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I was convinced that the world was in the departure and paging.

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Selfish

Well, its too late for givin in
Ive been waitin for too long
Theres no way that I could lose
Givin me the love youve been holding back
Today Im not gonna wait
Not anymore, the time is now
Id give up everything
Just to have you for myself
Cuz when I think about it
Your love, your kiss
I never felt anything like this
Youre sent from above
Im so in love
When I think about it
Your touch, your smile
I never felt anything like this
And I know its real
Its just the way that I feel
Im just a little bit
Im selfish
I dont wanna share you with anybody else
Dont want them hugging you
Touching you, feeling you, kissing you
You could call me selfish
Im selfish
I dont want to share you with anybody else
I dont want no one around you
Calling you, paging you
You can call me selfish
Should I stop trippin and let it flow?
It happened a long time ago
Damn, boy you hurt me so
When you cheated on me with that other lady
Well, I felt embarassed and ashamed
And to top it, you called out her name
Keep thinking Im the one to blame
Still, I took you back
When I think about it
Your love, your kiss
I never felt anything like this
Youre sent from above
Im so in love
When I think about it
Your touch, your smile
I never felt anything like this
And I know its real
Its just the way that I feel
Im just a little bit
Im selfish
I dont wanna share you with anybody else

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Check Your Man

this is a man's world!!.........
this is a man's world!!.........
I don't know if I'm the one that you should step to you right now
Lets all come in he came up to me and wanted to know my name
Slowly he proceeded to pick a lil game to me
Cuz when you came up in my face but now it's time to check your place
yeaaaah... (he doesn't really care for you he's all for me)
Why can't you see it aint me
You better get it right im not trying to fight
But if I have to I will yeah I think I might...
(if you wanna know if i can make a fool of you)
baby girl walk around like she has no clue
you talking to the wrong one about this mess
so why do i even bother when i couldn't care less
tell me why your man keep stalking me
call me on the phone, keeps paging me
you know he doing wrong why you talk to me
and thats your man CHECK your man (this is a man's world!!!...)
I heard about this things that he do to you
You up in my face what u wanna do?
We can take it there if you want me to
and that's your man CHECK your man
If he's your man
then why the hell are u walking up on me
Just check him up cause i'm a lady not a girl who booties with your call
Still i'm trying hard now to keep my santity
But see im not about to sad about over some silly situation that's long gone on me
(Ya better get out of my face before I make a scene)
See the trick is on you
You better get it right im not trying to fight
But if I have to I will yeah I think I might...
(if you wanna know if i can make a fool of you)
baby girl walk around like she has no clue
you talking to the wrong one about this mess
so why even bother when i couldn't care less
tell me why your man keep stalking me
call me on the phone, keeps paging me
you know he doing wrong why you talk to me
and thats your man CHECK your man (this is a man's world!!!...)
I heard about this things that he do to you
You up in my face what u wanna do?
We can take it there if you want me to
and that's your man CHECK your man (this is a man's world!!!...)
Im all the time so crazy games
theres no need for you to try to run on meeeeee
(Mystikal part)
tell me why your man keep stalking me
call me on the phone, keeps paging me
you know he doing wrong why you talk to me
and thats your man CHECK your man (this is a man's world!!!...)

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Confessio Amantis. Prologus

Torpor, ebes sensus, scola parua labor minimusque
Causant quo minimus ipse minora canam:
Qua tamen Engisti lingua canit Insula Bruti
Anglica Carmente metra iuuante loquar.
Ossibus ergo carens que conterit ossa loquelis
Absit, et interpres stet procul oro malus.


Of hem that writen ous tofore
The bokes duelle, and we therfore
Ben tawht of that was write tho:
Forthi good is that we also
In oure tyme among ous hiere
Do wryte of newe som matiere,
Essampled of these olde wyse
So that it myhte in such a wyse,
Whan we ben dede and elleswhere,
Beleve to the worldes eere
In tyme comende after this.
Bot for men sein, and soth it is,
That who that al of wisdom writ
It dulleth ofte a mannes wit
To him that schal it aldai rede,
For thilke cause, if that ye rede,
I wolde go the middel weie
And wryte a bok betwen the tweie,
Somwhat of lust, somewhat of lore,
That of the lasse or of the more
Som man mai lyke of that I wryte:
And for that fewe men endite
In oure englissh, I thenke make
A bok for Engelondes sake,
The yer sextenthe of kyng Richard.
What schal befalle hierafterward
God wot, for now upon this tyde
Men se the world on every syde
In sondry wyse so diversed,
That it welnyh stant al reversed,
As forto speke of tyme ago.
The cause whi it changeth so
It needeth nought to specifie,
The thing so open is at ije
That every man it mai beholde:
And natheles be daies olde,
Whan that the bokes weren levere,
Wrytinge was beloved evere
Of hem that weren vertuous;
For hier in erthe amonges ous,
If noman write hou that it stode,
The pris of hem that weren goode

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Wasted Landing - thoughts from an airport strike

In the hour of our departure O Lord
In our beginning is our end
To depart is to arrive yet not to arrive
at the same hour and place
in some other time zone
and in our departing is our arrival
and to arrive is to depart from where we have not been
and to depart is to arrive at where we will not go

into the departure hall from where we did not depart
into the arrival hall where we did not arrive
and the end of all our departures is our arrival
that we may arrive at where we did not go
and depart from where we have not been.

now and in the hour of our departure O Lord

I Tiresias have foresuffered all
on this self-same divan, or tired banquette
in the departure hall from where we have not gone,
in the arrival hall where we have not arrived,
and all our arrivings are departures
and all our departures are arrivings
departing from where we have not been,
arriving at where we will not go

the sun shines bleakly through the window panes.
into the planes the trim staff come and go,
laundered into skies we cannot breathe.
'All flights are cancelled';
'Sorry Sir, this ticket is not valid for this flight'.

I Icarus have suffered thus
in Greece, in Rhodes, on all connecting flights,
in Delphi where I was not warned,
in Cumae where I could not go.
Passport Control. Do Not Pass This Point.

Too hot the sun of Greece that day,
the sun I shall not see.
'Arrival Delayed'. 'Departure Delayed'

A cold coming we had of it:
the baggage heavy, and the escalator steep,
the information scanty and the children fractious,
and the people. Oh the people.

Cans. Packets. Yesterday's papers from yesterday's travellers.
Sandwiches we have not eaten.
Tread softly for you tread on my icecream.

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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What's In It For Me?

THE WORLD WHERE PEOPLE HAVE TIME FOR TWITTER AND FACEBOOK, BUT NONE FOR THEMSELVES OR OTHERS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE HAVE A HUNDRED 'FRIENDS' ON FACEBOOK,
BUT NOT EVEN TEN IN REAL LIFE
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE EMOTE WITH EMOTICONS BUT NOT WITH THEIR FACES,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE PREFER TO WRITE 'LOL' RATHER THAN ACTUALLY LAUGHING OUT LOUD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR COMPUTER MORE THAN THEIR FRIENDS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LIVE THEIR LIVES MORE ONLINE THAN OFF IT,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN SPOT THE ERROR IN SOMEONE'S TYPING BUT CANNOT SPOT A TEAR IN A FRIEND'S EYE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN GROW ANY CROP ONLINE BUT CANNOT EVEN PICK UP A SPADE IN REAL LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE RELISH THE FOOD AT MCDONALDS AND DOMINOS, BUT CRIB OVER HOME COOKED FOOD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE ARE READY TO KILL FOR A FEW SHREDS OF PAPER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE KILL IN THE NAME OF RELIGION,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE A MAN IS READY TO KILL HIS BROTHER OVER PROPERTY AND MONEY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF MONEY IS MORE THAN THE VALUE OF LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE LIVING A LIFE IS TOUGHER THAN KILLING A LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE IT'S EASIER TO EARN MONEY BY CHEATING THAN BY WORKING HONESTLY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF A GIFT IS THROUGH ITS PRICE AND NOT ITS EMOTIONS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE MEASURE OF A MAN IS THROUGH HIS CAR AND HOUSE RATHER THAN HIS CHARACTER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR POSSESSIONS MORE THAN THEIR FRIENDS AND PARENTS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THINGS ARE LOVED AND PEOPLE ARE USED,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE DO ANYTHING FOR A BETTER PAY BUT NOTHING FOR A BETTER CONSCIENCE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD IS BAD AND I KNOW THAT BUT SILL IF I WIN THIS WORLD,
WHAT'S IN IT FOR ME?

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Wasted Landing. Thoughts from an airport in disarray.

In the hour of our departure O Lord

In our beginning is our end

To depart is to arrive yet not to arrive
at the same hour and place
in some other time zone
and in our departing is our arrival
and to arrive is to depart from where we have not been
and to depart is to arrive at where we will not go

into the departure hall from where we did not depart
into the arrival hall where we did not arrive
and the end of all our departures is our arrival
that we may arrive at where we did not go
and depart from where we have not been.

now and in the hour of our departure Lord

I Tiresias have foresuffered all
on this self-same divan, or tired banquette
in the departure hall from where we have not departed,
in the arrival hall where we have not arrived,
and all our arrivings are departures
and all our departures are arrivings
departing from where we have not been,
arriving at where we will not go

the sun shines bleakly through the window panes.
into the planes the trim staff come and go,
(they stay at Novotel Michelangelo) ,
laundered into skies we cannot breathe.
'All flights are cancelled';
'Sorry Sir, this ticket is not valid for this flight'.

I Icarus have suffered thus
in Greece, in Rhodes, on all connecting flights,
in Delphi where I was not warned,
in Cumae where I could not go.
Passport Control. Do Not Pass This Point.

Too hot the sun of Greece that day,
the sun I shall not see.
'Arrival Delayed'. 'Flight Cancelled'

A cold coming we had of it:
the baggage heavy, and the escalator steep,
the information scanty and the children fractious,
and the people. Oh the people.

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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Cupid

Im shaking down cupid cause Im feeling so mad
Why Id break his leg
Id kill myself if I was somebody else
Im feeling so beside myself
To paging mr. right*
Please to move your van
She thinks of him especially
I think hes kicking sand
In my face, just like in that ad
And I had to walk away feeling mad
To paging mr. right
Please to move your van
So Im shaking down cupid cause Im feeling so mad
Id break his leg
Id kill myself if I was somebody else
Im feeling so beside myself
No, Im shaking down cupid cause Im feeling so mad
Why Id break his leg
Id kill myself if I was somebody else
Im feeling so beside myself
Id

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Cupid (Dial-A-Song)

Im shaking down cupid cause Im feeling so mad
Why Id break his leg
Id kill myself if I was somebody else
Im feeling so beside myself
To paging mr. right*
Please to move your van
She thinks of him especially
I think hes kicking sand
In my face, just like in that ad
And I had to walk away feeling mad
To paging mr. right
Please to move your van
So Im shaking down cupid cause Im feeling so mad
Id break his leg
Id kill myself if I was somebody else
Im feeling so beside myself
No, Im shaking down cupid cause Im feeling so mad
Why Id break his leg
Id kill myself if I was somebody else
Im feeling so beside myself
Id

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All The Will In The World

(r palmer)
All the will in the world
All the will in the world
All the will in the world
Do it
All the will in the world
All the will in the world
Start with intoductions, something in her glance
Sets your heart aflutter
Makes you want to take a chance
Maybe shes the right one, like the only girl in all the world
All the will in the world
When you meet that someone, try with alll your might
Dont give up so easy, love is really worth the fight
Tenderness and passion
Keep romance alive around the world
Give the girl a little love and understanding
You get going when the going gets tough
Keep it up now or love will leave you standing
Keep loving cos youll never get enough
Keep fighting for your true love
With the best will in the world
Reach out for the stars above
With the best will in the world
Lovers expectations reach out to the stars
Everything they dreamt of right there in each others arms
Theyve just got to make it yeah
With all the will in all the world
All the will in the world
After all youve been through, since you got this far
Now the dust has settled, have you really won her heart?
How do you compare to
All the other lovers in the world?
Take a little time to iron out a difference
Dont let your temper get in your way
You got to count to ten and exercise some patience
A little understanding goes a long long way
Keep fighting for your true love
With the best will in the world
Reach out for the stars above
With the best will in the world
Start with intoductions, something in her glance
Sets your heart aflutter
Makes you want to take a chance
Maybe shes the right one, like the only girl in all the world
You never knew, till love came looking for you
You thought that youd never find it
Now that shes here
Now theres no doubt that its true
Now its for real

[...] Read more

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So Beautiful

I heard that you were home again, but you don't look like your back to me
Though your focus is changing your gaze is transfixed on the point that i cannot concieve
You've got your new ties, I've got my old lines, you've got your inside lines
But your never happy with what you've got
Careful Now
Your so beautiful
When you've convinced yourself
No one else is quite as beautiful
I heard that you were living well, but you don't look like your living to me
Though the sparkle is gone, the smile is in place so that everyone watching can see
You've got them all convinced but i know so well
You can list your friends but you can't count on them
Hold it now
You've got everyone convinced that your alright
No one else is quite as vulnerable
As soon as you got it you want something else
It's not the sale that you love its the sell
It's not the price that's going to cost you
It's just the weight that's going to bring you
Down, down, down, down
It's going to bring you down, down, down, down, down
Hold it now
You've got everyone convinced that your alright
No one else is quite as vulernable
Careful now
Your so beautiful when you've convinced yourself
No one else is quite as beautiful
As soon as you got it you want something else
It's not the sale that you love its the sell
It's not the price that's going to cost you
It's just the weight that's going to bring you
Down, down, down, down
You're so...
It's going to bring you down, down, down, down, down
As soon as you got it you want something else
It's not the sale that you love its the sell
It's not the price that's going to cost you
It's just the weight that's going to bring you
Down

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Krwlng (Mike Shinoda Feat. Aaron Lewis)

Crawling in my skin
Without a sense of confidence
Consuming, confusing
Crawling in my skin
Without a sense of confidence I'm convinced that there's just too much prssure too take
There's something inside me that pulls beneath the surface
[Aaron]
Crawling in my skin
These wounds, they will not heal
Fear is how I fall
Confusing what is real
[Chester]
There's something inside me that pulls beneath the surface
Consuming, confusing
This lack of self control I fear is never ending
Controlling
I can't seem
To find myself again
My walls are closing in
(Without a sense of confidence Im convinced that theres just too much pressure to take)
I've felt this way before
So insecure
[Aaron and Chester]
Crawling In my skin
These wounds, they will not heal
Fear is how I fall
Confusing what is real
Discomfort, endlessly has pulled itself upon me
Distracting, reacting
Against my will I stand beside my own reflectionIt's haunting how I can't seem...
To find myself again
My walls are closing in
(Without a sense of confidence Im convinced that theres just too much pressure to take)
I've felt this way before
So insecure
Without a sense of confidence i'm convinced that theres just too much pressure to take (2x)
Cant seem to find myself again my walls are closing in..
Without a sense of confidence I'm convinced that theres just too much pressure to take
Ive felt this way before so insecure..
[Aaron and Chester]
Crawling In my skin
These wounds, they will not heal
Fear is how I fall
Confusing what is real (2x

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People Everyday Are More Convinced

People,
Everyday are more convinced.
People,
Are hopping more off the fence.
People,
Recognize they have consented...
To a sliding down of life,
They could have prevented.

People,
Everyday are more convinced.
People,
Are hopping more off the fence.
People,
Recognize they have consented...
To a sliding down of life,
They could have prevented.

People!
Everyday are more convinced,
Only they hold the key...
To 'their' consequences.

People!
Everyday are more convinced,
Only they hold the key...
To 'their' consequences.

People,
Everyday are more convinced...
That a down slide of life,
They could have prevented.

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This is a World of …

This is a world of hierarchy;
This is a world of inequality;
This is a world of curiosity;
This is a world of ignominy!

But
This is also a world of charity;
This is also a world of purity;
This is also a world of morality;
This is also a world of bravery!

This is a world of ‘haves’ and ‘have-nots’;
This is a world of rich versus the poor;
This is a world of the powerful versus the weak;
This is a world of the ‘well-to-do’ versus the ‘downtrodden’.

This is a world of joys and woes;
This is a world of friends and foes;
This is a world of sharing and greed;
This is a world of loving and hatred.

Yet,
This is a world of inter-dependency;
This is a world of wars for peace;
This is a world of thought for others;
This is a world of common good.

This is a world of aligning with Nature;
This is a world of realizing God;
This is a world of accepting God’s ways;
This is a world of futility.

Yet,
This is a world of dreams and realities;
This is a world of accomplishments and risks-taking;
This is a world of making the world a better place for all;
This is a world of loving brethren and brotherhood of nations.

This is a world of adultery;
This is a world of mastery;
This is a world of flattery;
This is a world of mystery!

So,
Let us rethink, amend our ways;
Let us toil with a purpose for the race;
Let us keep a smiling face;
Let us spend usefully, the rest of our days!

Copyright by Dr John Celes 30-09-2010

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Me Against The World

Its just me against tha world
Ooohhhhh ooohhhhh
Just me against tha world baby
Ohhhhhh ohhhhhh
I got nothin ta lose
Its just me against tha world
Ohhhhh
Stuck in tha game
Me against tha world baby
Can you picture my prophecy?
Stress in tha city
Tha cops is hot for me
Tha projects is full of bullets
Tha bodies is droppin
There aint no stoppin me
Constantly moven while maken millions
Witnessin killins
Leavin dead bodies in abandoned buildings
Caries tha children
Cause theyre illin
Addicted to killin
A near appeal from tha cap pealin
What Im feelin
But will they last or be blasted
Hard headed bastard
Maybe hell listen in his casket
Tha aftermath
More bodies being buried
Im losen my homies in a hurry
Theyre relocating to tha cemetary
Got me worried
Stressin
My visions bluried
Tha question is will I live
No one in tha world loves me
Im headed for danger
Dont trust strangers
Put one in tha chamber
Whatever Im feelin is anger
Dont wanna make excuses
Cause this is how it is
Whats tha use
Unless were shootin
No one notices tha youth
Its just me against tha world baby
Chorus
Ooohhhhh
Me against tha world
Its just me against tha world
Ooohhhhh

[...] Read more

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Lathmon

ARGUMENT.

Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.

SELMA, thy halls are silent. There is no sound in the woods of Morven. The wave tumbles along on the coast. The silent beam of the sun is on the field. The daughters of Morven come forth, like the bow of the shower; they look towards green Erin for the white sails of the king. He had promised to return, but the winds of the north arose!

Who pours from the eastern hill, like a stream of darkness? It is the host of Lathmon. He has heard of the absence of Fingal. He trusts in the winds of the north. His soul brightens with joy. Why dost thou come, O Lathmon? The mighty are not in Selma. Why comest thou with thy forward spear? Will the daughters of Morven fight? But stop, O mighty stream, in thy course! Does not Lathmon behold these sails? Why dost thou vanish, Lathmon, like the mist of the lake? But the squally storm is behind thee; Fingal pursues thy steps!

The king of Morven had started from sleep, as we rolled on the dark-blue wave. He stretched his hand to his spear, his heroes rose around. We knew that he had seen his fathers, for they often descended to his dreams, when the sword of the foe rose over the land and the battle darkened before us. "Whither hast thou fled, O wind?" said the king of Morven. "Dost thou rustle in the chambers of the south? pursuest thou the shower in other lands? Why dost thou not come to my sails? to the blue face of my seas? The foe is in the land of Morven, and the king is absent far. But let each bind on his mail, and each assume his shield. Stretch every spear over the wave; let every sword be unsheathed. Lathmon is before us with his host; he that fled from Fingal on the plains of Lona. But he returns like a collected stream, and his roar is between our hills."

Such were the words of Fingal. We rushed into Carmon's bay. Ossian ascended the hill! he thrice struck his bossy shield. The rock of Morven replied: the bounding roes came forth. The foe was troubled in my presence: he collected his darkened host. I stood like a cloud on the hill, rejoicing in the arms of my youth.

Morni sat beneath a tree on the roaring waters of Strumon: his locks of age are gray: he leans forward on his staff; young Gaul is near the hero, hearing the battles of his father. Often did he rise in the fire of his soul, at the mighty deeds of Morni. The aged heard the sound of Ossian's shield; he knew the sign of war. He started at once from his place. His gray hair parted on his back. lie remembered the deeds of other years.

"My son," he said, to fair-haired Gaul, "I hear the sound of war. The king of Morven is returned; his signals are spread on the wind. Go to the halls of Strumon; bring his arms to Morni. Bring the shield of my father's latter years, for my arm begins to fail. Take thou thy armor, O Gaul! and rush to the first of thy battles. Let thine arm reach to the renown of thy fathers. Be thy course in the field like the eagle's wing. Why shouldst thou fear death, my son? the valiant fall with fame; their shields turn the dark stream of danger away; renown dwells on their aged hairs. Dost thou not see, O Gaul! low the steps of my age are honored? Morni moves forth. and the young men meet him, with silent joy, on his course. But I never fled from danger, my son! my sword lightened through the darkness of war. The stranger melted before me; the mighty were blasted in my presence."

Gaul brought the arms to Morni: the aged warrior is covered with steel. He took the spear in his hand, which was stained with the blood of the valiant. He came towards Fingal; his son attended his steps. The son of Comhal arose before him with joy, when he came in his locks of age.

"Chief of the roaring Strumon!" said the rising soul of Fingal; "do I behold thee in arms, after thy strength has failed? Often has Morni shone in fight, like the beam of the ascending sun; when he disperses the storms of the hill, and brings peace to the glittering fields. But why didst thou not rest in thine age? Thy renown is in the song. The people behold thee, and bless the departure of mighty Morni. Why didst thou not rest in thine age? The foe will vanish before Fingal!"

"Son of Comhal," replied the chief, "the strength of Morni's arm has failed. I attempt to draw the sword of my youth, but it remains in its place. I throw the spear, but it falls short of the mark. I feel the weight of my shield. We decay like the grass of the hill; our strength returns no more. I have a son, O Fingal! his soul has delighted in Morni's deeds; but his sword has not been lifted against a foe, neither has his fame begun. I come with him to the war; to direct his arm in fight. His renown will be a light to my soul in the dark hour of my departure. O that the name of Morni were forgot among the people! that the heroes would only say, 'Behold the father of Gaul!'"

"King of Strumon," Fingal replied, "Gaul shall lift the sword in fight. But he shall lift it before Fingal; my arm shall defend his youth. But rest thou in the halls of Selma, and hear of our renown. Bid the harp to be strung, and the voice of the bard to arise, that those who fall may rejoice in their fame, and the soul of Morni brighten with joy. Ossian, thou hast fought in battles: the blood of strangers is on thy spear: thy course be with Gaul in the strife; but depart not from the side of Fingal, lest the foe should find you alone, and your fame fail in my presence."

[Ossian speaks ] "I saw Gaul in his arms; my soul was mixed with his. The fire of the battle was in his eyes! he looked to the foe with joy. We spoke the words of friendship in secret; the lightning of our swords poured together; for we drew them behind the wood, and tried the strength of our arms on the empty air!"

Night came down on Morven. Fingal sat at the beam of the oak. Morni sat by his side with all his gray-waving locks. Their words were of other times, of the mighty deeds of their fathers. Three bards, at times, touched the harp: Ullin was near with his song. He sung of the mighty Comhal; but darkness gathered on Morni's brow. He rolled his red eye on Ullin: at once ceased the song of the bard. Fingal observed the aged hero, and he mildly spoke: "Chief of Strumon, why that darkness? Let the days of other years be forgot. Our fathers contended in war; but we meet together at the feast. Our swords are turned on the foe of our land: he melts before us on the field. Let the days of our fathers be forgot, hero of mossy Strumon!"

King of Morven," replied the chief, "I remember thy father with joy. He was terrible in battle, the rage of the chief was deadly. My eyes were full of tears when the king of heroes fell. The valiant fall, O Fingal! the feeble remain on the hills! How many heroes have passed away in the days of Morni! Yet I did not shun the battle; neither did I fly from the strife of the valiant. Now let the friends of Fingal rest, for the night is around, that they may rise with strength to battle against car-borne Lathmon. I hear the sound of his host, like thunder moving on the hills. Ossian! and fair-haired Gaul! ye are young and swift in the race. Observe the foes of Fingal from that woody hill. But approach them not: your fathers are near to shield you. Let not your fame fall at once. The valor of youth may fail!"

We heard the words of the chief with joy. We moved in the clang of our arms. Our steps are on the woody hill. Heaven burns with all its stars. The meteors of death fly over the field. The distant noise of the foe reached our ears. It was than Gaul spoke, in his valor: his hand half unsheathed his sword.

"Son of Fingal!" he said, "why burns the soul of Gaul? my heart beats high. My steps are disordered; my hand trembles on my sword. When I look towards the foe, my soul lightens before me. I see their sleeping host. Tremble thus the souls of the valiant in battles of the spear? How would the soul of Morni rise if we should rush on the foe? Our renown should grow in song: our steps would be stately in the eyes of the brave."

"Son of Morni," I replied, "my soul delights in war. I delight to shine in battle alone, to give my name to the bards. But what if the foe should prevail? can I behold the eyes of the king? They are terrible in his displeasure, and like the flames of death. But I will not behold them in his wrath! Ossian shall prevail or fall. But shall the fame of the vanquished rise? They pass like a shade away. But the fame of Ossian shall rise! His deeds shall be like his father's. Let us rush in our arms; son of Morni, let us rush to fight. Gaul, if thou shouldst return, go to Selma's lofty hall. Tell to Everallin that I fell with fame; carry this sword to Branno's daughter. Let her give it to Oscar, when the years of his youth shall arise."

"Son of Fingal," Gaul replied with a sigh, "shall I return after Ossian is low? What would my father say? what Fingal, the king of men? The feeble would turn their eyes and say, 'Behold Gaul, who left his friend in his blood!' Ye shall not behold me, ye feeble, but in the midst of my renown! Ossian, I have heard from my father the mighty deeds of heroes; their mighty deeds when alone! for the soul increases in danger!"

"Son of Morni," I replied, and strode before him on the heath, "our fathers shall praise our valor when they mourn our fall. A beam of gladness shall rise on their souls, when their eyes are full of tears. They will, say, 'Our sons have not fallen unknown: they spread death around them.' But why should we think of the narrow house? The sword defends the brave. But death pursues the flight of the feeble; their renown is never heard."

We rushed forward through night; we came to the roar of a stream, which bent its blue course round the foe, through trees that echoed to its sound. We came to the bank of the stream, and saw the sleeping host. Their fires were decayed on the plain: the lonely steps of their scouts were distant far. I stretched my spear before me, to support my steps over the stream. But Gaul took my hand, and spoke the words of the brave. "Shall the son of Fingal rush on the sleeping foe? Shall he come like a blast by night, when it overturns the young trees in secret? Fingal did no receive his fame, nor dwells renown on the gray hairs of Morni, for actions like these. Strike, Ossian, strike the shield, and let their thousands rise! Let them meet Gaul in his first battle, that he may try the strength of his arm."

My soul rejoiced over the warrior; my bursting tears came down. "And the foe shall meet thee, Gaul," I said: "the fame of Morni's son shall arise. But rush not too far, my hero: let the gleam of thy steel be near to Ossian. Let our hands join in slaughter. Gaul! dost thou not behold that rock? Its gray side dimly gleams to the stars. Should the foe prevail, let our back be towards the rock. Then shall they fear to approach our spears; for death is in our hands!"

I struck thrice my echoing shield. The startling foe arose. We rushed on in the sound of our arms. Their crowded steps fly over the heath. They thought that the mighty Fingal was come. The strength of their arms withered away. The sound of their flight was like that of flame, when it rushes through the blasted groves. It was then the spear of Gaul flew in its strength; it was then his sword arose. Cramo fell; and mighty Leth! Dunthormo struggled in his blood. The steel rushed through Crotho's side, as bent he rose on his spear; the black stream poured from the wound, and hissed on the half-extinguished oak. Cathmin saw the steps of the hero behind him: he ascended a blasted tree; but the spear pierced him from behind. Shrieking, panting, he fell. Moss and withered branches pursue his fall, and strew the blue arms of Gaul.

Such were thy deeds, son of Morni, in the first of thy battles. Nor slept the sword by thy side, thou last of Fingal's race! Ossian rushed forward in his strength; the people fell before him; as the grass by the stall of the boy, when he whistles along the field, and the gray beard of the thistle falls. But careless the youth moves on; his steps are towards the desert. Gray morning rose around us; the winding streams are bright along the heath. The foe gathered on a bill; and the rage of Lathmon rose. He bent the red eye of his wrath: he is silent in his rising grief. He often struck his bossy shield: and his steps are unequal on the heath. I saw the distant darkness of the hero, and I spoke to Morni's son.

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