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Well, I'm leaning probably toward the sciences like physics.

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Voyage around the Square Root of Minus One

I often heard
that while the sciences concern themselves
with objective truths
the arts deal with subjective phenomena.

Many years ago I held the same view,
but later came to the conclusion
that this is just a well-combed popular myth.

It is an untenable credo
because the sharp separation
of the arts and sciences is a rigid
and arbitrary mandate, full of holes.

Although all subjects have their specificities,
at the same time they also share
many common traits with each other.

There is art in science and science in art.

Artists, for example,
apply geometry to represent
a three dimensional scene in a painting,
which is a two dimensional surface.

By using ‘objective' geometrical perspective,
Renaissance artists, among them Alberti,
Brunelleschi, Uccello, Leonardo and Dürer,
developed in Europe the ‘subjective' illusion
of perceptual realism.

Later, in the Dutch Republic of the 17th century,
Johannes Vermeer applied expensive pigments
to the canvas and conducted
pioneering research in optics that enhanced
the supreme quality of his work,
imbuing his paintings with sublime,
otherworldly light.

In the 19th century
the Romantic painter John Constable
prepared detailed studies
of the landscape and weather conditions
of England, before transcribing them
into images of stunning accuracy and grace.

Following the closing of the Weimar Bauhaus
by the Nazis in 1933, the artist Josef Albers
moved to the USA, where he worked at
Black Mountain College and at Yale University.

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A Tendency to Start Fires

Strange zoo
strange blaze
douse my head in flames
coming through got to get some
happiness is a bad son
forceps
kitchen tools
deconstruct your every move
feels better when you're here
guillotine just got here
back bend
back break
please yourself to make it rate
live it all at your own cost
so many just got lost
leaning for fire
leaning to fire
leaning to fire
here's tomorrow man
best of my ability
chasing what i can

here's tomorrow man
instinct
bare boned
light it up
take it home
you will be all things
you'll get what you bring
leaning to fire
leaning to fire
leaning to fire
here's tomorrow man
best of my ability
chasing watercans
here's tomorrow man
best of my civility
with our own tongue
here's tomorrow man

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Love: To A Little Girl

When we all lie still
Where churchyard pines their funeral vigil keep,
Thou shalt rise up early
While the dews are deep;
Thee the earliest bird shall rouse
From thy maiden sleep,
Thy white bed in the old house
Where we all, in our day,
Lived and loved so cheerly.
And thou shalt take thy way
Where the nodding daffodil
Tells thee he is near;
Where the lark above the corn
Sings him to thine ear;
Where thine own oak, fondly grim,
Points to more than thou canst spy;
And the beckoning beechen spray
Beckons, beckons thee to him,
Thee to him and him to thee;
Him to thee, who, coy and slow,
Stealest through dim paths untrod
Step by step, with doubtful glance,
Taking witness quick and shy
Of each bud and herb and tree
If thou doest well or no.
Haste thee, haste thee, slow and coy!
What! art doubting still, though even
The white tree that shakes with fear
When no other dreams of ill,
The girl-tree whom best thou knowest,
Waves the garlands of her joy,
And, by something more than chance,
Of all paths in one path only
The primroses where thou goest
Thicken to thy feet, as though
Thou already wert in heaven
And walking in the galaxy.
Do those stars no longer glisten
To thy steps, ah! shivering maid,
That, where upper light doth fade
At yon gnarled and twisted gate,
Thou dost pause and tremble and so,
Listening stir, and stirring listen?
Not a blossom will illume
That chill grove of cambering yew
Wherein Night seems to vegetate,
And, through bats and owls, a dew
Of darkness fills the mortal gloom.
Haste thee, haste thee, gaze not back!
Of all hours since thou wert born,

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The Riddle of Cosmos

The Riddle of Cosmos
The singularity of the Universe—
the Bing Bang rang
ten thousand million years ago—
was the theory propounded—So
the scientists in unison sang.

They set themselves to find
the important property that did bind
all matter to confer its mass, size and shape.
The riddle of the cosmos to solve
the physicists did evolve
"The Standard Model" of Particle Physics.

Fundamental particles twelve
of this theory
and fundamental forces four
save gravity
govern the dynamics
of the Universe.

In an invisible ubiquitous field
through the entire Universe' energy field
permeated an influence called Higgs field.
In Particle Physics
with his work on quantum mechanics
in the Universe' over-all dynamics
our Indian scientist " Bose" is seen
having worked with the famous Einstien
to have brought out the statistics, ‘Bose-Einstien'.

This earned the name ‘Boson'
for a sub-atomic particle
for a force carrying article.
By the English physicist Higgs
it was postulated
in the accepted "Standard Model of Physics"
that a missing piece existed.
In the jig-saw puzzle
called the Universe
the missing piece
was the particle ‘Higgs Boson'
now dubbed the ‘God Particle'—
since ‘tis everywhere and powerful
yet so hard to find and full!

The European Organization
For Nuclear Research (CERN)
took upon itself to learn
and detect the elusive particle.

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What affected me most profoundly was the realization that the sciences of cryptography and mathematics are very elegant, pure sciences. I found that the ends for which these pure sciences are used are less elegant.

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L’Invention

O fils du Mincius, je te salue, ô toi
Par qui le dieu des arts fut roi du peuple-roi!
Et vous, à qui jadis, pour créer l'harmonie,
L'Attique et l'onde Égée, et la belle Ionie,
Donnèrent un ciel pur, les plaisirs, la beauté,
Des moeurs simples, des lois, la paix, la liberté,
Un langage sonore aux douceurs souveraines,
Le plus beau qui soit né sur des lèvres humaines!
Nul âge ne verra pâlir vos saints lauriers,
Car vos pas inventeurs ouvrirent les sentiers;
Et du temple des arts que la gloire environne
Vos mains ont élevé la première colonne.
A nous tous aujourd'hui, vos faibles nourrissons,
Votre exemple a dicté d'importantes leçons.
Il nous dit que nos mains, pour vous être fidèles,
Y doivent élever des colonnes nouvelles.
L'esclave imitateur naît et s'évanouit;
La nuit vient, le corps reste, et son ombre s'enfuit.

Ce n'est qu'aux inventeurs que la vie est promise.
Nous voyons les enfants de la fière Tamise,
De toute servitude ennemis indomptés;
Mieux qu'eux, par votre exemple, à vous vaincre excités,
Osons; de votre gloire éclatante et durable
Essayons d'épuiser la source inépuisable.
Mais inventer n'est pas, en un brusque abandon,
Blesser la vérité, le bon sens, la raison;
Ce n'est pas entasser, sans dessein et sans forme,
Des membres ennemis en un colosse énorme;
Ce n'est pas, élevant des poissons dans les airs,
A l'aile des vautours ouvrir le sein des mers;
Ce n'est pas sur le front d'une nymphe brillante
Hérisser d'un lion la crinière sanglante:
Délires insensés! fantômes monstrueux!
Et d'un cerveau malsain rêves tumultueux!
Ces transports déréglés, vagabonde manie,
Sont l'accès de la fièvre et non pas du génie;
D'Ormus et d'Ariman ce sont les noirs combats,
Où, partout confondus, la vie et le trépas,
Les ténèbres, le jour, la forme et la matière,
Luttent sans être unis; mais l'esprit de lumière
Fait naître en ce chaos la concorde et le jour:
D'éléments divisés il reconnaît l'amour,
Les rappelle; et partout, en d'heureux intervalles,
Sépare et met en paix les semences rivales.
Ainsi donc, dans les arts, l'inventeur est celui
Qui peint ce que chacun put sentir comme lui;
Qui, fouillant des objets les plus sombres retraites,
Étale et fait briller leurs richesses secrètes;
Qui, par des noeuds certains, imprévus et nouveaux,

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"CONSONANTIST PSYCHOLOGY", PERIOD 1938-1939 - Dr. Ștefan Odobleja (1902-1978), publishes in 2 volumes "Consonantist Psychology", 1938 and 1939, at the Publishing House "Maloine", Paris, in French, totaling over 800 of pages), in which he establishes general laws, which he applies both to the sciences of inert nature and to the sciences of the living world, psychology and economic and social phenomena. "Consonantal psychology has revealed the importance of dual, binary and dichotomous mechanisms both in psychology and beyond, in all sciences. He suggested and applied as another essential for the mechanization of thought, along with circularity. Instead of logic based on 3, he proposed and sketched a logic based on 2. " says Dr. Stefan Odobleja. Thus, he came to define the 9 universal laws, among them being the law of reversibility / vicious circle, feedback. The 2 volumes represent the concepts and studies for a new science: Cybernetics.

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University Of Central Florida Volleyball

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Dixie Boy

Words and music by jim mcbride
Iwas raised in the shadow of an old cotton mill, back when believin was in
Style.
Smalltown heaven and a big-eyed boy made sweet music for a while.
My daddy worked hard down at the facotry.
Nights he went to g.i. school.
He didnt know nothin bout the silver spoon, but he lived by the golden
Rule.
Summer nights he was gone; me and mama stayed home, out on the front porch
Swing, wishin on the stars in the southern sky, and sometimes we used to
Sing.
We were leaning, leaning on the everlasting arms of love, livin all the
Simple joys this dixie boy is made of.
Got my real educationfrom the t.v. station and good ole boys down at the
Park.
The say hey, willie and those rock-a-billies played their way into my
Heart.
I remember the old folks sittin round talkin on laidback sunday
Afternoons.
They said them young folks sure got a hard road.
Oh, theyre growin up too soon.
Now I know they were right, and as I sit here tonight out on the front porch
Swing, the stars are shinin in my young boys eyes, just like they did for
Me;
We are leaning, leaning on the everlasting arms of love, livin all the
Simple joys this dixie boy is made of.

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Charles Baudelaire

Don Juan Aux Enfers (Don Juan In Hell)

Quand Don Juan descendit vers l'onde souterraine
Et lorsqu'il eut donné son obole à Charon,
Un sombre mendiant, l'oeil fier comme Antisthène,
D'un bras vengeur et fort saisit chaque aviron.

Montrant leurs seins pendants et leurs robes ouvertes,
Des femmes se tordaient sous le noir firmament,
Et, comme un grand troupeau de victimes offertes,
Derrière lui traînaient un long mugissement.

Sganarelle en riant lui réclamait ses gages,
Tandis que Don Luis avec un doigt tremblant
Montrait à tous les morts errant sur les rivages
Le fils audacieux qui railla son front blanc.

Frissonnant sous son deuil, la chaste et maigre Elvire,
Près de l'époux perfide et qui fut son amant,
Semblait lui réclamer un suprême sourire
Où brillât la douceur de son premier serment.

Tout droit dans son armure, un grand homme de pierre
Se tenait à la barre et coupait le flot noir;
Mais le calme héros, courbé sur sa rapière,
Regardait le sillage et ne daignait rien voir.

Don Juan in Hades

When Don Juan descended to the underground sea,
And when he had given his obolus to Charon,
That gloomy mendicant, with Antisthenes' proud look,
Seized the two oars with strong, revengeful hands.

Showing their pendent breasts and their unfastened gowns
Women writhed and twisted under the black heavens,
And like a great flock of sacrificial victims,
A continuous groan trailed along in the wake.

Sganarelle with a laugh was demanding his wage,
While Don Luis with a trembling finger
Was showing to the dead, wandering along the shores,
The impudent son who had mocked his white brow.

Shuddering in her grief, Elvira, chaste and thin,
Near her treacherous spouse who was once her lover,
Seemed to implore of him a final, parting smile
That would shine with the sweetness of his first promises.

Erect in his armor, a tall man carved from stone
Was standing at the helm and cutting the black flood;
But the hero unmoved, leaning on his rapier,

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

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That attitude does not exist so much today, but in those days there was a very sharp distinction between basic physics and applied physics. Columbia did not deal with applied physics.

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I'm Leaning On The Lord

I'm leaning on the Lord
A little bit more everyday
I'm leaning on the Lord
Just to get by
I'm leaning on the Lord
Hopeing he'll dry
These tears that I cry
One of these days he'll call me home
And peace will be mine

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All That I Need Is You

Lord, you know its been a busy day,
And Im just weary to my bones.
I hope youll understand if I dont pray,
But I need my rest to carry on.
Why do I kid myself? you see my heart --
The me I try so to ignore.
And lord, you see how very weak I am.
I just cant hide it anymore.
But all of a sudden I knew
That Id never be wanting as long as Im leaning on you.
Oh, lord. all that I need is you.
Everytime when the doubting comes,
And I seem to lose my way;
When I cry within,
cause I need a friend,
But I just dont say --
You know that I need you --
All at once its clear
Even though youre here,
Ive tried to make it on my own.
Im not trusting you.
Oh, lord, you know
That I really need our time together?
Only your strength can see me through,
So talk with me now,
As you walk with me now
In this quiet time.
Im waiting on you.
cause all of a sudden I knew
That Id never be wanting as long as Im leaning on you.
Oh, lord. all that I need is you.
cause all of a sudden I knew (I knew)
That Id never be wanting as long as Im leaning on you.
Oh, lord. all that I need is you.
All that I need
All that I need is you!
Is you!
Is you!
Is you.

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Politician

By jack bruce and pete brown
Hey now baby, get into my big black car.
Hey now baby, get into my big black car.
I want to just show you what my politics are.
Im a political man and I practice what I preach.
Im a political man and I practice what I preach.
So dont deny me baby, not while youre in my reach.
I support the left, though Im leaning, leaning to the right.
I support the left, though Im leaning to the right.
But Im just not there when its coming to a fight.
Hey now baby, get into my big black car.
Hey now baby, get into my big black car.
I want to just show you what my politics are.

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Politician

By jack bruce and pete brown
Hey now baby, get into my big black car.
Hey now baby, get into my big black car.
I want to just show you what my politics are.
Im a political man and I practice what I preach.
Im a political man and I practice what I preach.
So dont deny me baby, not while youre in my reach.
I support the left, though Im leaning, leaning to the right.
I support the left, though Im leaning to the right.
But Im just not there when its coming to a fight.
Hey now baby, get into my big black car.
Hey now baby, get into my big black car.
I want to just show you what my politics are.

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Ive Got A Quarter In My Pocket

(jake kelly/billy yates)
Ive got a quarter in my pocket
Wont you tell me what I should do
Should I put it in the phone
So I can come crawling home to you
Or should I put it in the jukebox
And play another heartbreak song
Im leaning towards the latter
And I really hate being alone
Gonna flip it in the air
Gonna watch it fly
If its heads I might love again
If its tails Ill cry
Ive got a quarter in my pocket
Wont you tell me what I should do
Should I put it in the phone
So I can come crawling home to you
Or should I put it in the jukebox
And play another heartbreak song
Im leaning towards the latter
And I really hate being alone
Here I am again
On the same ol stool
With the same ol question
And the mind of a fool
Ive got a quarter in my pocket
Wont you tell me what I should do
Should I put it in the phone
So I can come crawling home to you
Or should I put it in the jukebox
And play another heartbreak song
Im leaning towards the latter
And I really hate being alone
Well Ive got a quarter in my pocket
And I really hate being alone

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I've Been Watching You

Sweet confetti out looking for a saviour
Finding it hard to break the change
Nothing ventured nothing gained
Ice cream beauty acting on her best behaviour
Finding it hard to bite her tongue
Feeling so old as the night is young
Six foot leaning on a lizard chest
Two red dragons ironed on his vest
All that money you deserve the best
I'm impressed
I'm impressed
I'm impressed
What you've got isn't all that you've been given
Changing your body like you change your jeans
Nothing is ever as it seems
Something tells me it's a marriage made in heaven
Stealing your look from a magazine
Playing the part from a movie scene
Six foot leaning on a lizard chest
Two red dragons ironed on his vest
All that money you deserve the best
I'm impressed
I'm impressed
I'm impressed
Everyday is like your birthday
But the candles burning out, Don't you see, Don't you see
Six foot leaning on a lizard chest
Two red dragons ironed on his vest
All that money you deserve the best
I'm impressed
I'm impressed
I'm impressed

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(Addiction Poem) Bad Habit

Burning crosses
Blowing up bridges
Taking out the stitches
Confinement
Locked up abroad
Slaughtering the filthy hog
Choking on the cities smog
Leaning on the rock

I'm jittery
I'm not so pretty
Things are getting ugly
Another fight
Break out tonight
Take flight

Burning crosses
Blowing up bridges
Taking out the stitches
Confinement
Locked up abroad
Slaughtering the filthy hog
Choking on the cities smog
Leaning on the rock

I'm fiending
I'm getting mean
Drunk and obliterated
No consultation
With such actions
No chance to make retractions
These are my statements
No way to prevent it
It will happen again
Flashbacks
Flash
Flash
One two three
Somebody stop me please

Burning crosses
Blowing up bridges
Taking out the stitches
Confinement
Locked up abroad
Slaughtering the filthy hog
Choking on the cities smog
Leaning on the rock

So broke

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