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Robert Burns

And there begins a lang digression about the lords o' the creation.

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Robert Burns

The Twa Dogs

A Tale

'Twas in that place o' Scotland's isle,
That bears the name o' auld King Coil,
Upon a bonie day in June,
When wearin' thro' the afternoon,
Twa dogs, that were na thrang at hame,
Forgather'd ance upon a time.

The first I'll name, they ca'd him Caesar,
Was keepit for His Honor's pleasure:
His hair, his size, his mouth, his lugs,
Shew'd he was nane o' Scotland's dogs;
But whalpit some place far abroad,
Whare sailors gang to fish for cod.

His locked, letter'd, braw brass collar
Shew'd him the gentleman an' scholar;
But though he was o' high degree,
The fient a pride, nae pride had he;
But wad hae spent an hour caressin,
Ev'n wi' al tinkler-gipsy's messin:
At kirk or market, mill or smiddie,
Nae tawted tyke, tho' e'er sae duddie,
But he wad stan't, as glad to see him,
An' stroan't on stanes an' hillocks wi' him.

The tither was a ploughman's collie-
A rhyming, ranting, raving billie,
Wha for his friend an' comrade had him,
And in freak had Luath ca'd him,
After some dog in Highland Sang,
Was made lang syne,-Lord knows how lang.

He was a gash an' faithfu' tyke,
As ever lap a sheugh or dyke.
His honest, sonsie, baws'nt face
Aye gat him friends in ilka place;
His breast was white, his touzie back
Weel clad wi' coat o' glossy black;
His gawsie tail, wi' upward curl,
Hung owre his hurdie's wi' a swirl.

Nae doubt but they were fain o' ither,
And unco pack an' thick thegither;
Wi' social nose whiles snuff'd an' snowkit;
Whiles mice an' moudieworts they howkit;
Whiles scour'd awa' in lang excursion,
An' worry'd ither in diversion;
Until wi' daffin' weary grown
Upon a knowe they set them down.
An' there began a lang digression.
About the 'lords o' the creation.'

Caesar

I've aften wonder'd, honest Luath,
What sort o' life poor dogs like you have;
An' when the gentry's life I saw,
What way poor bodies liv'd ava.

Our laird gets in his racked rents,
His coals, his kane, an' a' his stents:
He rises when he likes himsel';
His flunkies answer at the bell;
He ca's his coach; he ca's his horse;
He draws a bonie silken purse,
As lang's my tail, where, thro' the steeks,
The yellow letter'd Geordie keeks.

Frae morn to e'en, it's nought but toiling
At baking, roasting, frying, boiling;
An' tho' the gentry first are stechin,
Yet ev'n the ha' folk fill their pechan
Wi' sauce, ragouts, an' sic like trashtrie,
That's little short o' downright wastrie.
Our whipper-in, wee, blasted wonner,
Poor, worthless elf, it eats a dinner,
Better than ony tenant-man
His Honour has in a' the lan':
An' what poor cot-folk pit their painch in,
I own it's past my comprehension.

Luath

Trowth, Caesar, whiles they're fash't eneugh:
A cottar howkin in a sheugh,
Wi' dirty stanes biggin a dyke,
Baring a quarry, an' sic like;
Himsel', a wife, he thus sustains,
A smytrie o' wee duddie weans,
An' nought but his han'-daurk, to keep
Them right an' tight in thack an' rape.

An' when they meet wi' sair disasters,
Like loss o' health or want o' masters,
Ye maist wad think, a wee touch langer,
An' they maun starve o' cauld an' hunger:
But how it comes, I never kent yet,
They're maistly wonderfu' contented;
An' buirdly chiels, an' clever hizzies,
Are bred in sic a way as this is.

Caesar

But then to see how ye're negleckit,
How huff'd, an' cuff'd, an' disrespeckit!
Lord man, our gentry care as little
For delvers, ditchers, an' sic cattle;
They gang as saucy by poor folk,
As I wad by a stinkin brock.

I've notic'd, on our laird's court-day, -
An' mony a time my heart's been wae, -
Poor tenant bodies, scant o'cash,
How they maun thole a factor's snash;
He'll stamp an' threaten, curse an' swear
He'll apprehend them, poind their gear;
While they maun stan', wi' aspect humble,
An' hear it a', an' fear an' tremble!

I see how folk live that hae riches;
But surely poor-folk maun be wretches!

Luath

They're no sae wretched's ane wad think.
Tho' constantly on poortith's brink,
They're sae accustom'd wi' the sight,
The view o't gives them little fright.

Then chance and fortune are sae guided,
They're aye in less or mair provided:
An' tho' fatigued wi' close employment,
A blink o' rest's a sweet enjoyment.

The dearest comfort o' their lives,
Their grushie weans an' faithfu' wives;
The prattling things are just their pride,
That sweetens a' their fire-side.

An' whiles twalpennie worth o' nappy
Can mak the bodies unco happy:
They lay aside their private cares,
To mind the Kirk and State affairs;
They'll talk o' patronage an' priests,
Wi' kindling fury i' their breasts,
Or tell what new taxation's comin,
An' ferlie at the folk in Lon'on.

As bleak-fac'd Hallowmass returns,
They get the jovial, rantin kirns,
When rural life, of ev'ry station,
Unite in common recreation;
Love blinks, Wit slaps, an' social Mirth
Forgets there's Care upo' the earth.

That merry day the year begins,
They bar the door on frosty win's;
The nappy reeks wi' mantling ream,
An' sheds a heart-inspiring steam;
The luntin pipe, an' sneeshin mill,
Are handed round wi' right guid will;
The cantie auld folks crackin crouse,
The young anes rantin thro' the house-
My heart has been sae fain to see them,
That I for joy hae barkit wi' them.

Still it's owre true that ye hae said,
Sic game is now owre aften play'd;
There's mony a creditable stock
O' decent, honest, fawsont folk,
Are riven out baith root an' branch,
Some rascal's pridefu' greed to quench,
Wha thinks to knit himsel the faster
In favour wi' some gentle master,
Wha, aiblins, thrang a parliamentin,
For Britain's guid his saul indentin-

Caesar

Haith, lad, ye little ken about it:
For Britain's guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him:
An' saying ay or no's they bid him:
At operas an' plays parading,
Mortgaging, gambling, masquerading:
Or maybe, in a frolic daft,
To Hague or Calais takes a waft,
To mak a tour an' tak a whirl,
To learn bon ton, an' see the worl'.

There, at Vienna, or Versailles,
He rives his father's auld entails;
Or by Madrid he takes the rout,
To thrum guitars an' fecht wi' nowt;
Or down Italian vista startles,

Whore-hunting amang groves o' myrtles:
Then bowses drumlie German-water,
To mak himsel look fair an' fatter,
An' clear the consequential sorrows,
Love-gifts of Carnival signoras.

For Britain's guid! for her destruction!
Wi' dissipation, feud, an' faction.

Luath

Hech, man! dear sirs! is that the gate
They waste sae mony a braw estate!
Are we sae foughten an' harass'd
For gear to gang that gate at last?

O would they stay aback frae courts,
An' please themsels wi' country sports,
It wad for ev'ry ane be better,
The laird, the tenant, an' the cotter!
For thae frank, rantin, ramblin billies,
Feint haet o' them's ill-hearted fellows;
Except for breakin o' their timmer,
Or speakin lightly o' their limmer,
Or shootin of a hare or moor-cock,
The ne'er-a-bit they're ill to poor folk,

But will ye tell me, Master Caesar,
Sure great folk's life's a life o' pleasure?
Nae cauld nor hunger e'er can steer them,
The very thought o't need na fear them.

Caesar

Lord, man, were ye but whiles whare I am,
The gentles, ye wad ne'er envy them!

It's true, they need na starve or sweat,
Thro' winter's cauld, or simmer's heat:
They've nae sair wark to craze their banes,
An' fill auld age wi' grips an' granes:
But human bodies are sic fools,
For a' their colleges an' schools,
That when nae real ills perplex them,
They mak enow themsel's to vex them;
An' aye the less they hae to sturt them,
In like proportion, less will hurt them.

A country fellow at the pleugh,
His acre's till'd, he's right eneugh;
A country girl at her wheel,
Her dizzen's dune, she's unco weel;
But gentlemen, an' ladies warst,
Wi' ev'n-down want o' wark are curst.
They loiter, lounging, lank an' lazy;
Tho' deil-haet ails them, yet uneasy;
Their days insipid, dull, an' tasteless;
Their nights unquiet, lang, an' restless.

An'ev'n their sports, their balls an' races,
Their galloping through public places,
There's sic parade, sic pomp, an' art,
The joy can scarcely reach the heart.

The men cast out in party-matches,
Then sowther a' in deep debauches.
Ae night they're mad wi' drink an' whoring,
Niest day their life is past enduring.

The ladies arm-in-arm in clusters,
As great an' gracious a' as sisters;
But hear their absent thoughts o' ither,
They're a' run-deils an' jads thegither.
Whiles, owre the wee bit cup an' platie,
They sip the scandal-potion pretty;
Or lee-lang nights, wi' crabbit leuks
Pore owre the devil's pictur'd beuks;
Stake on a chance a farmer's stackyard,
An' cheat like ony unhanged blackguard.

There's some exceptions, man an' woman;
But this is gentry's life in common.

By this, the sun was out of sight,
An' darker gloamin brought the night;
The bum-clock humm'd wi' lazy drone;
The kye stood rowtin i' the loan;
When up they gat an' shook their lugs,
Rejoic'd they werena men but dogs;
An' each took aff his several way,
Resolv'd to meet some ither day.

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Robert Burns

The Twa Dogs, A Tale

'Twas in that place o' Scotland's isle,
That bears the name o' auld King COIL,[1]
Upon a bonie day in June,
When wearing thro' the afternoon,
5 Twa dogs, that were na thrang at hame,
Forgather'd ance upon a time.

The first I'll name, they ca'd him 'Cæsar',
Was keepet for his Honor's pleasure:
His hair, his size, his mouth, his lugs,
10 Shew'd he was nane o' Scotland's dogs;
But whalpit some place far abroad,
Whare sailors gang to fish for Cod.

His locked, letter'd, braw brass collar
Shew'd him the gentleman an' scholar;
15 But though he was o' high degree,
The fient a pride, nae pride had he;
But wad hae spent an hour caressin,
Ev'n wi' al tinkler-gipsey's messan:
At kirk or market, mill or smiddie,
20 Nae tawted tyke, tho' e'er sae duddie,
But he wad stand, as glad to see him,
An' stroan'd on stanes an' hillocks wi' him.

The tither was a ploughman's collie-
A rhyming, ranting, raving billie,
25 Wha for his friend an' comrade had him,
And in freak had 'Luath' ca'd him,
After some dog in Highland Sang,[2]
Was made lang syne,-Lord knows how lang.

He was a gash an' faithfu' tyke,
30 As ever lap a sheugh or dyke.
His honest, sonsie, baws'nt face
Aye gat him friends in ilka place;
His breast was white, his tousie back
Weel clad wi' coat o' glossy black;
35 His gawsie tail, wi' upward curl,
Hung owre his hurdie's wi' a swirl.

Nae doubt but they were fain o' ither,
And unco pack an' thick thegither;
Wi' social nose whiles snuff'd an' snowket;
40 Whiles mice an' moudieworts they howket;
Whiles scour'd awa' in lang excursion,
An' worry'd ither in diversion;
Till tir'd at last wi mony a farce,
Upon a knowe they set them down upon their -,
45 An' there began a lang digression.
About the 'lords o' the creation.'

Cæsar

I've aften wonder'd, honest Luath,
What sort o' life poor dogs like you have;
An' when the gentry's life I saw,
50 What way poor bodies liv'd ava.

Our laird gets in his racked rents,
His coals, his kane, an' a' his stents:
He rises when he likes himsel';
His flunkies answer at the bell;
55 He ca's his coach; he ca's his horse;
He draws a bonie silken purse,
As lang's my tail, where, thro' the steeks,
The yellow letter'd Geordie keeks.

Frae morn to e'en, it's nought but toiling
60 At baking, roasting, frying, boiling;
An' tho' the gentry first are stechin,
Yet ev'n the ha' folk fill their pechan
Wi' sauce, ragouts, an' sic like trashtrie,
That's little short o' downright wastrie.
65 Our whipper-in, wee, blastet wonner,
Poor, worthless elf, it eats a dinner,
Better than ony tenant-man
His Honour has in a' the lan':
An' what poor cot-folk pit their painch in,
70 I own it's past my comprehension.

Luath

Trowth, Cæsar, whyles they're fash't eneugh:
A cotter howkin in a sheugh,
Wi' dirty stanes biggin a dyke,
Baring a quarry, an' sic like;
75 Himsel', a wife, he thus sustains,
A smytrie o' wee duddie weans,
An' nought but his han'-daurg, to keep
Them right an' tight in thack an' raep.

An' when they meet wi' sair disasters,
80 Like loss o' health or want o' masters,
Ye maist wad think, a wee touch langer,
An' they maun starve o' cauld an' hunger:
But how it comes, I never kent yet,
They're maistly wonderfu' contented;
85 An' buirdly chiels, an' clever hizzies,
Are bred in sic a way as this is.

Cæsar

But then to see how ye're neglecket,
How huff'd, an' cuff'd, an' disrespecket!
Lord man, our gentry care as little
90 For delvers, ditchers, an' sic cattle;
They gang as saucy by poor folk,
As I wad by a stinking brock.

I've notic'd, on our laird's court-day, -
An' mony a time my heart's been wae, -
95 Poor tenant bodies, scant o'cash,
How they maun thole a factor's snash;
He'll stamp an' threaten, curse an' swear
He'll apprehend them, poind their gear;
While they maun stan', wi' aspect humble,
100 An' hear it a', an' fear an' tremble!

I see how folk live that hae riches;
But surely poor-folk maun be wretches!

Luath

They're no sae wretched's ane wad think.
Tho' constantly on poortith's brink,
105 They're sae accustom'd wi' the sight,
The view ot gies them little fright.

Then chance and fortune are sae guided,
They're aye in less or mair provided:
An' tho' fatigu'd wi' close employment,
110 A blink o' rest's a sweet enjoyment.
The dearest comfort o' their lives,
Their grushie weans an' faithfu' wives;
The prattling things are just their pride,
That sweetens a' their fire-side.
115 An' whyles twalpennie worth o' nappy
Can mak the bodies unco happy:
They lay aside their private cares,
To mind the Kirk and State affairs;
They'll talk o' patronage an' priests,
120 Wi' kindling fury i' their breasts,
Or tell what new taxation's comin,
An' ferlie at the folk in LON'ON.

As bleak-fac'd Hallowmass returns,
They get the jovial, rantin kirns,
125 When rural life, of ev'ry station,
Unite in common recreation;
Love blinks, Wit slaps, an' social Mirth
Forgets there's Care upo' the earth.

That merry day the year begins,
130 They bar the door on frosty win's;
The nappy reeks wi' mantling ream,
An' sheds a heart-inspiring steam;
The luntin pipe, an' sneeshin mill,
Are handed round wi' right guid will;
135 The cantie auld folks crackin crouse,
The young anes rantin thro' the house-
My heart has been sae fain to see them,
That I for joy hae barket wi' them.

Still it's owre true that ye hae said,
140 Sic game is now owre aften play'd;
There's mony a creditable stock
O' decent, honest, fawsont folk,
Are riven out baith root an' branch,
Some rascal's pridefu' greed to quench,
145 Wha thinks to knit himsel the faster
In favour wi' some gentle master,
Wha, aiblins, thrang a parliamentin',
For Britain's guid his saul indentin'-

Cæsar

Haith, lad, ye little ken about it:
150 For Britain's guid! guid faith! I doubt it.
Say rather, gaun as PREMIERS lead him:
An' saying ay or no's they bid him:
At operas an' plays parading,
Mortgaging, gambling, masquerading:
155Or maybe, in a frolic daft,
To HAGUE or CALAIS takes a waft,
To mak a tour an' tak a whirl,
To learn bon ton, an' see the worl'.

There, at VIENNA, or VERSAILLES,
160He rives his father's auld entails;
Or by MADRID he takes the rout,
To thrum guitars an' fecht wi' nowt;
Or down Italian vista startles,
Whore-hunting amang groves o' myrtles:
165Then bowses drumlie German-water,
To mak himsel look fair an' fatter,
An' clear the consequential sorrows,
Love-gifts of Carnival signoras.

For Britain's guid! for her destruction!
170Wi' dissipation, feud, an' faction.

Luath

Hech, man! dear sirs! is that the gate
They waste sae mony a braw estate!
Are we sae foughten an' harass'd
For gear to gang that gate at last?

175 O would they stay aback frae courts,
An' please themsels wi' countra sports,
It wad for ev'ry ane be better,
The laird, the tenant, an' the cotter!
For thae frank, rantin, ramblin billies,
180 Feint haet o' them's ill-hearted fellows;
Except for breakin o' their timmer,
Or speakin lightly o' their limmer,
Or shootin of a hare or moor-cock,
The ne'er-a-bit they're ill to poor folk,

185But will ye tell me, master Cæsar,
Sure great folk's life's a life o' pleasure?
Nae cauld nor hunger e'er can steer them,
The very thought ot need na fear them.

Cæsar

Lord, man, were ye but whyles where I am,
190The gentles, ye wad ne'er envy them!
It's true, they need na starve or sweat,
Thro' winter's cauld, or simmer's heat:
They've nae sair-wark to craze their banes,
An' fill auld age wi' grips an' granes:
195But human bodies are sic fools,
For a' their colleges an' schools,
That when nae real ills perplex them,
They mak enow themsel's to vex them;
An' aye the less they hae to sturt them,
200In like proportion, less will hurt them.

A country fellow at the pleugh,
His acre's till'd, he's right eneugh;
A country girl at her wheel,
Her dizzen's dune, she's unco weel;
205But gentlemen, an' ladies warst,
Wi' ev'n-down want o' wark are curst.
They loiter, lounging, lank an' lazy;
Tho' deil-haet ails them, yet uneasy;
Their days insipid, dull, an' tasteless;
210Their nights unquiet, lang, an' restless.

An'ev'n their sports, their balls an' races,
Their galloping through public places,
There's sic parade, sic pomp, an' art,
The joy can scarcely reach the heart.
215The men cast out in party-matches,
Then sowther a' in deep debauches.
Ae night they're mad wi' drink an' whoring,
Niest day their life is past enduring.
The ladies arm-in-arm in clusters,
220As great an' gracious a' as sisters;
But hear their absent thoughts o' ither,
They're a' run-deils an' jads thegither.
Whyles, owre the wee bit cup an' platie,
They sip the scandal-potion pretty;
225Or lee-lang nights, wi' crabbit leuks
Pore owre the devil's pictur'd beuks;
Stake on a chance a farmer's stackyard,
An' cheat like ony unhanged blackguard.

There's some exceptions, man an' woman;
230But this is Gentry's life in common.

By this, the sun was out of sight,
An' darker gloaming brought the night;
The bum-clock humm'd wi' lazy drone;
The kye stood rowtin i' the loan;
235 When up they gat an' shook their lugs,
Rejoic'd they werena men but dogs;
An' each took aff his several way,
Resolv'd to meet some ither day.

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Why There Are No Seeds Growing In The Garden Anymore?

because the trees
have grown so tall
and the fruits are many...

because the flowers
are blooming
and there are no more
spaces for the
seedlings....

because the beach
is so calm and the blueness
has become so inviting...

the seeds can wait
always
for the next planting season...

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And There Was You

No more than just a broken heart ago
I made a promise to myself I'd never
Trust someone again
Judging form my rough and rocky past
I wrote off love as just a game a fool will play and never win
And I felt certain I was right
'Til I turned a corner in the night
And there was you
Like an angel you just suddenly appeared
Sent to me With a love so true
That it could make up for the lies and wasted years
Now I see there were other loves I knew
And there was you
I've heard the words "I love You" said in vain so many times
I quit believing that someone could really care
And after one too many dead end roads
I found myself stumbling through the dark down to my last prayer
I didn't know what else to try
'Til I raised my head and opened my eyes
And there was you
Like an angel you just suddenly appeared
Sent to me With a love so true
That it could make up for the lies and wasted years
Now I see there were other loves I knew
And there was you

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A myth about the origin of evil

And satan said:
‘Let there be a lie! ’
And there was a lie.
It hid in the stones
Sliding from above.

And satan said:
‘Let there be hypocrisy! ’
And there was hypocrisy.
It hid in the words
Waiting to speak up.
It covered itself with cobwebs
Spiders to feed.
It hid itself from itself.

And satan said:
‘Let there be poison! ’
And there was poison.
The devils waving their swords
Spilled it from a stormy breath.
It layered on the earth
To run with its currents.
It hid within the blood.

And satan said:
‘Let there be hatred! ’
And there was hatred.
It spilled all around
Like blood that cannot clot.
It walked in tigers’ paws
And hid itself in the end
Under the cold mossy north.

And satan said:
‘Let there be a human! ’
And there was a human.
He hid in the hypocrisy and lie
The poison of hatred fed him like milk.
A pirate wrapped in his sails.
And there was a human
In beasts he hid.

And satan said:
‘Let him think I am not! ’
But it was not the way he said.
There was a lie in the beginning of his word.

Written in 1989 reconstructed in 2012.

©Miroslava Odalovic

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It's All About The Feeling Giving

Go get that hot coco cup,
And fill it up to sit and sip...
Since,
It's all about the feeling giving.

As the seasons seem to slip,
To come and go quickly to dip.
It's all about the feeling giving.

To give a 'thanks' is an investment,
To receive and benefit.
'Cause...
It's all about the feeling giving.

Getting gifts to reminisce,
Is only part of it that fits...
'Cause,
It's all about the feeling giving.

Come what may,
Everyday that's over-rated...
It's,
All about the feeling giving.

Those holidays we love to celebrate,
Don't come to stay...
'Cause...
It's all about the feeling giving.

We hope with a faith and pray,
Dedicated...
To give a feeling someone's getting,
Come what may...
It's all about the feeling giving.
Come what may,
It's all about the feeling giving.

Go get that hot coco cup,
And fill it up to sit and sip...
Since,
It's all about the feeling giving.
Sit and sip to reminisce,
Since...
It's all about the feeling giving.
Everyday,
It's all about the feeling giving.
Come what may,
It's all about the feeling giving.
Come what may,
It's all about the feeling giving.

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
Had trodden that crowned skeleton, and the skull
Brake from the nape, and from the skull the crown
Rolled into light, and turning on its rims
Fled like a glittering rivulet to the tarn:
And down the shingly scaur he plunged, and caught,
And set it on his head, and in his heart
Heard murmurs, 'Lo, thou likewise shalt be King.'

Thereafter, when a King, he had the gems
Plucked from the crown, and showed them to his knights,
Saying, 'These jewels, whereupon I chanced
Divinely, are the kingdom's, not the King's--
For public use: henceforward let there be,
Once every year, a joust for one of these:
For so by nine years' proof we needs must learn
Which is our mightiest, and ourselves shall grow
In use of arms and manhood, till we drive
The heathen, who, some say, shall rule the land
Hereafter, which God hinder.' Thus he spoke:
And eight years past, eight jousts had been, and still
Had Lancelot won the diamond of the year,
With purpose to present them to the Queen,
When all were won; but meaning all at once
To snare her royal fancy with a boon
Worth half her realm, had never spoken word.

Now for the central diamond and the last
And largest, Arthur, holding then his court
Hard on the river nigh the place which now
Is this world's hugest, let proclaim a joust
At Camelot, and when the time drew nigh
Spake (for she had been sick) to Guinevere,
'Are you so sick, my Queen, you cannot move
To these fair jousts?' 'Yea, lord,' she said, 'ye know it.'
'Then will ye miss,' he answered, 'the great deeds
Of Lancelot, and his prowess in the lists,
A sight ye love to look on.' And the Queen
Lifted her eyes, and they dwelt languidly
On Lancelot, where he stood beside the King.
He thinking that he read her meaning there,
'Stay with me, I am sick; my love is more
Than many diamonds,' yielded; and a heart
Love-loyal to the least wish of the Queen
(However much he yearned to make complete
The tale of diamonds for his destined boon)
Urged him to speak against the truth, and say,
'Sir King, mine ancient wound is hardly whole,
And lets me from the saddle;' and the King
Glanced first at him, then her, and went his way.
No sooner gone than suddenly she began:

'To blame, my lord Sir Lancelot, much to blame!
Why go ye not to these fair jousts? the knights
Are half of them our enemies, and the crowd
Will murmur, "Lo the shameless ones, who take
Their pastime now the trustful King is gone!"'
Then Lancelot vext at having lied in vain:
'Are ye so wise? ye were not once so wise,
My Queen, that summer, when ye loved me first.
Then of the crowd ye took no more account
Than of the myriad cricket of the mead,
When its own voice clings to each blade of grass,
And every voice is nothing. As to knights,
Them surely can I silence with all ease.
But now my loyal worship is allowed
Of all men: many a bard, without offence,
Has linked our names together in his lay,
Lancelot, the flower of bravery, Guinevere,
The pearl of beauty: and our knights at feast
Have pledged us in this union, while the King
Would listen smiling. How then? is there more?
Has Arthur spoken aught? or would yourself,
Now weary of my service and devoir,
Henceforth be truer to your faultless lord?'

She broke into a little scornful laugh:
'Arthur, my lord, Arthur, the faultless King,
That passionate perfection, my good lord--
But who can gaze upon the Sun in heaven?
He never spake word of reproach to me,
He never had a glimpse of mine untruth,
He cares not for me: only here today
There gleamed a vague suspicion in his eyes:
Some meddling rogue has tampered with him--else
Rapt in this fancy of his Table Round,
And swearing men to vows impossible,
To make them like himself: but, friend, to me
He is all fault who hath no fault at all:
For who loves me must have a touch of earth;
The low sun makes the colour: I am yours,
Not Arthur's, as ye know, save by the bond.
And therefore hear my words: go to the jousts:
The tiny-trumpeting gnat can break our dream
When sweetest; and the vermin voices here
May buzz so loud--we scorn them, but they sting.'

Then answered Lancelot, the chief of knights:
'And with what face, after my pretext made,
Shall I appear, O Queen, at Camelot, I
Before a King who honours his own word,
As if it were his God's?'

'Yea,' said the Queen,
'A moral child without the craft to rule,
Else had he not lost me: but listen to me,
If I must find you wit: we hear it said
That men go down before your spear at a touch,
But knowing you are Lancelot; your great name,
This conquers: hide it therefore; go unknown:
Win! by this kiss you will: and our true King
Will then allow your pretext, O my knight,
As all for glory; for to speak him true,
Ye know right well, how meek soe'er he seem,
No keener hunter after glory breathes.
He loves it in his knights more than himself:
They prove to him his work: win and return.'

Then got Sir Lancelot suddenly to horse,
Wroth at himself. Not willing to be known,
He left the barren-beaten thoroughfare,
Chose the green path that showed the rarer foot,
And there among the solitary downs,
Full often lost in fancy, lost his way;
Till as he traced a faintly-shadowed track,
That all in loops and links among the dales
Ran to the Castle of Astolat, he saw
Fired from the west, far on a hill, the towers.
Thither he made, and blew the gateway horn.
Then came an old, dumb, myriad-wrinkled man,
Who let him into lodging and disarmed.
And Lancelot marvelled at the wordless man;
And issuing found the Lord of Astolat
With two strong sons, Sir Torre and Sir Lavaine,
Moving to meet him in the castle court;
And close behind them stept the lily maid
Elaine, his daughter: mother of the house
There was not: some light jest among them rose
With laughter dying down as the great knight
Approached them: then the Lord of Astolat:
'Whence comes thou, my guest, and by what name
Livest thou between the lips? for by thy state
And presence I might guess thee chief of those,
After the King, who eat in Arthur's halls.
Him have I seen: the rest, his Table Round,
Known as they are, to me they are unknown.'

Then answered Sir Lancelot, the chief of knights:
'Known am I, and of Arthur's hall, and known,
What I by mere mischance have brought, my shield.
But since I go to joust as one unknown
At Camelot for the diamond, ask me not,
Hereafter ye shall know me--and the shield--
I pray you lend me one, if such you have,
Blank, or at least with some device not mine.'

Then said the Lord of Astolat, 'Here is Torre's:
Hurt in his first tilt was my son, Sir Torre.
And so, God wot, his shield is blank enough.
His ye can have.' Then added plain Sir Torre,
'Yea, since I cannot use it, ye may have it.'
Here laughed the father saying, 'Fie, Sir Churl,
Is that answer for a noble knight?
Allow him! but Lavaine, my younger here,
He is so full of lustihood, he will ride,
Joust for it, and win, and bring it in an hour,
And set it in this damsel's golden hair,
To make her thrice as wilful as before.'

'Nay, father, nay good father, shame me not
Before this noble knight,' said young Lavaine,
'For nothing. Surely I but played on Torre:
He seemed so sullen, vext he could not go:
A jest, no more! for, knight, the maiden dreamt
That some one put this diamond in her hand,
And that it was too slippery to be held,
And slipt and fell into some pool or stream,
The castle-well, belike; and then I said
That IF I went and IF I fought and won it
(But all was jest and joke among ourselves)
Then must she keep it safelier. All was jest.
But, father, give me leave, an if he will,
To ride to Camelot with this noble knight:
Win shall I not, but do my best to win:
Young as I am, yet would I do my best.'

'So will ye grace me,' answered Lancelot,
Smiling a moment, 'with your fellowship
O'er these waste downs whereon I lost myself,
Then were I glad of you as guide and friend:
And you shall win this diamond,--as I hear
It is a fair large diamond,--if ye may,
And yield it to this maiden, if ye will.'
'A fair large diamond,' added plain Sir Torre,
'Such be for queens, and not for simple maids.'
Then she, who held her eyes upon the ground,
Elaine, and heard her name so tost about,
Flushed slightly at the slight disparagement
Before the stranger knight, who, looking at her,
Full courtly, yet not falsely, thus returned:
'If what is fair be but for what is fair,
And only queens are to be counted so,
Rash were my judgment then, who deem this maid
Might wear as fair a jewel as is on earth,
Not violating the bond of like to like.'

He spoke and ceased: the lily maid Elaine,
Won by the mellow voice before she looked,
Lifted her eyes, and read his lineaments.
The great and guilty love he bare the Queen,
In battle with the love he bare his lord,
Had marred his face, and marked it ere his time.
Another sinning on such heights with one,
The flower of all the west and all the world,
Had been the sleeker for it: but in him
His mood was often like a fiend, and rose
And drove him into wastes and solitudes
For agony, who was yet a living soul.
Marred as he was, he seemed the goodliest man
That ever among ladies ate in hall,
And noblest, when she lifted up her eyes.
However marred, of more than twice her years,
Seamed with an ancient swordcut on the cheek,
And bruised and bronzed, she lifted up her eyes
And loved him, with that love which was her doom.

Then the great knight, the darling of the court,
Loved of the loveliest, into that rude hall
Stept with all grace, and not with half disdain
Hid under grace, as in a smaller time,
But kindly man moving among his kind:
Whom they with meats and vintage of their best
And talk and minstrel melody entertained.
And much they asked of court and Table Round,
And ever well and readily answered he:
But Lancelot, when they glanced at Guinevere,
Suddenly speaking of the wordless man,
Heard from the Baron that, ten years before,
The heathen caught and reft him of his tongue.
'He learnt and warned me of their fierce design
Against my house, and him they caught and maimed;
But I, my sons, and little daughter fled
From bonds or death, and dwelt among the woods
By the great river in a boatman's hut.
Dull days were those, till our good Arthur broke
The Pagan yet once more on Badon hill.'

'O there, great lord, doubtless,' Lavaine said, rapt
By all the sweet and sudden passion of youth
Toward greatness in its elder, 'you have fought.
O tell us--for we live apart--you know
Of Arthur's glorious wars.' And Lancelot spoke
And answered him at full, as having been
With Arthur in the fight which all day long
Rang by the white mouth of the violent Glem;
And in the four loud battles by the shore
Of Duglas; that on Bassa; then the war
That thundered in and out the gloomy skirts
Of Celidon the forest; and again
By castle Gurnion, where the glorious King
Had on his cuirass worn our Lady's Head,
Carved of one emerald centered in a sun
Of silver rays, that lightened as he breathed;
And at Caerleon had he helped his lord,
When the strong neighings of the wild white Horse
Set every gilded parapet shuddering;
And up in Agned-Cathregonion too,
And down the waste sand-shores of Trath Treroit,
Where many a heathen fell; 'and on the mount
Of Badon I myself beheld the King
Charge at the head of all his Table Round,
And all his legions crying Christ and him,
And break them; and I saw him, after, stand
High on a heap of slain, from spur to plume
Red as the rising sun with heathen blood,
And seeing me, with a great voice he cried,
"They are broken, they are broken!" for the King,
However mild he seems at home, nor cares
For triumph in our mimic wars, the jousts--
For if his own knight cast him down, he laughs
Saying, his knights are better men than he--
Yet in this heathen war the fire of God
Fills him: I never saw his like: there lives
No greater leader.'

While he uttered this,
Low to her own heart said the lily maid,
'Save your own great self, fair lord;' and when he fell
From talk of war to traits of pleasantry--
Being mirthful he, but in a stately kind--
She still took note that when the living smile
Died from his lips, across him came a cloud
Of melancholy severe, from which again,
Whenever in her hovering to and fro
The lily maid had striven to make him cheer,
There brake a sudden-beaming tenderness
Of manners and of nature: and she thought
That all was nature, all, perchance, for her.
And all night long his face before her lived,
As when a painter, poring on a face,
Divinely through all hindrance finds the man
Behind it, and so paints him that his face,
The shape and colour of a mind and life,
Lives for his children, ever at its best
And fullest; so the face before her lived,
Dark-splendid, speaking in the silence, full
Of noble things, and held her from her sleep.
Till rathe she rose, half-cheated in the thought
She needs must bid farewell to sweet Lavaine.
First in fear, step after step, she stole
Down the long tower-stairs, hesitating:
Anon, she heard Sir Lancelot cry in the court,
'This shield, my friend, where is it?' and Lavaine
Past inward, as she came from out the tower.
There to his proud horse Lancelot turned, and smoothed
The glossy shoulder, humming to himself.
Half-envious of the flattering hand, she drew
Nearer and stood. He looked, and more amazed
Than if seven men had set upon him, saw
The maiden standing in the dewy light.
He had not dreamed she was so beautiful.
Then came on him a sort of sacred fear,
For silent, though he greeted her, she stood
Rapt on his face as if it were a God's.
Suddenly flashed on her a wild desire,
That he should wear her favour at the tilt.
She braved a riotous heart in asking for it.
'Fair lord, whose name I know not--noble it is,
I well believe, the noblest--will you wear
My favour at this tourney?' 'Nay,' said he,
'Fair lady, since I never yet have worn
Favour of any lady in the lists.
Such is my wont, as those, who know me, know.'
'Yea, so,' she answered; 'then in wearing mine
Needs must be lesser likelihood, noble lord,
That those who know should know you.' And he turned
Her counsel up and down within his mind,
And found it true, and answered, 'True, my child.
Well, I will wear it: fetch it out to me:
What is it?' and she told him 'A red sleeve
Broidered with pearls,' and brought it: then he bound
Her token on his helmet, with a smile
Saying, 'I never yet have done so much
For any maiden living,' and the blood
Sprang to her face and filled her with delight;
But left her all the paler, when Lavaine
Returning brought the yet-unblazoned shield,
His brother's; which he gave to Lancelot,
Who parted with his own to fair Elaine:
'Do me this grace, my child, to have my shield
In keeping till I come.' 'A grace to me,'
She answered, 'twice today. I am your squire!'
Whereat Lavaine said, laughing, 'Lily maid,
For fear our people call you lily maid
In earnest, let me bring your colour back;
Once, twice, and thrice: now get you hence to bed:'
So kissed her, and Sir Lancelot his own hand,
And thus they moved away: she stayed a minute,
Then made a sudden step to the gate, and there--
Her bright hair blown about the serious face
Yet rosy-kindled with her brother's kiss--
Paused by the gateway, standing near the shield
In silence, while she watched their arms far-off
Sparkle, until they dipt below the downs.
Then to her tower she climbed, and took the shield,
There kept it, and so lived in fantasy.

Meanwhile the new companions past away
Far o'er the long backs of the bushless downs,
To where Sir Lancelot knew there lived a knight
Not far from Camelot, now for forty years
A hermit, who had prayed, laboured and prayed,
And ever labouring had scooped himself
In the white rock a chapel and a hall
On massive columns, like a shorecliff cave,
And cells and chambers: all were fair and dry;
The green light from the meadows underneath
Struck up and lived along the milky roofs;
And in the meadows tremulous aspen-trees
And poplars made a noise of falling showers.
And thither wending there that night they bode.

But when the next day broke from underground,
And shot red fire and shadows through the cave,
They rose, heard mass, broke fast, and rode away:
Then Lancelot saying, 'Hear, but hold my name
Hidden, you ride with Lancelot of the Lake,'
Abashed young Lavaine, whose instant reverence,
Dearer to true young hearts than their own praise,
But left him leave to stammer, 'Is it indeed?'
And after muttering 'The great Lancelot,
At last he got his breath and answered, 'One,
One have I seen--that other, our liege lord,
The dread Pendragon, Britain's King of kings,
Of whom the people talk mysteriously,
He will be there--then were I stricken blind
That minute, I might say that I had seen.'

So spake Lavaine, and when they reached the lists
By Camelot in the meadow, let his eyes
Run through the peopled gallery which half round
Lay like a rainbow fallen upon the grass,
Until they found the clear-faced King, who sat
Robed in red samite, easily to be known,
Since to his crown the golden dragon clung,
And down his robe the dragon writhed in gold,
And from the carven-work behind him crept
Two dragons gilded, sloping down to make
Arms for his chair, while all the rest of them
Through knots and loops and folds innumerable
Fled ever through the woodwork, till they found
The new design wherein they lost themselves,
Yet with all ease, so tender was the work:
And, in the costly canopy o'er him set,
Blazed the last diamond of the nameless king.

Then Lancelot answered young Lavaine and said,
'Me you call great: mine is the firmer seat,
The truer lance: but there is many a youth
Now crescent, who will come to all I am
And overcome it; and in me there dwells
No greatness, save it be some far-off touch
Of greatness to know well I am not great:
There is the man.' And Lavaine gaped upon him
As on a thing miraculous, and anon
The trumpets blew; and then did either side,
They that assailed, and they that held the lists,
Set lance in rest, strike spur, suddenly move,
Meet in the midst, and there so furiously
Shock, that a man far-off might well perceive,
If any man that day were left afield,
The hard earth shake, and a low thunder of arms.
And Lancelot bode a little, till he saw
Which were the weaker; then he hurled into it
Against the stronger: little need to speak
Of Lancelot in his glory! King, duke, earl,
Count, baron--whom he smote, he overthrew.

But in the field were Lancelot's kith and kin,
Ranged with the Table Round that held the lists,
Strong men, and wrathful that a stranger knight
Should do and almost overdo the deeds
Of Lancelot; and one said to the other, 'Lo!
What is he? I do not mean the force alone--
The grace and versatility of the man!
Is it not Lancelot?' 'When has Lancelot worn
Favour of any lady in the lists?
Not such his wont, as we, that know him, know.'
'How then? who then?' a fury seized them all,
A fiery family passion for the name
Of Lancelot, and a glory one with theirs.
They couched their spears and pricked their steeds, and thus,
Their plumes driven backward by the wind they made
In moving, all together down upon him
Bare, as a wild wave in the wide North-sea,
Green-glimmering toward the summit, bears, with all
Its stormy crests that smoke against the skies,
Down on a bark, and overbears the bark,
And him that helms it, so they overbore
Sir Lancelot and his charger, and a spear
Down-glancing lamed the charger, and a spear
Pricked sharply his own cuirass, and the head
Pierced through his side, and there snapt, and remained.

Then Sir Lavaine did well and worshipfully;
He bore a knight of old repute to the earth,
And brought his horse to Lancelot where he lay.
He up the side, sweating with agony, got,
But thought to do while he might yet endure,
And being lustily holpen by the rest,
His party,--though it seemed half-miracle
To those he fought with,--drave his kith and kin,
And all the Table Round that held the lists,
Back to the barrier; then the trumpets blew
Proclaiming his the prize, who wore the sleeve
Of scarlet, and the pearls; and all the knights,
His party, cried 'Advance and take thy prize
The diamond;' but he answered, 'Diamond me
No diamonds! for God's love, a little air!
Prize me no prizes, for my prize is death!
Hence will I, and I charge you, follow me not.'

He spoke, and vanished suddenly from the field
With young Lavaine into the poplar grove.
There from his charger down he slid, and sat,
Gasping to Sir Lavaine, 'Draw the lance-head:'
'Ah my sweet lord Sir Lancelot,' said Lavaine,
'I dread me, if I draw it, you will die.'
But he, 'I die already with it: draw--
Draw,'--and Lavaine drew, and Sir Lancelot gave
A marvellous great shriek and ghastly groan,
And half his blood burst forth, and down he sank
For the pure pain, and wholly swooned away.
Then came the hermit out and bare him in,
There stanched his wound; and there, in daily doubt
Whether to live or die, for many a week
Hid from the wide world's rumour by the grove
Of poplars with their noise of falling showers,
And ever-tremulous aspen-trees, he lay.

But on that day when Lancelot fled the lists,
His party, knights of utmost North and West,
Lords of waste marches, kings of desolate isles,
Came round their great Pendragon, saying to him,
'Lo, Sire, our knight, through whom we won the day,
Hath gone sore wounded, and hath left his prize
Untaken, crying that his prize is death.'
'Heaven hinder,' said the King, 'that such an one,
So great a knight as we have seen today--
He seemed to me another Lancelot--
Yea, twenty times I thought him Lancelot--
He must not pass uncared for. Wherefore, rise,
O Gawain, and ride forth and find the knight.
Wounded and wearied needs must he be near.
I charge you that you get at once to horse.
And, knights and kings, there breathes not one of you
Will deem this prize of ours is rashly given:
His prowess was too wondrous. We will do him
No customary honour: since the knight
Came not to us, of us to claim the prize,
Ourselves will send it after. Rise and take
This diamond, and deliver it, and return,
And bring us where he is, and how he fares,
And cease not from your quest until ye find.'

So saying, from the carven flower above,
To which it made a restless heart, he took,
And gave, the diamond: then from where he sat
At Arthur's right, with smiling face arose,
With smiling face and frowning heart, a Prince
In the mid might and flourish of his May,
Gawain, surnamed The Courteous, fair and strong,
And after Lancelot, Tristram, and Geraint
And Gareth, a good knight, but therewithal
Sir Modred's brother, and the child of Lot,
Nor often loyal to his word, and now
Wroth that the King's command to sally forth
In quest of whom he knew not, made him leave
The banquet, and concourse of knights and kings.

So all in wrath he got to horse and went;
While Arthur to the banquet, dark in mood,
Past, thinking 'Is it Lancelot who hath come
Despite the wound he spake of, all for gain
Of glory, and hath added wound to wound,
And ridden away to die?' So feared the King,
And, after two days' tarriance there, returned.
Then when he saw the Queen, embracing asked,
'Love, are you yet so sick?' 'Nay, lord,' she said.
'And where is Lancelot?' Then the Queen amazed,
'Was he not with you? won he not your prize?'
'Nay, but one like him.' 'Why that like was he.'
And when the King demanded how she knew,
Said, 'Lord, no sooner had ye parted from us,
Than Lancelot told me of a common talk
That men went down before his spear at a touch,
But knowing he was Lancelot; his great name
Conquered; and therefore would he hide his name
From all men, even the King, and to this end
Had made a pretext of a hindering wound,
That he might joust unknown of all, and learn
If his old prowess were in aught decayed;
And added, "Our true Arthur, when he learns,
Will well allow me pretext, as for gain
Of purer glory."'

Then replied the King:
'Far lovelier in our Lancelot had it been,
In lieu of idly dallying with the truth,
To have trusted me as he hath trusted thee.
Surely his King and most familiar friend
Might well have kept his secret. True, indeed,
Albeit I know my knights fantastical,
So fine a fear in our large Lancelot
Must needs have moved my laughter: now remains
But little cause for laughter: his own kin--
Ill news, my Queen, for all who love him, this!--
His kith and kin, not knowing, set upon him;
So that he went sore wounded from the field:
Yet good news too: for goodly hopes are mine
That Lancelot is no more a lonely heart.
He wore, against his wont, upon his helm
A sleeve of scarlet, broidered with great pearls,
Some gentle maiden's gift.'

'Yea, lord,' she said,
'Thy hopes are mine,' and saying that, she choked,
And sharply turned about to hide her face,
Past to her chamber, and there flung herself
Down on the great King's couch, and writhed upon it,
And clenched her fingers till they bit the palm,
And shrieked out 'Traitor' to the unhearing wall,
Then flashed into wild tears, and rose again,
And moved about her palace, proud and pale.

Gawain the while through all the region round
Rode with his diamond, wearied of the quest,
Touched at all points, except the poplar grove,
And came at last, though late, to Astolat:
Whom glittering in enamelled arms the maid
Glanced at, and cried, 'What news from Camelot, lord?
What of the knight with the red sleeve?' 'He won.'
'I knew it,' she said. 'But parted from the jousts
Hurt in the side,' whereat she caught her breath;
Through her own side she felt the sharp lance go;
Thereon she smote her hand: wellnigh she swooned:
And, while he gazed wonderingly at her, came
The Lord of Astolat out, to whom the Prince
Reported who he was, and on what quest
Sent, that he bore the prize and could not find
The victor, but had ridden a random round
To seek him, and had wearied of the search.
To whom the Lord of Astolat, 'Bide with us,
And ride no more at random, noble Prince!
Here was the knight, and here he left a shield;
This will he send or come for: furthermore
Our son is with him; we shall hear anon,
Needs must hear.' To this the courteous Prince
Accorded with his wonted courtesy,
Courtesy with a touch of traitor in it,
And stayed; and cast his eyes on fair Elaine:
Where could be found face daintier? then her shape
From forehead down to foot, perfect--again
From foot to forehead exquisitely turned:
'Well--if I bide, lo! this wild flower for me!'
And oft they met among the garden yews,
And there he set himself to play upon her
With sallying wit, free flashes from a height
Above her, graces of the court, and songs,
Sighs, and slow smiles, and golden eloquence
And amorous adulation, till the maid
Rebelled against it, saying to him, 'Prince,
O loyal nephew of our noble King,
Why ask you not to see the shield he left,
Whence you might learn his name? Why slight your King,
And lose the quest he sent you on, and prove
No surer than our falcon yesterday,
Who lost the hern we slipt her at, and went
To all the winds?' 'Nay, by mine head,' said he,
'I lose it, as we lose the lark in heaven,
O damsel, in the light of your blue eyes;
But an ye will it let me see the shield.'
And when the shield was brought, and Gawain saw
Sir Lancelot's azure lions, crowned with gold,
Ramp in the field, he smote his thigh, and mocked:
'Right was the King! our Lancelot! that true man!'
'And right was I,' she answered merrily, 'I,
Who dreamed my knight the greatest knight of all.'
'And if I dreamed,' said Gawain, 'that you love
This greatest knight, your pardon! lo, ye know it!
Speak therefore: shall I waste myself in vain?'
Full simple was her answer, 'What know I?
My brethren have been all my fellowship;
And I, when often they have talked of love,
Wished it had been my mother, for they talked,
Meseemed, of what they knew not; so myself--
I know not if I know what true love is,
But if I know, then, if I love not him,
I know there is none other I can love.'
'Yea, by God's death,' said he, 'ye love him well,
But would not, knew ye what all others know,
And whom he loves.' 'So be it,' cried Elaine,
And lifted her fair face and moved away:
But he pursued her, calling, 'Stay a little!
One golden minute's grace! he wore your sleeve:
Would he break faith with one I may not name?
Must our true man change like a leaf at last?
Nay--like enow: why then, far be it from me
To cross our mighty Lancelot in his loves!
And, damsel, for I deem you know full well
Where your great knight is hidden, let me leave
My quest with you; the diamond also: here!
For if you love, it will be sweet to give it;
And if he love, it will be sweet to have it
From your own hand; and whether he love or not,
A diamond is a diamond. Fare you well
A thousand times!--a thousand times farewell!
Yet, if he love, and his love hold, we two
May meet at court hereafter: there, I think,
So ye will learn the courtesies of the court,
We two shall know each other.'

Then he gave,
And slightly kissed the hand to which he gave,
The diamond, and all wearied of the quest
Leapt on his horse, and carolling as he went
A true-love ballad, lightly rode away.

Thence to the court he past; there told the King
What the King knew, 'Sir Lancelot is the knight.'
And added, 'Sire, my liege, so much I learnt;
But failed to find him, though I rode all round
The region: but I lighted on the maid
Whose sleeve he wore; she loves him; and to her,
Deeming our courtesy is the truest law,
I gave the diamond: she will render it;
For by mine head she knows his hiding-place.'

The seldom-frowning King frowned, and replied,
'Too courteous truly! ye shall go no more
On quest of mine, seeing that ye forget
Obedience is the courtesy due to kings.'

He spake and parted. Wroth, but all in awe,
For twenty strokes of the blood, without a word,
Lingered that other, staring after him;
Then shook his hair, strode off, and buzzed abroad
About the maid of Astolat, and her love.
All ears were pricked at once, all tongues were loosed:
'The maid of Astolat loves Sir Lancelot,
Sir Lancelot loves the maid of Astolat.'
Some read the King's face, some the Queen's, and all
Had marvel what the maid might be, but most
Predoomed her as unworthy. One old dame
Came suddenly on the Queen with the sharp news.
She, that had heard the noise of it before,
But sorrowing Lancelot should have stooped so low,
Marred her friend's aim with pale tranquillity.
So ran the tale like fire about the court,
Fire in dry stubble a nine-days' wonder flared:
Till even the knights at banquet twice or thrice
Forgot to drink to Lancelot and the Queen,
And pledging Lancelot and the lily maid
Smiled at each other, while the Queen, who sat
With lips severely placid, felt the knot
Climb in her throat, and with her feet unseen
Crushed the wild passion out against the floor
Beneath the banquet, where all the meats became
As wormwood, and she hated all who pledged.

But far away the maid in Astolat,
Her guiltless rival, she that ever kept
The one-day-seen Sir Lancelot in her heart,
Crept to her father, while he mused alone,
Sat on his knee, stroked his gray face and said,
'Father, you call me wilful, and the fault
Is yours who let me have my will, and now,
Sweet father, will you let me lose my wits?'
'Nay,' said he, 'surely.' 'Wherefore, let me hence,'
She answered, 'and find out our dear Lavaine.'
'Ye will not lose your wits for dear Lavaine:
Bide,' answered he: 'we needs must hear anon
Of him, and of that other.' 'Ay,' she said,
'And of that other, for I needs must hence
And find that other, wheresoe'er he be,
And with mine own hand give his diamond to him,
Lest I be found as faithless in the quest
As yon proud Prince who left the quest to me.
Sweet father, I behold him in my dreams
Gaunt as it were the skeleton of himself,
Death-pale, for lack of gentle maiden's aid.
The gentler-born the maiden, the more bound,
My father, to be sweet and serviceable
To noble knights in sickness, as ye know
When these have worn their tokens: let me hence
I pray you.' Then her father nodding said,
'Ay, ay, the diamond: wit ye well, my child,
Right fain were I to learn this knight were whole,
Being our greatest: yea, and you must give it--
And sure I think this fruit is hung too high
For any mouth to gape for save a queen's--
Nay, I mean nothing: so then, get you gone,
Being so very wilful you must go.'

Lightly, her suit allowed, she slipt away,
And while she made her ready for her ride,
Her father's latest word hummed in her ear,
'Being so very wilful you must go,'
And changed itself and echoed in her heart,
'Being so very wilful you must die.'
But she was happy enough and shook it off,
As we shake off the bee that buzzes at us;
And in her heart she answered it and said,
'What matter, so I help him back to life?'
Then far away with good Sir Torre for guide
Rode o'er the long backs of the bushless downs
To Camelot, and before the city-gates
Came on her brother with a happy face
Making a roan horse caper and curvet
For pleasure all about a field of flowers:
Whom when she saw, 'Lavaine,' she cried, 'Lavaine,
How fares my lord Sir Lancelot?' He amazed,
'Torre and Elaine! why here? Sir Lancelot!
How know ye my lord's name is Lancelot?'
But when the maid had told him all her tale,
Then turned Sir Torre, and being in his moods
Left them, and under the strange-statued gate,
Where Arthur's wars were rendered mystically,
Past up the still rich city to his kin,
His own far blood, which dwelt at Camelot;
And her, Lavaine across the poplar grove
Led to the caves: there first she saw the casque
Of Lancelot on the wall: her scarlet sleeve,
Though carved and cut, and half the pearls away,
Streamed from it still; and in her heart she laughed,
Because he had not loosed it from his helm,
But meant once more perchance to tourney in it.
And when they gained the cell wherein he slept,
His battle-writhen arms and mighty hands
Lay naked on the wolfskin, and a dream
Of dragging down his enemy made them move.
Then she that saw him lying unsleek, unshorn,
Gaunt as it were the skeleton of himself,
Uttered a little tender dolorous cry.
The sound not wonted in a place so still
Woke the sick knight, and while he rolled his eyes
Yet blank from sleep, she started to him, saying,
'Your prize the diamond sent you by the King:'
His eyes glistened: she fancied 'Is it for me?'
And when the maid had told him all the tale
Of King and Prince, the diamond sent, the quest
Assigned to her not worthy of it, she knelt
Full lowly by the corners of his bed,
And laid the diamond in his open hand.
Her face was near, and as we kiss the child
That does the task assigned, he kissed her face.
At once she slipt like water to the floor.
'Alas,' he said, 'your ride hath wearied you.
Rest must you have.' 'No rest for me,' she said;
'Nay, for near you, fair lord, I am at rest.'
What might she mean by that? his large black eyes,
Yet larger through his leanness, dwelt upon her,
Till all her heart's sad secret blazed itself
In the heart's colours on her simple face;
And Lancelot looked and was perplext in mind,
And being weak in body said no more;
But did not love the colour; woman's love,
Save one, he not regarded, and so turned
Sighing, and feigned a sleep until he slept.

Then rose Elaine and glided through the fields,
And past beneath the weirdly-sculptured gates
Far up the dim rich city to her kin;
There bode the night: but woke with dawn, and past
Down through the dim rich city to the fields,
Thence to the cave: so day by day she past
In either twilight ghost-like to and fro
Gliding, and every day she tended him,
And likewise many a night: and Lancelot
Would, though he called his wound a little hurt
Whereof he should be quickly whole, at times
Brain-feverous in his heat and agony, seem
Uncourteous, even he: but the meek maid
Sweetly forbore him ever, being to him
Meeker than any child to a rough nurse,
Milder than any mother to a sick child,
And never woman yet, since man's first fall,
Did kindlier unto man, but her deep love
Upbore her; till the hermit, skilled in all
The simples and the science of that time,
Told him that her fine care had saved his life.
And the sick man forgot her simple blush,
Would call her friend and sister, sweet Elaine,
Would listen for her coming and regret
Her parting step, and held her tenderly,
And loved her with all love except the love
Of man and woman when they love their best,
Closest and sweetest, and had died the death
In any knightly fashion for her sake.
And peradventure had he seen her first
She might have made this and that other world
Another world for the sick man; but now
The shackles of an old love straitened him,
His honour rooted in dishonour stood,
And faith unfaithful kept him falsely true.

Yet the great knight in his mid-sickness made
Full many a holy vow and pure resolve.
These, as but born of sickness, could not live:
For when the blood ran lustier in him again,
Full often the bright image of one face,
Making a treacherous quiet in his heart,
Dispersed his resolution like a cloud.
Then if the maiden, while that ghostly grace
Beamed on his fancy, spoke, he answered not,
Or short and coldly, and she knew right well
What the rough sickness meant, but what this meant
She knew not, and the sorrow dimmed her sight,
And drave her ere her time across the fields
Far into the rich city, where alone
She murmured, 'Vain, in vain: it cannot be.
He will not love me: how then? must I die?'
Then as a little helpless innocent bird,
That has but one plain passage of few notes,
Will sing the simple passage o'er and o'er
For all an April morning, till the ear
Wearies to hear it, so the simple maid
Went half the night repeating, 'Must I die?'
And now to right she turned, and now to left,
And found no ease in turning or in rest;
And 'Him or death,' she muttered, 'death or him,'
Again and like a burthen, 'Him or death.'

But when Sir Lancelot's deadly hurt was whole,
To Astolat returning rode the three.
There morn by morn, arraying her sweet self
In that wherein she deemed she looked her best,
She came before Sir Lancelot, for she thought
'If I be loved, these are my festal robes,
If not, the victim's flowers before he fall.'
And Lancelot ever prest upon the maid
That she should ask some goodly gift of him
For her own self or hers; 'and do not shun
To speak the wish most near to your true heart;
Such service have ye done me, that I make
My will of yours, and Prince and Lord am I
In mine own land, and what I will I can.'
Then like a ghost she lifted up her face,
But like a ghost without the power to speak.
And Lancelot saw that she withheld her wish,
And bode among them yet a little space
Till he should learn it; and one morn it chanced
He found her in among the garden yews,
And said, 'Delay no longer, speak your wish,
Seeing I go today:' then out she brake:
'Going? and we shall never see you more.
And I must die for want of one bold word.'
'Speak: that I live to hear,' he said, 'is yours.'
Then suddenly and passionately she spoke:
'I have gone mad. I love you: let me die.'
'Ah, sister,' answered Lancelot, 'what is this?'
And innocently extending her white arms,
'Your love,' she said, 'your love--to be your wife.'
And Lancelot answered, 'Had I chosen to wed,
I had been wedded earlier, sweet Elaine:
But now there never will be wife of mine.'
'No, no,' she cried, 'I care not to be wife,
But to be with you still, to see your face,
To serve you, and to follow you through the world.'
And Lancelot answered, 'Nay, the world, the world,
All ear and eye, with such a stupid heart
To interpret ear and eye, and such a tongue
To blare its own interpretation--nay,
Full ill then should I quit your brother's love,
And your good father's kindness.' And she said,
'Not to be with you, not to see your face--
Alas for me then, my good days are done.'
'Nay, noble maid,' he answered, 'ten times nay!
This is not love: but love's first flash in youth,
Most common: yea, I know it of mine own self:
And you yourself will smile at your own self
Hereafter, when you yield your flower of life
To one more fitly yours, not thrice your age:
And then will I, for true you are and sweet
Beyond mine old belief in womanhood,
More specially should your good knight be poor,
Endow you with broad land and territory
Even to the half my realm beyond the seas,
So that would make you happy: furthermore,
Even to the death, as though ye were my blood,
In all your quarrels will I be your knight.
This I will do, dear damsel, for your sake,
And more than this I cannot.'

While he spoke
She neither blushed nor shook, but deathly-pale
Stood grasping what was nearest, then replied:
'Of all this will I nothing;' and so fell,
And thus they bore her swooning to her tower.

Then spake, to whom through those black walls of yew
Their talk had pierced, her father: 'Ay, a flash,
I fear me, that will strike my blossom dead.
Too courteous are ye, fair Lord Lancelot.
I pray you, use some rough discourtesy
To blunt or break her passion.'
Lancelot said,
'That were against me: what I can I will;'
And there that day remained, and toward even
Sent for his shield: full meekly rose the maid,
Stript off the case, and gave the naked shield;
Then, when she heard his horse upon the stones,
Unclasping flung the casement back, and looked
Down on his helm, from which her sleeve had gone.
And Lancelot knew the little clinking sound;
And she by tact of love was well aware
That Lancelot knew that she was looking at him.
And yet he glanced not up, nor waved his hand,
Nor bad farewell, but sadly rode away.
This was the one discourtesy that he used.

So in her tower alone the maiden sat:
His very shield was gone; only the case,
Her own poor work, her empty labour, left.
But still she heard him, still his picture formed
And grew between her and the pictured wall.
Then came her father, saying in low tones,
'Have comfort,' whom she greeted quietly.
Then came her brethren saying, 'Peace to thee,
Sweet sister,' whom she answered with all calm.
But when they left her to herself again,
Death, like a friend's voice from a distant field
Approaching through the darkness, called; the owls
Wailing had power upon her, and she mixt
Her fancies with the sallow-rifted glooms
Of evening, and the moanings of the wind.

And in those days she made a little song,
And called her song 'The Song of Love and Death,'
And sang it: sweetly could she make and sing.

'Sweet is true love though given in vain, in vain;
And sweet is death who puts an end to pain:
I know not which is sweeter, no, not I.

'Love, art thou sweet? then bitter death must be:
Love, thou art bitter; sweet is death to me.
O Love, if death be sweeter, let me die.

'Sweet love, that seems not made to fade away,
Sweet death, that seems to make us loveless clay,
I know not which is sweeter, no, not I.

'I fain would follow love, if that could be;
I needs must follow death, who calls for me;
Call and I follow, I follow! let me die.'

High with the last line scaled her voice, and this,
All in a fiery dawning wild with wind
That shook her tower, the brothers heard, and thought
With shuddering, 'Hark the Phantom of the house
That ever shrieks before a death,' and called
The father, and all three in hurry and fear
Ran to her, and lo! the blood-red light of dawn
Flared on her face, she shrilling, 'Let me die!'

As when we dwell upon a word we know,
Repeating, till the word we know so well
Becomes a wonder, and we know not why,
So dwelt the father on her face, and thought
'Is this Elaine?' till back the maiden fell,
Then gave a languid hand to each, and lay,
Speaking a still good-morrow with her eyes.
At last she said, 'Sweet brothers, yesternight
I seemed a curious little maid again,
As happy as when we dwelt among the woods,
And when ye used to take me with the flood
Up the great river in the boatman's boat.
Only ye would not pass beyond the cape
That has the poplar on it: there ye fixt
Your limit, oft returning with the tide.
And yet I cried because ye would not pass
Beyond it, and far up the shining flood
Until we found the palace of the King.
And yet ye would not; but this night I dreamed
That I was all alone upon the flood,
And then I said, "Now shall I have my will:"
And there I woke, but still the wish remained.
So let me hence that I may pass at last
Beyond the poplar and far up the flood,
Until I find the palace of the King.
There will I enter in among them all,
And no man there will dare to mock at me;
But there the fine Gawain will wonder at me,
And there the great Sir Lancelot muse at me;
Gawain, who bad a thousand farewells to me,
Lancelot, who coldly went, nor bad me one:
And there the King will know me and my love,
And there the Queen herself will pity me,
And all the gentle court will welcome me,
And after my long voyage I shall rest!'

'Peace,' said her father, 'O my child, ye seem
Light-headed, for what force is yours to go
So far, being sick? and wherefore would ye look
On this proud fellow again, who scorns us all?'

Then the rough Torre began to heave and move,
And bluster into stormy sobs and say,
'I never loved him: an I meet with him,
I care not howsoever great he be,
Then will I strike at him and strike him down,
Give me good fortune, I will strike him dead,
For this discomfort he hath done the house.'

To whom the gentle sister made reply,
'Fret not yourself, dear brother, nor be wroth,
Seeing it is no more Sir Lancelot's fault
Not to love me, than it is mine to love
Him of all men who seems to me the highest.'

'Highest?' the father answered, echoing 'highest?'
(He meant to break the passion in her) 'nay,
Daughter, I know not what you call the highest;
But this I know, for all the people know it,
He loves the Queen, and in an open shame:
And she returns his love in open shame;
If this be high, what is it to be low?'

Then spake the lily maid of Astolat:
'Sweet father, all too faint and sick am I
For anger: these are slanders: never yet
Was noble man but made ignoble talk.
He makes no friend who never made a foe.
But now it is my glory to have loved
One peerless, without stain: so let me pass,
My father, howsoe'er I seem to you,
Not all unhappy, having loved God's best
And greatest, though my love had no return:
Yet, seeing you desire your child to live,
Thanks, but you work against your own desire;
For if I could believe the things you say
I should but die the sooner; wherefore cease,
Sweet father, and bid call the ghostly man
Hither, and let me shrive me clean, and die.'

So when the ghostly man had come and gone,
She with a face, bright as for sin forgiven,
Besought Lavaine to write as she devised
A letter, word for word; and when he asked
'Is it for Lancelot, is it for my dear lord?
Then will I bear it gladly;' she replied,
'For Lancelot and the Queen and all the world,
But I myself must bear it.' Then he wrote
The letter she devised; which being writ
And folded, 'O sweet father, tender and true,
Deny me not,' she said--'ye never yet
Denied my fancies--this, however strange,
My latest: lay the letter in my hand
A little ere I die, and close the hand
Upon it; I shall guard it even in death.
And when the heat is gone from out my heart,
Then take the little bed on which I died
For Lancelot's love, and deck it like the Queen's
For richness, and me also like the Queen
In all I have of rich, and lay me on it.
And let there be prepared a chariot-bier
To take me to the river, and a barge
Be ready on the river, clothed in black.
I go in state to court, to meet the Queen.
There surely I shall speak for mine own self,
And none of you can speak for me so well.
And therefore let our dumb old man alone
Go with me, he can steer and row, and he
Will guide me to that palace, to the doors.'

She ceased: her father promised; whereupon
She grew so cheerful that they deemed her death
Was rather in the fantasy than the blood.
But ten slow mornings past, and on the eleventh
Her father laid the letter in her hand,
And closed the hand upon it, and she died.
So that day there was dole in Astolat.

But when the next sun brake from underground,
Then, those two brethren slowly with bent brows
Accompanying, the sad chariot-bier
Past like a shadow through the field, that shone
Full-summer, to that stream whereon the barge,
Palled all its length in blackest samite, lay.
There sat the lifelong creature of the house,
Loyal, the dumb old servitor, on deck,
Winking his eyes, and twisted all his face.
So those two brethren from the chariot took
And on the black decks laid her in her bed,
Set in her hand a lily, o'er her hung
The silken case with braided blazonings,
And kissed her quiet brows, and saying to her
'Sister, farewell for ever,' and again
'Farewell, sweet sister,' parted all in tears.
Then rose the dumb old servitor, and the dead,
Oared by the dumb, went upward with the flood--
In her right hand the lily, in her left
The letter--all her bright hair streaming down--
And all the coverlid was cloth of gold
Drawn to her waist, and she herself in white
All but her face, and that clear-featured face
Was lovely, for she did not seem as dead,
But fast asleep, and lay as though she smiled.

That day Sir Lancelot at the palace craved
Audience of Guinevere, to give at last,
The price of half a realm, his costly gift,
Hard-won and hardly won with bruise and blow,
With deaths of others, and almost his own,
The nine-years-fought-for diamonds: for he saw
One of her house, and sent him to the Queen
Bearing his wish, whereto the Queen agreed
With such and so unmoved a majesty
She might have seemed her statue, but that he,
Low-drooping till he wellnigh kissed her feet
For loyal awe, saw with a sidelong eye
The shadow of some piece of pointed lace,
In the Queen's shadow, vibrate on the walls,
And parted, laughing in his courtly heart.

All in an oriel on the summer side,
Vine-clad, of Arthur's palace toward the stream,
They met, and Lancelot kneeling uttered, 'Queen,
Lady, my liege, in whom I have my joy,
Take, what I had not won except for you,
These jewels, and make me happy, making them
An armlet for the roundest arm on earth,
Or necklace for a neck to which the swan's
Is tawnier than her cygnet's: these are words:
Your beauty is your beauty, and I sin
In speaking, yet O grant my worship of it
Words, as we grant grief tears. Such sin in words
Perchance, we both can pardon: but, my Queen,
I hear of rumours flying through your court.
Our bond, as not the bond of man and wife,
Should have in it an absoluter trust
To make up that defect: let rumours be:
When did not rumours fly? these, as I trust
That you trust me in your own nobleness,
I may not well believe that you believe.'

While thus he spoke, half turned away, the Queen
Brake from the vast oriel-embowering vine
Leaf after leaf, and tore, and cast them off,
Till all the place whereon she stood was green;
Then, when he ceased, in one cold passive hand
Received at once and laid aside the gems
There on a table near her, and replied:

'It may be, I am quicker of belief
Than you believe me, Lancelot of the Lake.
Our bond is not the bond of man and wife.
This good is in it, whatsoe'er of ill,
It can be broken easier. I for you
This many a year have done despite and wrong
To one whom ever in my heart of hearts
I did acknowledge nobler. What are these?
Diamonds for me! they had been thrice their worth
Being your gift, had you not lost your own.
To loyal hearts the value of all gifts
Must vary as the giver's. Not for me!
For her! for your new fancy. Only this
Grant me, I pray you: have your joys apart.
I doubt not that however changed, you keep
So much of what is graceful: and myself
Would shun to break those bounds of courtesy
In which as Arthur's Queen I move and rule:
So cannot speak my mind. An end to this!
A strange one! yet I take it with Amen.
So pray you, add my diamonds to her pearls;
Deck her with these; tell her, she shines me down:
An armlet for an arm to which the Queen's
Is haggard, or a necklace for a neck
O as much fairer--as a faith once fair
Was richer than these diamonds--hers not mine--
Nay, by the mother of our Lord himself,
Or hers or mine, mine now to work my will--
She shall not have them.' Saying which
she seized,
And, through the casement standing wide for heat,
Flung them, and down they flashed, and smote the stream.
Then from the smitten surface flashed, as it were,
Diamonds to meet them, and they past away.
Then while Sir Lancelot leant, in half disdain
At love, life, all things, on the window ledge,
Close underneath his eyes, and right across
Where these had fallen, slowly past the barge.
Whereon the lily maid of Astolat
Lay smiling, like a star in blackest night.

But the wild Queen, who saw not, burst away
To weep and wail in secret; and the barge,
On to the palace-doorway sliding, paused.
There two stood armed, and kept the door; to whom,
All up the marble stair, tier over tier,
Were added mouths that gaped, and eyes that asked
'What is it?' but that oarsman's haggard face,
As hard and still as is the face that men
Shape to their fancy's eye from broken rocks
On some cliff-side, appalled them, and they said
'He is enchanted, cannot speak--and she,
Look how she sleeps--the Fairy Queen, so fair!
Yea, but how pale! what are they? flesh and blood?
Or come to take the King to Fairyland?
For some do hold our Arthur cannot die,
But that he passes into Fairyland.'

While thus they babbled of the King, the King
Came girt with knights: then turned the tongueless man
From the half-face to the full eye, and rose
And pointed to the damsel, and the doors.
So Arthur bad the meek Sir Percivale
And pure Sir Galahad to uplift the maid;
And reverently they bore her into hall.
Then came the fine Gawain and wondered at her,
And Lancelot later came and mused at her,
And last the Queen herself, and pitied her:
But Arthur spied the letter in her hand,
Stoopt, took, brake seal, and read it; this was all:

'Most noble lord, Sir Lancelot of the Lake,
I, sometime called the maid of Astolat,
Come, for you left me taking no farewell,
Hither, to take my last farewell of you.
I loved you, and my love had no return,
And therefore my true love has been my death.
And therefore to our Lady Guinevere,
And to all other ladies, I make moan:
Pray for my soul, and yield me burial.
Pray for my soul thou too, Sir Lancelot,
As thou art a knight peerless.'

Thus he read;
And ever in the reading, lords and dames
Wept, looking often from his face who read
To hers which lay so silent, and at times,
So touched were they, half-thinking that her lips,
Who had devised the letter, moved again.

Then freely spoke Sir Lancelot to them all:
'My lord liege Arthur, and all ye that hear,
Know that for this most gentle maiden's death
Right heavy am I; for good she was and true,
But loved me with a love beyond all love
In women, whomsoever I have known.
Yet to be loved makes not to love again;
Not at my years, however it hold in youth.
I swear by truth and knighthood that I gave
No cause, not willingly, for such a love:
To this I call my friends in testimony,
Her brethren, and her father, who himself
Besought me to be plain and blunt, and use,
To break her passion, some discourtesy
Against my nature:

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Adair

Maybe she is your angel but Adair will be with me always,
Maybe she is your lover but Adair will be with me always,
So come and let me take you to the room of our love;
And there i will teach you about the care of love and peace.

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Romantic conversation

Only the darkness heard the words
of two spectre figures
in the old bushy park

where they stood whispering
under a silver moon
right next to a pond

and anybody watching
would only hear the rustle of the wind
or would maybe see a shadow appearing here and there

but their conversation was about the passion,
wild joy and ecstasy
that had burned between them at a time

and focussed on a wonderful time
where sunny days stretched out
as if they could last eternally

where falling in love and love
brought new meaning to life
and where something indescribable is between people

and I was caught there,
to pieces of my own life
that I was observing

and hope that you still are remembering
that time to which
my memories are still clinging.

[Reference: Colloque sentimental by Paul Verlaine.]

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Patrick White

Going Through A Dark Time

Going through a dark time. Antares, the red ant,
the bitter berry in the heart of Scorpio. Why not
blame it on the stars? How could they deny it?
Living penumbrally in the eclipse of a celestial body.
I want to paint my first old rusty bike that I found
languishing under the neighbour's stairs, its
deflated tires, spider looms and jinxed prayer wheels
that hadn't turned for years, want to paint it
with model airplane enamels again and run
a perfect red stripe down the middle of a black fender
gleaming like anthracite in the blue-yellow sun.
How many worlds away I am from that pure moment.

Dark in my heart, gnawing on the skulls of dragons
that have finally become like the moon
that's never known rain, a frozen watershed
in a locket of ice and no light bulb in the well.
I'm striding down the corridors of a well-polished hell
and I'm turning the portraits of my heroes toward the wall.
Why not? I've got no use for their eyes anymore.
I've drained the lies out of the samples of their deaths.
I've chewed the flavour out of what it was they had to teach.
I've trashed my best features in dangerous neighbourhoods.
I've broken my own brain like bread with them,
offered them my blood like a rose with teeth
and watched them evaporate like stars in the sun
as if they never really knew they had my devotion.

What I made of them to set my own potential an example.
Something unattainable to aspire to
so I would be sure to lose as they did
preferring a brilliant failure to a mediocre triumph.
I think the quality of a human is a direct function
of the depth of their suffering. And I loved the ones
who cried out so beautifully in their agony
the night birds didn't dare lift their tiny voices
up again for fear of being put to shame
for the pettiness of their desire. Or the wolves
ever howl at the moon again without being aware
of the absurdity of their longing for an old stone.
I have danced barefoot on the splinters
of the winter chandeliers that brought the trees down
like a palace of tears in a brutal ice storm.
I've heard the Pleiades crash like silverware
all over the ground of a botched burglary
and seen the junkies run like collapsed veins
to pick the spoons up like fences and crows.
Going through a dark time. The shamans
are dying in the treetops from the shock
of what they had to see and live to be
if they wanted to die thoroughly back into life again,
apprenticed to their own foreseeable pain like savage healers.
Winged serpents angered by the humiliation of the flesh
like a rose too beautiful not to be abused
by those who desecrate life out of their own self-hatred
that they are possessed by what they despise the most
and beauty will have nothing to do with their power
that isn't forced, or broken, or garbaged.
The mirrors of the spirit freak and flake away
from the ideals of their silver lining in horror.

Funny how you can come to look upon
even the most passionate of loveletters
with the eyes of a three hundred million year old reptile
as if life could not be borne any other way than as a thorn
through the heart of a voodoo doll
that cursed the good in life for the passing of it.
What have I not buried in this desert of stars
as if one night I would be able to come back to it
and ask it what it dreamed of in my absence?
To see if the afterlife of a mirage tasted
like water, blood, or wine, or more real than death,
the tears of someone who had aged into understanding
when the windows that looked out on life
like a valence of silicon dioxide slow down
like glaciers of glass, and the mirrors speed up
as if they were running out of time for reflection.

Ask a man what he misses the most and listen to the echo
of how long it takes to reach his ears and if
there's an ocean in his eyes he drowns in
and I'll reintroduce you to someone you already know
talking to themselves in the dark to keep from going mad.
Who toys with the smiles of their approaching assassins
like the slash of a snake's mouth breaking into blossom?
Life is the puncture wound of the staple
that was meant to mend it like a bridge
that sat cross-legged on a lotus in meditation.
And it's easy enough to look at the fireflies after a storm
and the stars so out of touch with the world as it is
you long for the innocence of the childhood distances
you traversed every night you crawled out of your sleep
to approach the mystery of your own solitude
like an estranged familiar calling you to come alone
to the furthest extremes of the night and beyond.

Going through a dark time. Too many gates.
Too many doors. Too many worn thresholds
Too many threadbare carpets under the one-sided window.
Too many dead birds killed by a lack of transparency.
And still, I refuse the blindfold when I'm standing
in front of a firing squad of stars
armed with the latest telescopes.
I've always been one of those who prided myself
upon my strength to see it coming from afar off
and stare at my own death in the third eye of it.
And what monument could you possibly raise
befitting someone who made exile and rebellion
the two monolithic cornerstones of their life
if not a rogue planet beyond the reach of gravity
looking for a star they could thrive in the light of
without the slightest shadow of ulterior spontaneity?

Going through a dark time. I will not put my eyes out
by turning up the light on what befalls me,
as if there were something I could save myself from.
I will eat every detail of the pain and not waste
one unmarrowed bone of it. I will consume it whole
like a prophet in the belly of the whale, make the message
flesh of my flesh, blood of my blood, and then
I'll spit it out like a bullet I pulled out of my heart
with my teeth, my soul, the elegance of my desolation.
I'll make key chains for the blind out of spite
and striate the rocks of this cold prison with the runes
of the horned ones who linger here with me.
I'll be a mile-high corrective lens of ice
and putting one hand over my third eye
I'll read the writing on the wall from memory
and renounce every sacred syllable of it like heretic
that thrives on fire, that scatters his ashes in triumph
and feathers the wind like a gnostic phoenix
with gospels of my own where there's not one imperative.

Pain demands my obedience, threatens to break me.
I smash myself on the rocks like an empty wine goblet
and say, you can break what remains. You can grind
me down to dust, if you like, you can step over me
like Spinoza lying down in the threshold of the synagogue
to atone for what he opened the world's eyes up to,
but my vision of life, though a squall of stars, remains my own
and the seeing isn't in my eyes, and the one who suffers
isn't in chains, nor the door locked on my heart
for fear of the night, for fear of turning to stone
when I look the snake pit in the eye with a microscope,
and observe the minutiae of the heart's addictive attention to detail.
Though every word be a thorn through my tongue,
Yet will I sing of the agony of lemons and roses
bleeding on the razorwire in No Man's Land for mercy,
and those compelled by the whips of circumstance
to dance themselves to death because it amuses the cripples,
and the little, amoebic man who never amounted to anything
and his wife who has aged like salt in a conquered city
still thinking she's a garden ornament, I will sing
in the name of what even the worst must endure,
just to set this methane moon afire in the darkness
like a furnace in an abandoned school of unregenerate clowns.

Going through a dark time. A rite of ordeals,
the brutal pit of the mystery you can break your teeth on
like a koan or an iron-nickel tektite in Antarctica
to get at the life inside your own panspermic mind.
I should happily break my flesh like bread upon the waters
for the fish and the birds, and save the life
of an unworthy man from drowning
like bad meat in a well, or lose
my own precarious foothold on the precipice of an abyss
that humbles me to the point of no return. I should do this
for the thought-trains of the birds that shall come after me
high and late at night through the bars of my longing,
yearning to return to my ancestral homelessness
like a wandering planet that doesn't give off any light of its own
but shines with life, despite the odds, shines
tenaciously with life through all these transformations
I take on like a river in its own running,
pouring myself out of one life wholly into another
like an igneous fireclock on the nightshift
that keeps adding more carbon to my steel.

Going through a dark time, I will not suffer
this passage passively like smoke, I will not plead
to abstract my senses from reality to deaden the pain
or thin my blood with holy water from a dirty fountain.
This dark child of my life shall not be an orphan.
I will not disown the pain, I will not drive
myself out into the wilderness like a scapegoat
to wash the soot off the temple I cry in
though they were my doves that were stained
in their own blood in the name of a useless sacrifice
to a unity that includes as much of separation
as of love that welds a stronger bond
that doesn't scar the spirit, or dull the eyes,
or deaden the tongue to the taste of the stars
on the lips of the people who pass through our lives
like thresholds on their way to somewhere else
than this palatial homelessness we dwell in alone
throwing boundary stones like asteroids through the mirrors
just to keep things abundantly clear and open between us.

Going through a dark time. Swimming through a tar pit.
Another doorway without an exit or an entrance.
Another keel-hauling on the hull of the moon
trying to maintain discipline aboard a shipwreck.
And the unbearable sadness that crushes your heart
like a pop can in the depths of an unrevealing ocean.
Your face is a skin graft on a burn victim.
People reach out for you, but only with their hands
when there's nothing at all, nothing at all to grasp
of what has already come and gone for good or bad,
who can tell? I'm centered like rain in my falling.
And there's something vaguely radioactive about the way
I glow in the dark, though there are dozens of dead fireflies
on my windowsill that dropped like exhausted stars.
I move into the available dimension of a future
that hasn't won my confidence, and the past
is the burnt foundation of a crack house in the zodiac
cooking rocks like a meteor shower with its radiant
in the eyes of everyone I meet who's trying to shoot the stars out.

Going through a dark time. A bardo state. Nirvanic doubt.
The new moon no brighter than the last eclipse.
I hear the disembodied thunder of my amplified heart
making its way toward me like an enlightened storm front.
I've always chosen the hardest teachers to ignore
and where the road divides, I've gone both ways at once
just to give my earthbound guides a chance of a wishbone
to find their way back on their own by following
the choices they made to get here like an avalanche.
I'm as effortless about my despair as I am about bliss.
I treat them both as if they were none of my business.
The birds and apples come to this rootless tree
of their own accord and the tree does not protest
the unleaving of an earthly excellence
that blossomed awhile in the human heart and was gone.
A windfall of loss. The dead flower frosted with winter stars
in a dream where the waterclocks are frozen in time
and this is perfect and that is perfect and if you take
perfect from perfect, it's still as perfect as it was then
and as it is now and shall be tomorrow.
I watch the moonrise without breathless aspirations.
I observe the sunset without lingering disappointments.
What I have received in joy, I will not deceive in sorrow.

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There's Nae Luck about the House

And are ye sure the news is true?
And are ye sure he's weel?
Is this a time to think o' wark?
Mak haste, lay by your wheel;
Is this the time to spin a thread
When Colin's at the door?
Reach me my cloak, I'll to the quay
And see him come ashore.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

And gie to me my bigonet,
My bishop's satin gown;
For I maun tell the bailie's wife
That Colin's come to town.
My Turkey slippers maun gae on,
My stockings pearly blue;
It's a' to pleasure my gudeman,
For he's baith leel and true.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

Rise, lass, and mak a clean fire side,
Put on the muckle pot,
Gie little Kate her button gown,
And Jock his Sunday coat;
And mak their shoon as black as slaes,
Their hose as white as snaw,
It's a' to please my ain gudeman,
For he's been lang awa.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

There's twa fat hens upo' the bauk,
Been fed this month and mair,
Mak haste and thraw their necks about,
That Colin weel may fare;
And mak the table neat and clean,
Gar ilka thing look braw,
For wha can tell how Colin fared
When he was far awa?
Ah, there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

Sae true his heart, sae smooth his speech,
His breath like cauler air,
His very foot has music in't
As he comes up the stair!
And will I see his face again,
And will I hear him speak?
I'm downright dizzy wi' the thought,
In troth I'm like to greet.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

If Colin's weel, and weel content,
I hae nae mair to crave--
And gin I live to keep him sae,
I'm blest aboon the lave.
And will I see his face again,
And will I hear him speak?
I'm downright dizzy wi' the thought,
In troth I'm like to greet.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

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Do Not Tell Me That There Is Something Poetic About The Rain Today

shoo.

please honey,
do not tell me
that there is something poetic
about the rain today

it is heavy.
cats and dogs.
and hotdogs
and syrup pancakes and
cold coffee,

gosh.

i am engrossed with the law.

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The road to here and there

`

the road to nowhere
must begin somewhere

the road to anywhere
always begins everywhere

if in doubt of direction
find your spot elsewhere
then follow your feet
where your nose leads you

the road to dinner wear
ends in frozen tupperware

the road to Delaware
travels here and there


`

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There's Something Sexy About The Rain

She spread her arms and spun around
In a summer island storm
In a field of sugarcane
She taught me how and showed me why
There's something sexy about the rain
And sometimes it rained all night
And everything she did was perfect
And every way we were was right
We loved like there was no tomorrow
Then suddenly tomorrow came
And it was raining at the airport
And kept on raining on the plane
She only loved me for a season
But my heart won't ever be the same
Even now her love's the reason
There's something sexy about the rain
And sometimes when it's pouring down
I feel her kisses on my skin
I spread my arms and spin around
And let that summer island storm
Hit me like a hurricane
It's like she's right here whispering
There's something sexy about the rain
She followed me back to the city
In a picture in my mind
She's still young and she's still pretty
And even after all this time
There's something sexy about the rain
She said as it came pouring down
It feels like kisses on my skin
She spread her arms and spun around
In a summer island storm
In a field, in a field of sugarcane
She taught me how and showed me why
There's something sexy about the rain
She taught me how and she's still why
There's something sexy about the rain
Something sexy about the rain
Feels like kisses on my skin
In a summer island storm

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
This book,—precisely on that palace-step
Which, meant for lounging knaves o' the Medici,
Now serves re-venders to display their ware,—
Mongst odds and ends of ravage, picture-frames
White through the worn gilt, mirror-sconces chipped,
Bronze angel-heads once knobs attached to chests,
(Handled when ancient dames chose forth brocade)
Modern chalk drawings, studies from the nude,
Samples of stone, jet, breccia, porphyry
Polished and rough, sundry amazing busts
In baked earth, (broken, Providence be praised!)
A wreck of tapestry, proudly-purposed web
When reds and blues were indeed red and blue,
Now offered as a mat to save bare feet
(Since carpets constitute a cruel cost)
Treading the chill scagliola bedward: then
A pile of brown-etched prints, two crazie each,
Stopped by a conch a-top from fluttering forth
—Sowing the Square with works of one and the same
Master, the imaginative Sienese
Great in the scenic backgrounds—(name and fame
None of you know, nor does he fare the worse:)
From these … Oh, with a Lionard going cheap
If it should prove, as promised, that Joconde
Whereof a copy contents the Louvre!—these
I picked this book from. Five compeers in flank
Stood left and right of it as tempting more—
A dogseared Spicilegium, the fond tale
O' the Frail One of the Flower, by young Dumas,
Vulgarized Horace for the use of schools,
The Life, Death, Miracles of Saint Somebody,
Saint Somebody Else, his Miracles, Death and Life,—
With this, one glance at the lettered back of which,
And "Stall!" cried I: a lira made it mine.

Here it is, this I toss and take again;
Small-quarto size, part print part manuscript:
A book in shape but, really, pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since.
Give it me back! The thing's restorative
I'the touch and sight.

That memorable day,
(June was the month, Lorenzo named the Square)
I leaned a little and overlooked my prize
By the low railing round the fountain-source
Close to the statue, where a step descends:
While clinked the cans of copper, as stooped and rose
Thick-ankled girls who brimmed them, and made place
For marketmen glad to pitch basket down,
Dip a broad melon-leaf that holds the wet,
And whisk their faded fresh. And on I read
Presently, though my path grew perilous
Between the outspread straw-work, piles of plait
Soon to be flapping, each o'er two black eyes
And swathe of Tuscan hair, on festas fine:
Through fire-irons, tribes of tongs, shovels in sheaves,
Skeleton bedsteads, wardrobe-drawers agape,
Rows of tall slim brass lamps with dangling gear,—
And worse, cast clothes a-sweetening in the sun:
None of them took my eye from off my prize.
Still read I on, from written title-page
To written index, on, through street and street,
At the Strozzi, at the Pillar, at the Bridge;
Till, by the time I stood at home again
In Casa Guidi by Felice Church,
Under the doorway where the black begins
With the first stone-slab of the staircase cold,
I had mastered the contents, knew the whole truth
Gathered together, bound up in this book,
Print three-fifths, written supplement the rest.
"Romana Homicidiorum"—nay,
Better translate—"A Roman murder-case:
"Position of the entire criminal cause
"Of Guido Franceschini, nobleman,
"With certain Four the cutthroats in his pay,
"Tried, all five, and found guilty and put to death
"By heading or hanging as befitted ranks,
"At Rome on February Twenty Two,
"Since our salvation Sixteen Ninety Eight:
"Wherein it is disputed if, and when,
"Husbands may kill adulterous wives, yet 'scape
"The customary forfeit."

Word for word,
So ran the title-page: murder, or else
Legitimate punishment of the other crime,
Accounted murder by mistake,—just that
And no more, in a Latin cramp enough
When the law had her eloquence to launch,
But interfilleted with Italian streaks
When testimony stooped to mother-tongue,—
That, was this old square yellow book about.

Now, as the ingot, ere the ring was forged,
Lay gold, (beseech you, hold that figure fast!)
So, in this book lay absolutely truth,
Fanciless fact, the documents indeed,
Primary lawyer-pleadings for, against,
The aforesaid Five; real summed-up circumstance
Adduced in proof of these on either side,
Put forth and printed, as the practice was,
At Rome, in the Apostolic Chamber's type,
And so submitted to the eye o' the Court
Presided over by His Reverence
Rome's Governor and Criminal Judge,—the trial
Itself, to all intents, being then as now
Here in the book and nowise out of it;
Seeing, there properly was no judgment-bar,
No bringing of accuser and accused,
And whoso judged both parties, face to face
Before some court, as we conceive of courts.
There was a Hall of Justice; that came last:
For Justice had a chamber by the hall
Where she took evidence first, summed up the same,
Then sent accuser and accused alike,
In person of the advocate of each,
To weigh its worth, thereby arrange, array
The battle. 'T was the so-styled Fisc began,
Pleaded (and since he only spoke in print
The printed voice of him lives now as then)
The public Prosecutor—"Murder's proved;
"With five … what we call qualities of bad,
"Worse, worst, and yet worse still, and still worse yet;
"Crest over crest crowning the cockatrice,
"That beggar hell's regalia to enrich
"Count Guido Franceschini: punish him!"
Thus was the paper put before the court
In the next stage, (no noisy work at all,)
To study at ease. In due time like reply
Came from the so-styled Patron of the Poor,
Official mouthpiece of the five accused
Too poor to fee a better,—Guido's luck
Or else his fellows',—which, I hardly know,—
An outbreak as of wonder at the world,
A fury-fit of outraged innocence,
A passion of betrayed simplicity:
"Punish Count Guido? For what crime, what hint
"O' the colour of a crime, inform us first!
"Reward him rather! Recognize, we say,
"In the deed done, a righteous judgment dealt!
"All conscience and all courage,—there's our Count
"Charactered in a word; and, what's more strange,
"He had companionship in privilege,
"Found four courageous conscientious friends:
"Absolve, applaud all five, as props of law,
"Sustainers of society!—perchance
"A trifle over-hasty with the hand
"To hold her tottering ark, had tumbled else;
"But that's a splendid fault whereat we wink,
"Wishing your cold correctness sparkled so!"
Thus paper second followed paper first,
Thus did the two join issue—nay, the four,
Each pleader having an adjunct. "True, he killed
"—So to speak—in a certain sort—his wife,
"But laudably, since thus it happed!" quoth one:
Whereat, more witness and the case postponed.
"Thus it happed not, since thus he did the deed,
"And proved himself thereby portentousest
"Of cutthroats and a prodigy of crime,
"As the woman that he slaughtered was a saint,
"Martyr and miracle!" quoth the other to match:
Again, more witness, and the case postponed.
"A miracle, ay—of lust and impudence;
"Hear my new reasons!" interposed the first:
"—Coupled with more of mine!" pursued his peer.
"Beside, the precedents, the authorities!"
From both at once a cry with an echo, that!
That was a firebrand at each fox's tail
Unleashed in a cornfield: soon spread flare enough,
As hurtled thither and there heaped themselves
From earth's four corners, all authority
And precedent for putting wives to death,
Or letting wives live, sinful as they seem.
How legislated, now, in this respect,
Solon and his Athenians? Quote the code
Of Romulus and Rome! Justinian speak!
Nor modern Baldo, Bartolo be dumb!
The Roman voice was potent, plentiful;
Cornelia de Sicariis hurried to help
Pompeia de Parricidiis; Julia de
Something-or-other jostled Lex this-and-that;
King Solomon confirmed Apostle Paul:
That nice decision of Dolabella, eh?
That pregnant instance of Theodoric, oh!
Down to that choice example Ælian gives
(An instance I find much insisted on)
Of the elephant who, brute-beast though he were,
Yet understood and punished on the spot
His master's naughty spouse and faithless friend;
A true tale which has edified each child,
Much more shall flourish favoured by our court!
Pages of proof this way, and that way proof,
And always—once again the case postponed.
Thus wrangled, brangled, jangled they a month,
—Only on paper, pleadings all in print,
Nor ever was, except i' the brains of men,
More noise by word of mouth than you hear now—
Till the court cut all short with "Judged, your cause.
"Receive our sentence! Praise God! We pronounce
"Count Guido devilish and damnable:
"His wife Pompilia in thought, word and deed,
"Was perfect pure, he murdered her for that:
"As for the Four who helped the One, all Five—
"Why, let employer and hirelings share alike
"In guilt and guilt's reward, the death their due!"

So was the trial at end, do you suppose?
"Guilty you find him, death you doom him to?
"Ay, were not Guido, more than needs, a priest,
"Priest and to spare!"—this was a shot reserved;
I learn this from epistles which begin
Here where the print ends,—see the pen and ink
Of the advocate, the ready at a pinch!—
"My client boasts the clerkly privilege,
"Has taken minor orders many enough,
"Shows still sufficient chrism upon his pate
"To neutralize a blood-stain: presbyter,
"Primæ tonsuræ, subdiaconus,
"Sacerdos, so he slips from underneath
"Your power, the temporal, slides inside the robe
"Of mother Church: to her we make appeal
"By the Pope, the Church's head!"

A parlous plea,
Put in with noticeable effect, it seems;
"Since straight,"—resumes the zealous orator,
Making a friend acquainted with the facts,—
"Once the word 'clericality' let fall,
"Procedure stopped and freer breath was drawn
"By all considerate and responsible Rome."
Quality took the decent part, of course;
Held by the husband, who was noble too:
Or, for the matter of that, a churl would side
With too-refined susceptibility,
And honour which, tender in the extreme,
Stung to the quick, must roughly right itself
At all risks, not sit still and whine for law
As a Jew would, if you squeezed him to the wall,
Brisk-trotting through the Ghetto. Nay, it seems,
Even the Emperor's Envoy had his say
To say on the subject; might not see, unmoved,
Civility menaced throughout Christendom
By too harsh measure dealt her champion here.
Lastly, what made all safe, the Pope was kind,
From his youth up, reluctant to take life,
If mercy might be just and yet show grace;
Much more unlikely then, in extreme age,
To take a life the general sense bade spare.
'T was plain that Guido would go scatheless yet.

But human promise, oh, how short of shine!
How topple down the piles of hope we rear!
How history proves … nay, read Herodotus!
Suddenly starting from a nap, as it were,
A dog-sleep with one shut, one open orb,
Cried the Pope's great self,—Innocent by name
And nature too, and eighty-six years old,
Antonio Pignatelli of Naples, Pope
Who had trod many lands, known many deeds,
Probed many hearts, beginning with his own,
And now was far in readiness for God,—
'T was he who first bade leave those souls in peace,
Those Jansenists, re-nicknamed Molinists,
('Gainst whom the cry went, like a frowsy tune,
Tickling men's ears—the sect for a quarter of an hour
I' the teeth of the world which, clown-like, loves to chew
Be it but a straw 'twixt work and whistling-while,
Taste some vituperation, bite away,
Whether at marjoram-sprig or garlic-clove,
Aught it may sport with, spoil, and then spit forth)
"Leave them alone," bade he, "those Molinists!
"Who may have other light than we perceive,
"Or why is it the whole world hates them thus?"
Also he peeled off that last scandal-rag
Of Nepotism; and so observed the poor
That men would merrily say, "Halt, deaf and blind,
"Who feed on fat things, leave the master's self
"To gather up the fragments of his feast,
'These be the nephews of Pope Innocent!—
"His own meal costs but five carlines a day,
"Poor-priest's allowance, for he claims no more."
—He cried of a sudden, this great good old Pope,
When they appealed in last resort to him,
"I have mastered the whole matter: I nothing doubt.
"Though Guido stood forth priest from head to heel,
"Instead of, as alleged, a piece of one,—
"And further, were he, from the tonsured scalp
"To the sandaled sole of him, my son and Christ's,
"Instead of touching us by finger-tip
"As you assert, and pressing up so close
"Only to set a blood-smutch on our robe,—
"I and Christ would renounce all right in him.
"Am I not Pope, and presently to die,
"And busied how to render my account,
"And shall I wait a day ere I decide
"On doing or not doing justice here?
"Cut off his head to-morrow by this time,
"Hang up his four mates, two on either hand,
"And end one business more!"

So said, so done—
Rather so writ, for the old Pope bade this,
I find, with his particular chirograph,
His own no such infirm hand, Friday night;
And next day, February Twenty Two,
Since our salvation Sixteen Ninety Eight,
—Not at the proper head-and-hanging-place
On bridge-foot close by Castle Angelo,
Where custom somewhat staled the spectacle,
('T was not so well i' the way of Rome, beside,
The noble Rome, the Rome of Guido's rank)
But at the city's newer gayer end,—
The cavalcading promenading place
Beside the gate and opposite the church
Under the Pincian gardens green with Spring,
'Neath the obelisk 'twixt the fountains in the Square,
Did Guido and his fellows find their fate,
All Rome for witness, and—my writer adds—
Remonstrant in its universal grief,
Since Guido had the suffrage of all Rome.

This is the bookful; thus far take the truth,
The untempered gold, the fact untampered with,
The mere ring-metal ere the ring be made!
And what has hitherto come of it? Who preserves
The memory of this Guido, and his wife
Pompilia, more than Ademollo's name,
The etcher of those prints, two crazie each,
Saved by a stone from snowing broad the Square
With scenic backgrounds? Was this truth of force?
Able to take its own part as truth should,
Sufficient, self-sustaining? Why, if so—
Yonder's a fire, into it goes my book,
As who shall say me nay, and what the loss?
You know the tale already: I may ask,
Rather than think to tell you, more thereof,—
Ask you not merely who were he and she,
Husband and wife, what manner of mankind,
But how you hold concerning this and that
Other yet-unnamed actor in the piece.
The young frank handsome courtly Canon, now,
The priest, declared the lover of the wife,
He who, no question, did elope with her,
For certain bring the tragedy about,
Giuseppe Caponsacchi;—his strange course
I' the matter, was it right or wrong or both?
Then the old couple, slaughtered with the wife
By the husband as accomplices in crime,
Those Comparini, Pietro and his spouse,—
What say you to the right or wrong of that,
When, at a known name whispered through the door
Of a lone villa on a Christmas night,
It opened that the joyous hearts inside
Might welcome as it were an angel-guest
Come in Christ's name to knock and enter, sup
And satisfy the loving ones he saved;
And so did welcome devils and their death?
I have been silent on that circumstance
Although the couple passed for close of kin
To wife and husband, were by some accounts
Pompilia's very parents: you know best.
Also that infant the great joy was for,
That Gaetano, the wife's two-weeks' babe,
The husband's first-born child, his son and heir,
Whose birth and being turned his night to day—
Why must the father kill the mother thus
Because she bore his son and saved himself?


Well, British Public, ye who like me not,
(God love you!) and will have your proper laugh
At the dark question, laugh it! I laugh first.
Truth must prevail, the proverb vows; and truth
—Here is it all i' the book at last, as first
There it was all i' the heads and hearts of Rome
Gentle and simple, never to fall nor fade
Nor be forgotten. Yet, a little while,
The passage of a century or so,
Decads thrice five, and here's time paid his tax,
Oblivion gone home with her harvesting,
And all left smooth again as scythe could shave.
Far from beginning with you London folk,
I took my book to Rome first, tried truth's power
On likely people. "Have you met such names?
"Is a tradition extant of such facts?
"Your law-courts stand, your records frown a-row:
"What if I rove and rummage?" "—Why, you'll waste
"Your pains and end as wise as you began!"
Everyone snickered: "names and facts thus old
"Are newer much than Europe news we find
"Down in to-day's Diario. Records, quotha?
"Why, the French burned them, what else do the French?
"The rap-and-rending nation! And it tells
"Against the Church, no doubt,—another gird
"At the Temporality, your Trial, of course?"
"—Quite otherwise this time," submitted I;
"Clean for the Church and dead against the world,
"The flesh and the devil, does it tell for once."
"—The rarer and the happier! All the same,
"Content you with your treasure of a book,
"And waive what's wanting! Take a friend's advice!
"It's not the custom of the country. Mend
"Your ways indeed and we may stretch a point:
"Go get you manned by Manning and new-manned
"By Newman and, mayhap, wise-manned to boot
"By Wiseman, and we'll see or else we won't!
"Thanks meantime for the story, long and strong,
"A pretty piece of narrative enough,
"Which scarce ought so to drop out, one would think,
"From the more curious annals of our kind.
"Do you tell the story, now, in off-hand style,
"Straight from the book? Or simply here and there,
"(The while you vault it through the loose and large)
"Hang to a hint? Or is there book at all,
"And don't you deal in poetry, make-believe,
"And the white lies it sounds like?"


Yes and no!
From the book, yes; thence bit by bit I dug
The lingot truth, that memorable day,
Assayed and knew my piecemeal gain was gold,—
Yes; but from something else surpassing that,
Something of mine which, mixed up with the mass,
Made it bear hammer and be firm to file.
Fancy with fact is just one fact the more;
To-wit, that fancy has informed, transpierced,
Thridded and so thrown fast the facts else free,
As right through ring and ring runs the djereed
And binds the loose, one bar without a break.
I fused my live soul and that inert stuff,
Before attempting smithcraft, on the night
After the day when,—truth thus grasped and gained,—
The book was shut and done with and laid by
On the cream-coloured massive agate, broad
'Neath the twin cherubs in the tarnished frame
O' the mirror, tall thence to the ceiling-top.
And from the reading, and that slab I leant
My elbow on, the while I read and read,
I turned, to free myself and find the world,
And stepped out on the narrow terrace, built
Over the street and opposite the church,
And paced its lozenge-brickwork sprinkled cool;
Because Felice-church-side stretched, a-glow
Through each square window fringed for festival,
Whence came the clear voice of the cloistered ones
Chanting a chant made for midsummer nights—
I know not what particular praise of God,
It always came and went with June. Beneath
I' the street, quick shown by openings of the sky
When flame fell silently from cloud to cloud,
Richer than that gold snow Jove rained on Rhodes,
The townsmen walked by twos and threes, and talked,
Drinking the blackness in default of air—
A busy human sense beneath my feet:
While in and out the terrace-plants, and round
One branch of tall datura, waxed and waned
The lamp-fly lured there, wanting the white flower.
Over the roof o' the lighted church I looked
A bowshot to the street's end, north away
Out of the Roman gate to the Roman road
By the river, till I felt the Apennine.
And there would lie Arezzo, the man's town,
The woman's trap and cage and torture-place,
Also the stage where the priest played his part,
A spectacle for angels,—ay, indeed,
There lay Arezzo! Farther then I fared,
Feeling my way on through the hot and dense,
Romeward, until I found the wayside inn
By Castelnuovo's few mean hut-like homes
Huddled together on the hill-foot bleak,
Bare, broken only by that tree or two
Against the sudden bloody splendour poured
Cursewise in day's departure by the sun
O'er the low house-roof of that squalid inn
Where they three, for the first time and the last,
Husband and wife and priest, met face to face.
Whence I went on again, the end was near,
Step by step, missing none and marking all,
Till Rome itself, the ghastly goal, I reached.
Why, all the while,—how could it otherwise?—
The life in me abolished the death of things,
Deep calling unto deep: as then and there
Acted itself over again once more
The tragic piece. I saw with my own eyes
In Florence as I trod the terrace, breathed
The beauty and the fearfulness of night,
How it had run, this round from Rome to Rome—
Because, you are to know, they lived at Rome,
Pompilia's parents, as they thought themselves,
Two poor ignoble hearts who did their best
Part God's way, part the other way than God's,
To somehow make a shift and scramble through
The world's mud, careless if it splashed and spoiled,
Provided they might so hold high, keep clean
Their child's soul, one soul white enough for three,
And lift it to whatever star should stoop,
What possible sphere of purer life than theirs
Should come in aid of whiteness hard to save.
I saw the star stoop, that they strained to touch,
And did touch and depose their treasure on,
As Guido Franceschini took away
Pompilia to be his for evermore,
While they sang "Now let us depart in peace,
"Having beheld thy glory, Guido's wife!"
I saw the star supposed, but fog o' the fen,
Gilded star-fashion by a glint from hell;
Having been heaved up, haled on its gross way,
By hands unguessed before, invisible help
From a dark brotherhood, and specially
Two obscure goblin creatures, fox-faced this,
Cat-clawed the other, called his next of kin
By Guido the main monster,—cloaked and caped,
Making as they were priests, to mock God more,—
Abate Paul, Canon Girolamo.
These who had rolled the starlike pest to Rome
And stationed it to suck up and absorb
The sweetness of Pompilia, rolled again
That bloated bubble, with her soul inside,
Back to Arezzo and a palace there
Or say, a fissure in the honest earth
Whence long ago had curled the vapour first,
Blown big by nether firs to appal day:
It touched home, broke, and blasted far and wide.
I saw the cheated couple find the cheat
And guess what foul rite they were captured for,—
Too fain to follow over hill and dale
That child of theirs caught up thus in the cloud
And carried by the Prince o' the Power of the Air
Whither he would, to wilderness or sea.
I saw them, in the potency of fear,
Break somehow through the satyr-family
(For a grey mother with a monkey-mien,
Mopping and mowing, was apparent too,
As, confident of capture, all took hands
And danced about the captives in a ring)
—Saw them break through, breathe safe, at Rome again,
Saved by the selfish instinct, losing so
Their loved one left with haters. These I saw,
In recrudescency of baffled hate,
Prepare to wring the uttermost revenge
From body and soul thus left them: all was sure,
Fire laid and cauldron set, the obscene ring traced,
The victim stripped and prostrate: what of God?
The cleaving of a cloud, a cry, a crash,
Quenched lay their cauldron, cowered i' the dust the crew,
As, in a glory of armour like Saint George,
Out again sprang the young good beauteous priest
Bearing away the lady in his arms,
Saved for a splendid minute and no more.
For, whom i' the path did that priest come upon,
He and the poor lost lady borne so brave,
—Checking the song of praise in me, had else
Swelled to the full for God's will done on earth—
Whom but a dusk misfeatured messenger,
No other than the angel of this life,
Whose care is lest men see too much at once.
He made the sign, such God-glimpse must suffice,
Nor prejudice the Prince o' the Power of the Air,
Whose ministration piles us overhead
What we call, first, earth's roof and, last, heaven's floor,
Now grate o' the trap, then outlet of the cage:
So took the lady, left the priest alone,
And once more canopied the world with black.
But through the blackness I saw Rome again,
And where a solitary villa stood
In a lone garden-quarter: it was eve,
The second of the year, and oh so cold!
Ever and anon there flittered through the air
A snow-flake, and a scanty couch of snow
Crusted the grass-walk and the garden-mould.
All was grave, silent, sinister,—when, ha?
Glimmeringly did a pack of were-wolves pad
The snow, those flames were Guido's eyes in front,
And all five found and footed it, the track,
To where a threshold-streak of warmth and light
Betrayed the villa-door with life inside,
While an inch outside were those blood-bright eyes,
And black lips wrinkling o'er the flash of teeth,
And tongues that lolled—Oh God that madest man!
They parleyed in their language. Then one whined—
That was the policy and master-stroke—
Deep in his throat whispered what seemed a name—
"Open to Caponsacchi!" Guido cried:
"Gabriel!" cried Lucifer at Eden-gate.
Wide as a heart, opened the door at once,
Showing the joyous couple, and their child
The two-weeks' mother, to the wolves, the wolves
To them. Close eyes! And when the corpses lay
Stark-stretched, and those the wolves, their wolf-work done,
Were safe-embosomed by the night again,
I knew a necessary change in things;
As when the worst watch of the night gives way,
And there comes duly, to take cognizance,
The scrutinizing eye-point of some star—
And who despairs of a new daybreak now?
Lo, the first ray protruded on those five!
It reached them, and each felon writhed transfixed.
Awhile they palpitated on the spear
Motionless over Tophet: stand or fall?
"I say, the spear should fall—should stand, I say!"
Cried the world come to judgment, granting grace
Or dealing doom according to world's wont,
Those world's-bystanders grouped on Rome's crossroad
At prick and summons of the primal curse
Which bids man love as well as make a lie.
There prattled they, discoursed the right and wrong,
Turned wrong to right, proved wolves sheep and sheep wolves,
So that you scarce distinguished fell from fleece;
Till out spoke a great guardian of the fold,
Stood up, put forth his hand that held the crook,
And motioned that the arrested point decline:
Horribly off, the wriggling dead-weight reeled,
Rushed to the bottom and lay ruined there.
Though still at the pit's mouth, despite the smoke
O' the burning, tarriers turned again to talk
And trim the balance, and detect at least
A touch of wolf in what showed whitest sheep,
A cross of sheep redeeming the whole wolf,—
Vex truth a little longer:—less and less,
Because years came and went, and more and more
Brought new lies with them to be loved in turn.
Till all at once the memory of the thing,—
The fact that, wolves or sheep, such creatures were,—
Which hitherto, however men supposed,
Had somehow plain and pillar-like prevailed
I' the midst of them, indisputably fact,
Granite, time's tooth should grate against, not graze,—
Why, this proved sandstone, friable, fast to fly
And give its grain away at wish o' the wind.
Ever and ever more diminutive,
Base gone, shaft lost, only entablature,
Dwindled into no bigger than a book,
Lay of the column; and that little, left
By the roadside 'mid the ordure, shards and weeds.
Until I haply, wandering that lone way,
Kicked it up, turned it over, and recognized,
For all the crumblement, this abacus,
This square old yellow book,—could calculate
By this the lost proportions of the style.

This was it from, my fancy with those facts,
I used to tell the tale, turned gay to grave,
But lacked a listener seldom; such alloy,
Such substance of me interfused the gold
Which, wrought into a shapely ring therewith,
Hammered and filed, fingered and favoured, last
Lay ready for the renovating wash
O' the water. "How much of the tale was true?"
I disappeared; the book grew all in all;
The lawyers' pleadings swelled back to their size,—
Doubled in two, the crease upon them yet,
For more commodity of carriage, see!—
And these are letters, veritable sheets
That brought posthaste the news to Florence, writ
At Rome the day Count Guido died, we find,
To stay the craving of a client there,
Who bound the same and so produced my book.
Lovers of dead truth, did ye fare the worse?
Lovers of live truth, found ye false my tale?

Well, now; there's nothing in nor out o' the world
Good except truth: yet this, the something else,
What's this then, which proves good yet seems untrue?
This that I mixed with truth, motions of mine
That quickened, made the inertness malleolable
O'the gold was not mine,—what's your name for this?
Are means to the end, themselves in part the end?
Is fiction which makes fact alive, fact too?
The somehow may be thishow.

I find first
Writ down for very A B C of fact,
"In the beginning God made heaven and earth;"
From which, no matter with what lisp, I spell
And speak you out a consequence—that man,
Man,—as befits the made, the inferior thing,—
Purposed, since made, to grow, not make in turn,
Yet forced to try and make, else fail to grow,—
Formed to rise, reach at, if not grasp and gain
The good beyond him,—which attempt is growth,—
Repeats God's process in man's due degree,
Attaining man's proportionate result,—
Creates, no, but resuscitates, perhaps.
Inalienable, the arch-prerogative
Which turns thought, act—conceives, expresses too!
No less, man, bounded, yearning to be free,
May so proiect his surplusage of soul
In search of body, so add self to self
By owning what lay ownerless before,—
So find, so fill full, so appropriate forms—
That, although nothing which had never life
Shall get life from him, be, not having been,
Yet, something dead may get to live again,
Something with too much life or not enough,
Which, either way imperfect, ended once:
An end whereat man's impulse intervenes,
Makes new beginning, starts the dead alive,
Completes the incomplete and saves the thing.
Man's breath were vain to light a virgin wick,—
Half-burned-out, all but quite-quenched wicks o' the lamp
Stationed for temple-service on this earth,
These indeed let him breathe on and relume!
For such man's feat is, in the due degree,
—Mimic creation, galvanism for life,
But still a glory portioned in the scale.
Why did the mage say,—feeling as we are wont
For truth, and stopping midway short of truth,
And resting on a lie,—"I raise a ghost"?
"Because," he taught adepts, "man makes not man.
"Yet by a special gift, an art of arts,
"More insight and more outsight and much more
"Will to use both of these than boast my mates,
"I can detach from me, commission forth
"Half of my soul; which in its pilgrimage
"O'er old unwandered waste ways of the world,
"May chance upon some fragment of a whole,
"Rag of flesh, scrap of bone in dim disuse,
"Smoking flax that fed fire once: prompt therein
"I enter, spark-like, put old powers to play,
"Push lines out to the limit, lead forth last
"(By a moonrise through a ruin of a crypt)
"What shall be mistily seen, murmuringly heard,
"Mistakenly felt: then write my name with Faust's!"
Oh, Faust, why Faust? Was not Elisha once?—
Who bade them lay his staff on a corpse-face.
There was no voice, no hearing: he went in
Therefore, and shut the door upon them twain,
And prayed unto the Lord: and he went up
And lay upon the corpse, dead on the couch,
And put his mouth upon its mouth, his eyes
Upon its eyes, his hands upon its hands,
And stretched him on the flesh; the flesh waxed warm:
And he returned, walked to and fro the house,
And went up, stretched him on the flesh again,
And the eyes opened. 'T is a credible feat
With the right man and way.

Enough of me!
The Book! I turn its medicinable leaves
In London now till, as in Florence erst,
A spirit laughs and leaps through every limb,
And lights my eye, and lifts me by the hair,
Letting me have my will again with these
—How title I the dead alive once more?

Count Guido Franceschini the Aretine,
Descended of an ancient house, though poor,
A beak-nosed bushy-bearded black-haired lord,
Lean, pallid, low of stature yet robust,
Fifty years old,—having four years ago
Married Pompilia Comparini, young,
Good, beautiful, at Rome, where she was born,
And brought her to Arezzo, where they lived
Unhappy lives, whatever curse the cause,—
This husband, taking four accomplices,
Followed this wife to Rome, where she was fled
From their Arezzo to find peace again,
In convoy, eight months earlier, of a priest,
Aretine also, of still nobler birth,
Giuseppe Caponsacchi,—caught her there
Quiet in a villa on a Christmas night,
With only Pietro and Violante by,
Both her putative parents; killed the three,
Aged, they, seventy each, and she, seventeen,
And, two weeks since, the mother of his babe
First-born and heir to what the style was worth
O' the Guido who determined, dared and did
This deed just as he purposed point by point.
Then, bent upon escape, but hotly pressed,
And captured with his co-mates that same night,
He, brought to trial, stood on this defence—
Injury to his honour caused the act;
And since his wife was false, (as manifest
By flight from home in such companionship,)
Death, punishment deserved of the false wife
And faithless parents who abetted her
I' the flight aforesaid, wronged nor God nor man.
"Nor false she, nor yet faithless they," replied
The accuser; "cloaked and masked this murder glooms;
"True was Pompilia, loyal too the pair;
"Out of the man's own heart a monster curled
"Which crime coiled with connivancy at crime—
"His victim's breast, he tells you, hatched and reared;
"Uncoil we and stretch stark the worm of hell!"
A month the trial swayed this way and that
Ere judgment settled down on Guido's guilt;
Then was the Pope, that good Twelfth Innocent,
Appealed to: who well weighed what went before,
Affirmed the guilt and gave the guilty doom.

Let this old woe step on the stage again!
Act itself o'er anew for men to judge,
Not by the very sense and sight indeed—
(Which take at best imperfect cognizance,
Since, how heart moves brain, and how both move hand,
What mortal ever in entirety saw?)
—No dose of purer truth than man digests,
But truth with falsehood, milk that feeds him now,
Not strong meat he may get to bear some day—
To-wit, by voices we call evidence,
Uproar in the echo, live fact deadened down,
Talked over, bruited abroad, whispered away,
Yet helping us to all we seem to hear:
For how else know we save by worth of word?

Here are the voices presently shall sound
In due succession. First, the world's outcry
Around the rush and ripple of any fact
Fallen stonewise, plumb on the smooth face of things;
The world's guess, as it crowds the bank o' the pool,
At what were figure and substance, by their splash:
Then, by vibrations in the general mind,
At depth of deed already out of reach.
This threefold murder of the day before,—
Say, Half-Rome's feel after the vanished truth;
Honest enough, as the way is: all the same,
Harbouring in the centre of its sense
A hidden germ of failure, shy but sure,
To neutralize that honesty and leave
That feel for truth at fault, as the way is too.
Some prepossession such as starts amiss,
By but a hair's breadth at the shoulder-blade,
The arm o' the feeler, dip he ne'er so bold;
So leads arm waveringly, lets fall wide
O' the mark its finger, sent to find and fix
Truth at the bottom, that deceptive speck.
With this Half-Rome,—the source of swerving, call
Over-belief in Guido's right and wrong
Rather than in Pompilia's wrong and right:
Who shall say how, who shall say why? 'T is there
The instinctive theorizing whence a fact
Looks to the eye as the eye likes the look.
Gossip in a public place, a sample-speech.
Some worthy, with his previous hint to find
A husband's side the safer, and no whit
Aware he is not Æacus the while,—
How such an one supposes and states fact
To whosoever of a multitude
Will listen, and perhaps prolong thereby
The not-unpleasant flutter at the breast,
Born of a certain spectacle shut in
By the church Lorenzo opposite. So, they lounge
Midway the mouth o'the street, on Corso side,
'Twixt palace Fiano and palace Ruspoli,
Linger and listen; keeping clear o' the crowd,
Yet wishful one could lend that crowd one's eyes,
(So universal is its plague of squint)
And make hearts beat our time that flutter false:
—All for the truth's sake, mere truth, nothing else!
How Half-Rome found for Guido much excuse.

Next, from Rome's other half, the opposite feel
For truth with a like swerve, like unsuccess,—
Or if success, by no skill but more luck
This time, through siding rather with the wife,
Because a fancy-fit inclined that way,
Than with the husband. One wears drab, one pink;
Who wears pink, ask him "Which shall win the race,
"Of coupled runners like as egg and egg?"
"—Why, if I must choose, he with the pink scarf."
Doubtless for some such reason choice fell here.
A piece of public talk to correspond
At the next stage of the story; just a day
Let pass and new day brings the proper change.
Another sample-speech i' the market-place
O' the Barberini by the Capucins;
Where the old Triton, at his fountain-sport,
Bernini's creature plated to the paps,
Puffs up steel sleet which breaks to diamond dust,
A spray of sparkles snorted from his conch,
High over the caritellas, out o' the way
O' the motley merchandizing multitude.
Our murder has been done three days ago,
The frost is over and gone, the south wind laughs,
And, to the very tiles of each red roof
A-smoke i' the sunshine, Rome lies gold and glad:
So, listen how, to the other half of Rome,
Pompilia seemed a saint and martyr both!

Then, yet another day let come and go,
With pause prelusive still of novelty,
Hear a fresh speaker!—neither this nor that
Half-Rome aforesaid; something bred of both:
One and one breed the inevitable three.
Such is the personage harangues you next;
The elaborated product, tertium quid:
Rome's first commotion in subsidence gives
The curd o'the cream, flower o' the wheat, as it were,
And finer sense o' the city. Is this plain?
You get a reasoned statement of the case,
Eventual verdict of the curious few
Who care to sift a business to the bran
Nor coarsely bolt it like the simpler sort.
Here, after ignorance, instruction speaks;
Here, clarity of candour, history's soul,
The critical mind, in short: no gossip-guess.
What the superior social section thinks,
In person of some man of quality
Who,—breathing musk from lace-work and brocade,
His solitaire amid the flow of frill,
Powdered peruke on nose, and bag at back,
And cane dependent from the ruffled wrist,—
Harangues in silvery and selectest phrase
'Neath waxlight in a glorified saloon
Where mirrors multiply the girandole:
Courting the approbation of no mob,
But Eminence This and All-Illustrious That
Who take snuff softly, range in well-bred ring,
Card-table-quitters for observance' sake,
Around the argument, the rational word—
Still, spite its weight and worth, a sample-speech.
How Quality dissertated on the case.

So much for Rome and rumour; smoke comes first:
Once let smoke rise untroubled, we descry
Clearlier what tongues of flame may spire and spit
To eye and ear, each with appropriate tinge
According to its food, or pure or foul.
The actors, no mere rumours of the act,
Intervene. First you hear Count Guido's voice,
In a small chamber that adjoins the court,
Where Governor and Judges, summoned thence,
Tommati, Venturini and the rest,
Find the accused ripe for declaring truth.
Soft-cushioned sits he; yet shifts seat, shirks touch,
As, with a twitchy brow and wincing lip
And cheek that changes to all kinds of white,
He proffers his defence, in tones subdued
Near to mock-mildness now, so mournful seems
The obtuser sense truth fails to satisfy;
Now, moved, from pathos at the wrong endured,
To passion; for the natural man is roused
At fools who first do wrong then pour the blame
Of their wrong-doing, Satan-like, on Job.
Also his tongue at times is hard to curb;
Incisive, nigh satiric bites the phrase,
Rough-raw, yet somehow claiming privilege
—It is so hard for shrewdness to admit
Folly means no harm when she calls black white!
—Eruption momentary at the most,
Modified forthwith by a fall o' the fire,
Sage acquiescence; for the world's the world,
And, what it errs in, Judges rectify:
He feels he has a fist, then folds his arms
Crosswise and makes his mind up to be meek.
And never once does he detach his eye
From those ranged there to slay him or to save,
But does his best man's-service for himself,
Despite,—what twitches brow and makes lip wince,—
His limbs' late taste of what was called the Cord,
Or Vigil-torture more facetiously.
Even so; they were wont to tease the truth
Out of loth witness (toying, trifling time)
By torture: 't was a trick, a vice of the age,
Here, there and everywhere, what would you have?
Religion used to tell Humanity
She gave him warrant or denied him course.
And since the course was much to his own mind,
Of pinching flesh and pulling bone from bone
To unhusk truth a-hiding in its hulls,
Nor whisper of a warning stopped the way,
He, in their joint behalf, the burly slave,
Bestirred him, mauled and maimed all recusants,
While, prim in place, Religion overlooked;
And so had done till doomsday, never a sign
Nor sound of interference from her mouth,
But that at last the burly slave wiped brow,
Let eye give notice as if soul were there,
Muttered "'T is a vile trick, foolish more than vile,
"Should have been counted sin; I make it so:
"At any rate no more of it for me—
"Nay, for I break the torture-engine thus!"
Then did Religion start up, stare amain,
Look round for help and see none, smile and say
"What, broken is the rack? Well done of thee!
"Did I forget to abrogate its use?
"Be the mistake in common with us both!
"—One more fault our blind age shall answer for,
"Down in my book denounced though it must be
"Somewhere. Henceforth find truth by milder means!"
Ah but, Religion, did we wait for thee
To ope the book, that serves to sit upon,
And pick such place out, we should wait indeed!
That is all history: and what is not now,
Was then, defendants found it to their cost.
How Guido, after being tortured, spoke.

Also hear Caponsacchi who comes next,
Man and priest—could you comprehend the coil!—
In days when that was rife which now is rare.
How, mingling each its multifarious wires,
Now heaven, now earth, now heaven and earth at once,
Had plucked at and perplexed their puppet here,
Played off the young frank personable priest;
Sworn fast and tonsured plain heaven's celibate,
And yet earth's clear-accepted servitor,
A courtly spiritual Cupid, squire of dames
By law of love and mandate of the mode.
The Church's own, or why parade her seal,
Wherefore that chrism and consecrative work?
Yet verily the world's, or why go badged
A prince of sonneteers and lutanists,
Show colour of each vanity in vogue
Borne with decorum due on blameless breast?
All that is changed now, as he tells the court
How he had played the part excepted at;
Tells it, moreover, now the second time:
Since, for his cause of scandal, his own share
I' the flight from home and husband of the wife,
He has been censured, punished in a sort
By relegation,—exile, we should say,
To a short distance for a little time,—
Whence he is summoned on a sudden now,
Informed that she, he thought to save, is lost,
And, in a breath, bidden re-tell his tale,
Since the first telling somehow missed effect,
And then advise in the matter. There stands he,
While the same grim black-panelled chamber blinks
As though rubbed shiny with the sins of Rome
Told the same oak for ages—wave-washed wall
Against which sets a sea of wickedness.
There, where you yesterday heard Guido speak,
Speaks Caponsacchi; and there face him too
Tommati, Venturini and the rest
Who, eight months earlier, scarce repressed the smile,
Forewent the wink; waived recognition so
Of peccadillos incident to youth,
Especially youth high-born; for youth means love,
Vows can't change nature, priests are only men,
And love likes stratagem and subterfuge
Which age, that once was youth, should recognize,
May blame, but needs not press too hard upon.
Here sit the old Judges then, but with no grace
Of reverend carriage, magisterial port:
For why? The accused of eight months since,—the same
Who cut the conscious figure of a fool,
Changed countenance, dropped bashful gaze to ground,
While hesitating for an answer then,—
Now is grown judge himself, terrifies now
This, now the other culprit called a judge,
Whose turn it is to stammer and look strange,
As he speaks rapidly, angrily, speech that smites:
And they keep silence, bear blow after blow,
Because the seeming-solitary man,
Speaking for God, may have an audience too,
Invisible, no discreet judge provokes.
How the priest Caponsacchi said his say.

Then a soul sighs its lowest and its last
After the loud ones,—so much breath remains
Unused by the four-days'-dying; for she lived
Thus long, miraculously long, 't was thought,
Just that Pompilia might defend herself.
How, while the hireling and the alien stoop,
Comfort, yet question,—since the time is brief,
And folk, allowably inquisitive,
Encircle the low pallet where she lies
In the good house that helps the poor to die,—
Pompilia tells the story of her life.
For friend and lover,—leech and man of law
Do service; busy helpful ministrants
As varied in their calling as their mind,
Temper and age: and yet from all of these,
About the white bed under the arched roof,
Is somehow, as it were, evolved a one,—
Small separate sympathies combined and large,
Nothings that were, grown something very much:
As if the bystanders gave each his straw,
All he had, though a trifle in itself,
Which, plaited all together, made a Cross
Fit to die looking on and praying with,
Just as well as if ivory or gold.
So, to the common kindliness she speaks,
There being scarce more privacy at the last
For mind than body: but she is used to bear,
And only unused to the brotherly look.
How she endeavoured to explain her life.

Then, since a Trial ensued, a touch o' the same
To sober us, flustered with frothy talk,
And teach our common sense its helplessness.
For why deal simply with divining-rod,
Scrape where we fancy secret sources flow,
And ignore law, the recognized machine,
Elaborate display of pipe and wheel
Framed to unchoke, pump up and pour apace
Truth till a flowery foam shall wash the world?
The patent truth-extracting process,—ha?
Let us make that grave mystery turn one wheel,
Give you a single grind of law at least!
One orator, of two on either side,
Shall teach us the puissance of the tongue
—That is, o' the pen which simulated tongue
On paper and saved all except the sound
Which never was. Law's speech beside law's thought?
That were too stunning, too immense an odds:
That point of vantage law lets nobly pass.
One lawyer shall admit us to behold
The manner of the making out a case,
First fashion of a speech; the chick in egg,
The masterpiece law's bosom incubates.
How Don Giacinto of the Arcangeli,
Called Procurator of the Poor at Rome,
Now advocate for Guido and his mates,—
The jolly learned man of middle age,
Cheek and jowl all in laps with fat and law,
Mirthful as mighty, yet, as great hearts use,
Despite the name and fame that tempt our flesh,
Constant to that devotion of the hearth,
Still captive in those dear domestic ties!—
How he,—having a cause to triumph with,
All kind of interests to keep intact,
More than one efficacious personage
To tranquillize, conciliate and secure,
And above all, public anxiety
To quiet, show its Guido in good hands,—
Also, as if such burdens were too light,
A certain family-feast to claim his care,
The birthday-banquet for the only son—
Paternity at smiling strife with law—
How he brings both to buckle in one bond;
And, thick at throat, with waterish under-eye,
Turns to his task and settles in his seat
And puts his utmost means in practice now:
Wheezes out law-phrase, whiffles Latin forth,
And, just as though roast lamb would never be,
Makes logic levigate the big crime small:
Rubs palm on palm, rakes foot with itchy foot,
Conceives and inchoates the argument,
Sprinkling each flower appropriate to the time,
—Ovidian quip or Ciceronian crank,
A-bubble in the larynx while he laughs,
As he had fritters deep down frying there.
How he turns, twists, and tries the oily thing
Shall be—first speech for Guido 'gainst the Fisc.
Then with a skip as it were from heel to head,
Leaving yourselves fill up the middle bulk
O' the Trial, reconstruct its shape august,
From such exordium clap we to the close;
Give you, if we dare wing to such a height,
The absolute glory in some full-grown speech
On the other side, some finished butterfly,
Some breathing diamond-flake with leaf-gold fans,
That takes the air, no trace of worm it was,
Or cabbage-bed it had production from.
Giovambattista o' the Bottini, Fisc,
Pompilia's patron by the chance of the hour,
To-morrow her persecutor,—composite, he,
As becomes who must meet such various calls—
Odds of age joined in him with ends of youth.
A man of ready smile and facile tear,
Improvised hopes, despairs at nod and beck,
And language—ah, the gift of eloquence!
Language that goes, goes, easy as a glove,
O'er good and evil, smoothens both to one.
Rashness helps caution with him, fires the straw,
In free enthusiastic careless fit,
On the first proper pinnacle of rock
Which offers, as reward for all that zeal,
To lure some bark to founder and bring gain:
While calm sits Caution, rapt with heavenward eye,
A true confessor's gaze, amid the glare
Beaconing to the breaker, death and hell.
"Well done, thou good and faithful" she approves:
"Hadst thou let slip a faggot to the beach,
"The crew might surely spy thy precipice
"And save their boat; the simple and the slow
"Might so, forsooth, forestall the wrecker's fee!
"Let the next crew be wise and hail in time!"
Just so compounded is the outside man,
Blue juvenile pure eye and pippin cheek,
And brow all prematurely soiled and seamed
With sudden age, bright devastated hair.
Ah, but you miss the very tones o' the voice,
The scrannel pipe that screams in heights of head,
As, in his modest studio, all alone,
The tall wight stands a-tiptoe, strives and strains,
Both eyes shut, like the cockerel that would crow,
Tries to his own self amorously o'er
What never will be uttered else than so—
Since to the four walls, Forum and Mars' Hill,
Speaks out the poesy which, penned, turns prose.
Clavecinist debarred his instrument,
He yet thrums—shirking neither turn nor trill,
With desperate finger on dumb table-edge—
The sovereign rondo, shall conclude his Suite,
Charm an imaginary audience there,
From old Corelli to young Haendel, both
I' the flesh at Rome, ere he perforce go print
The cold black score, mere music for the mind—
The last speech against Guido and his gang,
With special end to prove Pompilia pure.
How the Fisc vindicates Pompilia's fame.

Then comes the all but end, the ultimate
Judgment save yours. Pope Innocent the Twelfth,
Simple, sagacious, mild yet resolute,
With prudence, probity and—what beside
From the other world he feels impress at times,
Having attained to fourscore years and six,—
How, when the court found Guido and the rest
Guilty, but law supplied a subterfuge
And passed the final sentence to the Pope,
He, bringing his intelligence to bear
This last time on what ball behoves him drop
In the urn, or white or black, does drop a black,
Send five souls more to just precede his own,
Stand him in stead and witness, if need were,
How he is wont to do God's work on earth.
The manner of his sitting out the dim
Droop of a sombre February day
In the plain closet where he does such work,
With, from all Peter's treasury, one stool,
One table and one lathen crucifix.
There sits the Pope, his thoughts for company;
Grave but not sad,—nay, something like a cheer
Leaves the lips free to be benevolent,
Which, all day long, did duty firm and fast.
A cherishing there is of foot and knee,
A chafing loose-skinned large-veined hand with hand,—
What steward but knows when stewardship earns its wage,
May levy praise, anticipate the lord?
He reads, notes, lays the papers down at last,
Muses, then takes a turn about the room;
Unclasps a huge tome in an antique guise,
Primitive print and tongue half obsolete,
That stands him in diurnal stead; opes page,
Finds place where falls the passage to be conned
According to an order long in use:
And, as he comes upon the evening's chance,
Starts somewhat, solemnizes straight his smile,
Then reads aloud that portion first to last,
And at the end lets flow his own thoughts forth
Likewise aloud, for respite and relief,
Till by the dreary relics of the west
Wan through the half-moon window, all his light,
He bows the head while the lips move in prayer,
Writes some three brief lines, signs and seals the same,
Tinkles a hand-bell, bids the obsequious Sir
Who puts foot presently o' the closet-sill
He watched outside of, bear as superscribed
That mandate to the Governor forthwith:
Then heaves abroad his cares in one good sigh,
Traverses corridor with no arm's help,
And so to sup as a clear conscience should.
The manner of the judgment of the Pope.

Then must speak Guido yet a second time,
Satan's old saw being apt here—skin for skin,
All a man hath that will he give for life.
While life was graspable and gainable,
And bird-like buzzed her wings round Guido's brow,
Not much truth stiffened out the web of words
He wove to catch her: when away she flew
And death came, death's breath rivelled up the lies,
Left bare the metal thread, the fibre fine
Of truth, i' the spinning: the true words shone last.
How Guido, to another purpose quite,
Speaks and despairs, the last night of his life,
In that New Prison by Castle Angelo
At the bridge foot: the same man, another voice.
On a stone bench in a close fetid cell,
Where the hot vapour of an agony,
Struck into drops on the cold wall, runs down—
Horrible worms made out of sweat and tears—
There crouch, well nigh to the knees in dungeon-straw,
Lit by the sole lamp suffered for their sake,
Two awe-struck figures, this a Cardinal,
That an Abate, both of old styled friends
O' the thing part man part monster in the midst,
So changed is Franceschini's gentle blood.
The tiger-cat screams now, that whined before,
That pried and tried and trod so gingerly,
Till in its silkiness the trap-teeth joined;
Then you know how the bristling fury foams.
They listen, this wrapped in his folds of red,
While his feet fumble for the filth below;
The other, as beseems a stouter heart,
Working his best with beads and cross to ban
The enemy that comes in like a flood
Spite of the standard set up, verily
And in no trope at all, against him there
For at the prison-gate, just a few steps
Outside, already, in the doubtful dawn,
Thither, from this side and from that, slow sweep
And settle down in silence solidly,
Crow-wise, the frightful Brotherhood of Death.
Black-hatted and black-hooded huddle they,
Black rosaries a-dangling from each waist;
So take they their grim station at the door,
Torches lit, skull-and-cross-bones-banner spread,
And that gigantic Christ with open arms,
Grounded. Nor lacks there aught but that the group
Break forth, intone the lamentable psalm,
"Out of the deeps, Lord, have I cried to thee!"—
When inside, from the true profound, a sign
Shall bear intelligence that the foe is foiled,
Count Guido Franceschini has confessed,
And is absolved and reconciled with God.
Then they, intoning, may begin their march,
Make by the longest way for the People's Square,
Carry the criminal to his crime's award:
A mob to cleave, a scaffolding to reach,
Two gallows and Mannaia crowning all.
How Guido made defence a second time.

Finally, even as thus by step and step
I led you from the level of to-day
Up to the summit of so long ago,
Here, whence I point you the wide prospect round—
Let me, by like steps, slope you back to smooth,
Land you on mother-earth, no whit the worse,
To feed o' the fat o' the furrow: free to dwell,
Taste our time's better things profusely spread
For all who love the level, corn and wine,
Much cattle and the many-folded fleece.
Shall not my friends go feast again on sward,
Though cognizant of country in the clouds
Higher than wistful eagle's horny eye
Ever unclosed for, 'mid ancestral crags,
When morning broke and Spring was back once more,
And he died, heaven, save by his heart, unreached?
Yet heaven my fancy lifts to, ladder-like,—
As Jack reached, holpen of his beanstalk-rungs!

A novel country: I might make it mine
By choosing which one aspect of the year
Suited mood best, and putting solely that
On panel somewhere in the House of Fame,
Landscaping what I saved, not what I saw:
—Might fix you, whether frost in goblin-time
Startled the moon with his abrupt bright laugh,
Or, August's hair afloat in filmy fire,
She fell, arms wide, face foremost on the world,
Swooned there and so singed out the strength of things.
Thus were abolished Spring and Autumn both,
The land dwarfed to one likeness of the land,
Life cramped corpse-fashion. Rather learn and love
Each facet-flash of the revolving year!—
Red, green and blue that whirl into a white,
The variance now, the eventual unity,
Which make the miracle. See it for yourselves,
This man's act, changeable because alive!
Action now shrouds, nor shows the informing thought;
Man, like a glass ball with a spark a-top,
Out of the magic fire that lurks inside,
Shows one tint at a time to take the eye:
Which, let a finger touch the silent sleep,
Shifted a hair's-breadth shoots you dark for bright,
Suffuses bright with dark, and baffles so
Your sentence absolute for shine or shade.
Once set such orbs,—white styled, black stigmatized,—
A-rolling, see them once on the other side
Your good men and your bad men every one
From Guido Franceschini to Guy Faux,
Oft would you rub your eyes and change your names

Such, British Public, ye who like me not,
(God love you!)—whom I yet have laboured for,
Perchance more careful whoso runs may read
Than erst when all, it seemed, could read who ran,—
Perchance more careless whoso reads may praise
Than late when he who praised and read and wrote
Was apt to find himself the self-same me,—
Such labour had such issue, so I wrought
This arc, by furtherance of such alloy,
And so, by one spirt, take away its trace
Till, justifiably golden, rounds my ring.

A ring without a posy, and that ring mine?

O lyric Love, half angel and half bird
And all a wonder and a wild desire,—
Boldest of hearts that ever braved the sun,
Took sanctuary within the holier blue,
And sang a kindred soul out to his face,—
Yet human at the red-ripe of the heart—
When the first summons from the darkling earth
Reached thee amid thy chambers, blanched their blue,
And bared them of the glory—to drop down,
To toil for man, to suffer or to die,—
This is the same voice: can thy soul know change?
Hail then, and hearken from the realms of help!
Never may I commence my song, my due
To God who best taught song by gift of thee,
Except with bent head and beseeching hand—
That still, despite the distance and the dark,
What was, again may be; some interchange
Of grace, some splendour once thy very thought,
Some benediction anciently thy smile:
—Never conclude, but raising hand and head
Thither where eyes, that cannot reach, yet yearn
For all hope, all sustainment, all reward,
Their utmost up and on,—so blessing back
In those thy realms of help, that heaven thy home,
Some whiteness which, I judge, thy face makes proud,
Some wanness where, I think, thy foot may fall!

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Yet Another Poem About The Poet And The Poem

Yet another poem about the poet and the poem
Another self- reflexive indulgence in idle self- definition-
While the real world and the real poetry
Go on in their own way-

As if this poem and this poet
Do not know how
To Exist.

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About The Sparrow In The Park

that there was once a sparrow
in the park
Papa and I never had the
time seeing it
we did not spend time
together
sitting in the park
viewing a sparrow in front of us
i never had the chance
asking him about the sparrow
neither did he.

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About The Tomorrow

Don't worry so much about the tomorrow
For life doesn't only show you sorrow

So be happy and try to forget
All bad things in your life you have met

For good and bad and all kind of things
Come rushing towards you in a ring

So try to pick and avail these chance
And see how joy can be bought in advance

For once if you'll learn to handle with care
All sorts of trouble and distress my dear

Then you'll know that life not only show you sorrow
But there're chances of some nice and bright tomorrow.

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Left...Behind! As Two Thousand and Ten Begins

Left...
Behind!
Those who have closed the doors,
On themselves.
Those seeking to find pieces that make sense,
From a decade that has ended...
In two thousand and nine.
And as two thousand and ten begins,
Not one of them is prepared.
A freshness is there,
But they are not!

Left...
Behind!
Doing the best they can with minds,
Shattered!
From a correctness that in itself,
Was splitting apart.
In divisions they decided,
With complete with righteousness.
And those who rode the stormy seas,
Unafraid to let go...
Are bestowed with enlightenment.
As if this was meant to be!

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John Keats

Keen, Fitful Gusts are Whisp'ring Here and There

Keen, fitful gusts are whisp'ring here and there
Among the bushes half leafless, and dry;
The stars look very cold about the sky,
And I have many miles on foot to fare.
Yet feel I little of the cool bleak air,
Or of the dead leaves rustling drearily,
Or of those silver lamps that burn on high,
Or of the distance from home's pleasant lair:
For I am brimfull of the friendliness
That in a little cottage I have found;
Of fair-hair'd Milton's eloquent distress,
And all his love for gentle Lycid drown'd;
Of lovely Laura in her light green dress,
And faithful Petrarch gloriously crown'd.

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