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Data is what distinguishes the dilettante from the artist.

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The mother and the artist

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling

[...] Read more

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Lisbeth and the Artist

Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don't misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist's stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth

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Nuclear Is Safe? No They Lied To You

A list of non classified nuclear disasters
chalk one up for Chalk River Canada
rating 5 a “reactor shutoff rod failure,

combined with several operator errors,
led to a major power excursion of more
than double the reactor's rated output
at AECL's NRX reactor” then a big deal.1952

Entrant two Windscale Pile United Kingdom
rating 5 a “Release of radioactive material to
the environment following a fire in a reactor
core.” Toast a good year for nuclear disasters.1957

graphite core of a British nuclear “[weapons
programme] reactor at Windscale, Cumberland
(now Sellafield, Cumbria) caught fire, releasing
substantial amounts of radioactive contamination
into the surrounding area.” Radioactive fire.

A warm welcome to entrant three. Kyshtym
Russia rating 6 a “Significant release of
radioactive material to the environment
from explosion of a high activity waste tank.” 1957

Please all welcome contestant one back
Chalk River Canada (rating?) “Due to
inadequate cooling a damaged uranium
fuel rod caught fire and was torn in two.” 1958

Champagne pops cheer another good year
Vinč a Yugoslavia (rating?) “During
a subcritical counting experiment a power
buildup went undetected - six scientists
received high doses.” What detailed detail? 1958

Applause please for our first American entry
Santa Susana Field Laboratory US (rating?)
“Partial core meltdown.” Sounds serious.
Tick one deep operations public cover up.1959

Time to take a nice country waltz in a US county
Westinghouse Waltz Mill Westmoreland County
(rating?) a core melt accident in a test reactor? 1960

Looks like American is going for a hat trick
Charlestown US (rating?) “Error by a worker
at a United Nuclear Corporation fuel facility
led to an accidental criticality”. Human error? 1964

[...] Read more

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A Nude Artist

A Nude Artist


he says he is a nude artist
because he is naked when he paints

such nakedness has
nothing to do with being a nude artist

a naked artist who paints a cat or a chicken
is not a nude artist

there is no nude cat
thyere is no nude chicken

just paint a naked woman
and he will be called a nude artist

an artist is not an art
he must know that


- Frog Mantra, Accents Publishing,2012 -

 

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Peace

Artist - somebody didn't hear me
(What'd he say?)
Artist - formerly known as Prince
You gotta get your peace on
Peace, whoa oh
Peace
That's what we're here for
And not to war
When the war upon people of color thru needles
Designed to disease instead of relieve
When it ceases
I'll be a man of peace
(Say what)
When this mask of vendetta
Like tears on the face of Coretta
Roll down and go away
I'll be happier
(Happier)
I'll be a man of peace
Everybody say!
Peace, whoa oh
Peace
That's what we're here for
(That's what we're here for)
And not to war
When the time that we spend
Watching TV depends on
Whether or not it destroy or transcend
Then I won't need
(I won't, I won't)
Won't need a warranty
When the power of the hour is not yours but is ours
And the faces we see reflect all that we be indeed
There'll be a jubilee
Everybody say
Peace, whoa oh
Peace
That's what we're here for
(That's what we're here for)
And not to war
Bass
(Talkin' about freedom)
The rewards that we share will be based on what's fair
And not the curliness or the thick of our hair
Real competition, if you dare!
Music is our middle name
And we don't wanna play your game
So when the mergers you make are with us
And you take a fair slice of the cake
That we bake then you break

[...] Read more

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Value Fever Pitch: An Artist’s Time

Bhoman F Jamhari said

'I am an artist - This does not
mean I will work for free.
I have bills just like you.
Thank you for understanding.'

Polite and to the problematic point.

Anyone who thinks believes
an artist’s time is worthless,
is definitely a person an artist
should avoid; such individuals

cannot comprehend
or remotely understand
aesthetic value of art.

Art takes time to produce.

Vision and artistic skill takes
even longer to realize to attain
expanding horizons. Time costs.

Artists of differing genre value
appreciate each other and art
which suits their temperament.

To create art
is the life blood
of an artist.

The air we breathe
is the home of art.

Creativity is our fevered mind songs
we sing in a legacy of image visions.

What kind of a con artist wants
to steal bread from an artist’s mouth;

therefore limiting the quality quantity
of future works of art, to be produced
by that artist. Answer an enemy of art.


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Data Da Groove

Cyberspace has got to be anarchy
A pirate concept
In and out and over me
Create a sequence file
On mapdisk from - gotta call me
ABBDSO1
Megauser high extension enter edit go AD DA
Stop stop roger over and go
Syntaxerror crashed on badblock
Is it real, is it nothing?
Is it
Data overflow
There's no river too deep
No Mountain too high
Any kind of vision in the air
Kein backspace mehr
Low-tech revolution
Formt sich dann
Zum Frontprogramm
The MEGA the SCORE
Desto MONO de CHROME
ATMO de FORCE
Is the Atmo at home
It's got to be the higher the goal
Desto schwerer Beruf - SAY!
The deeper the Soul desto
DATA DE GROOVE
Ich mein: Ich - Mich - Du - Dich - Ich - Mein
Du Dein so allein, so allein zu sein
Und so weiter
Hin zu wem zu fllst Du ab und zu
Fllst Du, nur zu
Sind zuende zu ganz auf
Cyberspace is auto-ex-ex
Show memorysize of(sex)...
I guess you know what
Stop Stop roger over and go
Syntaxerror crashed on badblock
Is it real, is it nothing?
Is it
Data overflow
There's no river too deep
No Mountain too high
Any kind of vision in the air
Kein backspace mehr
Low-tech revolution
Formt sich dann
Zum Frontprogramm
The MEGA the SCORE
Desto MONO de CHROME

[...] Read more

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Allegany Camp

amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
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amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
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amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

[...] Read more

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Edgar Lee Masters

Georgine Sand Miner

A step-mother drove me from home, embittering me.
A squaw-man, a flaneur and dilettante took my virtue.
For years I was his mistress -- no one knew.
I learned from him the parasite cunning
With which I moved with the bluffs, like a flea on a dog.
All the time I was nothing but "very private" with different men.
Then Daniel, the radical, had me for years.
His sister called me his mistress;
And Daniel wrote me: "Shameful word, soiling our beautiful love!"
But my anger coiled, preparing its fangs.
My Lesbian friend next took a hand.
She hated Daniel's sister.
And Daniel despised her midget husband.
And she saw a chance for a poisonous thrust:
I must complain to the wife of Daniel's pursuit!
But before I did that I begged him to fly to London with me.
"Why not stay in the city just as we have?" he asked.
Then I turned submarine and revenged his repulse
In the arms of my dilettante friend. Then up to the surface,
Bearing the letter that Daniel wrote me,
To prove my honor was all intact, showing it to his wife,
My Lesbian friend and everyone.
If Daniel had only shot me dead!
Instead of stripping me naked of lies,
A harlot in body and soul.

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The Bards Who Lived at Manly

The camp of high-class spielers,
Who sneered in summer dress,
And doo-dah dilettante,
And scornful “venuses”—
House agents, and storekeepers,
All eager they to “bleed”—
The bards who tackled Manly,
Were plucky bards indeed!

With shops that feared to trust them,
And pubs that looked askance;
And prigs who read their verses,
But gave them not a glance;—
When all were vain and selfish,
And editors were hard—
The bard that stuck to Manly
Was sure a mighty bard.

What mattered floors were barren,
And windows curtainless,
And our life seemed to others
But blackguard recklessness?
We wore our clothes for comfort,
We earned our bread alway,
And beer and good tobacco
Came somehow every day.

Came kindred souls to Manly—
Outsiders that we knew,
And with them scribes and artists,
And low comedians too;
And sometimes bright girl writers—
Called “Tommy”, “Jack”, or “Pat”—
(Though each one had a sweetheart
The rest knew nought of that).

’Twas not the paltry village
We honoured unaware,
Or welcome warm, or friendship,
Or “tone” that took us there;
We longed to sing for mankind,
Where heaven’s breath was free
We only sought the grandeur
Of sea-cliff, sands and sea.

And we were glad at Manly,
All unaware of “swells”,
Of doctors and of nurses,
And private hospitals;
With little fear of bailiffs,

[...] Read more

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

[...] Read more

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Hymns Of The Marshes.

I. Sunrise.


In my sleep I was fain of their fellowship, fain
Of the live-oak, the marsh, and the main.
The little green leaves would not let me alone in my sleep;
Up-breathed from the marshes, a message of range and of sweep,
Interwoven with waftures of wild sea-liberties, drifting,
Came through the lapped leaves sifting, sifting,
Came to the gates of sleep.
Then my thoughts, in the dark of the dungeon-keep
Of the Castle of Captives hid in the City of Sleep,
Upstarted, by twos and by threes assembling:
The gates of sleep fell a-trembling
Like as the lips of a lady that forth falter `Yes,'
Shaken with happiness:
The gates of sleep stood wide.

I have waked, I have come, my beloved! I might not abide:
I have come ere the dawn, O beloved, my live-oaks, to hide
In your gospelling glooms, -- to be
As a lover in heaven, the marsh my marsh and the sea my sea.

Tell me, sweet burly-bark'd, man-bodied Tree
That mine arms in the dark are embracing, dost know
From what fount are these tears at thy feet which flow?
They rise not from reason, but deeper inconsequent deeps.
Reason's not one that weeps.
What logic of greeting lies
Betwixt dear over-beautiful trees and the rain of the eyes?

O cunning green leaves, little masters! like as ye gloss
All the dull-tissued dark with your luminous darks that emboss
The vague blackness of night into pattern and plan,
So,
(But would I could know, but would I could know,)
With your question embroid'ring the dark of the question of man, --
So, with your silences purfling this silence of man
While his cry to the dead for some knowledge is under the ban,
Under the ban, --
So, ye have wrought me
Designs on the night of our knowledge, -- yea, ye have taught me,
So,
That haply we know somewhat more than we know.

Ye lispers, whisperers, singers in storms,
Ye consciences murmuring faiths under forms,
Ye ministers meet for each passion that grieves,
Friendly, sisterly, sweetheart leaves,
Oh, rain me down from your darks that contain me

[...] Read more

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Joseph's Gloss On God

When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.

The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.

Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:

To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was theThe Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.


10/22/09

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There's a lot of power in executing data - generating data and executing data.

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TIA was being used by real users, working on real data - foreign data. Data where privacy is not an issue.

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We're in this period where we're getting good data rates. I would say we're getting data rates that are like the data rates we got when we launched RealAudio in 1995.

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Dream on Every Thought

You cannot expect me to find this boring,
living on the edge of the abyss, only the
flow of information, the mystery of un-
explainable infinity, holds any interest

I'm not a human being but a human striving,
need challenges and ideals to inspire me -
found one of such variety, yet you yawn in
reply - now you experience how I feel

When faced with the boring facts of life,
steel girders of visible reality alienating
me from my spirit, forcing me to go
on quests to find new ideas

Quests are lonely - I admit - discovery is
great even if isolation hurts a little bit, the
ecstasy of finding the best experience
felt by restless consciousness…

*************************** *******************
How much could there be in the Bible code,
is there a limit to the information it can con-
tain, if you say EVERYTHING is in there, can
you explain it to the layman:

The original Hebrew limited-data-base text of
the Old Testament is only 304 805 letters long,
yet unlimited information bits encoded in end-
less combinations,20 billion bits at least

More data than can be found in several lifetimes,
without including crossword puzzles created by
2,3 or 10 words linked together - actually the
amount of information is incalculable

An infinite set of data found at first level of the
Bible code, there is more to come - oh, joy,
I savour every word, dream on every thought!

The Bible Code, Michael Drosnin, Weidenfeld &
Nicolson,1997 -
pp.44&45

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Fishy Policies

do research
hide data
ignore facts

take no action

back in 2009
data from trawlers
from 46 countries

were sampled
scientifically sifted
labourishly researched

plus bonus
two global fisheries
tuna and shark fin

using long lines?

at a bycatch rate
of 92 per cent
industry shark fin

tops as efficient
league champions
just cut off fins

more soupy tails

throw away body shark
destined to bloody sink
fish to extinction brink

destined to drown in extinction seas

Bangladesh shrimp fisheries
were ultimate survey losers
worst with over 95 per cent

of catch composed of non-target species

research data Marine Policy published
EU Common Fisheries Policy prepared
forthcoming review hopefully influenced

hook line and sinker sunk
reports composed just more fishy stories
mother ships ever catch hungry not Chinese junks

[...] Read more

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The Next Generation

(STARDATE 45122.3. The sensors aboard the Starship Enterprise have detected a subspace anomaly. The nature of the anomaly is as yet unknown, but Commander Data has reported a slight drain on the warp core generator. Captain Jean Luc Picard has alerted the senior crew members to keep him informed of any changes and meanwhile continue on course to the colony on Aldebaran III)


“It must mean we’re really getting old when the only thing we talk about is television, ” I say to Bobby. He sits across from me, the flickering colors from the TV screen playing across his face, the dim light illuminating the room like a lunar landscape.

We are watching episode #232 of ‘Star Trek: The Next Generation.’ There are no more new episodes. We have seen this episode before, but we are watching it because it’s better than not watching it. We watch it at the same time every night. We are watching it because we are addicted to its predictable action, its monotone dialog, its hypnotic cinematography. We watch it because we have seen so many episodes that we know all the characters, their life histories, their personal characteristics, their predilections and idiosyncrasies, better than we know some of our own family members.


(Commander Data has been experimenting with oil painting. All of his subjects appear to be meticulously drawn but do not express feeling. Ship’s Counselor Deanna Troi suggests that he attempt abstract art to explore his subjective experience.

Their conversation is interrupted, however, by a message from the bridge. The subspace anomaly has greatly increased in both its size and intensity. If it continues to grow at its present rate the Enterprise will soon be in danger of being drawn into it and being destroyed.)


I feel that my life is slipping away, that I am trapped, helpless, in a void of television shows, TV dinners, and a routine of daily activity, doing the same thing at the same time each day, that makes the days go by as quickly and painlessly as possible. I feel that each week that passes is a week that I will never have again. That I am dying, slowly, the life energy being sucked out of me, a little bit each hour, each day, in a plethora of ‘Seinfeld, ’ ‘Friends’, ‘The X-Files, ” and ‘Star Trek: The Next Generation.’ That I am caught in a time warp and slowly and inexorably being drawn into its vortex.


{The subspace anomaly continues to grow and to draw energy from the Starship’s warp core generator.

“Shields at 14 per cent, ” says Commander Worf.

“At this rate the Enterprise will be destroyed in 13 hours,28 minutes, and 32 seconds, ” says Data.)


Somehow I’ve got to escape from this, to rejoin the flow of humanity, to begin my life once more. If only I could meet the person, write the poem, sing the song, paint the painting. If only I could break the cycle. But it’s too safe remaining here. And I use television like a drug, insulating me from my own feelings, insulating me from my own sense of loss, substituting instead the fictitious emotions of fictitious characters, lived vicariously at the same time each day, with a standardized format designed to keep the self distant, removed, safe, anaesthetized from the pain of indirect living.

Bobby says, “You really know you’ve been watching too much television when everything on the cable is a re-run.”


(Captain’s Log Supplemental: The Enterprise has escaped from the subspace anomaly with 1.4 seconds to spare. The senior officers on the bridge look at each other with a sigh of relief.

“Ensign, lay in a course for Star Base 67, bearing 6571, mark 82, warp six, ” says Picard.

“Engage! ”)

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Artist Oath

If to become a high minded, well respected
adult is to abandon the divine ideal
of universal kinship and good will in order to
maintain personal security,
I'll spend the entirety of my life
an irresponsible child of ignorance.

I'll run barefoot through the woods,
ignoring dinner bells,
oblivious to the darkening curfew hour of the street lamps

If profit and sales determine the merit of an artist
I shall forever define myself as dilettante
a dabbler, a hobbyist.
an amateur doing what he loves
in order to maintain personal sanity

After all, the purpose of an artist isn't
influence or profit,
it isn't to strike admiration or awe.
the aim isn't avant garde expression of emotion
or presenting a revolutionary idea that will change the world.

Art is simple encouragement,
no more than a smile,
encouraging people
to live out the ideals we all carry and know
in the most sure fire depths of our hearts to be true.
The ideals we forget lose abandon or are just too
afraid to act upon in life.
The ideals of 'the weak the senseless the naïve the eccentric
the quixotic the queer the fairy dusted bullshit'.

– its all just maya anyway
– were else can one live out ideals if not in dream?

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