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Some of us are like a shovel brigade that follow a parade down Main Street cleaning up.

quote by Donald T. Regan
Added by Lucian Velea
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Fire Brigade

Cast your mind back ten years
To the girl whos next to me in school
If I put me hand upon her leg
She hit me with a rule
Though tomorrow wont be long
Youre gonna have to play it cool
You get fascinated by her
She could set the place on fire
Run and get the fire brigade
Get the fire brigade
See the buildings start to really burn
Get the fire brigade
Get the fire brigade
If you jump youve got to wait your turn
Friends all seem to laugh
I fear Im apt to make a compromise
Try to reassure myself
My head must need some exercise
Half past ten in the morning
She just took me by surprise
True she set the place on fire
You get fascinated by her
Run and get the fire brigade
Get the fire brigade
See the buildings start to really burn
Get the fire brigade
Get the fire brigade
If you jump youve got to wait your turn
The lights across the street throw a rainbow
Id love you all to meet her
Ill be there, Ill be there
Notice that my eyes have been
A misty place since saturday
Brings a feeling we might lead
The fire engines anyway
Though tomorrow wont be long
Youre gonna have to play it cool
You get fascinated by her
She could set the place on fire
Run and get the fire brigade
Get the fire brigade
See the buildings start to really burn
Get the fire brigade
Get the fire brigade
If you jump youve got to wait your turn
Run and get the fire brigade
Get the fire brigade
See the buildings start to really burn
Get the fire brigade
Get the fire brigade

[...] Read more

song performed by Electric Light Orchestra
Added by Lucian Velea
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My Little World

1 2 3 4.
1 2 3 4.
Little boy up in (? )...
Thats left behind to sin.
Moving like a camera I can watch you on my screen.
Fall into a shadow world inside of me.
Hidden like a treasure.
Secrets in my scene.
You can follow me.
Oh, you can follow me.
You can follow me.
Ah, you can follow me.
Scream inside.
Whisper.
Picture in a dream.
You can talk to me and we can talk forever.
I could take you to the doorway and I can give you the way, the key.
No one here can see you, no one here but me.
Fall into our shadow, theres another world in me.
And youre invited.
And youre invited.
In the little world I make with all the little things I take...
A million ways to pass the time, in this little world of mine.
You can follow me.
Oh, you can follow me.
You can follow me.
Oh, you can follow you can follow you can follow follow follow follow follow.
You can follow me.
Oh, you can follow me.
Secrets in this world.
Picture in a dream.
No one here can see you, no one here but me.
And you can follow me.
Oh, you can follow me.
You can follow me.
Oh, you can follow me.
You can follow me.
Oh, you can follow me.
You can follow me.
Oh, you can follow.
In the little world I make with all the little things I take...
A million ways to pass the time, in this little world of mine.
You can follow me, follow me.
You can follow me.
Oh, you can follow.
You can follow me. follow me.
You can follow me. follow me.
You can follow me.
You can follow me.
You can follow me.

[...] Read more

song performed by Blondie
Added by Lucian Velea
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I Will Follow

Yonder mountain so high
I cant make it all on my own, no
Rolling river why so wide?
To sweep me up and to bear me on
Up against the sky so bright
That I cant even close my eyes
I know I will follow (follow love)
Yes, yes, I will follow (follow love)
I will follow (follow love)
Follow love
Growing slowly like a tree
Someday soon, darling I love you
I love you
Soft and gentle, full summer moon
Set my soul free
Thank you, baby
Drifting like a cloud in the sky
I can see myself from high above
I know I must follow (follow love)
Somehow I will follow (follow love)
I must follow (follow love)
Follow love
Oh, half the future and half the past
Theyre waiting inside your eyes
Yes, and after all of this
To last and last
Till at last its your time to rise, rise
True believer that I am
I am blind, lead me on (lead me on)
Blessed receiver of your love
I own my own time
And Ive been holding on (holding on)
Leave the word unspoken
And the spell will not be broken
And Im bound to follow, now (follow love)
I know I must go (follow love)
I must follow (follow love)
Yes, I must follow (follow love)
Someone to hold my hand (follow love)
Somebody to lead me on(follow love)
Somebody to walk beside me (follow love)
Someone to follow me now (follow love)
I must follow love (follow love)
I will fall in love
I will follow love (follow love)
Anywhere it leads me
I will follow love (follow love)
Follow love

song performed by James Taylor
Added by Lucian Velea
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The Centerarian's Story

GIVE me your hand, old Revolutionary;
The hill-top is nigh--but a few steps, (make room, gentlemen;)
Up the path you have follow'd me well, spite of your hundred and
extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.

Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp--one regiment departs to-morrow;
Do you hear the officers giving the orders?
Do you hear the clank of the muskets? 10

Why, what comes over you now, old man?
Why do you tremble, and clutch my hand so convulsively?
The troops are but drilling--they are yet surrounded with smiles;
Around them, at hand, the well-drest friends, and the women;
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze,
O'er proud and peaceful cities, and arm of the sea between.
But drill and parade are over--they march back to quarters;
Only hear that approval of hands! hear what a clapping!

As wending, the crowds now part and disperse--but we, old man, 20
Not for nothing have I brought you hither--we must remain;
You to speak in your turn, and I to listen and tell.

THE CENTENARIAN.

When I clutch'd your hand, it was not with terror;
But suddenly, pouring about me here, on every side,
And below there where the boys were drilling, and up the slopes they
ran,
And where tents are pitch'd, and wherever you see, south and south-
east and south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill'd over), came again, and
suddenly raged,
As eighty-five years agone, no mere parade receiv'd with applause of
friends,
But a battle, which I took part in myself--aye, long ago as it is, I
took part in it, 30
Walking then this hill-top, this same ground.

Aye, this is the ground;
My blind eyes, even as I speak, behold it re-peopled from graves;
The years recede, pavements and stately houses disappear;
Rude forts appear again, the old hoop'd guns are mounted;
I see the lines of rais'd earth stretching from river to bay;
I mark the vista of waters, I mark the uplands and slopes:

[...] Read more

poem by Walt Whitman
Added by Poetry Lover
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Follow Me

Follow Me"
What we gon' do now (oh lord, try some if u like it)
Is slow it down on tha flo (you know you like that)
(try some if you like that)
Uh oh
Uh oh, yeah
When you look from outside
All you see is videos and shows (yeah)
But there's more to my life than people could ever know (uh huh)
Sometimes I gotta smile (smile)
When I don't feel like smiling
Sit back and ride (ride)
When I feel like driving
Nobody understands but you girl (fo sho)
I can always be myself with you girl
That's why I'm singing
[Chorus]
Ooooh I can't believe it
You came just in time with what I needed
And you're not like the other girls I meet everyday
You stay down like them girls from around the way
Uh oh
That's why I had to say
Come follow me, come follow me, come follow me
Thats why I had to say
Come follow me, come follow me, come follow me (uh oh)
Thats why I had to say
Come follow me, come follow me, come follow me now
Right now
Since you been in my life
When I'm away from you I hurry home, aww yeah (aww yeah, I hurry home)
You live in my mind so I never feel like I'm alone, yeah (alone)
Sometimes I gotta go (go)
Where I don't feel like going
And when it gets too fast (fast)
And I feel like slowing down (slowing down)
No one understands but you
That's why I only see myself with you
[Chorus x2]
Ooooh I can't believe it
You came just in time with what I needed
And you're not like the other girls I meet everyday
You stay down like them girls from around the way
Come follow me, come follow me, come follow me (come now)
Come follow me, come follow me, come follow me (girl come follow me now)
Come follow me, come follow me, come follow me now (oooh)
Right now (right now)
You've been there for me and i'll (so i'll)
I'll be there for you girl
[Chorus x 3]

[...] Read more

song performed by Usher
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Slop They Dropped

Move from a tainting of a game maintained,
To have people painted to sustain a gain.
With a mopping up slop that's enjoyed alot.
But the cleaning of it up,
Will be theirs nonstop.

To mop up slop that's enjoyed alot.
But the cleaning of it up,
Will be theirs nonstop.

Move from a tainting of a game maintained,
To have people painted to sustain a gain.
With a mopping up slop that's enjoyed alot.
But the cleaning of it up,
Will be theirs nonstop.

Sticky fingerprints all over the place.
With a hoping that in time they will be erased.
And unhappiness appearing on faces now chased.
Those who mopped up slop they enjoyed alot.
But the cleaning of it up,
Is now theirs nonstop.

Those who mopped up slop they enjoyed alot.
But the cleaning of it up,
Is now theirs nonstop.

Those who mopped up slop they enjoyed alot.
But the cleaning of it up,
Is now theirs nonstop.

Sticky fingerprints all over the place.
With a hoping that in time they will be erased.
But the cleaning of it up,
Is now theirs nonstop.

It's too late to move from a tainting game,
To have people painted to sustain a gain.
'Cause the cleaning of it up,
Is now theirs nonstop.

It's too late to move from a tainting game
To have people painted to sustain a gain.
'Cause the cleaning of it up,
Is now theirs nonstop.

Tainting people's names to sustain a gain,
Has other people mopping up the slop they dropped.
Tainting people's names to sustain a gain,
Has other people mopping up the slop they dropped.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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Street Fighting Man

Everywhere I hear the sound of marching, charging feet, boy
cause summers here and the time is right for fighting in the street, boy
Tell me what can a poor boy do
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Do you think the time is right for a palace revolution
Where I live the game to play is compromise solution
Well then what can a poor boy
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Hey my name is called disturbance
Ill shout and scream, Ill kill the king, Ill rail at all his servants
Well what can a poor boy do
For sing for a rock n roll band
In this sleepy l.a. town
Theres just no place for
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man

song performed by Rage Against The Machine
Added by Lucian Velea
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Faces In The Street

They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
Drifting past, drifting past,
To the beat of weary feet --
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.

In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --
Flowing in, flowing in,
To the beat of hurried feet --
Ah! I sorrow for the owners of those faces in the street.

The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street --
Grinding body, grinding soul,
Yielding scarce enough to eat --
Oh! I sorrow for the owners of the faces in the street.

And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat --
Drifting round, drifting round,
To the tread of listless feet --
Ah! My heart aches for the owner of that sad face in the street.

And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street --
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.

And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,

[...] Read more

poem by Henry Lawson
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Strutting All Your Stuff On Main Street

On that avenue where your heartbreak is chased,
I follow you with wishes,
All your bitter kept feelings from you...
Fades away.
And I would see you,
Strutting all your stuff on Main Street.
I'd like to see you,
Strutting all your stuff on Main Street.

And with your head down like its been really tough,
Looking as if you're about to give life up...
But I wish,
You would 'dis' this to strut on Main Street.
Oh yes I miss you...
Strutting all your stuff on Main Street.

Just know I've done a boo-hoo too!
And that didn't do a thing to prove,
Anybody noticing would rescue...
Me from my grief to free it.

A public boo-hooing is not cool.
Since nobody will undo,
Your heartbreak that is felt.
Nobody else but..
Yourself to get over.

On that avenue where your heartbreak is chased,
I follow you with wishes to replace,
All those bitter feelings that you face...
To fade them away from your mind to stay,
And I'd see you...
Strutting all your stuff on Main Street.
Oh yes I miss you,
Strutting all your stuff on Main Street.
And I really want to see you,
Just strutting all your stuff on Main Street.

I'd like to see you,
Just strutting all your stuff.
With an attitude,
That you can't flaunt enough.
And doing that with a strutting that you do,
On Main Street.

I'd like to see you...
Strutting all your stuff on Main Street

poem by Lawrence S. Pertillar
Added by Poetry Lover
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The Grand Parade Of Lifeless Packaging

When all this revolution is over, he sits down on a highly polished floor while his dizziness fades away. it is an empty modern hallway and the dreamdoll saleslady sits at the reception desk. wi
Prompting she goes into her rap: this is the grand parade of lifeless packaging, those you are about to see are all in for servicing, except for a small quantity of our new product, in th
Ond gallery. it is all the stock required to cover the existing arrangements of the enterprise. different batches are distributed to area operators, and there are plenty of opportunities for the
E investor. they stretch from the costly care-conditioned to the most reasonable mal-nutritioned. we find here that everyones looks become them. except for the low market mal-nutritioned, each
Ovided with a guarantee for a successful birth and trouble free infancy. there is however only a small amount of variable choice potential - not too far from the mean differential. you see, the
Has predetermined the limits of ac
Tion of any group of packages, but individuals may move off the path if their diversions are counter-balanced by others.
Its the last great adventure left to mankind
- screams a drooping lady
Offering her dreamdolls at less than extortionate prices,
And as the notes and coins are taken out
Im taken in, to the factory floor.
For the grand parade of lifeless packaging
- all ready to use
The grand parade of lifeless packaging
- I just need a fuse.
Got people stocked in every shade,
Must be doing well with trade.
Stamped, addressed, in odd fatality.
That evens out their personality.
With profit potential marked by a sign,
I can recognise some of the production line,
No bite at all in labour bondage,
Just wrinkled wrappers or human bandage.
Grand parade of lifeless packaging
- all ready to use
Its the grand parade of lifeless packaging
- I just need a fuse.
As he wanders along the line of packages, rael notices a familiarity in some of their faces. he finally comes upon some of the members of his old gang and worries about his own safety. running o
Rough the factory floor, he catches sight of his brother john with a number 9 stamped on his forehead.
The hall runs like clockwork
Their hands mark out the time;
Empty in their fullness
Like a frozen pantomime.
Everyones a sales representative
Wearing slogans in their shrine.
Dishing out failsafe superlative,
Brother john is no. 9.
Its the grand parade of lifeless packaging
- all ready to use
Its the grand parade of lifeless packaging
- I just need a fuse.
The decor on the ceiling
Has planned out their future day
I see no sign of free will,
So I guess I have to pay,
Pay my way,
For the grand parade...
Its the grand parade of lifeless packaging
- all ready to use

[...] Read more

song performed by Genesis
Added by Lucian Velea
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I Rockrefore I Am

Uh huh
Npg to the maximum
All the time world wide
96 sound better
Legendary tune
I rock (I rock) therefore I am (therefore I am)
I dont need you to tell me Im in the band ([...] please)
I rock (I rock) therefore I am (therefore I am)
Right or wrong I sing my song the best I can
I dont need you to tell me what clothes to wear
I dont want suggestions about my hair
If the whole world buys your bullshit I dont care
Id rather put on something that you wont dare
I rock (legendary to the maximum) (I rock)
Therefore I am (therefore I am)
I dont need you to tell me Im in the band (I dont need it) (no)
I rock
Legendary to the maximum
Npg for now and forever
Welcome to mendacity, sign your name
See the world so pretty, wealth and fame
They can put you on the field (yeah)
But you wont get in the game (wo no)
How many suckers knew that before they came (woo yeah)
Now you know
I rock (I rock) therefore I am (therefore I am) ([...])
I dont need you to tell me (I dont need it)
Im in the band (legendary all the time)
I rock (I rock) therefore I am (therefore I am) (npg to the maximum)
Right or wrong I sing my song the best I can (show em)
Therefore I am
All you mean to npg to the maximum want you to understand somethin-asta
[come/when] me say [no/love] me say unto another
Watcha them attack each and every vulture
Or do you wants forget that p-r-o starts via pro
Teachin things in life youll never know
What for they dabble they dont understandsa
They caught me comin from the other minnesota
My flava will burn their earsa
Awhen it comes to music this sir is no stranger
Is the same kids you compliment
The same ones that you were meant
To rob an education from
In a private school as opposed to one
That yearly spits out another group of fools
Into a system designed to fail
Wait a minute, I just got some e-mail
Somebody selling 12 cds for a dollar
Make me wanna holler (yeah)
Alright to the maximum

[...] Read more

song performed by Prince
Added by Lucian Velea
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The Dam that Keele Built

This is the dam that Keele built.
This is the stream that brought the water to fill the dam that Keele built;
This is the Water and Sewer Brigade,
That measured the stream that brought the water to fill the dam that Keele built;

This is the Engineer by Trade --
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;

These are the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;

This is the scornful Mr Wade,
Who sneered at the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;

This is the Minister quite dismayed
At the sight of the Scornful Mr Wade,
Who sneered at the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built;

This is the Sydneyite afraid
That a serious blunder will be made,
Because of the Minister, quite dismayed
At the sight of the Scornful Mr Wade,
Who sneered at the Calculations made
By the Eminent Engineer by Trade,
Head of the Water and Sewer Brigade,
Who measured the stream that brought the water to fill the dam that Keele built.

poem by Andrew Barton Paterson
Added by Poetry Lover
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The Wallaby Brigade

You often have been told of regiments brave and bold,
But we are the bravest in the land;
We're called the Tag-rag Band, and we rally in Queensland,
We are members of the Wallaby Brigade.

Tramp, tramp, tramp across the borders,
The swagmen are rolling up, I see.
When the shearing's at an end we'll go fishing in a bend.
Then hurrah! for the Wallaby Brigade.

When you are leaving camp, you must ask some brother tramp
If there are any jobs to be had,
Or what sort of a shop that station is to stop
For a member of the Wallaby Brigade.

You ask me if they want men, you ask for rations then,
If they don't stump up a warning should be made;
To teach them better sense—why, "Set fire to their fence"
Is the war cry of the Wallaby Brigade.

The squatters thought us done when they fenced in all their run,
But a prettier mistake they never made;
You've only to sport your dover and knock a monkey over
There's cheap mutton for the Wallaby Brigade.

Now when the shearing's in our harvest will begin,
Our swags for a spell down will be laid;
But when our cheques are drank we will join the Tag-rag rank,
Limeburners in the Wallaby Brigade.

poem by Andrew Barton Paterson
Added by Poetry Lover
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The heart will follow

If you indefatigably dream of the radiantly glistening
sky; the flamboyantly blistering Sun; will inevitably
follow,
If you relentlessly dream to float in the
magnificently voluptuous clouds; the astronomically
unprecedented summits; will inevitably follow,
If you intransigently dream to irrefutably succeed;
thunderbolts of vibrantly mesmerizing prosperity; will
inevitably follow,
If you incorrigibly dream of everlasting happiness;
the blanket of unconquerably uninhibited
philanthropism; will inevitably follow,
If you timelessly dream of invincibly immortal peace;
the web of divinely sacrosanct wisdom; will inevitably
follow,
If you timelessly dream of the piquantly ravishing
ocean; the gloriously impregnable festoon of royal
sharks; will inevitably follow,
If you tirelessly dream of the voluptuously majestic
night; the garland of exotically glittering and
seductive stars; will inevitably follow,
If you unequivocally dream of flirtatiously divine
mischief; the realms of stupendously impeccable
childhood; will inevitably follow,
If you immutably dream of euphoric poignancy; the
incredulously emphatic mirrors of the scintillating
eye; will inevitably follow,
If you irrevocably dream of charismatically
tantalizing smiles; the marvelously unassailable
impressions of innocuous lips; will inevitably follow,
If you incorrigibly dream of perpetual beauty; the
celestial lap of your Omnipotent mother; will
inevitably follow,
If you endlessly dream of unsurpassably augmenting
melody; the voice of the bountifully enthralling
nightingale; will inevitably follow,
If you unceasingly dream of perennially Omnipresent
fragrance; the flower of astoundingly symbiotic
mankind; will inevitably follow,
If you insatiably dream of ingratiatingly exquisite
calligraphy; the feather tipped pen dipped in
wonderfully scarlet ink; will inevitably follow,
If you intractably dream of vivaciously unraveling
compassion; the stupendously incomprehensible wave of
humanity; will inevitably follow,
If you uncompromisingly dream of intriguingly
enigmatic flirtation; the spell binding hills of
boisterously robust youth; will inevitably follow,
If you eternally dream of immaculately glittering
triumph; the spirit of overwhelmingly transpiring

[...] Read more

poem by Nikhil Parekh
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Main Street

(For S.M.L.)

I like to look at the blossomy track of the moon upon the sea,
But it isn't half so fine a sight as Main Street used to be
When it all was covered over with a couple of feet of snow,
And over the crisp and radiant road the ringing sleighs would go.

Now, Main Street bordered with autumn leaves, it was a pleasant thing,
And its gutters were gay with dandelions early in the Spring;
I like to think of it white with frost or dusty in the heat,
Because I think it is humaner than any other street.

A city street that is busy and wide is ground by a thousand wheels,
And a burden of traffic on its breast is all it ever feels:
It is dully conscious of weight and speed and of work that never ends,
But it cannot be human like Main Street, and recognise its friends.

There were only about a hundred teams on Main Street in a day,
And twenty or thirty people, I guess, and some children out to play.
And there wasn't a wagon or buggy, or a man or a girl or a boy
That Main Street didn't remember, and somehow seem to enjoy.

The truck and the motor and trolley car and the elevated train
They make the weary city street reverberate with pain:
But there is yet an echo left deep down within my heart
Of the music the Main Street cobblestones made beneath a butcher's cart.

God be thanked for the Milky Way that runs across the sky,
That's the path that my feet would tread whenever I have to die.
Some folks call it a Silver Sword, and some a Pearly Crown,
But the only thing I think it is, is Main Street, Heaventown.

poem by Joyce Kilmer
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Dead End Street

Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)

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song performed by Kinks
Added by Lucian Velea
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The Columbiad: Book I

The Argument

Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.

I sing the Mariner who first unfurl'd
An eastern banner o'er the western world,
And taught mankind where future empires lay
In these fair confines of descending day;
Who sway'd a moment, with vicarious power,
Iberia's sceptre on the new found shore,
Then saw the paths his virtuous steps had trod
Pursued by avarice and defiled with blood,
The tribes he foster'd with paternal toil
Snatch'd from his hand, and slaughter'd for their spoil.

Slaves, kings, adventurers, envious of his name,
Enjoy'd his labours and purloin'd his fame,
And gave the Viceroy, from his high seat hurl'd.
Chains for a crown, a prison for a world
Long overwhelm'd in woes, and sickening there,
He met the slow still march of black despair,
Sought the last refuge from his hopeless doom,
And wish'd from thankless men a peaceful tomb:
Till vision'd ages, opening on his eyes,
Cheer'd his sad soul, and bade new nations rise;
He saw the Atlantic heaven with light o'ercast,
And Freedom crown his glorious work at last.

Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong;
Tis thine to shape my course, to light my way,
To nerve my country with the patriot lay,
To teach all men where all their interest lies,
How rulers may be just and nations wise:
Strong in thy strength I bend no suppliant knee,
Invoke no miracle, no Muse but thee.

Night held on old Castile her silent reign,
Her half orb'd moon declining to the main;
O'er Valladolid's regal turrets hazed
The drizzly fogs from dull Pisuerga raised;
Whose hovering sheets, along the welkin driven,
Thinn'd the pale stars, and shut the eye from heaven.
Cold-hearted Ferdinand his pillow prest,
Nor dream'd of those his mandates robb'd of rest,
Of him who gemm'd his crown, who stretch'd his reign
To realms that weigh'd the tenfold poise of Spain;
Who now beneath his tower indungeon'd lies,
Sweats the chill sod and breathes inclement skies.

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poem by Joel Barlow
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Out In The Street

Put on your best dress baby
And darlin, fix your hair up right
Cause theres a party, honey
Way down beneath the neon lights
All day youve been working that hard line
Now tonight youre gonna have a good time
I work five days a week girl
Loading crates down on the dock
I take my hard earned money
And meet my girl down on the block
And monday when the foreman calls time
Ive already got friday on my mind
When that whistle blows
Girl, Im down the street
Im home, Im out of my work clothes
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
When Im out in the street
When Im out in the street
When Im out in the street, girl
Well, I never feel alone
When Im out in the street, girl
In the crowd I feel at home
The black and whites they cruise by
And they watch us from the corner of their eye
But there aint no doubt girl, down here
We aint gonna take what theyre handing out
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
Baby, out in the street I dont feel sad or blue
Baby, out in the street Ill be waiting for you
When the whistle blows
Girl, Im down the street
Im home, Im out of my work clothes
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
When Im out in the street
Pretty girls, theyre all passing by
When Im out in the street
From the corner, we give them the eye
Baby, out in the street I just feel all right
Meet me out in the street, little girl, tonight
Meet me out in the street
Meet me out in the street

song performed by Bruce Springsteen
Added by Lucian Velea
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