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I did not have a van, or wear Birkenstocks and tie-dyes.

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Twin State

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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10


Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…


All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…


Geloof In Liefde - Faith In Love

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Ort Jan van Hunks

Many years back an old pirate
Ort Jan van Hunks lived in Cape Town
and he had gathered enough loot
to live an honest life.

Just above the company gardens
he bought some land
and he thought that trustful slaves
would do the work for him
while he would watch his vineyards grow
and it would be possible
to give attention to his weaknesses.

The loneliness caught up with van Hunks
and he got himself a wife
but in Cape Town
at that time the choices was slim
and he was married to a huge woman
that was so broad
that she could not enter a door
without turning sideways
but he thought that in the cold winter evenings
she would keep him warm.

The trouble with his wife
was that she was a strict person
who drove their slave girls
to polish everything,
she had driven him away
from his own fireplace
with a hard hitting elbow,
as she was scared
that the ash from his pipe
would fall on the beautiful yellow-wood floor.

At the trees high up against the saddle
where Devil's peak joins Table Mountain,
van Hunks found a big rock
that was flat like a settee
and there nobody would bother him
as the Citizens thought
that only a lunatic
would climb the peaks of Table Mountain.

With a barrel of rum and a heap of tobacco
that he had carried along secretary
van Hunks was dreaming
with his pipe in his mouth
while he saw the shadow
of the mountain

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You Wear It So Well

All of those things
Yeah, that you got to give
Yeah, you wear it so well
Hey, you wear it so well
All of those stories
Honey, that i know you could tell
Yeah, you wear it so well
And your face hides it so we can't tell
That you knew we would wear it so well
You wear it so well
Yeah darling, you wear it so well
(you wear it so well)
Yeah baby, you wear it so well
(you wear it so well)
Yeah now baby, you wear it so well
(you wear it so well)
Hey now darling now, yeah, you wear it so well
(you wear it so well)
All of those things
That make poets sing
You wear it so well
Yeah, you hide it so well
And all of those pain
That you used to tell
You hide it so well
Can't tell from your face that you knew it so well
Hey, now that you have such a story to tell
Yeah, you got style and grace and you wear it so well
You wear it so well
And you got, you got such a story to tell
Yeah, yeah, yeah, you wear it so well
Grace and style equals you so well
Yeah, yeah, yeah, you wear it so well, well, yeah, so well
Yeah, you wear it, wear it, wear it now, wear it now, baby
Yeah, now you wear it so well
And you got such a story to tell
(ooohhh, ooohhh, ooohhh)
(ooohhh, you wear it so well)
(you wear it so well)
(you wear it so well)

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Et Memoria [2]

Kom stap vanoggend deur my lewe
terwyl ons, ons gisters onthou,
‘n nuwe dag voor ons oopvou

en laat ‘n afdruk van jou
geskilder teen die seildoek van my gedagtes
want elke nuwe môre
word uit ons gisters gebore

en jy bly deel van my, al is
alles tussen ons nou verby,
sien ek jou in die glans van die son,
die dou wat blinkend op blare sit

en ek besef nou, dat liefde
in elke oomblik van onthou
weer van voor af begin

en hoe langsaam rek ek nog
oomblikke wat reeds verby is uit
asof dit altyd deel van my menswees is

maar ek is reeds daarvan bewus
dat dinge vêr by verby tussen ons is,
dat jy vanaand
hitte by iemand anders sal kry
asof ek, net nog
deel van ‘n dooie vlam is.


[Verwysing: Et Memoria deur Japie S. Strydom:

“Kom stap vanaand
deur my môre,
en blaai saam deur my drome,
teken jou liggaam hier
in my sagtebandboek aan,
want ons vandag is in gisters en more gebore:

jy is die ligflits van die son,
die môre-dag se dou;
‘n laat middag in my somer-drome,
‘n vroeë lente more –

Ek weet vanaand,
dat die dae van ons lewe (liefde?) ,
weer,
in elke nuwe onthou begin:

hoe langsaam het ek jou

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Tom Van Arden

Tom Van Arden, my old friend,
Our warm fellowship is one
Far too old to comprehend
Where its bond was first begun:
Mirage-like before my gaze
Gleams a land of other days,
Where two truant boys, astray,
Dream their lazy lives away.

There's a vision, in the guise
Of Midsummer, where the Past
Like a weary beggar lies
In the shadow Time has cast;
And as blends the bloom of trees
With the drowsy hum of bees,
Fragrant thoughts and murmurs blend,
Tom Van Arden, my old friend.

Tom Van Arden, my old friend,
All the pleasures we have known
Thrill me now as I extend
This old hand and grasp your own--
Feeling, in the rude caress,
All affection's tenderness;
Feeling, though the touch be rough,
Our old souls are soft enough.

So we'll make a mellow hour:
Fill your pipe, and taste the wine--
Warp your face, if it be sour,
I can spare a smile from mine;
If it sharpen up your wit,
Let me feel the edge of it--
I have eager ears to lend,
Tom Van Arden, my old friend.

Tom Van Arden, my old friend,
Are we 'lucky dogs,' indeed?
Are we all that we pretend
In the jolly life we lead?--
Bachelors, we must confess,
Boast of 'single blessedness'
To the world, but not alone--
Man's best sorrow is his own!

And the saddest truth is this,--
Life to us has never proved
What we tasted in the kiss
Of the women we have loved:
Vainly we congratulate

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Tie Your Mother Down

Get your party gown and get your pigtail down
And get your heart beatin' baby
Got my timin' right I got my act all tight
It's gotta be tonight
My little school babe
Your momma says you don't
And your daddy says you won't
And I'm boilin' up inside
Ain't no way I'm gonna lose out this time
Tie your mother down
Tie your mother down
Get your fanny out the door
I don't need him nosin' around
Tie your mother down
Tie your mother down
Give me all your love tonight
'Go get outa my house you're such a dirty louse'
That's all I ever get from you
They cut me down to size
In fact I don't think I ever heard
A single little civil word from those guys
I don't give a light
I'm gonna make out all right
I've got a sweetheart hand
To put a stop to all that
Screamin' and fussin'
Tie your mother down
Tie your mother down
Take your little brother swimmin'
With a brick that's all right
Tie your mother down
Tie your mother down
Or you ain't no friend of mine
You ain't no friend of mine
Your momma and your daddy
Gonna plague me till I die
I can't understand it
I'm a peaceful guy
Tie your mother down
Tie your mother down
Get that big big big big big big
Fanny out the door
Tie your mother down yeah
Tie your mother down
Give me all your love tonight
All your love tonight

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Tie Our Love

Gonna tie our love in a double knot
'cause these days love gets strained a lot
To give our hearts a double shot
Let's tie our love in a double knot
Woah, if we want to endure
An ounce of prevention is worth a pound of cure
While we're wrapped up in those ties that bind
I want to make sure we don't unwind
So we'll tie our love in a double knot
'cause these days love gets strained a lot
To give our hearts a double shot
Let's tie our love in a double knot
'cause i've got my dreams, baby you got yours
Put it together, we got a whole lot more
'cause i ain't lookin' for just one night
No, i want to make it the rest of our lives
So lets tie our love in a double knot
'cause these days love gets strained a lot
To give our hearts a double shot
Let's tie our love in a double knot
Woah, oh, oh, oh
Oh, oh, oh, oh, oh
Tie our love in a double knot
'cause these days love gets strained a lot
To give our hearts a double shot
Let's tie our love in a double knot
Tie our love in a double knot
Let's tie our love in a double knot
Repeat & fade:
Tie our love in a double knot

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Tie Our Love (in A Double Knot)

Gonna tie our love in a double knot
cause these days love gets strained a lot
To give our hearts a double shot
Lets tie our love in a double knot
Woah, if we want to endure
An ounce of prevention is worth a pound of cure
While were wrapped up in those ties that bind
I want to make sure we dont unwind
So well tie our love in a double knot
cause these days love gets strained a lot
To give our hearts a double shot
Lets tie our love in a double knot
cause Ive got my dreams, baby you got yours
Put it together, we got a whole lot more
cause I aint lookin for just one night
No, I want to make it the rest of our lives
So lets tie our love in a double knot
cause these days love gets strained a lot
To give our hearts a double shot
Lets tie our love in a double knot
Woah, oh, oh, oh
Oh, oh, oh, oh, oh
Tie our love in a double knot
cause these days love gets strained a lot
To give our hearts a double shot
Lets tie our love in a double knot
Tie our love in a double knot
Lets tie our love in a double knot
Repeat & fade:
Tie our love in a double knot

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Black Tie White Noise

Getting my facts from a benneton ad
Im lookin thru african eyes
Lit by the glare of an l.a. fire
Black tie white noise
Ive got a face, not just my race, bang bang Ive got you babe
Putting on the black tie
Crankin up the white noise
Sun comes up and the man goes down
And the woman comes again
Just an hour or so to be safe from fear
Black tie white noise
Then we jump thru hoops, were divisable now, just disappear
Putting on the black tie
Crankin up the white noise
We reach out over race and hold each others hands
Then die in the flames singing we shall overcome
Whoa! whats going on?
Therell be some blood no doubt about it
But well come thru dont doubt it
I look into your eyes and I know you wont kill me
I look into your eyes and I know you wont kill me
You wont kill me
You wont kill me no
But I look into your eyes
And I wonder sometimes
Putting on the black tie
Crankin up the white noise
Oh lord, just let him see me
Lord, lord just let him hear me
Let him call me brother
Let him put his arms around me
Let him put his hands together.
Reach out over race and hold each others hands
Walk thru the nite thinking we are the world
Whoa! whats going on?
There will be some blood no doubt about it
But well come thru dont doubt it
I look into your eyes and I know you wont kill me
And I turn my back for I know you wont kill me
You wont kill me
You wont kill me no
But I wonder why
Yes, I wonder why sometimes
Putting on the black tie
Crankin up the white noise
Theyll show us how to break the rules
But never how to make the rules
Reduce us down to witless punks
Black tie white noise
Facist cries both black and white, whos got the blood, whos got the gun.

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Chevy-Chase

The Perse owt off Northombarlonde,
And a vowe to God mayd he
That he wold hunte in the mowntayns
Off Chyviat within days thre,
In the magger of doughte Dogles,
And all that ever with him be.

The fattiste hartes in all Cheviat
He sayd he wold kyll, and cary them away:
'Be my feth,' sayd the doughteti Doglas agayn,
'I wyll let that hontyng yf that I may.

Then the Perse owt off Banborowe cam,
With him a myghtee meany,
With fifteen hondrith archares bold off blood and bone;
The wear chosen owt of shyars thre.

This begane on a Monday at morn,
In Cheviat the hyllys so he;
They chylde may rue that ys un-born,
It wos the mor pitte.

The dryvars thorowe the woodes went,
For to reas the dear;
Bomen byckarte uppone the bent
With ther browd aros cleare.

Then the wyld thorowe the woodes went,
On every syde shear;
Greahondes thorowe the grevis glent,
For to kyll thear dear.

This began in Chyviat the hyls abone,
yerly on a Monnyn-day;
Be that it drewe to the oware off none,
A hondrith fat hartes ded ther lay.

The blewe a mort uppone the bent,
The semblyde on sydis shear;
To the quyrry then the Perse went,
To se the bryttlynge off the deare.

He sayd, 'It was the Doglas promys
This day to met me hear;
But I wyste he wolde faylle, verament;'
A great oth the Perse swear.

At the laste a squyar off Northomberlonde
Lokyde at his hand full ny;
He was war a the doughetie Doglas commynge,

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The Eternal Kansas City

Chorus (choir singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city)?
(van singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Train down to st. louis
Get me there alright
Over to the city there, you know that one
Where the farmers daughter digs the farmers son
Dig your charlie parker
Basie and young
Witherspoon and jay mcshann
They will come
Oooowoooowoooo
Chorus (van and choir in background)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Lady liberty in waiting
You know she lights the way
Her name is billie, shes a holiday
And the city is eternal -- hey, cant you see?
Its inside of you and its inside of me
Oooowoooowoooo
Chorus (van and choir in background)
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city ?
You know...the way to kansas city
You know...the way to kansas city
Wild thing
You know the way to kansas city (choir only)
Thank you man (van)
You know the way to kansas city
Sing it (van)
You know the way to kansas city (van and choir)
Hit it (van)
You know...the way to kansas city
You know...the way to kansas city

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Senlin: His Futile Preoccupations

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen--
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,--and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,--
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,

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As Ireland Wore the Green

BY RIGHT of birth in southern land I send my warning forth.
I see my country ruined by the wrongs that damned the North.
And shall I stand with fireless eyes and still and silent mouth
While Mammon builds his Londons on the fair fields of the South?

CHORUS:
O must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we will wear our colour still,
As Ireland wore the green!

I see the shade of poverty fall on each sunny scene.
And slums and alley-ways extend where fields were evergreen.
There is a law that stamps the flower of freedom as it springs;
And this upon a soil that’s trod by prouder feet than kings’.

And must I hide my colour
In fear of Mammon’s spleen?
Or shall I wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland swore the green!
Aye, I will wear my colour yet,
As Ireland wore the green!

Out there beyond the lonely range our fathers toiled for years
’Neath all the hardships that beset true-hearted pioneers;
And our brave mothers journeyed there to do the work of men
On those great awful plains that were unfit for women then.

Then must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland swore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we shall wear our colour still,
As Ireland wore the green!

O shall the fields our fathers won be yielded to the few
Who never touched the axe or spade, and hardships never knew?
Shall lordly robbers rule the land and build their mansions high,
And ladies flaunt their jewelled plumes where our brave mothers lie?

O must we hide our colour
In fear of Mammnon’s spleen?

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Rip Van Ruben

Rip van ruben
Youve been asleep for a hundred seconds
Now the whole world has changed
Theres no home on the range
For rip van ruben
Youve been asleep for a hundred minutes
Now youve woke and shes gone
All alone in a dark new dawn
Sits rip van ruben
Dont let it get you down
Hop on a tram and go up town
Watch a silent film
See the biplanes fly bye bye
Everything new and upside down
Pinching yourself through your dressing gown
Wont bring her back
But your bruise is real and black
Jump into bed and dream her back where she was
Dream youre frank l. richards and this is the great land of oz
When your alarm clock goes off
You will find that she has too!
Rip van ruben
Youve been asleep for a hundred seconds
Now your whole worlds turned round
And the house makes an empty sound for
Rip van ruben
Dont let it freak you out
Youll find another girl no doubt
And someday soon
Maybe man will reach the moon
Jump into bed and dream her back where she belongs
Dream youre fu manchu and shes a slave to your tongs
When all the past evaporates
You will find that she has too
Rip van ruben
Youve been asleep for a hundred seconds
Now youve woke and shes gone
Instant desserts just for one
Rip van ruben

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Dromen van identiteit

Dromen van identiteit

Over de emancipatie,
mannen die feminiseren,
vrouwen met vierkante kin.

Daar ligt de frustratie,
dat we er niets van leren,
dus lever haar snel maar weer in.

Haar haren zijn nog even schoon,
haar benen even lang,
haar stem de verleiding van kwaad.

Hij werkt steeds harder voor zijn loon
hobbelt heen achter haar gezang
dat hij diep van binnen haat.

In de antieke wereld had je nog
kerels En Amazonen.
In het Oostblok grote dichteressen
in Holland Dolle Mina met bovendien Rooie Sien
; nu heb je 'Krijg nou tieten! ' grieten.

We maken er een Breijtje van,
kinderen raken het kwijt
dromend van Identiteit.

Over de emancipatie,
mannen die feminiseren,
vrouwen met vierkante kin.

Daar ligt de frustratie,
dat we er niets van leren,
dus lever haar snel maar weer in.

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Who’ll Wear the Beaten Colours?

Who’ll wear the beaten colours—and cheer the beaten men?
Who’ll wear the beaten colours, till our time comes again?
Where sullen crowds are densest, and fickle as the sea,
Who’ll wear the beaten colours, and wear them home with me?

We closed the bars and gambling dens and voted straight and clean,
Our women walked while motor cars were whirling round the scene,
The Potts Point Vote was one for Greed and Ease and Luxury
With all to hold, and coward gold, and beaten folk are we.

Who’ll wear the beaten colours, with hands and pockets clean?
(I wore the beaten colours since I was seventeen)
I wore them up, and wore them down, Outback and across the sea—
Who’ll wear the beaten colours, and wear them home with me?

We wore them back from Ladysmith to where the peace was signed,
And wore them through the London streets where Jingoes howled behind.
We wore them to the Queen’s Hall, while England yelled “Pro-Boers!”
And sat them over victory while London banged the doors.1

We wore them from Port Arthur round till all sunk in the sea—
(Who’ll wear the white man’s colours, and wear them home with me?)
I’ve worn them through with gentlemen, with work-slaves and alone—
Who’ll wear the beaten colours, boys, and wear them on his own?

There’s one would look with startled eyes and shrink while I caressed,
Came I not with the colours of the conquered on my breast.
And twenty thousand Bushmen would stand with hands behind
And scorn in all their faces for the coward of his kind.

Who’ll wear the beaten colours and raise the voice they drowned—
It may be when we march again, they’ll bear some other sound—
Who’ll pin the beaten colours on and drive the beaten pen—
It may be other steel and ink when we march out again.

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The Book of Van den Braak

I stared at the book on the table
Where it lay on the weathered oak,
The cover so black and tarnished,
Tanned in leather through coils of smoke,
Its ancient layers had long been carved
As petals of some grim flower,
Where an evil mildew spread its mould
From the walls of that ancient tower.

The book was set like an altar piece
In that ancient, flagstoned hall,
Catching the feeble rays of light
Through cracks in the old stone wall,
I hastened to look away, but yet
It gripped me in its glare,
Like some old German Grimoire...
Though no title page was there!

I reached for the cover and opened it,
The leather creaked with age,
As it formed with its rotting petals
Into a rose around the page,
The smell of the mildew wafted up
And the chill was damp and stark,
There was nothing but evil in that tower,
In the book of Van den Braak.

I leant right over the book and saw
A woodcut of a lane,
The trees were grim in their winter coats
As the snow gave way to rain,
The mud was thick on the barren leaves
That were mulched from the Autumn's fall,
And I felt it squelch right under my feet
As the wind howled round the hall!

The tower was gone, I stood outside
In the rain and the brooding dark,
Walking along a windswept lane
In the book of Van den Braak,
I saw the light of a cottage there,
Set back in among the trees,
And a woman wailed on the painted step,
My own, my dear Louise!

I ran towards her, through a stream
That babbled beside the lane,
Louise was crying and wailing there,
She muttered: 'I'm not to blame! '
I must have seemed like a phantom there,

[...] Read more

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Ik zuig, ik schijt, ik kom...

Ik zuig, ik schijt, ik kom...
op je toe,
ik schreeuw en jank en zing
totdat ik moe
in je armen lig te trillen.

Ik lik je lichaam
teder en schoon
van het pasgeborenvlies
dat over onze extase
heen gegroeid is,
dat is geen holle frase
dat is geen kattenpis.

Ik sla, ik stoot, ik ram op je smoel
jij vent die alleen vent bent
soms...............
dan mis ik dat gevoel
van de aardse sleetsheid
het helse temperament,
aanschouw ik te veel
tempera van een krent.

Je zult je nog verbazen,
want achter de beslagen
ramen van mijn vergezicht
liggen duizenden kristallen,
zilte tranen juwelen
die me niet wilden ontvallen
noch wilden vloeien,
noch aan het licht
van jouw aangezicht
wilden spelen
van verlangen
naar troost,
naar kroost
naar snotterende
metgezellen
die me konden kwellen.....
zo nu en dan met een gedicht.

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Otoya en Oslo

Heer, in afgryse luister ons na ‘n verhaal van haat
‘n Verhaal wat ons verbuisterd laat
Hoe kan mens hierdie dade in woorde omsit?
Heer, ‘n hele nasie staan in pyn en smart
Die letters van swart op die wit papier kan nooit die pyn uitdruk
En ‘n groot gat is saam met gebou se mure uit ons hart geruk
En elke lyk van elke kind op daardie eiland voel soos ons eie
Die verlies wat ‘n ouer voel sal nooit beksryf kan word
Heer, Heer, ons uitroepe van smart en seer is so oorverdowend soos die bom
Heer, Heer, ons gevoelens lê soos die bakstene verstrooid
‘n Ramp uit ‘n mens se hand?
Heer, die vrae oor die toekoms van elkeen in daardie land
Heer, U alleen sal kan berusting bring, want troos is nie moontlik
Heer, U alleen sal kan oordeel oor so ‘n daad
Heer, vergelding is al waaraan mens kan dink
En tog sal dit ons plaas waar hy staan
Vergelding sal ons plaas in die hand van die duiwel
Heer, ons bid vir hierdie mense dat U hul sal beskerm

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