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The best time to plan a book is while you're doing the dishes.

quote by Agatha Christie
Added by Lucian Velea
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Everything Is Going To Be Like My Plan

Duty must be fulfilled
But everything is going to be like my plan
People could lie to me
But everything is going to be like my plan
Pray may be often
But everything is going to be like my plan
Time flies uncontrolled
But everything is going to be like my plan
Destiny may not be cooperated
But everything is going to be like my plan
Other plan may ruin mine
But everything is going to be like my plan
Body is reaching the limit
But everything is going to be like my plan
The will should be strengthened
But everything is going to be like my plan
The anxiety may be doubled
But everything is going to be like my plan
Critics never disappear
But everything is going to be like my plan
Life is unfair
But everything is going to be like my plan
The way seems lost
But everything is going to be like my plan
Regret is gnawing my sense
But everything is going to be like my plan
The goal still far away
But everything is going to be like my plan
The future end may unseen
But everything is going to be like my plan
Source may not be enough
But everything is going to be like my plan
Things always change
But everything is going to be like my plan
Problem keeps occurring
But everything is going to be like my plan
World would laugh
But everything is going to be like my plan
Failure keeps happening
But everything is going to be like my plan
Memories may not help
But everything is going to be like my plan
Luck may test me
But everything is going to be like my plan
Love may not support me
But everything is going to be like my plan
Weather wants to rebel
But everything is going to be like my plan
The form may be different
But everything is going to be like my plan

[...] Read more

poem by Maria Sudibyo
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Truth and the Devil

The devil unstoppably took pride in salaciously writing; the book of
obnoxious caste-creed and venomously penalizing hatred,

The devil unstoppably took pride in acrimoniously writing; the book of
indiscriminate bloodshed and disastrously traumatizing ruthlessness,

The devil unstoppably took pride in vengefully writing; the book of
tyrannical devastation and lecherously bellicose orphaning,

The devil unstoppably took pride in fretfully writing; the book of
vindictive war and satanically criminal holocausts,

The devil unstoppably took pride in maliciously writing; the book of
coldblooded barbarism and manipulatively bizarre malice,

The devil unstoppably took pride in forlornly writing; the book of
worthless
ghosts and mortuaries brutally anointed with fresh blood,

T The devil unstoppably took pride in indigently writing; the book of
nonchalant spuriousness and fecklessly insipid meaninglessness,

The devil unstoppably took pride in torturously writing; the book of
ominous
animosity and hedonistically pugnacious illwill,

The devil unstoppably took pride in dictatorially writing; the book of
licentious bawdiness and insanely threadbare nothingness,

The devil unstoppably took pride in heinously writing; the book of
lascivious poverty and baselessly crippling uncertainty,

The devil unstoppably took pride in savagely writing; the book of
despicable
defeat and lethally ballistic atrociousness,

The devil unstoppably took pride in raunchily writing; the book of
dolorous
delinquency and insidiously slandering betrayal,

The devil unstoppably took pride in preposterously writing; the book of
scurrilous lunatism and barbarously incarcerating fiendishness,

The devil unstoppably took pride in frigidly writing; the book of
jejune
mockery and impudently castigating brazenness,

The devil unstoppably took pride in heartlessly writing; the book of
ghastly
bloodshed and indefatigably bombarding politics,

[...] Read more

poem by Nikhil Parekh
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

[...] Read more

poem by Charles Churchill
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The God Song

Catch the beat out-o-on the street (oh no-no!)
Another visionary slick solution
Strap on a gun, start a revolution
Another brilliant master plan
In from the street, mouth sat in a seat (no-no!)
He point the finger at the whole world out there
Beat the drum - for mr accusation
The hypocritical superman
Sing hallelujah o-e-o
Sing hallelujah yea-yea-yea-yea
The man got a plan, got a plan, got a plan yea
He call love
The man got a plan, got a plan, got a plan yea
He call l-o-v-e
Catch the beat out-o-on the street (oh no-no!)
I hear political resolutions
Cast the vote - launch another scape goat
Into the bosom of the promised land
Stand and fight, kill for what is right (oh no-no!)
Justify another execution
Try me on build another big one
And we can celebrate the final plan
Sing hallelujah o-e-o
Sing hallelujah yea-yea-yea-yea
The man got a plan, got a plan, got a plan yea
He call love
The man got a plan, got a plan, got a plan yea
He call l-o-v-e
Sing hallelujah o-e-o
Sing hallelujah yea-yea-yea-yea
The man got a plan, got a plan, got a plan yea
He call love
The man got a plan, got a plan yea
He call l-o-v-e

song performed by Underworld
Added by Lucian Velea
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Thrash

Catch the beat out-o-on the street (Oh no-no!)
Another visionary slick solution
Strap on a gun, start a revolution
Another brilliant master plan
In from the street, mouth sat in a seat (No-no!)
He point the finger at the whole world out there
Beat the drum - for Mr Accusation
The hypocritical superman
Sing hallelujah o-e-o
Sing hallelujah yea-yea-yea-yea
The man got a plan, got a plan, got a plan yea
He call love
The man got a plan, got a plan, got a plan yea
He call L-O-V-E
Catch the beat out-o-on the street (Oh no-no!)
I hear political resolutions
Cast the vote - launch another scape goat
Into the bosom of the promised land
Stand and fight, kill for what is right (Oh no-no!)
Justify another execution
Try me on build another big one
And we can celebrate the final plan
Sing hallelujah o-e-o
Sing hallelujah yea-yea-yea-yea
The man got a plan, got a plan, got a plan yea
He call love
The man got a plan, got a plan, got a plan yea
He call L-O-V-E
Sing hallelujah o-e-o
Sing hallelujah yea-yea-yea-yea
The man got a plan, got a plan, got a plan yea
He call love
The man got a plan, got a plan yea
He call L-O-V-E

song performed by Underworld
Added by Lucian Velea
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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A Time To Feel Forlorn and Reconstruct What's Torn

There's a designated time in the universe for everything:

A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.

A time to maintain, a time to abandon.
A time to develop, a time to rest at random.

A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.

A time to spite, a time to please.
A time for respite, a time to tease.

A time to process, a time to confess.
A time to do more. A time to do less.

A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.

A time to maximise. A time to minimise.
A time to diminish. A time to optimise.

A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.

A time to be big. A time to be small.
A time to care for a special one. A time to love all.

A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.

A time to enhance. A time to simplify.
A time to criticise. A time to dignify.

A time to produce. A time to use.
A time to relent. A time to refuse.

A time to demand. A time to give.
A time to die. a time to live.

A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.

A time to compete. A time to not.
A time to remember. A time to concede you forgot.

[...] Read more

poem by Hercolena Oliver
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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I Love My Man

verse 1:
See I finally found me a good man
matter of fact he might be my future husband
yeah he really knows how to love me
and he can't get enough of me
oh yeah he's got class and good looks
by the way he's number one in my book
I prayed for a love and he appeared
no girl got a man like this here
chorus:
So I ain't gonna nag and I ain't gonna trip
I ain't gonna do any arguing
cause I love my man
and I plan on keeping him
so I'm not gonna accuse my man of lust
and I'm gonna trust him let me tell you why
cause I love my man
and I plan on keeping him
verse 2:
No the other guys just don't compare
to my man's good love honey i swear
he's got my back in the time of need
it's good to know that he's there for me
let me say all that he knows my heart
and it means it was love
at the very start when i saw him
with my girlfriends
so I knew I was keeping him
chorus:
So I ain't gonna nag and I ain't gonna trip
I ain't gonna do any arguing
cause I love my man
and I plan on keeping him
so I'm not gonna accuse my man of lust
and I'm gonna trust him let me tell you why
cause I love my man
and I plan on keeping him
So I ain't gonna nag and I ain't gonna trip
I ain't gonna do any arguing
cause I love my man
and I plan on keeping him
so I'm not gonna accuse my man of lust
and I'm gonna trust him let me tell you why
cause I love my man
and I plan on keeping him
bridge:
I know that he loves me and his love is pure
so I don't have a reason to be insecure
ooh, I, love my baby, baby
ooh, I, love my baby

[...] Read more

song performed by Nivea
Added by Lucian Velea
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Picture Book

Picture yourself when youre getting old,
Sat by the fireside a-pondering on[? ].
Picture book, pictures of your mama, taken by your papa a long time ago.
Picture book, of people with each other, to prove they love each other a long ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.
A picture of you in your birthday suit,
You sat in the sun on a hot afternoon.
Picture book, your mama and your papa, and fat old uncle charlie out cruising with their friends.
Picture book, a holiday in august, outside a bed and breakfast in sunny southend.
Picture book, when you were just a baby, those days when you were happy, a long time ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.
Picture book.
Picture book.
Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.
Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.
Picture book, pictures of your mama, taken by your papa a long time ago.
Long time ago,
Long time ago,
Long time ago,
Long time ago,
Yeah, yeah, yeah.

song performed by Kinks
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

[...] Read more

poem by Wilfrid Scawen Blunt
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Why.............?

The American book of 'why',
The Asian book of 'why',
The European book of 'why',
The African book of 'why',
The Australian book of 'why',
The most asked question in the valley of world events;
Especially when one explodes a bomb!

The Christian book of 'why',
The Muslim book of 'why',
The Jewish book of 'why',
The Hindu book of 'why',
The Krishna book of 'why',
lLife is like the yeast which makes the bread rise;
But, the writer always has his or her own mind.

The Pagan book of 'why',
The Buddhist book of 'why',
The Protestant book of 'why',
The Confucian book of 'why',
To all life's aspects with the remaining books of 'why';
Poetry is the literature that muses with the mind.

Shall the trumpet be blown in the city and,
The people will not be afraid?
Seven bulls and seven rams,
I am the planted tree by the rivers of waters.
I am very young in years but,
The word 'why' is the question that goes around easily.

poem by Edward Kofi Louis
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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poem by Gert Strydom
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The Book of Annandale

I

Partly to think, more to be left alone,
George Annandale said something to his friends—
A word or two, brusque, but yet smoothed enough
To suit their funeral gaze—and went upstairs;
And there, in the one room that he could call
His own, he found a sort of meaningless
Annoyance in the mute familiar things
That filled it; for the grate’s monotonous gleam
Was not the gleam that he had known before,
The books were not the books that used to be,
The place was not the place. There was a lack
Of something; and the certitude of death
Itself, as with a furtive questioning,
Hovered, and he could not yet understand.
He knew that she was gone—there was no need
Of any argued proof to tell him that,
For they had buried her that afternoon,
Under the leaves and snow; and still there was
A doubt, a pitiless doubt, a plunging doubt,
That struck him, and upstartled when it struck,
The vision, the old thought in him. There was
A lack, and one that wrenched him; but it was
Not that—not that. There was a present sense
Of something indeterminably near—
The soul-clutch of a prescient emptiness
That would not be foreboding. And if not,
What then?—or was it anything at all?
Yes, it was something—it was everything—
But what was everything? or anything?
Tired of time, bewildered, he sat down;
But in his chair he kept on wondering
That he should feel so desolately strange
And yet—for all he knew that he had lost
More of the world than most men ever win—
So curiously calm. And he was left
Unanswered and unsatisfied: there came
No clearer meaning to him than had come
Before; the old abstraction was the best
That he could find, the farthest he could go;
To that was no beginning and no end—
No end that he could reach. So he must learn
To live the surest and the largest life
Attainable in him, would he divine
The meaning of the dream and of the words
That he had written, without knowing why,
On sheets that he had bound up like a book
And covered with red leather. There it was—
There in his desk, the record he had made,

[...] Read more

poem by Edwin Arlington Robinson
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I can EMIT TIME

'I Can! ' EMIT TIME
Kindly Refer to Notes

.

.

This retourne shows how Time bright glows,
Inspiring plan Life offers man,
Maintains red rose, sustains verse, prose,
Egg, chicken, span, - ensure ‘I can! ’

TIME’s sum’s not dumb, repeating drum
Inspiring plan Life offers man,
May link ‘become’ through rule of thumb
EMIT true scan light once began.

The heart that sows is star that glows
In tune reel ran fed through rhyme’s fan,
Maintains red rose, sustains verse, prose,
Ends in well ran, begins “I can! ”

Time’s reel ebbs, flows, all comes and goes,
In caravan reversing scan
Much magic flows, touch insight knows,
Egg, chicken, span, - ensure ‘I can! ’

.

Egg, chicken, span, - ensure ‘I can! ’
Much magic flows, touch insight knows,
In caravan reversing scan, -
Time’s reel ebbs, flows, all comes and goes.

Ends in well ran, begins “I can! ”
Maintains red rose, sustains verse, prose,
In tune reel ran fed through rhyme’s fan, -
The heart that sows is star that glows.

[...] Read more

poem by Jonathan Robin
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The Canterbury Tales; the Wyves tale of Bathe

The Prologe of the Wyves tale of Bathe.

Experience, though noon auctoritee
Were in this world, were right ynogh to me
To speke of wo that is in mariage;
For, lordynges, sith I twelf yeer was of age,
Thonked be God, that is eterne on lyve,

Housbondes at chirche-dore I have had fyve-
For I so ofte have ywedded bee-
And alle were worthy men in hir degree.
But me was toold, certeyn, nat longe agoon is,
That sith that Crist ne wente nevere but onis

To weddyng in the Cane of Galilee,
That by the same ensample, taughte he me,
That I ne sholde wedded be but ones.
Herkne eek, lo, which a sharpe word for the nones,
Biside a welle Jesus, God and Man,

Spak in repreeve of the Samaritan.
'Thou hast yhad fyve housbondes,' quod he,
'And thilke man the which that hath now thee
Is noght thyn housbonde;' thus seyde he, certeyn.
What that he mente ther by, I kan nat seyn;

But that I axe, why that the fifthe man
Was noon housbonde to the Samaritan?
How manye myghte she have in mariage?
Yet herde I nevere tellen in myn age
Upon this nombre diffinicioun.

Men may devyne, and glosen up and doun,
But wel I woot expres withoute lye,
God bad us for to wexe and multiplye;
That gentil text kan I wel understonde.
Eek wel I woot, he seyde, myn housbonde

Sholde lete fader and mooder, and take me;
But of no nombre mencioun made he,
Of bigamye, or of octogamye;
Why sholde men speke of it vileynye?
Lo, heere the wise kyng, daun Salomon;

I trowe he hadde wyves mo than oon-
As, wolde God, it leveful were to me
To be refresshed half so ofte as he-
Which yifte of God hadde he, for alle hise wyvys?
No man hath swich that in this world alyve is.

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poem by Geoffrey Chaucer
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