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A reporter discovers, in the course of many years of interviewing celebrities, that most actors are more attractive behind a spotlight than over a spot of tea.

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Interview

(carly simon/don was)
A sweet young man sat on my chair
With a tape machine and a face of fear
He asked how does it feel to be who you are
I thought, this boy really thinks Im a star
I answered him with humility
And then asked him if hed like some tea
Interview, whos interviewing who
Are you interviewing me
Or am I interviewing you
He asked if the rug was some ancient, lovely thing
I lied and said yes a gift from a king?
I watched his arms and how his lips moved
He asked me if my parents approved
He asked to see my ruby ring
And if as a child I had liked to sing
Interview, whos interviewing who
Are you interviewing me
Or am I interviewing you
I said yes, oh yes 400 times
youre so open? he said do you always tell the truth? ?
never,? i said, whats that? ?
But how would it feel to hold me in your arms
You could get to know me down on the farm
Then you could see me as the child Ive become
cause being grown up can be so lonesome
Baby, how would it feel to hold me now
Baby, how would it feel to hold me now
Interview, whos interviewing who
Are you interviewing me
Or am I interviewing you

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Spotlight

(eric carmen)
Get my guitar
Get the car Im gonna take a little strip out of town
Gotta go do a show
Rock and roll until Im upside down
(I see the light) I see the light
Hear the crowd
Clappin loud, they want the show to start
Oh, and now the stage is dark
Mmm, I can feel my heart
Cant you feel your heart
Spotlight, lighting the stage
I gotta go a little crazy tonight
Spotlight, take me away
Im gonna rock till I feel alright
Here it comes
Feel the drums pound the rhythm of a jungle beat
And all around
Hear the sounds that go up and down the city street
(play that guitar) play that guitar
Play it hard
Open up and let it move your soul
Oh, Im goin out of control
Im goin out of control
Cant you feel it grow
Spotlight, lighting the stage
I gotta go a little crazy tonight
Spotlight, take me away
Im gonna rock till I feel alright
Spotlight, give me the heat
Im gonna burn like a star in the sky
Spotlight, Im gonna explode now
Im ready to go, Im ready to go
Alright
Spotlight, lighting the stage
I gotta go a little crazy tonight
Spotlight, take me away
Im gonna rock till I feel alright
Spotlight, give me the heat
I wanna burn like a star in the sky
Spotlight, I wanna explode now (yeah)
Im ready to go, Im ready to go
Alright, alright
Alright, alright
(give it to me)
Spotlight
Feel the drums pound the rhythm of a jungle beat
Spotlight
Cant you feel it, feel it, feel it, feel it
Spotlight

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Afternoon Tea

Tea time wont be the same without my donna
At night I lie awake and dream of donna
I think about that small cafe
Thats where we used to meet each day
And then we used to sit a while
And drink our afternoon tea
Ill take afternoon tea (afternoon tea)
If you take it with me (afternoon tea)
You take as long as you like
cause I like you, girl
I take sugar with tea (afternoon tea)
You take milk if you please (afternoon tea)
Like you talking to me
Because you ease my mind
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Tea time still aint the same without my donna
At night I lie awake and dream of donna
I went to our cafe one day
They said that donna walked away
Youd think at least she might have stayed
To drink her afternoon tea
Ill take afternoon tea (afternoon tea)
If you take it with me (afternoon tea)
You take as long as you like
cause I like you, girl
I take afternoon tea (afternoon tea)
Every day of the week (afternoon tea)
Please come along if you like
Because I like you, girl
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)

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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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The Sorcerer: Act I

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day


SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

CHORUS OF VILLAGERS

Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.

For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!

Ring forth, ye bells etc.
(Exeunt the men into house.)

(Enter Mrs. Partlet with Constance, her daughter)

RECITATIVE

MRS. P. Constance, my daughter, why this strange depression?

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Have A Cuppa Tea

Grannys always ravin and rantin
And shes always puffin and pantin,
And shes always screaming and shouting,
And shes always brewing up tea.
Grandpappys never late for his dinner,
Cos he loves his leg of beef
And he washes it down with a brandy,
And a fresh made cup of tea.
Chorus:
Have a cuppa tea, have a cuppa tea,
Have a cuppa tea, have a cuppa tea,
Halleluja, halleluja, halleluja, rosie lea
Halleluja, halleluja, halleluja rosie lea.
If you feel a bit under the weather,
If you feel a little bit peeved,
Take grannys stand-by potion
For any old cough or wheeze.
Its a cure for hepatitis its a cure for chronic insomnia,
Its a cure for tonsilitis and for water on the knee.
Chorus
Tea in the morning, tea in the evening, tea at supper
Time,
You get tea when its raining, tea when its snowing.
Tea when the weathers fine,
You get tea as a mid-day stimulant
You get tea with your afternoon tea
For any old ailment or disease
For christ sake have a cuppa tea.
Chorus,
Whatever the situation whatever the race or creed,
Tea knows no segregation, no class nor pedigree
It knows no motivations, no sect or organisation,
It knows no one religion,
Nor political belief.
Chorus.

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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Spotlight Kid

You dont know whats happening, you want to go home
But theres nowhere to hide
You walk out on stage, your first time alone
The crowds going wild
And you feel so alive
You could stand up and take this all night
They love you but youre in love with the spotlight
Youre the spotlight kid
Jokers and women they hang round your door
Theyre all part of the scene
Just like a junkie youve got to have more
Its a pleasure machine
And you fly every night
But the dressing room mirror dont lie
They love you but youre in love with the spotlight
Youre the spotlight kid
Your audience died, faded away
Leaving you on the stage
Its been so many years since that first matinee
It seems like an age
Encore one more time
For the ghosts of the past in your mind
They love you but youre in love with the spotlight
Youre the spotlight kid
Youre living in a dream
Youre the spotlight kid
Youre in love with the spotlight

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Mr. Reporter

Hey, mr. reporter,
How 'bout talking about yourself?
Do you like what you're doing,
Or is it that you can do nothing else?
Hey, mr. reporter,
I'll believe all that you put down.
I'll believe the sun is going up,
Even though it's going down.
Hey, mr. reporter,
Don't you twist my words around.
I'll kill you, i won't let you,
Distort my simple sound.
Hey, mr. reporter,
How 'bout talking about yourself?
Do you like what you're doing,
Or is it that you can do nothing else?
Hey, mr. reporter,
How 'bout talking about yourself?
Do you like what you're doing,
Or is it that you can do nothing else?
Did your daddy stop you playing
With your friends when you were young?
And is that why you run down
All the young folks have their fun. [?]
The reason i am stupid,
Is because i read you every day.
You misquote all of the true things
Because they rub you the wrong way.
Hey, mr. reporter,
How 'bout talking about yourself?
Do you like what you're doing,
Or is it that you can do nothing else?

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Healthy Back Bag

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Attractive Female Wanted

(rod stewart / gary grainger)
Im tired of buying penthouse and oui and hustler
Its friday night Im all alone still a bachelor
She said shed call me when shed finished work
Havent heard a word all day
I may not be warren beatty or mohammed ali
(attractive female wanted)
I aint asking a great deal, just a female to move in with me
(attractive female wanted)
Ill share all my records, toothbrush and car
And color tv, honestly
A single girl for my single bed is my remedy
(attractive female wanted)
She doesnt have to be a movie star
Cover of a magazine
She can work in a garage all day
In the evening some canteen
Im tired of blind dates making silly mistakes
Its embarrassing
(attractive female wanted)
Ive had no complaints
But obviously youve guessed
No compliments
(attractive female wanted)
Wont someone please answer my prayers
Before Im old and grey
(attractive female wanted)
Ive been lonely too long
All of my family think Im gay
She doesnt have to be a movie star
Cover of magazine
She can work in a garage all day
In the evening some canteen
Attractive female wanted
Active female wanted
I may get drunk stink like a skunk
But shell look after me
(attractive female wanted)
Put me to bed ease my aching head
And made fuss of me
You know what I gonna do
Think Ill write a letter
To mr. hugh heffner confidentially
Dear sir
A single girl for my single bed is my remedy

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Byron

Canto the Fourth

I
Nothing so difficult as a beginning
In poesy, unless perhaps the end;
For oftentimes when Pegasus seems winning
The race, he sprains a wing, and down we tend,
Like Lucifer when hurl'd from heaven for sinning;
Our sin the same, and hard as his to mend,
Being pride, which leads the mind to soar too far,
Till our own weakness shows us what we are.

II
But Time, which brings all beings to their level,
And sharp Adversity, will teach at last
Man, -- and, as we would hope, -- perhaps the devil,
That neither of their intellects are vast:
While youth's hot wishes in our red veins revel,
We know not this -- the blood flows on too fast;
But as the torrent widens towards the ocean,
We ponder deeply on each past emotion.

III
As boy, I thought myself a clever fellow,
And wish'd that others held the same opinion;
They took it up when my days grew more mellow,
And other minds acknowledged my dominion:
Now my sere fancy "falls into the yellow
Leaf," and Imagination droops her pinion,
And the sad truth which hovers o'er my desk
Turns what was once romantic to burlesque.

IV
And if I laugh at any mortal thing,
'T is that I may not weep; and if I weep,
'T is that our nature cannot always bring
Itself to apathy, for we must steep
Our hearts first in the depths of Lethe's spring,
Ere what we least wish to behold will sleep:
Thetis baptized her mortal son in Styx;
A mortal mother would on Lethe fix.

V
Some have accused me of a strange design
Against the creed and morals of the land,
And trace it in this poem every line:
I don't pretend that I quite understand
My own meaning when I would be very fine;
But the fact is that I have nothing plann'd,
Unless it were to be a moment merry,
A novel word in my vocabulary.

[...] Read more

poem by from Don Juan (1824)Report problemRelated quotes
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Byron

Don Juan: Canto The Fourth

Nothing so difficult as a beginning
In poesy, unless perhaps the end;
For oftentimes when Pegasus seems winning
The race, he sprains a wing, and down we tend,
Like Lucifer when hurl'd from heaven for sinning;
Our sin the same, and hard as his to mend,
Being pride, which leads the mind to soar too far,
Till our own weakness shows us what we are.

But Time, which brings all beings to their level,
And sharp Adversity, will teach at last
Man,- and, as we would hope,- perhaps the devil,
That neither of their intellects are vast:
While youth's hot wishes in our red veins revel,
We know not this- the blood flows on too fast;
But as the torrent widens towards the ocean,
We ponder deeply on each past emotion.

As boy, I thought myself a clever fellow,
And wish'd that others held the same opinion;
They took it up when my days grew more mellow,
And other minds acknowledged my dominion:
Now my sere fancy 'falls into the yellow
Leaf,' and Imagination droops her pinion,
And the sad truth which hovers o'er my desk
Turns what was once romantic to burlesque.

And if I laugh at any mortal thing,
'T is that I may not weep; and if I weep,
'T is that our nature cannot always bring
Itself to apathy, for we must steep
Our hearts first in the depths of Lethe's spring,
Ere what we least wish to behold will sleep:
Thetis baptized her mortal son in Styx;
A mortal mother would on Lethe fix.

Some have accused me of a strange design
Against the creed and morals of the land,
And trace it in this poem every line:
I don't pretend that I quite understand
My own meaning when I would be very fine;
But the fact is that I have nothing plann'd,
Unless it were to be a moment merry,
A novel word in my vocabulary.

To the kind reader of our sober clime
This way of writing will appear exotic;
Pulci was sire of the half-serious rhyme,
Who sang when chivalry was more Quixotic,
And revell'd in the fancies of the time,

[...] Read more

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Spotlight

Spotlight
In the spotlight life is so peachy yeah, yeah, yeah
Wouldnt you like to retire with a million?
A million beating hearts
Behind brick and cold steel piping
Fighting for the top
Fighting for the room to breathe
Bench parks sleepers lie
Cold blanket bed less babies
Here this must stop
I cannot stay
Damn you, big city, black city
Rising up around me, steal my soul away
Big city, black city
Rise and take me over, steal my soul away
But all out in this world
The night it crawls it falls much harder than I recall
Out in this world
A siren calls from every corner
In the spotlight life is so peachy, yeah, yeah, yeah, yeah
All of us in the spotlight for a reason, yeah, yeah, yeah, yeah
Caught for stealing somebodys riches, no, no, no, no
Wouldnt you like to retire with a million bucks?
Yeah
Came here from a small town
I see my dreams here in the big city
Sour disappointment
I cannot stay
Damn you, big city, black city
Rising up around me, steal my soul away
Big city, black city
Rise and take me over, steal my soul away
But all out in this world
The night it crawls it falls much harder than I recall
Out in this world
A siren calls from every corner
In the spotlight life is so peachy, yeah, yeah, yeah, yeah
All of us in the spotlight for a reason, yeah, yeah, yeah, yeah
Caught for stealing somebodys riches, no, no, no, no
Wouldnt you like to retire with a million bucks?
Yeah
Yeah....
Yeah....
Yeah....
Yeah....

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Our Time Has Come

Our time has come, we're gonna
Walk in the sun,oh
I've packed my hopes,
We're ready to roll,
We're on our way
With a little faith we can
Step from the shadows and
Tell everyone
Turn the spotlight on
Now our time has come
Our time has come, we're heading
Strait for the sun, oh
With heart and soul,
Watch us go,
We're on our way
With a little love we know
Nothing can stop us, so
Tell everyone
Turn the spotlight on
Now our time has come
Are you ready to wish upon a star?
Well i'll be ready to follow my own heart
Are you ready to be set free?
Well i'll be ready to reach out for that dream
Just over the horizon
Our time has come, we're gonna
Walk in the sun,oh
I've packed my hopes,
We're ready to roll,
We're on our way
With a little faith we can
Step from the shadows and
Tell everyone
Turn the spotlight on
Now our time has come
Are you ready to wish upon a star?
Well i'll be ready to follow my own heart
Are you ready to be set free?
Well i'll be ready to reach out for that dream
Just over the horizon
Our time has come we're gonna
Walk in the sun, oh
I've packed my hopes,
We're ready to roll,
We're on our way
With a little love we know
Nothing can stop us, so
Tell everyone
Turn the spotlight on
Now our time has come

[...] Read more

song performed by WilsonsReport problemRelated quotes
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