my booty, he was nasty
I turned around red, somebody was catching the wrath
Then the little one said (yeah me bitch) and laughed
Since he was with his boys he tried to break fly
Huh, I punched him dead in his eye and said who you calling a bitch?
(here we go)
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black woman from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
(here we go)
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black man from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
I hit the bottom, aint nowhere else to go but up
Bad days at work, if you an attitude then you were rough
And take it out on me but thats about enough
You put your hands on me again Ill put your ass in handcuffs
I guess I fell so deep in love I grew dependency
I was too blind to see just how it was affecting me
All I knew was you, you was all the man I had
And I was scared to let you go, even though you treated me bad
But I dont want my kids to see me getting beat down
By daddy smacking mommy all around
You say Im nothing without ya, but Im nothing with ya
A man dont really love you if he hits ya
[...] Read more
song performed by Queen Latifah
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Pleasure Principle
THE PLEASURE PRINCIPLE
Janet Jackson
Album: Control
You might think I'm crazy but I'm serious
It's better you know now
What I thought was happiness
Was only part-time bliss
You can take a bow
It was all just one big night out on the town
Riding in your limousine
We turned right, then I said wrong
Which brings us to a stop
As the light is changing
Oh my meter's running so I got to go, now
CHORUS:
It's the pleasure principle, oh-oh oh-oh oh-oh
It's the principle of pleasure, oh-oh
It's the pleasure principle, oh-oh oh-oh oh-oh
It's true you want to build your life on guarantees
Hey take a ride in a big yellow taxi
I'm not here to feed your insecurities
I wanted you to love me
This has become an all too familiar scene
It's not the first time I've paid the fare
Where'd you get the idea of material possession?
Thank you for the ride nowhere
And oh my meter's running, so I really have to go
CHORUS
I know what you mean to me
Baby this is nowhere
You what became between you and me
Human differential
It's the principle of pleasure oh-oh oh oh oh
It's the pleasure principle, principle
oh ohhhh ohhhh oh
You might say that I'm no good
I wouldn't trust your looks, baby if I could
I got too many things I wanna do before I'm through
It's the pleasure principle, it's the pleasure principle
It's the pleasure principle
Baby you can hold me down, baby you can hold me down
After all the love that we've been through
After all you put me through
Love me, love me
It's the pleasure principle
Yeah yeah yeah yeah
song performed by Janet Jackson
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(Forgiveness Poem/Story) A Miraculous Healing
Mercy me.
Gods to the infinity.
A miraculous healing.
It's as if the wounds were never even there.
How is that even possible?
I saw the stabbing.
He should have died.
But yet he's alive.
Somehow he did survive.
Some say it is a pact of lies.
But I know the truth.
Mercy me.
Gods to the infinity.
A miraculous healing.
Mercy me.
Gods to the infinity.
A miraculous healing.
A story of the fortunate.
The luck of the Irish.
It was a just miss.
A little to the right.
A little to the left.
And he wouldn't exist.
Mercy me.
Gods to the infinity.
A miraculous healing.
Mercy me.
Gods to the infinity.
A miraculous healing.
A bloody blade.
With thoughts of a accomplishment drinking down some expensive chardonnay.
If he only knew.
The secrets of the autumn dew.
The water drips of the truth.
But it will never be heard by those who aren't looking with their heart.
Mercy me.
Gods to the infinity.
A miraculous healing.
Mercy me.
Gods to the infinity.
A miraculous healing.
[...] Read more
poem by Ace Of Black Hearts
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Mirror To Infinity...
(Gen.1: 26,27 / Matt.13: 10–15)
The Mirror To Infinity
Has Appearances of Possibilities
And Countless Windows In Views
And Decision Doors To Choose …
And Which One To Go Thru?
Where Time – In & Out Moves
The Mirror To Infinity
Has Images of Eternity …
The Mirror To Infinity
Opened Oval-Opportunities
& May Shape Your Personality
But You Form Your Own Finality …
Took A Peek – One Before & Behind
In Two-Way Mirrors of Heart & Mind
& The Astronomical Portals Availed
… One Had To Be A Fool To Fail!
Two Mirrors Faced On Opposite Walls
Both To Each Other Looked & Called
And Entered Each Other’s Visibility
And Became One Mirrored-Intensity …
The Mirror To Infinity
Has Vivid Visions of Great Beauty
Beyond Ocular Imagination
It Even Has Rainbows’ Admirations
Where Insights, In-Flights Come Together
In Gold-Framed Fractals To Forever
Is It A Diverse Dimension Indemnity
… This Mosaic Mirror To Infinity?
The Mirror To Infinity
Offers Us A Multi-Mystery
Thru Secret Territories
In A Mirror’s Observatory …
The Mirror To Infinity
Holds Hopes & Dreams of What May Be
What Future Would You Like To See
… In The Mirror To Infinity?
Oh, Do Not Let Dull-Doubt Take It!
Nor Must You Let Blindness Break It!
[...] Read more
poem by MoonBee Canady
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Canto the Thirteenth
I
I now mean to be serious; -- it is time,
Since laughter now-a-days is deem'd too serious.
A jest at Vice by Virtue's call'd a crime,
And critically held as deleterious:
Besides, the sad's a source of the sublime,
Although when long a little apt to weary us;
And therefore shall my lay soar high and solemn,
As an old temple dwindled to a column.
II
The Lady Adeline Amundeville
('T is an old Norman name, and to be found
In pedigrees, by those who wander still
Along the last fields of that Gothic ground)
Was high-born, wealthy by her father's will,
And beauteous, even where beauties most abound,
In Britain -- which of course true patriots find
The goodliest soil of body and of mind.
III
I'll not gainsay them; it is not my cue;
I'll leave them to their taste, no doubt the best:
An eye's an eye, and whether black or blue,
Is no great matter, so 't is in request,
'T is nonsense to dispute about a hue --
The kindest may be taken as a test.
The fair sex should be always fair; and no man,
Till thirty, should perceive there's a plain woman.
IV
And after that serene and somewhat dull
Epoch, that awkward corner turn'd for days
More quiet, when our moon's no more at full,
We may presume to criticise or praise;
Because indifference begins to lull
Our passions, and we walk in wisdom's ways;
Also because the figure and the face
Hint, that 't is time to give the younger place.
V
I know that some would fain postpone this era,
Reluctant as all placemen to resign
Their post; but theirs is merely a chimera,
For they have pass'd life's equinoctial line:
But then they have their claret and Madeira
To irrigate the dryness of decline;
And county meetings, and the parliament,
And debt, and what not, for their solace sent.
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Thirteenth
I now mean to be serious;--it is time,
Since laughter now-a-days is deem'd too serious.
A jest at Vice by Virtue's call'd a crime,
And critically held as deleterious:
Besides, the sad's a source of the sublime,
Although when long a little apt to weary us;
And therefore shall my lay soar high and solemn,
As an old temple dwindled to a column.
The Lady Adeline Amundeville
('Tis an old Norman name, and to be found
In pedigrees, by those who wander still
Along the last fields of that Gothic ground)
Was high-born, wealthy by her father's will,
And beauteous, even where beauties most abound,
In Britain - which of course true patriots find
The goodliest soil of body and of mind.
I'll not gainsay them; it is not my cue;
I'll leave them to their taste, no doubt the best:
An eye's an eye, and whether black or blue,
Is no great matter, so 'tis in request,
'Tis nonsense to dispute about a hue -
The kindest may be taken as a test.
The fair sex should be always fair; and no man,
Till thirty, should perceive there 's a plain woman.
And after that serene and somewhat dull
Epoch, that awkward corner turn'd for days
More quiet, when our moon's no more at full,
We may presume to criticise or praise;
Because indifference begins to lull
Our passions, and we walk in wisdom's ways;
Also because the figure and the face
Hint, that 'tis time to give the younger place.
I know that some would fain postpone this era,
Reluctant as all placemen to resign
Their post; but theirs is merely a chimera,
For they have pass'd life's equinoctial line:
But then they have their claret and Madeira
To irrigate the dryness of decline;
And county meetings, and the parliament,
And debt, and what not, for their solace sent.
And is there not religion, and reform,
Peace, war, the taxes, and what's call'd the 'Nation'?
The struggle to be pilots in a storm?
The landed and the monied speculation?
The joys of mutual hate to keep them warm,
[...] Read more
Allegany Camp
amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
amc movie camps
amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp
[...] Read more
poem by Rwetewrt Erwtwer
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The Pleasure Principle
You might think I'm crazy but I'm serious
it's better you know now
what I thought was happiness was only part-time bliss
you can take a bow
it was all just one big night out on the town
riding in your limousine
we turned right and I say wrong which brings us to a stop
as the light is changing
Oh my meters running so I got to go now
Its the pleasure principle oh oh ohhhhh
Its the principle of pleasure
Oh ohhh
its the pleasure principle oh oh -oh oh
Its true you want to build your life of guarantees
hey take a ride in a big yellow taxi
I'm not here to feed your insecurities
I wanted you to love me
this has become an all too familiar scene
its not the first time I paid the fare
where'd you get the idea of material possession?
thank you for the ride nowhere
And oh my meters running so I've really got to go
Its the pleasure principle oh ohhh
I know- what you mean to me
baby this is nowhere
you know- what became between you and me human differential
sa dat dit dit baby
It's the principle of pleasure
oh ohhh
its the pleasure principle oh ohhh
You might say that I'm no good
I wouldn't trust your looks baby if I could
I got so many things I wanna do
song performed by Janet Jackson from Control
Added by Lucian Velea
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Work or Reflection
Now, I always have preserved a certain attitude
Quite definite in reference to Work
('Tis futility concealing
That I have the Weary Feeling
And tendency perennial to shirk)
Still, I always strive to recognise the principle
That earnest, steady toil is ever best;
So that, having recognised it,
Not to say idealised it,
I would fain lay down my pen and take a rest.
For, you understand, to recognise a principle
Is patently a virtue in itself.
After that you have the option,
Of its strenuous adoption,'
Or the placing of it gently on a shelf.
For myself, I'm forced to own that though my theory's
A thing of beauty, even in the rough,
Dearth of cash supplies good reasons,
With the Passing of the seasons,
That this simple recognition's not enough.
For it's Work - Toil - Graft
It's accomplishment that matters in the end;
And the act of recognition,
Even by a politician,
Has not ever yet been known to make or mend.
And the man who holds a lamp-post up without much fret or fuss,
He may 'recognise a principle', and feel quite virtuous.
We have read about the lives, in ancient history,
Of the Doers back in ev'ry age and clime;
And their method of reforming
Was reflecting and performing,
More especially the latter, every time.
But the man who sat and recognised the principles,
And calmly left accomplishment to Fate,
May have won a reputation,
As a saviour of the nation,
But his name has been suppressed, at any rate.
This has clearly been the rule since far antiquity:
Before a thing is done a man must act;
And all progress lay in knowing
What to do, and straightway going
And just working till reform became a fact.
But to stand on distant nodding terms with principle
Has been a most unprofitable trick.
You may scan historic pages,
And right down throughout the ages
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Infinity Hour
In goes the knife
Pull out his life
Consider his life erased
Running wild in the night
searching for a new day
doesn't matter what you say
i'll do it anyway
Time keeps ticking
My life is flipping
Can i press rewind?
In infinity hour
Life is getting faster
Time is moving slower
No time to go back
Everythings over with
Time is standing still
Its all against my will
Infinity hour
Every laws against
What we thirst to drink
Washing knives off in the sink
Killing time is a hard job
I'm tired of these rules to obey
Doesn't matter what you say
i'll do it anyway
Time keeps going faster
Tired of killings bastards
My head is spinning
Can i press rewind
In infinity hour
Life is getting faster
Time is moving slower
No time to go back
Everythings over with
Time is standing still
Its all against my will
Infinity hour
no time, no time, no time
tick tock tick tock tick tock
in goes my knife, out goes time's life
time never dies
In infinity hour
Life is getting faster
Time is moving slower
No time to go back
[...] Read more
poem by Brandon Bizon
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Canto the Sixteenth
I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.
II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.
III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."
IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.
V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Sixteenth
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.
The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'
And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall
[...] Read more
Almost Gothic
Im working on gospel time these days
(the summer - this could be the cool part of the summer)
The sloe-eyed creature in the reckless room shes so severe
A wise child walks right out of here
Im so excited I can barely cope
Im sizzling like an isotope
Im on fire so cut me some slack
Chorus:
First shes way gone then she comes back
Shes all business then shes ready to play
Shes almost gothic in a natural way
This house of desire is built foursquare
(the city - the cleanest kitten in the city)
When she speaks its like the slickest song I ever heard
Im hanging on her every word
As if Im not already blazed enough
She hits me with the cryptic stuff
Thats her style - to jerk me around
Chorus:
First shes all feel then she cools down
Shes pure science with a splash of black cat
Shes almost gothic and I like it like that
This dark place so thrilling and new
Its kind of like the opposite of an aerial view
Unless Im totally wrong
I hear her rap and brother its strong
Im pretty sure that what shes telling me is mostly lies
But I just stand there hypnotized
Ill just have to make it work somehow
Im in the amen corner now
Its called love - I spell l -u- v
Chorus:
First shes all buzz then shes noise-free
Shes bubbling over then theres nothing to say
Shes almost gothic in a natural way
Shes old school then shes like young
Little eva meets the bleecker street brat
Shes almost gothic but its better than that
song performed by Steely Dan
Added by Lucian Velea
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Verses on Sir Joshua Reynold's Painted Window at New College, Oxford
Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.
But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!
Such was a pensive bard's mistaken strain.--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
[...] Read more
poem by Thomas Warton Jr.
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The Brigs of Ayr (Shorter version)
Inscribed to John Ballantine, Esq., Ayr.
The simple Bard, rough at the rustic plough,
Learning his tuneful trade from ev'ry bough;
The chanting linnet, or the mellow thrush,
Hailing the setting sun, sweet, in the green thorn bush;
The soaring lark, the perching red-breast shrill,
Or deep-ton'd plovers grey, wild-whistling o'er the hill;
Shall he-nurst in the peasant's lowly shed,
To hardy independence bravely bred,
By early poverty to hardship steel'd.
And train'd to arms in stern Misfortune's field —
Shall he be guilty of their hireling crimes,
The servile, mercenary Swiss of rhymes?
Or labour hard the panegyric close,
With all the venal soul of dedicating prose?
No! though his artless strains he rudely sings,
And throws his hand uncouthly o'er the strings,
He glows with all the spirit of the Bard,
Fame, honest fame, his great, his dear reward.
Still, if some patron's gen'rous care he trace,
Skill'd in the secret, to bestow with grace;
When Ballantine befriends his humble name,
And hands the rustic stranger up to fame,
With heartfelt throes his grateful bosom swells,
The godlike bliss, to give, alone excels.
'Twas when the stacks get on their winter hap,
And thack and rape secure the toil-won crap;
Potatoe-bings are snugged up frae skaith
O' coming Winter's biting, frosty breath;
The bees, rejoicing o'er their summer toils,
Unnumber'd buds an' flow'rs' delicious spoils,
Seal'd up with frugal care in massive waxen piles,
Are doom'd by Man, that tyrant o'er the weak,
The death o' devils, smoor'd wi' brimstone reek:
The thundering guns are heard on ev'ry side,
The wounded coveys, reeling, scatter wide;
The feather'd field-mates, bound by Nature's tie,
Sires, mothers, children, in one carnage lie:
(What warm, poetic heart but inly bleeds,
And execrates man's savage, ruthless deeds!)
Nae mair the flow'r in field or meadow springs,
Nae mair the grove with airy concert rings,
Except perhaps the Robin's whistling glee,
Proud o' the height o' some bit half-lang tree:
The hoary morns precede the sunny days,
Mild, calm, serene, wide spreads the noontide blaze,
While thick the gosamour waves wanton in the rays.
[...] Read more
poem by Robert Burns (1786)
Added by Veronica Serbanoiu
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The Brigs of Ayr (Full version)
Inscribed to John Ballantine, Esq., Ayr.
Sir, think not with a mercenary view
Some servile Sycophant approaches you.
To you my Muse would sing these simple lays,
To you my heart its grateful homage pays,
I feel the weight of all your kindness past,
But thank you not as wishing it to last;
Scorn'd be the wretch whose earth-born grov'lling soul
Would in his ledger-hopes his Friends enroll.
Tho' I, a lowly, nameless, rustic Bard,
Who ne'er must hope your goodness to reward,
Yet man to man, Sir, let us fairly meet,
And like masonic Level, equal greet.
How poor the balance! ev'n what Monarch's plan,
Between two noble creatures such as Man.
That to your Friendship I am strongly tied
I still shall own it, Sir, with grateful pride,
When haply roaring seas between us tumble wide.
Or if among so many cent'ries waste,
Thro' the long vista of dark ages past,
Some much-lov'd honor'd name a radiance cast,
Perhaps some Patriot of distinguish'd worth,
I'll match him if My Lord will please step forth.
Or Gentleman and Citizen combine,
And I shall shew his peer in Ballantine:
Tho' honest men were parcell'd out for sale,
He might be shown a sample for the hale.
* * *
The simple Bard, rough at the rustic plough,
Learning his tuneful trade from ev'ry bough;
The chanting linnet, or the mellow thrush,
Hailing the setting sun, sweet, in the green thorn bush;
The soaring lark, the perching red-breast shrill,
Or deep-ton'd plovers grey, wild-whistling o'er the hill;
Shall he-nurst in the peasant's lowly shed,
To hardy independence bravely bred,
By early poverty to hardship steel'd.
And train'd to arms in stern Misfortune's field —
Shall he be guilty of their hireling crimes,
The servile, mercenary Swiss of rhymes?
Or labour hard the panegyric close,
With all the venal soul of dedicating prose?
No! though his artless strains he rudely sings,
And throws his hand uncouthly o'er the strings,
He glows with all the spirit of the Bard,
Fame, honest fame, his great, his dear reward.
[...] Read more
poem by Robert Burns (1786)
Added by Veronica Serbanoiu
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Life Is Like A Number Line
Life Is Like a number Line,
Between negative infinity to positive infinity,
At the middle have that zero,
All are finite numbers,
Zero stands for nothing,
Infinity for everything,
But zero is some how useful,
When it is with numbers on proper side,
Infinity is useless as it engulf all!
Numbers are special on their own,
Some are positives, have mirror images in negatives,
May be integers or fractions,
May be rational or irrational,
Some are real and some are imaginary,
These make number of life complex,
Polynomaials with complex roots,
Or with complex coefficients,
If we take them on XY plane, they act and interact with one another,
Some make us laugh, as we find the answer,
Some brings us to sober, as they remain as mystery!
But life Is not to dimensional,
Multi dimensional it is,
So multidimensional space of life make it wonderful,
A wonder out of reach of all!
But modular sets can draw some with some similarities
If you want to become mathematician,
Learn to play with them, bearing all headache they cause!
Otherwise either multiply all numbers by zero,
And yourself too, become zero,
Or merge all in infinity to wash your dirty hands,
If you want to know what is life,
Become a mathematician to play with numbers,
Life Is nothing but interaction of real with real or real with imaginary, positive with positive,
Negative with negative,
Or positive with negative,
Rational with rational,
irrational with irrational, most of time a rational with irrational,
But noone is perfect like zero among finite,
And no one can't say anything about the infinite!
The Soul is that space on which all numbers play according to the karma and thoughts!
Oops this interactions of numbers is life!
poem by Ramdas Bhandarkar
Added by Poetry Lover
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I hate the word gothic but I would like to try doing something like that. A gothic sound, not rock, but gothic. There's a difference.
quote by Kelly Osbourne
Added by Lucian Velea
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The Borough. Letter II: The Church
'WHAT is a Church?'--Let Truth and Reason speak,
They would reply, 'The faithful, pure, and meek;
From Christian folds, the one selected race,
Of all professions, and in every place.'
'What is a Church?'--'A flock,' our Vicar cries,
'Whom bishops govern and whom priests advise;
Wherein are various states and due degrees,
The Bench for honour, and the Stall for ease;
That ease be mine, which, after all his cares,
The pious, peaceful prebendary shares.'
'What is a Church?'--Our honest Sexton tells,
''Tis a tall building, with a tower and bells;
Where priest and clerk with joint exertion strive
To keep the ardour af their flock alive;
That, by its periods eloquent and grave;
This, by responses, and a well-set stave:
These for the living; but when life be fled,
I toll myself the requiem for the dead.'
'Tis to this Church I call thee, and that place
Where slept our fathers when they'd run their race:
We too shall rest, and then our children keep
Their road in life, and then, forgotten, sleep;
Meanwhile the building slowly falls away,
And, like the builders, will in time decay.
The old Foundation--but it is not clear
When it was laid--you care not for the year;
On this, as parts decayed by time and storms,
Arose these various disproportion'd forms;
Yet Gothic all--the learn'd who visit us
(And our small wonders) have decided thus:-
'Yon noble Gothic arch,' 'That Gothic door;'
So have they said; of proof you'll need no more.
Here large plain columns rise in solemn style,
You'd love the gloom they make in either aisle;
When the sun's rays, enfeebled as they pass
(And shorn of splendour) through the storied glass,
Faintly display the figures on the floor,
Which pleased distinctly in their place before.
But ere you enter, yon bold tower survey,
Tall and entire, and venerably gray,
For time has soften'd what was harsh when new,
And now the stains are all of sober hue;
The living stains which Nature's hand alone,
Profuse of life, pours forth upon the stone:
For ever growing; where the common eye
Can but the bare and rocky bed descry;
There Science loves to trace her tribes minute,
The juiceless foliage, and the tasteless fruit;
There she perceives them round the surface creep,
And while they meet their due distinction keep;
[...] Read more
poem by George Crabbe
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