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The rail service is important for my district.

quote by Jerry Weller
Added by Lucian Velea
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I Walked Last Night In A District I Lived In For Almost Twenty Years

I WALKED LAST NIGHT IN A DISTRICT I LIVED IN FOR ALMOST TWENTY YEARS

I walked last night in a district I lived in for almost twenty years
I came back after being away for a time
To visit an old and ailing friend
The streets were empty and lonely as they often were then-
I thought for the first time I understood how lonely the district itself is-
‘A lonely district’
I wondered how I managed to live there all those years
And how anyone still manages to live there-
I looked up at the sky and wrote in my mind a small poem of a kind I wrote many of in my years there
I remembered teachers and friends who had lived there
No longer of this district or any district on earth
I wondered how life goes and how from so many years so much life has been lived without having any place in my memory
I felt as empty inside as the district without
I did not have to wait long for the bus
And relieved inside it I put my heart to home
So many years had been lived there
I remembered taking my small children to the playground there
Now they thank G-d have children of their own
Oh the years go by and the life we have lived in them largely dies
Forever to be unknown again-
I put my heart and mind in a different direction
And began to do what I always do – not think of the district again
Life is this mystery and question we live through and never wholly possess even as we are experiencing it
How long before all will be gone for me
Including the district I live in now?

poem by Shalom Freedman
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Room Service

Im feelin low, no place to go
And Im a-thinking that Im gonna scream
Because a hotel all alone is not a
Rock and roll stars dream
But just when Im about to shut the light and go to bed
A lady calls and asks if Im too tired or if Im just to dead for
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no
My planes delayed and Im afraid
Theyre gonna keep me waiting here till nine
Then a stewardess in a tight blue dress says
I got the time
But just as Im about to take my coat and get my fly
She says oh please, shes on her knees
And one more time before I leave I get some
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no, no
In my home town, Im hangin round
With all the ladies treatin me real good
A sweet sixteen lookin hot and mean says
I wish you would
But just as Im about to tell her yes, I think I can
I see her dad, hes getting mad
All the time he knows that Im in need of
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no, I cant say no
Room service, baby I could use a meal
Room service, you do what you feel
Room service, you take the pleasure with the pain
I cant say no
Room service, well maybe baby, room service

song performed by Kiss
Added by Lucian Velea
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Lip Service

Lip service
By: jimmy buffett, michael utley
1981
For anyone who loves creole cookin and new orleans music
Talk-a, talk-a, talk until your jaws turn blue
But you never really tell me what youre gonna do
Seem to keep it all locked up inside
I cant help but start to thinkin
Youve got somethin to hide
Why the pain
Whats your game
Youre drivin this boy insane
Oooh what a voodoo, nobody can do like you do
Your bitchin and your cryin finally got to me
So I thought Id take you baby on a shoppin spree
You bought a space age watch and an antique hat
Hell now its digital this and digital that
What a pain
Silly games
Still drivin your man insane
Oooh what a voodoo, nobody can do like you do
Chorus:
Oh darlin oh darlin
All I ever get is lip service from you
Oh darlin oh darlin, Im through
cause all I ever get is lip service from you
(instrumental)
So listen to me baby
You got to change your ways
Or Im off to pascagoula in a few more days
Ill leave you and your poodle and all the mess he makes
Find some other fool to man your shovel and your rake
No more pain
End of game
Youre drivin yourself insane
Ooh what a voodoo, nobody can do like you do
Chorus:
Oh darlin oh darlin
All I ever get is lip service from you
Oh darlin oh darlin, Im through
cause all I ever get is lip service from you
Lip service from you (lip service)
Lip service from you-hoo
Lip service from you (lip service)
Lip service from you-hoo
Lip service from you (lip service)
Lip service from you-hoo
- notes:
Lead guitar: josh leo

song performed by Jimmy Buffett
Added by Lucian Velea
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Chabi of the Okavango

Chabi Maenga bought me a chicken. It took two, three hours to cook in the big black pot and was still tough as our leather boots. A goodbye gift to me, upon my leaving the district, leaving the passenger seat by his side.

Chabi had met me in Gaborone with a newly-issued 1978 model Toyota, a boxy thing that bounced crazily on the dirt tracks but was considered state of the art at the time. We drove north until the paved road ran out, then north east across the remote reaches of the Northern Kalahari to my new duty station in Maun. We slept half-way at Serowe, at the 'we are working together' cooperative hotel, under thatch. On the second day we skirted two of the four long walls enclosing the richest diamond mine in the world and tracked the elongated fence that separated buffalo, endemic with foot-and-mouth disease, from cattle. We swung north once more as we reached the side of the 'vanishing lake', Ngami, that in some years confirmed its presence on the standard maps, and in others was simply no-where to be found. All depended on the rains in distant Angola.

Chabi and I shared that front cabin, on and off, for nearly three years. 'Call me Chabi.. like Chubby Checker' was how he introduced himself. He was early 50s, salt and pepper in his tight thin curls, and I was 24... supposedly the boss, the one who signed the requisition slips and the log book for each and every trip. But Chabi was very much in charge.

The first thing he taught me was the Tswana language. After three months by his side I was almost fluent - a status I had not remotely reached in my two years to that point in the capital city. I spoke with his northern dialect: 'f's pronounced as 'h's, 'tl's with a silent 'l'. This marked me as a man of the Okavango, the Ngami, for the rest of my days among the Tswana people. Later my wife of the southern Tswana, and her family, would tease me constantly about this northern country-bumpkin accent. But what did I care? It sounded good to me and I was proud enough simply to be rattling away in SeTwana, however rustic it might sound, and to know more or less what others were rattling. In reciprocation, I helped Chabi with his English, when he was in the mood for it.

The second thing he taught was how to shoot guinea-fowl. He did this mainly by intimidation. Since he was putting in all the hours of driving - not only did I have no licence, but he was the designated official (although I did break the central transport rules more than once when his arthritis was playing up) - and it was me who had better take care of the supper. He would slow the truck to a crawl and I would open the window as we came across a gaggle of birds on the left hand side, gesture for me to pick up his shotgun and cue me... 'ema.... ema.... jaaanu! '. And if I aimed for the centre of the crowd, and kept the gun fairly straight, we would be sure to get a couple of birds for the pot. These we would take to the local primary school and have any available hungry teachers take care of the cooking and share in the meal. This required some concentration to avoid biting down on buckshot.

But the best times we had were on the road to Shakawe. He was delighted, first of all, when I nicknamed the village at the end of the Delta, at the remote northern border, as 'Shake-a-way'. He found this unnecessarily hilarious and I backed it up with a cassette recording of the South African multi-racial band Juluka's song, 'Shake My Way'. In fact we played very little but the first few Juluka albums on my portable cassette player during those trips.

We loaded up the back of the truck with the necessary items: my metal trunk, bought from the Mazezuru (the impoverished itinerant white-clothed Jehova's Witnesses expelled from Rhodesia-Zimbabwe - as it was at the time of my purchase, temporarily - who lived by tinsmithery, also beating out conical tin tops for rondavels) , and filled with a few changes of clothes, a couple of books and plenty of 'tinned stuff', cheap imported meals such as chicken biriyani. On top of the trunk went Chabi's battered suitcase. And then the two most essential items, side by side: a barrel of drinking water, a barrel of fuel. And a prayer that the last of these should not leak or spill over anything else, along those bumpy roads.

If it was winter, it was plain sailing. The dirt roads were dry and firm and we could make it to Shakawe in a day. We would circumnavigate most of the villages along the way:

.... Sehitwa, within sight of the vanishing lake if it had not vanished, Sehitwa where an Irishman started a little fishing industry singlehanded, selling frozen bream fillets all the way down to Johannesburg, supplying my monthly 'Fishko' party... until the Lake dried up...

... Nokaneng, meaning 'by the river', but it was a river that had long disappeared with the gradual drying of the swamps that fed it;

... Tsau, a camp for road building, which had created about 20 kilometres of Norwegian-funded tarmacadam in about five years, supposedly an experiment in desert blacktop that in fact linked nothing to nothing;

.... Gomare, the district's secondary centre, with its massive 'community' school, of which I was a board member, where the board had spent years painstakingly rounding up a few cattle and bags of sorghum to finance the first classroom. These efforts had been completely bypassed by the arrival of the World Bank with nearly a million dollars, more of which appeared to be spent on highly artistic walkways than on the new classrooms;

... Etsha, a new village settled by several thousand long-term refugees from the Angolan civil war who turned out to be impressive growers of grain, unique basket designers and weavers and secret brewers of palm beer (to search for which, Chabi would occasionally take us by alternative backroads) , by a handful of Danish medical students, and by one Welshman with scores of cats who marketed the baskets to tourists and the national museum;

... Sepopa... oh, what to say about Sepopa, a village like any small and remote African village;

... and then finally, Shakawe, a busy trading post hard up by the Angolan border, with a local culture, chiefdom and opposition political party all its own.

The trip was easy between dawn and dusk, in the cold dry season. In the summertime, however, a different question entirely. With the road camp at Tsau concentrating on its lonely piece of blacktop in the middle of nowhere, the rains and the traffic - such as they were, and they were always sufficient for this at least - churned up the rest of the district roads unmercifully. There were patches of known notoriety where we were almost sure to get stuck, and no way, due to thick bush linings along the track, to avoid them. Chabi, fortunately, was a past master at laying wooden planks under the wheels and using the 4-wheel drive to get us out...eventually. The journey took two days. The floors of classrooms in Gomare, Etsha or Sepopa became our beds.

The journey took us along the outer rim of the river channels that flanked the vast inland swamp called Okavango. And it was at Shakawe that the settled population enjoyed a true and vivid view of the river, there at the ingress, the inflow which fed the intricate waterways of the swamp, the high-banked and spectacular panhandle. Shakawe perched above those fast-flowing, pure, clear waters, which over the years had slowly diminished in flow for reasons no-one seemed to fully understand. It was often the place where we started our weeklong series of Kgotla meetings, village assemblies chaired by the Chief, and addressed by the young English district officer on the subject of the latest local government plans for the area, speaking a nervous mixture of Setswana and English (Chabi or a local agricultural officer providing translation) . This was normally followed by several hours of grandstand speeches by the assembled males, rising one by one from their wood-and-leather chairs to comment on what they thought I had proposed. The meeting - perfect for total-immersion SeTswana training for the young DO - were finished off, sometimes, by an invitation from the Chief to the women, sitting on the outer margins of the throng, often with babies, to speak their minds at last.

Through many such assemblies, the oddity of my presence was remarked upon only once, by a slightly intoxicated monnamogolo (respected old man) , who approached the table at which the Chief and I sat, and called out loudly, I never thought I would see the little lady (being Queen Elizabeth, or her representative) at this Kgotla once again!

Once at Shakawe, there were three options for continuing our journey. To work our way back down the side of the Okavango, holding meetings in two villages each day, taking about a week to return to the district office and our homes in Maun. Or to head off west to visit the few remote villages - Shai-Shai, Nau-Nau, Kangwa - founded by Herero cattleowners, their wives clad in massive layers of German-inspired skirts, and their San (Bushman) herders, near the Namibian border, across which lay a land still heavily occupied by the apartheid army. Or, the most magical and exciting option of all, to drive onto the little ferry ('pontoon') and cross to the remote eastern bank of the panhandle, and drive down to the three villages that lay there, on roads that barely deserved the name. Only one trading store with the most basic items could be found in that territory, and no supplies of fuel at all. Once a month, a Baptist dentist arrived in his light plane to preach to the people, distribute Bibles, and then, only then, extract teeth. If you were stranded, and spoke politely, he might stand you a lift back home.

Snakes became caught under our wheels sometimes. Ostriches would run alongside, trying to outpace us, then following the trail in front of us. And once an elephant suddenly stepped onto the trail from its hiding place behind a tree. Chabi brought us to a massive sudden halt, and we waited, waited silently.. until the creature went on its way.

In three years, he had only one accident, and that was on the tarmac on the way back from the trip to the capital. It was dark, approaching Francistown.. and a cow had gone to sleep on one side of the road. It was a minor collision, but the government censured him anyway, after much argumentation.

When we camped in the villages at night his radio took over from my cassette player. First the Botswana news. Then the solemn reading out of those who had passed away. Followed by church music. Just right to lull us both to sleep.

Perhaps the last thing Chabi tried to teach me concerned the wizards of the forest. When, during the long hours of travelling, he would start to talk as in an obsessive trance about the 'baloi', the spirits, he would gradually enter the world of 'deep Setswana', and his meanings became lost to me. The guttural sounds of the language would become a backdropp to the noise of the engine. My lack of ability to follow him into the tales of the wizards always seemed a disappointment to him, but he never gave up completely.

Mainly, while on the road together, he and I talked like father and son, cooked and ate together, and often slept alongside each other. When back in town, however, we did not socialize. We became formal in our work environment, 'district officer' and 'driver'. Chabi never came to hear me entertain the office crowd from the District Council with my guitar on Friday nights at Le Bistro cafe on the banks of the Thamalakane river. He never invited me to meet his family or to see his home. Which is what make it all the more surprising when he turned up at my place, during my last days in Maun, with that hardy three-year-old chicken. The first thing he did was invite me to wring its neck. And not for the first time with him, I ducked this challenge.

Zimbabwe was already free and its freedom would continue for a while. The wars of Angola raged on, fueled from distant lands, while the occupation of Namibia intensified. My place at Chabi's side was taken by a young Motswana graduate, and doubtless later by another. And then, as if by a miracle, generated by the pressure of resistance in the heart of South Africa, the dark clouds began to lift across the region, and the peace that lay at the heart of Botswana began to spread to all its troubled neighbours.

[...] Read more

poem by Frank Bana
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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If It's Love!

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important that unshown love,
Is a thing one wants to do...
Just to prove what is said,
Is absolutely true.

A hug,
And maybe a kiss.
A touch,
That has been missed.
A show of thoughtfulness...
Can go a very long distance.

A call,
Every once in a while...
Will go further than a mile.
If love is there to be shared...
Show someone they are cared for!
And doubts will come no more.

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
If it's love!

It shoos a boo-hooin'...
Known.

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,

[...] Read more

poem by Lawrence S. Pertillar
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The Rail

Long hard days, long cold nights
I work on the rail driving rail road spikes
I work all day from dusk til dawn
We don't take a break til the beans are done

The boss man says, Pick up those spikes
Lay out those rails make them fit just right
Pick up the hammer and drive it in
What I'm paying you boys, I ain't your friend

They pay me boys to tell you what to do
There's another thousand rails to lay, we ain't through
I work all day and I bust my back
I make my money on a rail road track

I work long days and long cold nights
Lay out that rail and lay it right
Pick up a hammer and I drive it in
Then reach for another and do it all again

I'm working on a rail road
Taking care of my own
Carrying my own load
I'm working on a rail road.

poem by Bill Simmons
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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

[...] Read more

poem by Robinson Jeffers
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Secret Service

You don't mind giving in to temptation as long as no one knows
Your midnight invitation where your madness flows
Fires of passion rage all night angels falling out of the light
Control undercover you can paralyze
Every love is one more victim they never realize
All their desires burn like a fever
They want to run but they just can't leave her
Secret Service Secret Service
Do they know how you scream
Secret Service passion - hunger
Do they know how you scream
I should have seen through her disguise she was a masquerade
Cold kiss hungry eyes then she began to fade
Feeling lost I want to be found
Heaven's in hell DON'T LOOK DOWN
Secret Service Secret Service
Do they know how you scream
Secret Service Secret Service
Do they know how you cry, can they see your dreams
Have they heard you sigh
Or do you save it all for me in your SECRET SERVICE

song performed by Kansas
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Service

Service is rendering assistance,
To persons nigh and in a distance.

Service should be in consistence,
And ever in abiding persistence

For peoples vital subsistence,
And for our peaceful co-existence.

Service constitutes us to be dynamic,
It cleanses the mind, and we are not sick.

Service entails ego annihilation,
And our materialism is in destruction.

Service makes us to give others a benefit,
It brings society to a frame-work knit.

Service allows us to do to others a favour,
Which adds to our life full of flavour.
.
Service endows us with a virtuous life,
And it empowers us to live a larger life.

Service chisels us to beautifully refine,
And it tunes us to be in a haven divine.

poem by Chandra Thiagarajan
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

[...] Read more

poem by Wilfrid Scawen Blunt
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A Man From The Slum District

ı a m a man from a slum district
my pockets are empty and moneyı ess
in obligation
ı am a member of a fake syndicate
in the factory ı work as a laborer
ı f open my mouth
and talk against my bosses
ı will be booted and fired
find myself in the streets
ı am a man nfrom a slum district
my struggle with others is obligatary
to survive
ı drink wine which kills a dog
ı am screaming all night in the streets
against alll these
with the night watches guarding me
ı am a man from a slum district
my badly cladding is also obligatory
in beyoglu
policemen strolling..watching and batoning me
sometimes to death
ı am a man from a slum district
ı f ı touch others' wind they lick me and bruise me
my love affairs are unjust and obligatory too
fathers are on watch in front of their houses
if ı look at a girl or even gaze at their daughters
it will be the cause of the many murders
Yusuf HAYALOGLU.....Translation Metin Ş AHİ N

poem by Metin Sahin
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Steel Rail Blues

Well I got my mail late last night
A letter from a girl who found the time
To write
To her lonesome boy somewheres in the
Night
She sent me a railroad ticket too
To take me to her lovin arms
And the big steel rail gonna carry me
Home to the one I love
Well I bin out here many long days
I havent found a place that I could call
My own
Not a two bit bed to lay my body on
I bin stood up I bin shook down
I bin dragged into the sand
And the big steel rail gonna carry me
Home to the one I love
Ooooh oooo oo whu hu hoo
Ooo ooo ooo ooo ooo ooo oo
Well I bin up tight most every night
Walkin along the streets of this old town
Not a friend around to tell my troubles to
My good old car she done broke down
cause I drove it into the ground
And the big steel rail gonna carry me
Home to the one I love
Well I look over yonder across the plain
The big drive wheels are poundin along
The ground
Gonna get on board and Ill be homeward
Bound
Now I aint had a home cooked meal
And lord I need one now
And the big steel rail gonna carry me
Home to the one I love
Now here I am with my hat in hand
Standin on the broad highway will you
Give a ride
To a lonesome boy who missed the train
Last night
I went in town for one last round
And I gambled my ticket away
And the big steel rail wont carry me
Home to the one I love

song performed by Gordon Lightfoot
Added by Lucian Velea
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Steel Rail Blues

Well I got my mail late last night
A letter from a girl who found the time to write
To her lonesome boy somewhere in the night
She sent me a railroad ticket too
To take me to her loving arms
And the big steel rail
Gonna carry me home to the one I love
Well I been out here many a long days
I haven't found a place that I could call my own
Not a two bit bed to lay my body on
I been stood up I been shook down
I bin dragged into the sand
And the big steel rail gonna carry me home to the one I love
Well I been up tight most every night
Walking along the streets of this old town
Not a friend to tell my troubles to
My good old car she done broke down
'Cause I drove it into the ground
And the big steel rail gonna carry me home to the one I love
Well look over yonder across the plain
The big drive wheels a-pounding along the ground
Gonna get on board and I'll be homeward bound
Now I ain't had a home cooked meal
And Lord I need one now
And the big steel rail gonna carry me home to the one I love
Now here I am with my head in the sand
Standing on the broad highway will you give a ride
To a lonesome boy who missed the train last night
I went in town for one last round
And I gambled my ticket away
And the big steel rail won't carry me home to the one I love

song performed by Jim Croce
Added by Lucian Velea
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Song Of The Rail

Oh, an ugly thing is an iron rail,
Black, with its face to the dust.
But it carries a message where winged things fail;
It crosses the mountains, and catches the trail,
While the winds and the sea make sport of a sail;
Oh, a rail is a friend to trust.

The iron rail, with its face to the sod,
Is only a bar of ore;
Yet it speeds where never a foot has trod;
And the narrow path where it leads, grows broad;
And it speaks to the world in the voice of God;
That echoes from shore to shore.

Though the iron rail, on the earth down flung,
Seems kin to the loam and the soil,
Wherever its high shrill note is sung,
Out of the jungle fair homes have sprung,
And the voices of babel find one tongue,
In the common language of toil.

Of priest, and warrior, and conquering king,
Of Knights of the Holy Grail,
Of wonders of winter, and glories of spring,
Always and ever the poets sing;
But the great God-Force, in a lowly thing,
I sing, in my song of the rail.

poem by Ella Wheeler Wilcox
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

[...] Read more

poem by Gert Strydom
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sobre Horizontes

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[...] Read more

poem by Rwetewrt Erwtwer
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