I'm not so much of a joiner.
quote by Joshua Homme
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Ah Ling, The Leper
UP a dark and fetid alley, where the offal and the slime
Of a brave and blusterous city met its misery and crime,
In a hovel reeking pestilence, and noisome as the grave,
Dwelt Ah Ling, the Chinese joiner, and the sweater’s willing slave.
Squatting down amongst the shavings, with his chisel and his plane,
Through the long, hot days of striving, dead to pleasure and to pain,
Like a creature barely human, very yellow, gaunt, and grim,
Ah Ling laboured on, for pleasure spread no lures that tempted him.
And the curious people, watching through the rotten wall at night,
Saw his death’s face weirdly outlined in the candle’s feeble light;
Saw him still intent upon his work, ill-omened and unclean,
Planing, sawing, nailing, hewing—just a skin and bone machine.
Neither kith nor kin the joiner had; perchance he nerved his hand
With the treasured hope of seeing once again his native land
As a Chinaman of fortune, and of finishing his life
At his ease in China Proper, with a painted Chinese wife.
But Ah Ling grew yet more grisly, and ’twas easy now to trace
Signs of vice and fierce privations in his scarred and pitted face,
With a dreadful something added. By this thing the truth was known,
And his countrymen forsook him, and he lived and toiled alone.
Still the work came in, and still he slaved and saw his earnings grow.
Who’s to trouble where the goods are made when buyers will not know?
Gimcrack chairs and pretty nick-nacks from infected dens like this
Go to furnish happy homes to-day where ignorance is bliss.
Now the time was come when Ling might take his treasure up, and go
To enjoy celestial comforts by the flowing Hoang Ho,
But one day his shop was raided, and upon him fell the hand
Of the Law—and death were better than the ruthless Law’s command.
‘Room for the leper, room!’ A thing of fear, Ah Ling was torn
From his hovel and his labour and his cherished hopes, and borne
To a home of untold terrors, where to life grim death is wed,
And the quick behold and know the loathly horrors of the dead.
poem by Edward George Dyson
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Godlier
Godliness may touch the inner ways,
Goblins do not destroy each other because of this,
Oysters that open are also from God,
Openers of these are mere mortals, merely human,
Who eat from their slavery to God,
And the souls of the dead are counted by the angels above,
Just so that heaven is imbibed from above,
Living like a couch, liking each other.
So godly is this person who lives in paradise
That his joiner commits a decency to enjoy him,
Like a good ghost, as a man opposed to the devil.
He is similarly like the joiner of bonds and lived he.
He has no sin, so be him, and connect him to the one above.
Godliness has met us in the right way,
And I have enjoyed it as much as the blood of the strange.
poem by Naveed Akram
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I Cry Myself To Sleep At Night
(r.j. lange/ c. joiner/ a. mitman)
Producer for bonnie: gene capel
I think you like it a lot
I think you like what you see
I know you like what you got, babe
Thats what you got with me
*this heart, these hands
Are made to understand
This girl and that man
If we dont make it no one can
Oh baby
Oh I cry myself to sleep at night
Im so in love
cause I cry myself to sleep at night
Im all shook up
cause I cry myself to sleep at night
This woman is in love
I think you like a little solo
A little one on one
A little old fashioned feel good
Make me emotionally numb
(* repeat)
I cry myself to sleep at night
Im so in love
I cry myself to sleep at night
Im all shook up
cause I cry myself to sleep at night
This woman is in love
(* repeat)
I cry myself to sleep at night
Im so in love
I cry myself to sleep at night
Im all shook up
I cry myself to sleep at night
cause I cry myself to sleep at night
Im so in love
I cry myself to sleep at night
Im all shook up
And I cry myself to sleep at night
Im so in love
I cry myself to sleep at night...
song performed by Bonnie Tyler
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Some Kind of Beautiful
Cast: Pierce Brosnan, Salma Hayek, Jessica Alba, Malcolm McDowell, Duncan Joiner, Ben McKenzie, Merrin Dungey, Ivan Sergei
trailer for Some Kind of Beautiful, directed by Tom Vaughan, screenplay by Matthew Newman (2014)
Added by Veronica Serbanoiu
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Amateur Night
Cast: Jason Biggs, Janet Montgomery, Ashley Tisdale, Bria L. Murphy, Jenny Mollen, Adrian Voo, Steven Weber, Robert Hoffman, Rusty Joiner
trailer for Amateur Night (2016)
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Hermann And Dorothea - IX. Urania
CONCLUSION.
O YE Muses, who gladly favour a love that is heartfelt,
Who on his way the excellent youth have hitherto guided,
Who have press'd the maid to his bosom before their betrothal,
Help still further to perfect the bonds of a couple so loving,
Drive away the clouds which over their happiness hover!
But begin by saying what now in the house has been passing.
For the third time the mother impatiently enter'd the chamber
Where the men were sitting, which she had anxiously quitted,
Speaking of the approaching storm, and the loss of the moon's light,
Then of her son's long absence, and all the perils that night brings.
Strongly she censured their friends for having so soon left the youngster,
For not even addressing the maiden, or seeking to woo her.
'Make not the worst of the mischief,' the father peevishly answer'd;
'For you see we are waiting ourselves, expecting the issue.'
But the neighbour sat still, and calmly address'd them as follows:--
'In uneasy moments like these, I always feel grateful
To my late father, who when I was young all seeds of impatience
In my mind uprooted, and left no fragment remaining,
And I learnt how to wait, as well as the best of the wise men.
'Tell us what legerdemain he employ'd,' the pastor made answer.
'I will gladly inform you, and each one may gain by the lesson,'
Answer'd the neighbour. 'When I was a boy, I was standing one Sunday
In a state of impatience, eagerly waiting the carriage
Which was to carry us out to the fountain under the lime-trees;
But it came not; I ran like a weasel now hither, now thither,
Up and down the stairs, and from the door to the window;
Both my hands were prickling, I scratch'd away at the tables,
Stamping and trotting about, and scarcely refrain'd I from crying.
All this the calm man composedly saw; but finally when I
Carried my folly too far, by the arm he quietly took me,
Led me up to the window, and used this significant language
'See you up yonder the joiner's workshop, now closed for the Sunday?
'Twill be re-open'd to-morrow, and plane and saw will be working.
Thus will the busy hours be pass'd from morning till evening.
But remember this: the rimming will soon be arriving,
When the master, together with all his men, will be busy
In preparing and finishing quickly and deftly your coffin,
And they will carefully bring over here that house made of boards, which
Will at length receive the patient as well as impatient,
And which is destined to carry a roof that's unpleasantly heavy.
All that he mention'd I forthwith saw taking place in my mind's eye,
Saw the boards join'd together, and saw the black cover made ready,
Patiently then I sat, and meekly awaited the carriage.
And I always think of the coffin whenever I see men
Running about in a state of doubtful and wild expectation.'
[...] Read more
poem by Johann Wolfgang von Goethe
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Centaur
To remount the horse we cross a large divide,
The horseman is clever and shrewd about life;
Across the field they trample to discover the greens
And the gold of the trees, the trees are upon them.
The man of the horse changes into a centaur,
Its changing was lately a consideration by God.
Remind him of the lateness and the earliness,
Join them to you, by inciting the words from the leaders.
The leader is a joiner, a collector of pains too large,
Ghostly warriors consider us to be like a century.
poem by Naveed Akram
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Very Friendly Computer
Very friendly, very automatic
Is my computer,
Leading us astray in many ways
And finding a humourous mask
As fit as musk.
It talked to my joiner,
And this enabled my programs
And joy.
I became one to understand a fellow being
Such as him, or it.
I mean the computer is fellow and bad,
Wilder than most monsters of thought and disease.
Very friendly, very automatic
Is my computer.
poem by Naveed Akram
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May-Day
Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.
Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
[...] Read more
poem by Ralph Waldo Emerson
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I Sing The Body Electric
I SING the Body electric;
The armies of those I love engirth me, and I engirth them;
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the
Soul.
Was it doubted that those who corrupt their own bodies conceal
themselves;
And if those who defile the living are as bad as they who defile the
dead?
And if the body does not do as much as the Soul?
And if the body were not the Soul, what is the Soul?
The love of the Body of man or woman balks account--the body itself
balks account;
That of the male is perfect, and that of the female is perfect. 10
The expression of the face balks account;
But the expression of a well-made man appears not only in his face;
It is in his limbs and joints also, it is curiously in the joints of
his hips and wrists;
It is in his walk, the carriage of his neck, the flex of his waist
and knees--dress does not hide him;
The strong, sweet, supple quality he has, strikes through the cotton
and flannel;
To see him pass conveys as much as the best poem, perhaps more;
You linger to see his back, and the back of his neck and shoulder-
side.
The sprawl and fulness of babes, the bosoms and heads of women, the
folds of their dress, their style as we pass in the street, the
contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through the
transparent green-shine, or lies with his face up, and rolls
silently to and fro in the heave of the water,
The bending forward and backward of rowers in row-boats--the horseman
in his saddle, 20
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open dinner-
kettles, and their wives waiting,
The female soothing a child--the farmer's daughter in the garden or
cow-yard,
The young fellow hoeing corn--the sleigh-driver guiding his six
horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,
good-natured, native-born, out on the vacant lot at sundown,
after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and the under-hold, the hair rumpled over and blinding
[...] Read more
poem by Walt Whitman
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The Task: Book IV. -- The Winter Evening
Hark! ‘tis the twanging horn o’er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright;—
He comes, the herald of a noisy world,
With spatter’d boots, strapp’d waist, and frozen locks;
News from all nations lumbering at his back.
True to his charge, the close-pack’d load behind,
Yet, careless what he brings, his one concern
Is to conduct it to the destined inn,
And, having dropp’d the expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indifferent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears, that trickled down the writer’s cheeks
Fast as the periods from his fluent quill,
Or charged with amorous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But O the important budget! usher’d in
With such heart-shaking music, who can say
What are its tidings? have our troops awaked?
Or do they still, as if with opium drugg’d,
Snore to the murmurs of the Atlantic wave?
Is India free? and does she wear her plumed
And jewell’d turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh—I long to know them all;
I burn to set the imprison’d wranglers free,
And give them voice and utterance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful evening in.
Not such his evening, who with shining face
Sweats in the crowded theatre, and, squeezed
And bored with elbow points through both his sides,
Outscolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquillity and smiles.
[...] Read more
poem by William Cowper
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Three Ha'Pence a Foot
I'll tell you an old-fashioned story
That Grandfather used to relate,
Of a joiner and building contractor;
'Is name, it were Sam Oglethwaite.
In a shop on the banks of the Irwell,
Old Sam used to follow 'is trade,
In a place you'll have 'eard of, called Bury;
You know, where black puddings is made.
One day, Sam were filling a knot 'ole
Wi' putty, when in thro' the door
Came an old feller fair wreathed wi' whiskers;
T'ould chap said 'Good morning, I'm Noah.'
Sam asked Noah what was 'is business,
And t'ould chap went on to remark,
That not liking the look of the weather,
'E were thinking of building an Ark.
'E'd gotten the wood for the bulwarks,
And all t'other shipbuilding junk,
And wanted some nice Bird's Eye Maple
To panel the side of 'is bunk.
Now Maple were Sam's Monopoly;
That means it were all 'is to cut,
And nobody else 'adn't got none;
So 'e asked Noah three ha'pence a foot.
'A ha'penny too much,' replied Noah
'A Penny a foot's more the mark;
A penny a foot, and when t'rain comes,
I'll give you a ride in me Ark.'
But neither would budge in the bargain;
The whole daft thing were kind of a jam,
So Sam put 'is tongue out at Noah,
And Noah made 'Long Bacon ' at Sam
In wrath and ill-feeling they parted,
Not knowing when they'd meet again,
And Sam had forgot all about it,
'Til one day it started to rain.
It rained and it rained for a fortni't,
And flooded the 'ole countryside.
It rained and it kept' on raining,
'Til the Irwell were fifty mile wide.
The 'ouses were soon under water,
[...] Read more
poem by Marriott Edgar
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For The Centennial Dinner
OF THE PROPRIETORS OF BOSTON PIER, OR THE LONG WHARF,
APRIL 16, 1873
DEAR friends, we are strangers; we never before
Have suspected what love to each other we bore;
But each of us all to his neighbor is dear,
Whose heart has a throb for our time-honored pier.
As I look on each brother proprietor's face,
I could open my arms in a loving embrace;
What wonder that feelings, undreamed of so long,
Should burst all at once in a blossom of song!
While I turn my fond glance on the monarch of piers,
Whose throne has stood firm through his eightscore of years,
My thought travels backward and reaches the day
When they drove the first pile on the edge of the bay.
See! The joiner, the shipwright, the smith from his forge,
The redcoat, who shoulders his gun for King George,
The shopman, the 'prentice, the boys from the lane,
The parson, the doctor with gold-headed cane,
Come trooping down King Street, where now may be seen
The pulleys and ropes of a mighty machine;
The weight rises slowly; it drops with a thud;
And, to! the great timber sinks deep in the mud!
They are gone, the stout craftsmen that hammered the piles,
And the square-toed old boys in the three-cornered tiles;
The breeches, the buckles, have faded from view,
And the parson's white wig and the ribbon-tied queue.
The redcoats have vanished; the last grenadier
Stepped into the boat from the end of our pier;
They found that our hills were not easy to climb,
And the order came, 'Countermarch, double-quick time!'
They are gone, friend and foe,--anchored fast at the pier,
Whence no vessel brings back its pale passengers here;
But our wharf, like a lily, still floats on the flood,
Its breast in the sunshine, its roots in the mud.
Who--who that has loved it so long and so well--
The flower of his birthright would barter or sell?
No: pride of the bay, while its ripples shall run,
You shall pass, as an heirloom, from father to son!
Let me part with the acres my grandfather bought,
[...] Read more
poem by Oliver Wendell Holmes
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Village Don Juan
Lord, I'm grey, my face is run,
But by old Harry, I've had my fun;
And all about, I seem to see
Lads and lassies that look like me;
Ice-blue eyes on every hand,
Handsomest youngsters in the land.
"Old Stud Horse" they say of me,
But back of my beard I laugh with glee.
Far and wide have I sown my seed,
Yet by the gods I've improved the breed:
From byre and stable to joiner's bench,
From landlord's daughter to serving wench.
Ice-blue eyes and blade-straight nose,
Stamp of my virile youth are those;
Now you'll see them on every side,
Proof of my powers, far and wide:
Even the parson' handsome scamp,
And the Doctor's daughter have my stamp.
Many a matron cocks an eye
Of secret knowledge as I pass by;
As for the hubbies, what they don't know
Will never hurt them, so let them go:
The offspring most they seem to prize
Have blade-straight noses and ice-blue byes.
Yet oh, I have a haunting dread
Brother and sister lust the bed;
The Parson's and the Doctor's lass,
Yestreen in the moon I saw them pass;
The thought of them wed is like a knife. . . .
Brother and sister - man and wife.
poem by Robert William Service
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The Workbox
See, here's the workbox, little wife,
That I made of polished oak.'
He was a joiner, of village life;
She came of borough folk.
He holds the present up to her
As with a smile she nears
And answers to the profferer,
''Twill last all my sewing years!'
'I warrant it will. And longer too.
'Tis a scantling that I got
Off poor John Wayward's coffin, who
Died of they knew not what.
'The shingled pattern that seems to cease
Against your box's rim
Continues right on in the piece
That's underground with him.
'And while I worked it made me think
Of timber's varied doom;
One inch where people eat and drink,
The next inch in a tomb.
'But why do you look so white, my dear,
And turn aside your face?
You knew not that good lad, I fear,
Though he came from your native place?'
'How could I know that good young man,
Though he came from my native town,
When he must have left there earlier than
I was a woman grown?'
'Ah, no. I should have understood!
It shocked you that I gave
To you one end of a piece of wood
Whose other is in a grave?'
'Don't, dear, despise my intellect,
Mere accidental things
Of that sort never have effect
On my imaginings.'
Yet still her lips were limp and wan,
Her face still held aside,
As if she had known not only John,
But known of what he died.
poem by Thomas Hardy
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As Happy, Happy, Happy As Can Be
Bricklayer’s like to keep their spirit levels high
Joiner’s and Chippie’s will raise the rafters
They do the things that brings them joy
Things that give them the laughter’s
Their as happy, happy, happy as can be
Nurse’s keep their humour tender
Clown’s like to act the fool
Heating engineer’s like it hot
Ice cream makers keep it cool
Their all happy, happy, happy as can be
I like to be in your arms
Saying I love you’ listening to you saying I love you too
I like to see your smiling eyes
In which my smiling eyes look into
Then I am as happy, happy, happy as can be
You make me so happy, happy, happy as can be
Happiness is me as happy, happy, happy as can be
In love and as happy, happy, happy as can be
In love with you happy forever in love
As happy, happy, happy as can be
poem by Michael Micmac Mccrory
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Now List To My Morning's Romanza
NOW list to my morning's romanza--I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before
me.
A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.
And I stand before the young man face to face, and take his right
hand in my left hand, and his left hand in my right hand,
And I answer for his brother, and for men, and I answer for him that
answers for all, and send these signs.
Him all wait for--him all yield up to--his word is decisive and
final,
Him they accept, in him lave, in him perceive themselves, as amid
light,
Him they immerse, and he immerses them. 10
Beautiful women, the haughtiest nations, laws, the landscape, people,
animals,
The profound earth and its attributes, and the unquiet ocean, (so
tell I my morning's romanza;)
All enjoyments and properties, and money, and whatever money will
buy,
The best farms--others toiling and planting, and he unavoidably
reaps,
The noblest and costliest cities--others grading and building, and he
domiciles there;
Nothing for any one, but what is for him--near and far are for him,
the ships in the offing,
The perpetual shows and marches on land, are for him, if they are for
any body.
He puts things in their attitudes;
He puts to-day out of himself, with plasticity and love;
He places his own city, times, reminiscences, parents, brothers and
sisters, associations, employment, politics, so that the rest
never shame them afterward, nor assume to command them. 20
He is the answerer:
What can be answer'd he answers--and what cannot be answer'd, he
shows how it cannot be answer'd.
A man is a summons and challenge;
(It is vain to skulk--Do you hear that mocking and laughter? Do you
hear the ironical echoes?)
[...] Read more
poem by Walt Whitman
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