Art is a step from what is obvious and well-known toward what is arcane and concealed.
quote by Kahlil Gibran
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Related quotes
It Ain't Obvious
I keep trying
but I'm running out of ways to make you want me baby
I cannot be everything you want you drive me crazy
you're never satisfied
its not even worth a try times are for making up your mind
maybe we'll never see eye to eye
so treat me cruel to be kind
lets play it straight down the line
I'm sure you wanna be mine
but it ain't obvious
why cant you just let it be
what would you have me believe
I'm sure you really want me
but it ain't obvious
why don't you put a little trust in me
and let it go
if you don't take a chance
how will you ever know
baby im on your side
have I been foolish all along
have you been leading me on
just to walk away
if this is where you belong
so treat me cruel to be kind
lets play it straight down the line
I'm sure you wanna be mine
but it ain't obvious
why cant you just let it be
what would you have me believe
I'm sure you really want me
but it ain't obvious
but it ain't obvious
but it ain't obvious
but it ain't obvious
but it ain't obvious
come on wont you be with me
what would you have me believe
come on wont you be with me
oh no no
if its not even worth a try times are for making up your mind
maybe we'll never see eye to eye
[...] Read more
song performed by Gareth Gates from What My Heart Wants To Say
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The Gaberlunzie's Walk
The Laird is dead, the laird is dead,
An' dead is cousin John,
His henchmen ten, an' his sax merrie men,
Forbye the steward's son.
An' his ain guid gray that he strode sae gay
When hunt was up an' on,
An' the win' blew fair, an' the grews pu'd sair,
An' dawn was on Maol-don,
An' the skeigh steeds neigh'd, an' the slot-hounds bay'd,
An' up gaed the mornin' sun,
An' awa' gaed the deer wi' the merrie men's cheer,
Awa' owre the auld Maol-don,
An' awa' wi' a shout ran the rabble an' the rout,
An' awa' rode cousin John,
Wi' his horn, his horn, thro' the merry merry morn,
His hunter's horn sae shrill!
An' 't was 'Ho, heigho, hereawa',
Hereawa', hereawa'!
Ho, heigho, hereawa'!'
A' roun' the hill!
Walie! walie! they're a' gane dead,
A' owre the seas an' awa'
The laird an' his men, the sax an' the ten,
They gaed to fight and to fa'.
An' walie, an' wae, an' hech! the weary day!
The laird is dead an' a'!
A' in ae grave by the margent o' the wave
Thegither they lay doun,
Sax feet deep, where dead men sleep,
A' i' the faeman's grun'.
Foremost i' the van, wi' his bagpipes i' his han',
The steward's ae braw son,
An' next the young laird-gin the guid Lord had spared!-
A' as he led them on,
Wi' his bonnie brow bare an' his lang fair hair,
An' his bluidy braid-sword drawn;
An' hard by his chief, that in life was sae lief,
In death cam cousin John,
Wi' his horn, his horn, thro' the merry merry morn,
His hunter's horn sae shrill
When 't was 'Ho, heigho, hereawa',
Hereawa', hereawa'!'
[...] Read more
poem by Sydney Thompson Dobell
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Next Step
I wanna go up where something matters
I wanna blow up where matter scatters
I wanna live into the future
I want to give... more girl
Next step
No side stepping this time
Cross over life on the line
One thing to talk big
Go to follow thru
All set
Got to get past the present too
Dont want to reach out for yesterday
Dont want to block the shock of the new
I wanna see what new love will bring
Im gonna give all that love to you
Whats the next step
My mind is open wide
Next step
Whatll be the next step baby
Whats the next step
Im finished with the past
Next step
Wont be the last step baby
You wanna wake up with me beside you
You wanna shake off bad thoughts inside you
Were gonna walk on into tomorrow
Were gonna have more fun now
Dont look around for yesterday
No blocking out the shock of the new
Do you wanna see what new love can bring
Im gonna give all that love to you
Whats the next step
My mind is open wide
Next step
Whatll be the next step baby
Whats the next step
I havent got a clue
Next step
Wanna make the next step with you
Whats the next step
Gonna take it gonna take it
Next step
Gonna step right
Wont step back
Whats the next step
No bad songs
No bad songs
Next step
Say hey
Dont you want to take the next step
[...] Read more
song performed by Hall & Oates
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No Step
I looked out of my window, saw a stencil black,
No step. no step.
There were nervous mothers with children crying in the back.
No step. no step.
Someone bought me my ticket, now Im on the wing.
Hope my angels are watching me, do I hear them sing?
No step. no step.
Those afterburners cut in and kicked us high.
No step. no step.
The thin air shimmered, the sun cut through and burned my eye.
No step. no step.
Someone bought me my ticket, now Im on the wing.
Hope my angels are watching me, do I hear them sing?
No step.
No step no step.
No step no step.
No step no step.
Give me a jet stream schooner or a crew-legged goose.
No step. no step.
Im a clear-air jockey when they turn me loose
No step. no step.
Someone bought me my ticket to the captains seat.
Will the shakes soon leave me, will I find my feet?
No step. no step.
No step. no step.
No step.
song performed by Jethro Tull
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Baby Step Back
Now it looks to me like the same old place
In the sky it looks like rain
The same old town with the same old streets
The address has not change
You can find me there
With the door shut tight
And the one wish that remains
Baby step back baby step back
Either step up or step back
No you know I dont write no bad checks
I have no wish to repent
Ive seen a few
But whatever I do
I dont cause no accidents
Whiskey and wine help me pass the time
I dont leave no evidence
Baby step back baby step back
Either step up or step back
Baby step back baby step back
Either step up or step back
Still I dont kneel down
I was born to fight
So youd best leave me alone
Maybe Ill get much more than I need
Or much less than I should own
Last of all let me say it again
Either step up or step on
Baby step back baby step back
Either step up or step back
Baby step back baby step back
Either step up or step back
Baby walk back baby walk back
Either walk on or walk back
Baby step back ...
song performed by Gordon Lightfoot
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Stone Cold Entrance Song
*glass shatters*
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
V Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, dont run away, bring it on straight to me!
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside dont run away, bring it on straight to me!.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside, dont run away, bring it on straight to me!
song performed by Disturbed
Added by Lucian Velea
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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Digimortal
One step!
As I witness the death of innocence
A predator feeding on its creation
Through the fallout of this hallucination
I walked into darkness
Must not surrender my God to anyone
Or this body will become carrion
One step closer
One step closer to my fate
One step closer
One step closer to the grave
As I witness my own degeneration
The future condemns me
Must not surrender my God to anyone
Or this body will become carrion
One step closer
One step closer to my fate
One step closer
One step closer to the grave
One step closer...
One step!
As I witness the death of innocence
A predator feeding on its creation
Through the fallout of this hallucination
I walked into darkness
Must not surrender my God to anyone
Or this body will become carrion
One step closer
One step closer to my fate
One step closer
One step closer to the grave
As I witness my own degeneration
The future condemns me
Must not surrender my God to anyone
Or this body will become carrion
One step closer
[...] Read more
song performed by Fear Factory from Digimortal
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Step Into These Shoes
Step into these shoes feel this heart
Step into these shoes they might fit you
See through these eyes might be the same view
If Id lived through the same things as you
Id share the laughs, and cry the tears that you do
Chorus
Step into these shoes and feel this heart
Step into these shoes no reason to fight
Look into m mind it might fit you
Act out this part is it so different to you
Even if we dont ever agree
The only difference is cosmetically
Step into these shoes no reason to fight
Step in step into these shoes and feel this heart
Just feel my heart it beats with you
We float downstream in the same canoe
You might find the ocean faster than me
But Ill see it eventually
Step into these shoes and feel this heart
Step into these shoes no reason to fight
Step into these shoes and feel this heart
Oh feel this heart please feel it
Step into these shoes and feel this heart oh feel
This heart please feel it
Step into these shoes and feel this heart
Step in step into these shoes no reason to fight
Step in step into these shoes and feel this heart
Step in step into these shoes no reason to fight anymore
Feel this heart oh feel it
Step in step into these shoes no reason to fight
song performed by Howard Jones
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Practice Every Step
Practice every step.
Do not second guess what it takes.
Practice every step.
Practice every step.
There's no sleeping for someone who has a place to go,
So...
Practice every step.
Practice every step.
Focus on that goal,
And tighten on your hold,
And...
Practice every step.
Practice every step.
Practice every step.
Do not second guess what it takes.
Practice every step.
Practice every step.
Every journey taken,
Must be thought of as a race...
And,
Practice every step.
Practice every step.
There's no other way to straighten out a crooked road,
So...
Practice every step.
Practice every step.
No matter what you're told,
There will be some doubts and woes...
But you,
Practice every step.
Yes you,
Practice every step.
Woes you hold will eventually go,
So...
Practice every step.
Practice every step.
Practice every step.
Practice every step.
poem by Lawrence S. Pertillar
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The Cenci : A Tragedy In Five Acts
DRAMATIS PERSONÆ
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
[...] Read more
poem by Percy Bysshe Shelley
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Intrigue
THOU art my love
And thou art the peace of sundown
When the blue shadows soothe
And the grasses and the leaves sleep
To the song of the little brooks
Woe is me.
Thou art my love,
And thou art a storm
That breaks black in the sky
And, sweeping headlong,
Drenches and cowers each tree
And at the panting end
There is no sound
Save the melancholy cry of a single owl
Woe is me!
Thou art my love
And thou art a tinsel thing
And I in my play
Broke thee easily
And from the little fragments
Arose my long sorrow
Woe is me.
Thou art my love
And thou art a weary violet
Drooping from sun-caresses.
Answering mine carelessly
Woe is me.
Thou art my love
And thou art the ashes of other men's love
And I bury my face in these ashes
And I love them
Woe is me.
Thou art my love
And thou art the beard
On another man's face
Woe is me.
Thou art my love
And thou art a temple
And in this temple is an altar
And on this altar is my heart
Woe is me.
Thou art my love
And thou art a wretch.
[...] Read more
poem by Stephen Crane
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Sohrab and Rustum
And the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.
But all the Tartar camp along the stream
Was hush'd, and still the men were plunged in sleep;
Sohrab alone, he slept not; all night long
He had lain wakeful, tossing on his bed;
But when the grey dawn stole into his tent,
He rose, and clad himself, and girt his sword,
And took his horseman's cloak, and left his tent,
And went abroad into the cold wet fog,
Through the dim camp to Peran-Wisa's tent.
Through the black Tartar tents he pass'd, which stood
Clustering like bee-hives on the low flat strand
Of Oxus, where the summer-floods o'erflow
When the sun melts the snows in high Pamere
Through the black tents he pass'd, o'er that low strand,
And to a hillock came, a little back
From the stream's brink--the spot where first a boat,
Crossing the stream in summer, scrapes the land.
The men of former times had crown'd the top
With a clay fort; but that was fall'n, and now
The Tartars built there Peran-Wisa's tent,
A dome of laths, and o'er it felts were spread.
And Sohrab came there, and went in, and stood
Upon the thick piled carpets in the tent,
And found the old man sleeping on his bed
Of rugs and felts, and near him lay his arms.
And Peran-Wisa heard him, though the step
Was dull'd; for he slept light, an old man's sleep;
And he rose quickly on one arm, and said:--
"Who art thou? for it is not yet clear dawn.
Speak! is there news, or any night alarm?"
But Sohrab came to the bedside, and said:--
"Thou know'st me, Peran-Wisa! it is I.
The sun is not yet risen, and the foe
Sleep; but I sleep not; all night long I lie
Tossing and wakeful, and I come to thee.
For so did King Afrasiab bid me seek
Thy counsel, and to heed thee as thy son,
In Samarcand, before the army march'd;
And I will tell thee what my heart desires.
Thou know'st if, since from Ader-baijan first
I came among the Tartars and bore arms,
I have still served Afrasiab well, and shown,
At my boy's years, the courage of a man.
This too thou know'st, that while I still bear on
The conquering Tartar ensigns through the world,
[...] Read more
poem by Matthew Arnold (1853)
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Step On You
You're in my way
You crossed my line
You're in my face
You're on my case, you really waste my time.
Don't like your style
Don't like your sound
You talk too much
You got no touch, you drive it in the ground
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
Don't like your smile
Don't like your clothes
Don't like your hair
And I don't care about your ruby pierced nose
You push too far
You talk too loud
You stay too long
You're in my song but you ain't in my crowd
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
You ruin my day and you're wrecking my night
I'm biting my lips because I'm ready to fight
I'm gonna sharpen my spikes
I'm gonna strap on my boots
I'm gonna squash you on sight
I'm gonna step on you
Step-step-step-step
You ruin my day and you're wrecking my night
I'm biting my lips because I'm ready to fight
I'm gonna sharpen my spikes
I'm gonna strap on my boots
I'm gonna squash you on sight
Don't leave no message on my telephone
Cut right through the bull, right to the bone
The snow in your nose and the crack in your brain
It used to be cool, now it's just insane
I'm gonna step on you
Step-I'm gonna step on you-step
Step
song performed by Alice Cooper
Added by Lucian Velea
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King Step
To all the entertainers in the world I man show nuff respect
Nuff respect, cause every entertainer is select
And right ya now me a go show you how to do the king step
(chorus)
Me a go show you how to do the king step left right,
Me a go show you how to do the king step left right,
As soon as me operator puts the music on the deck
Is pure exciting, educating, fascinating, pirate chanting
Culture preaching, perfect timing lyrics you a go get
The whistlers blow their whistle, big women say kiss me neck
Some bark forward, some barl rewind and some shout out eject
While the pirates press record pon fe dem pocket size cassettes
The mcs that chat slack fret till dem armpit wet with sweat
Because they know that slackness is a thing I man do not respect
That's why me have to show dem how fe do the king step left right.
(chorus)
Well before me start to go down in a dais yak subject
Me have to praise you jab cause you never fail I yet
Even when satan captured me and bring me close to death
You offered me the truth and right and I had to accept
But now me find you jab me na go keep it secret
That's why the conscious lyrics are my favourite subject
Me chat dem in the blues party, pub, club and discotheque
Me chat dem in the bookie shop while man a put on bet
And also in the gambling house when man ready fe set
And even to bad man who a walk wid dem ratchet
Me chat dem a ub40 studio in digbeth
And when dem want more culture dem a barl out dep, dep, dep
But me tell them, hold on lads you ain't heard nothing yet
Cause now i'm gonna show ya how to do the king step left right
(chorus)
Left right its time to walk in the light of jab not darkness
Left right who jab bless no man curse, who jab curse no man bless
Left right eternal life for the man that tries his very best
Left right do bad and you'll go down in the pit that's bottomless
Left right pato banton has now come to preach the right
Left right left right me no partial if your black or if your white
Left right well now me know how fe do the king step
Me just can not keep it a secret
So right ya now you a get
The king step the king step the king step
Step 1, we all should know that there's one God and only one
Step 2, is give him praises for this whole creation
Step 3, is love your brother man cause you and him is one
Step 4, is not to make the same mistake as soloman
Step 5, is to repent and beg forgiveness for your wrongs
Cause the wroth of jab is clear to see in revelation
So make up mind if you want to go to heaven or hell
Step 6, oh yes there's more the king step carries on
It carries on and on, and on, and on, and on, and on
[...] Read more
song performed by Ub40
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The King Step (Pato Banton)
To all the entertainers in the world I man show nuff respect
Nuff respect, cause every entertainer is select
And right ya now me a go show you how to do the king step
(Chorus)
Me a go show you how to do the king step left right,
Me a go show you how to do the king step left right,
As soon as me operator puts the music on the deck
Is pure exciting, educating, fascinating, pirate chanting
Culture preaching, perfect timing lyrics you a go get
The whistlers blow their whistle, big women say "Kiss me neck"
Some bark "Forward", some barl "Rewind" and some shout out "eject"
While the pirates press record pon fe dem pocket size cassettes
The MCs that chat slack fret till dem armpit wet with sweat
Because they know that slackness is a thing I man do not respect
That's why me have to show dem how fe do the King Step Left Right.
(Chorus)
Well before me start to go down in a dais yak subject
Me have to praise you Jab cause you never fail I yet
Even when satan captured me and bring me close to death
You offered me the truth and right and I had to accept
But now me find you Jab me na go keep it secret
That's why the conscious lyrics are my favourite subject
Me chat dem in the blues party, pub, club and discotheque
Me chat dem in the bookie shop while man a put on bet
And also in the gambling house when man ready fe set
And even to bad man who a walk wid dem ratchet
Me chat dem a UB40 Studio in digbeth
And when dem want more culture dem a barl out "Dep, Dep, Dep"
But me tell them, hold on lads you ain't heard nothing yet
"Cause now I'm gonna show ya how to do the King Step" Left Right
(Chorus)
Left right its time to walk in the light of Jab not darkness
Left right who Jab bless no man curse, who jab curse no man bless
Left right eternal life for the man that tries his very best
Left right do bad and you'll go down in the pit that's bottomless
Left right Pato Banton has now come to preach the right
Left right left right me no partial if your black or if your white
Left right well now me know how fe do the king step
Me just can not keep it a secret
So right ya now you a get
THE KING STEP THE KING STEP THE KING STEP
Step 1, we all should know that there's one god and only one
Step 2, Is give him praises for this whole creation
Step 3, Is love your brother man cause you and him is one
Step 4, Is not to make the same mistake as Soloman
Step 5, Is to repent and beg forgiveness for your wrongs
Cause the wroth of Jab is clear to see in Revelation
So make up mind if you want to go to Heaven or Hell
Step 6, Oh yes there's more the King Step carries on
It carries on and on, and on, and on, and on, and on
[...] Read more
song performed by Ub40
Added by Lucian Velea
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Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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The Believer's Jointure : Chapter II.
Containing the Marks and Characters of the Believer in Christ; together with some further privileges and grounds of comfort to the Saints.
Sect. I.
Doubting Believers called to examine, by marks drawn from their love to Him and his presence, their view of his glory, and their being emptied of Self-Righteousness, &c.
Good news! but, says the drooping bride,
Ah! what's all this to me?
Thou doubt'st thy right, when shadows hide
Thy Husband's face from thee.
Though sin and guilt thy spirit faints,
And trembling fears thy fate;
But harbour not thy groundless plaints,
Thy Husband's advent wait.
Thou sobb'st, 'O were I sure he's mine,
This would give glad'ning ease;'
And say'st, Though wants and woes combine,
Thy Husband would thee please.
But up and down, and seldom clear,
Inclos'd with hellish routs;
Yet yield thou not, nor foster fear:
Thy Husband hates thy doubts.
Thy cries and tears may slighted seem,
And barr'd from present ease;
Yet blame thyself, but never dream
Thy Husband's ill to please.
Thy jealous unbelieving heart
Still droops, and knows not why;
Then prove thyself to ease thy smart,
Thy Husband bids the try.
The following questions put to the
As scripture-marks, may tell
And shew, what'er thy failings be,
Thy Husband loves thee well.
MARKS.
Art thou content when he's away?
Can earth allay thy pants?
If conscience witness, won't it say,
Thy Husband's all thou wants?
[...] Read more
poem by Ralph Erskine
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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