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One effect that the Nobel Prize seems to have had is that more Arabic literary works have been translated into other languages.

quote by Naguib Mahfouz
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oh yes, Mr. Shaun, the Bible was not written in English

The Gospel of Christ and, in general,
the Holy Bible are written with the inspiration of God.
The Prophets and the Apostles
have recorded in written form
a portion of the oral teaching of the Old Testament

in Hebrew and Aramaic as well as the New Testament in Greek.
in Hebrew and Aramaic as well as the New Testament in Greek.
in Hebrew and Aramaic as well as the New Testament in Greek.
in Hebrew and Aramaic as well as the New Testament in Greek.
in Hebrew and Aramaic as well as the New Testament in Greek.
in Hebrew and Aramaic as well as the New Testament in Greek.
in Hebrew and Aramaic as well as the New Testament in Greek.
in Hebrew and Aramaic as well as the New Testament in Greek.

These are the original languages of the Holy Bible from' which all the translations have been derived. God's inspiration is confined to the original languages and utterances, not the many translations. There are 1,300 languages and dialects into which the Holy Bible, in its entirety or in portions, has been

translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated.translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated. translated.

This does not mean that the translations do not convey the meaning of the Bible for spiritual uprightness of the readers in their own language. On the contrary the Bible should be spread and preached to 'all nations'. The missionaries in foreign lands learn the language or the dialect of. the new area into which they bring the Bible and other religious teachings. For example, the missionaries from Constantinople, Saints Cyril and Methodios, sent to Christianize the Slavic peoples in the 9th century, first translated the Bible and the ritual books into the language of the people.

yes, Mr. Shaun, my friend the Bible was not written in English.IT was written in HEBREW, ARAMAIC, and GREEK....

But i like it written in English too, how i wish it were written in such a
language,
with a sense of class
and fashionable disguise,

for without it, how could i ever understand, God,

oh, my, God!

poem by Ric S. Bastasa
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The Iliad: Book 23

Thus did they make their moan throughout the city, while the
Achaeans when they reached the Hellespont went back every man to his
own ship. But Achilles would not let the Myrmidons go, and spoke to
his brave comrades saying, "Myrmidons, famed horsemen and my own
trusted friends, not yet, forsooth, let us unyoke, but with horse
and chariot draw near to the body and mourn Patroclus, in due honour
to the dead. When we have had full comfort of lamentation we will
unyoke our horses and take supper all of us here."
On this they all joined in a cry of wailing and Achilles led them in
their lament. Thrice did they drive their chariots all sorrowing round
the body, and Thetis stirred within them a still deeper yearning.
The sands of the seashore and the men's armour were wet with their
weeping, so great a minister of fear was he whom they had lost.
Chief in all their mourning was the son of Peleus: he laid his
bloodstained hand on the breast of his friend. "Fare well," he
cried, "Patroclus, even in the house of Hades. I will now do all
that I erewhile promised you; I will drag Hector hither and let dogs
devour him raw; twelve noble sons of Trojans will I also slay before
your pyre to avenge you."
As he spoke he treated the body of noble Hector with contumely,
laying it at full length in the dust beside the bier of Patroclus. The
others then put off every man his armour, took the horses from their
chariots, and seated themselves in great multitude by the ship of
the fleet descendant of Aeacus, who thereon feasted them with an
abundant funeral banquet. Many a goodly ox, with many a sheep and
bleating goat did they butcher and cut up; many a tusked boar
moreover, fat and well-fed, did they singe and set to roast in the
flames of Vulcan; and rivulets of blood flowed all round the place
where the body was lying.
Then the princes of the Achaeans took the son of Peleus to
Agamemnon, but hardly could they persuade him to come with them, so
wroth was he for the death of his comrade. As soon as they reached
Agamemnon's tent they told the serving-men to set a large tripod
over the fire in case they might persuade the son of Peleus 'to wash
the clotted gore from this body, but he denied them sternly, and swore
it with a solemn oath, saying, "Nay, by King Jove, first and mightiest
of all gods, it is not meet that water should touch my body, till I
have laid Patroclus on the flames, have built him a barrow, and shaved
my head- for so long as I live no such second sorrow shall ever draw
nigh me. Now, therefore, let us do all that this sad festival demands,
but at break of day, King Agamemnon, bid your men bring wood, and
provide all else that the dead may duly take into the realm of
darkness; the fire shall thus burn him out of our sight the sooner,
and the people shall turn again to their own labours."
Thus did he speak, and they did even as he had said. They made haste
to prepare the meal, they ate, and every man had his full share so
that all were satisfied. As soon as they had had had enough to eat and
drink, the others went to their rest each in his own tent, but the son
of Peleus lay grieving among his Myrmidons by the shore of the
sounding sea, in an open place where the waves came surging in one

[...] Read more

poem by Homer, translated by Samuel Butler
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~ Psychosomatic Lingerie ~

From: Sadiqullah Khan
To: Nivedita Bagchi
Date-Time: 12/23/2009 4: 47: 00 AM (GMT -6: 00)
Subject: A Nobel Prize
-
See my poem, A Nobel Prize. I have included ur poem there. Is it ok?
-
To Poet Sadiqullah Khan:
By love you’ve embosomed my poem…
On the eve of New Year Poet niv
‘Crowning’ your poetic affections
Regards for the honor,
In Ever Poetic Tieship.
niv
31 December,2009.
-
Sadiqullah Khan (12/23/2009 4: 30: 00 AM)

A Nobel Prize

I
As on today
24 Dec,2500 BC
Being the head
Of the committee
Where a beautiful poem
PSYCHOSOMATIC LIGERIE
By MS. NIVEDETA BAGCHI SPC.UK.
Has been submitted
For review
And I hereby
Bestow upon her
And she is
Very kind
To accept
A NOBEL PRIZE
For the reasons
That she has written
Pure and sensible
Human emotions
And feelings
Applause
Congrats
........
24/12/2009
~ PSYCHOSOMATIC LINGERIE ~
Ms. Nivedita
UK
24 December,2009.

[...] Read more

poem by Ms. Nivedita Bagchi Spc. Uk.
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She Works Hard For The Money

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

Onetta there in the corner stand
and wonders where she is and
it's strange to her
some people seem to have everything

Nine a.m. on the hour hand
and she's waiting for the bell
and she's looking real pretty
just wait for her clientele

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

Twenty five years have
come and gone
and she' seen a lot of tears
of the ones who come in
they really seem to need her there

It's a sacrifice working day to day
for little money just tips for pay
But it's worth it all
just to hear them say that they care

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

She already knows
she's seen her bad times
she already knows
these are the good times

[...] Read more

song performed by Donna Summer from The Donna Summer Anthology
Added by Lucian Velea
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New Language

Anderson/squire/howe/white/sherwood/khoroshev
I speak from some sort of protection of learning
Even tho I make it up as I go on
A special trait is that Ive tried
To reach all feelings
So I speak a new language of love
Some say that it is written in the circle
Others that it is written in the sun
But I protect myself by seeing this experience
As a metaphor for moving on
Sometimes I check myself
To start to believe in
The horoscopes you read everyday
Theyre telling me somethings
I really ought to know
But then again I like to
Then again I learn to
Then again Im running away
Vision is coming so fast I cant stop myself
Vision forgets who is real
On the city streets, people get lost
Just waiting for history
Pushing the real world away
Taking a chance only once in your life
Only weakness can stop you from hearing
New languages
Translate each word
As they bring you creation
Your voice is the perfect key
Is there something that
Im supposed to see
Is there something that im
Supposed to feel
Im with you
And I cant help but want to know
(talk to me)
Is there something that Im supposed to teach
(speak to me)
Is there something that Im supposed to find
As I reach to the healing in each spoken word
For some strange reason time just cannot wait a minute
Im chasing every second before I let go
Yesterday my history
Dreams are still a mystery
This living is a gift I should know
Lay it down and let me live the new language
Let me learn at every twist every turn
Lay it down and let me love the further future
Let me know Im running
Let me know Im learning

[...] Read more

song performed by Yes
Added by Lucian Velea
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New Language

Anderson/squire/howe/white/sherwood/khoroshev
I speak from some sort of protection of learning
Even tho I make it up as I go on
A special trait is that Ive tried
To reach all feelings
So I speak a new language of love
Some say that it is written in the circle
Others that it is written in the sun
But I protect myself by seeing this experience
As a metaphor for moving on
Sometimes I check myself
To start to believe in
The horoscopes you read everyday
Theyre telling me somethings
I really ought to know
But then again I like to
Then again I learn to
Then again Im running away
Vision is coming so fast I cant stop myself
Vision forgets who is real
On the city streets, people get lost
Just waiting for history
Pushing the real world away
Taking a chance only once in your life
Only weakness can stop you from hearing
New languages
Translate each word
As they bring you creation
Your voice is the perfect key
Is there something that
Im supposed to see
Is there something that im
Supposed to feel
Im with you
And I cant help but want to know
(talk to me)
Is there something that Im supposed to teach
(speak to me)
Is there something that Im supposed to find
As I reach to the healing in each spoken word
For some strange reason time just cannot wait a minute
Im chasing every second before I let go
Yesterday my history
Dreams are still a mystery
This living is a gift I should know
Lay it down and let me live the new language
Let me learn at every twist every turn
Lay it down and let me love the further future
Let me know Im running
Let me know Im learning

[...] Read more

song performed by Yes
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

poem by Robert Browning from The Ring and the Book
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No One Gets The Prize

(nickolas ashford/valerie simpson)
No one, no one gets the prize
No one, no one
No one gets the prize
We were best of friends
It all began
He came in to town and changed the plan
I knew she felt, the same as me
Which one of us would it be
Just in fun, fight begun
Before long a web of hate was spun
She pretended same as me
Oh, but friends again wed never be
No one, no one gets the prize
She told him lies, and I told him lies
No one, no one gets the prize
She schemed and dreamed and told him dirt
That I was wrong for him
I told him all the boys shed hurt and I would number them
He was the ray of light that made our hearts live
But either one of us knew really how to give
So we scandalized and criticized
And then we learned how to despise
No one, no one gets the prize
She told him lies and I lied, I lied yeah
No one, no one gets the prize
No, no, no
Yeah, yeah
Back off
Tried to steal him, tried to steal him
Tried to steal him
Runnin behind my back
Tried to steal him
Tried to show him where it was at
Watch it now
No, no I wont take second place
No, no tell him to his face
We were friends for so, so, so long
Messed around, now hes gone gone gone gone
No one, no one gets the prize
No, no
No one, no one gets the prize
I wasnt alive, a love thats satisfied
No one, no one gets the prize
It wasnt fair, the love I couldnt share
No one, no one gets the prize
No, no
No one, no one gets the prize
No one, no one gets the prize
She lied, I lied, we lied

[...] Read more

song performed by Diana Ross
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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poem by Alfred Lord Tennyson
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Metamorphoses: Book The Thirteenth

THE chiefs were set; the soldiers crown'd the
field:
To these the master of the seven-fold shield
Upstarted fierce: and kindled with disdain.
Eager to speak, unable to contain
His boiling rage, he rowl'd his eyes around
The shore, and Graecian gallies hall'd a-ground.
The Then stretching out his hands, O Jove, he cry'd,
Speeches of Must then our cause before the fleet be try'd?
Ajax and And dares Ulysses for the prize contend,
Ulysses In sight of what he durst not once defend?
But basely fled that memorable day,
When I from Hector's hands redeem'd the flaming
prey.
So much 'tis safer at the noisie bar
With words to flourish, than ingage in war.
By diff'rent methods we maintain our right,
Nor am I made to talk, nor he to fight.
In bloody fields I labour to be great;
His arms are a smooth tongue, and soft deceit:
Nor need I speak my deeds, for those you see,
The sun, and day are witnesses for me.
Let him who fights unseen, relate his own,
And vouch the silent stars, and conscious moon.
Great is the prize demanded, I confess,
But such an abject rival makes it less;
That gift, those honours, he but hop'd to gain,
Can leave no room for Ajax to be vain:
Losing he wins, because his name will be
Ennobled by defeat, who durst contend with me.
Were my known valour question'd, yet my blood
Without that plea wou'd make my title good:
My sire was Telamon, whose arms, employ'd
With Hercules, these Trojan walls destroy'd;
And who before with Jason sent from Greece,
In the first ship brought home the golden fleece.
Great Telamon from Aeacus derives
His birth (th' inquisitor of guilty lives
In shades below; where Sisyphus, whose son
This thief is thought, rouls up the restless heavy
stone),
Just Aeacus, the king of Gods above
Begot: thus Ajax is the third from Jove.
Nor shou'd I seek advantage from my line,
Unless (Achilles) it was mix'd with thine:
As next of kin, Achilles' arms I claim;
This fellow wou'd ingraft a foreign name
Upon our stock, and the Sisyphian seed
By fraud, and theft asserts his father's breed:
Then must I lose these arms, because I came

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poem by Ovid
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Paradise Lost: Book 03

Hail, holy Light, offspring of Heaven firstborn,
Or of the Eternal coeternal beam
May I express thee unblam'd? since God is light,
And never but in unapproached light
Dwelt from eternity, dwelt then in thee
Bright effluence of bright essence increate.
Or hear"st thou rather pure ethereal stream,
Whose fountain who shall tell? before the sun,
Before the Heavens thou wert, and at the voice
Of God, as with a mantle, didst invest ***
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap'd the Stygian pool, though long detain'd
In that obscure sojourn, while in my flight
Through utter and through middle darkness borne,
With other notes than to the Orphean lyre
I sung of Chaos and eternal Night;
Taught by the heavenly Muse to venture down
The dark descent, and up to re-ascend,
Though hard and rare: Thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit'st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quench'd their orbs,
Or dim suffusion veil'd. Yet not the more
Cease I to wander, where the Muses haunt,
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath,
That wash thy hallow'd feet, and warbling flow,
Nightly I visit: nor sometimes forget
So were I equall'd with them in renown,
Thy sovran command, that Man should find grace;
Blind Thamyris, and blind Maeonides,
And Tiresias, and Phineus, prophets old:
Then feed on thoughts, that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and in shadiest covert hid
Tunes her nocturnal note. Thus with the year
Seasons return; but not to me returns
Day, or the sweet approach of even or morn,
Or sight of vernal bloom, or summer's rose,
Or flocks, or herds, or human face divine;
But cloud instead, and ever-during dark
Surrounds me, from the cheerful ways of men
Cut off, and for the book of knowledge fair
Presented with a universal blank
Of nature's works to me expung'd and ras'd,
And wisdom at one entrance quite shut out.

[...] Read more

poem by John Milton
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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poem by Sir Francis Bacon
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The Iliad (bk I)

Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another.

And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs.

"Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove."

On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away. "Old man," said he, "let me not find you tarrying about our ships, nor yet coming hereafter. Your sceptre of the god and your wreath shall profit you nothing. I will not free her. She shall grow old in my house at Argos far from her own home, busying herself with her loom and visiting my couch; so go, and do not provoke me or it shall be the worse for you."

The old man feared him and obeyed. Not a word he spoke, but went by the shore of the sounding sea and prayed apart to King Apollo whom lovely Leto had borne. "Hear me," he cried, "O god of the silver bow, that protectest Chryse and holy Cilla and rulest Tenedos with thy might, hear me oh thou of Sminthe. If I have ever decked your temple with garlands, or burned your thigh-bones in fat of bulls or goats, grant my prayer, and let your arrows avenge these my tears upon the Danaans."

Thus did he pray, and Apollo heard his prayer. He came down furious from the summits of Olympus, with his bow and his quiver upon his shoulder, and the arrows rattled on his back with the rage that trembled within him. He sat himself down away from the ships with a face as dark as night, and his silver bow rang death as he shot his arrow in the midst of them. First he smote their mules and their hounds, but presently he aimed his shafts at the people themselves, and all day long the pyres of the dead were burning.

For nine whole days he shot his arrows among the people, but upon the tenth day Achilles called them in assembly- moved thereto by Juno, who saw the Achaeans in their death-throes and had compassion upon them. Then, when they were got together, he rose and spoke among them.

"Son of Atreus," said he, "I deem that we should now turn roving home if we would escape destruction, for we are being cut down by war and pestilence at once. Let us ask some priest or prophet, or some reader of dreams (for dreams, too, are of Jove) who can tell us why Phoebus Apollo is so angry, and say whether it is for some vow that we have broken, or hecatomb that we have not offered, and whether he will accept the savour of lambs and goats without blemish, so as to take away the plague from us."

With these words he sat down, and Calchas son of Thestor, wisest of augurs, who knew things past present and to come, rose to speak. He it was who had guided the Achaeans with their fleet to Ilius, through the prophesyings with which Phoebus Apollo had inspired him. With all sincerity and goodwill he addressed them thus:-

"Achilles, loved of heaven, you bid me tell you about the anger of King Apollo, I will therefore do so; but consider first and swear that you will stand by me heartily in word and deed, for I know that I shall offend one who rules the Argives with might, to whom all the Achaeans are in subjection. A plain man cannot stand against the anger of a king, who if he swallow his displeasure now, will yet nurse revenge till he has wreaked it. Consider, therefore, whether or no you will protect me."

And Achilles answered, "Fear not, but speak as it is borne in upon you from heaven, for by Apollo, Calchas, to whom you pray, and whose oracles you reveal to us, not a Danaan at our ships shall lay his hand upon you, while I yet live to look upon the face of the earth- no, not though you name Agamemnon himself, who is by far the foremost of the Achaeans."

Thereon the seer spoke boldly. "The god," he said, "is angry neither about vow nor hecatomb, but for his priest's sake, whom Agamemnon has dishonoured, in that he would not free his daughter nor take a ransom for her; therefore has he sent these evils upon us, and will yet send others. He will not deliver the Danaans from this pestilence till Agamemnon has restored the girl without fee or ransom to her father, and has sent a holy hecatomb to Chryse. Thus we may perhaps appease him."

With these words he sat down, and Agamemnon rose in anger. His heart was black with rage, and his eyes flashed fire as he scowled on Calchas and said, "Seer of evil, you never yet prophesied smooth things concerning me, but have ever loved to foretell that which was evil. You have brought me neither comfort nor performance; and now you come seeing among Danaans, and saying that Apollo has plagued us because I would not take a ransom for this girl, the daughter of Chryses. I have set my heart on keeping her in my own house, for I love her better even than my own wife Clytemnestra, whose peer she is alike in form and feature, in understanding and accomplishments. Still I will give her up if I must, for I would have the people live, not die; but you must find me a prize instead, or I alone among the Argives shall be without one. This is not well; for you behold, all of you, that my prize is to go elsewhither."

And Achilles answered, "Most noble son of Atreus, covetous beyond all mankind, how shall the Achaeans find you another prize? We have no common store from which to take one. Those we took from the cities have been awarded; we cannot disallow the awards that have been made already. Give this girl, therefore, to the god, and if ever Jove grants us to sack the city of Troy we will requite you three and fourfold."

Then Agamemnon said, "Achilles, valiant though you be, you shall not thus outwit me. You shall not overreach and you shall not persuade me. Are you to keep your own prize, while I sit tamely under my loss and give up the girl at your bidding? Let the Achaeans find me a prize in fair exchange to my liking, or I will come and take your own, or that of Ajax or of Ulysses; and he to whomsoever I may come shall rue my coming. But of this we will take thought hereafter; for the present, let us draw a ship into the sea, and find a crew for her expressly; let us put a hecatomb on board, and let us send Chryseis also; further, let some chief man among us be in command, either Ajax, or Idomeneus, or yourself, son of Peleus, mighty warrior that you are, that we may offer sacrifice and appease the the anger of the god."

Achilles scowled at him and answered, "You are steeped in insolence and lust of gain. With what heart can any of the Achaeans do your bidding, either on foray or in open fighting? I came not warring here for any ill the Trojans had done me. I have no quarrel with them. They have not raided my cattle nor my horses, nor cut down my harvests on the rich plains of Phthia; for between me and them there is a great space, both mountain and sounding sea. We have followed you, Sir Insolence! for your pleasure, not ours- to gain satisfaction from the Trojans for your shameless self and for Menelaus. You forget this, and threaten to rob me of the prize for which I have toiled, and which the sons of the Achaeans have given me. Never when the Achaeans sack any rich city of the Trojans do I receive so good a prize as you do, though it is my hands that do the better part of the fighting. When the sharing comes, your share is far the largest, and I, forsooth, must go back to my ships, take what I can get and be thankful, when my labour of fighting is done. Now, therefore, I shall go back to Phthia; it will be much better for me to return home with my ships, for I will not stay here dishonoured to gather gold and substance for you."

And Agamemnon answered, "Fly if you will, I shall make you no prayers to stay you. I have others here who will do me honour, and above all Jove, the lord of counsel. There is no king here so hateful to me as you are, for you are ever quarrelsome and ill affected. What though you be brave? Was it not heaven that made you so? Go home, then, with your ships and comrades to lord it over the Myrmidons. I care neither for you nor for your anger; and thus will I do: since Phoebus Apollo is taking Chryseis from me, I shall send her with my ship and my followers, but I shall come to your tent and take your own prize Briseis, that you may learn how much stronger I am than you are, and that another may fear to set himself up as equal or comparable with me."

The son of Peleus was furious, and his heart within his shaggy breast was divided whether to draw his sword, push the others aside, and kill the son of Atreus, or to restrain himself and check his anger. While he was thus in two minds, and was drawing his mighty sword from its scabbard, Minerva came down from heaven (for Juno had sent her in the love she bore to them both), and seized the son of Peleus by his yellow hair, visible to him alone, for of the others no man could see her. Achilles turned in amaze, and by the fire that flashed from her eyes at once knew that she was Minerva. "Why are you here," said he, "daughter of aegis-bearing Jove? To see the pride of Agamemnon, son of Atreus? Let me tell you- and it shall surely be- he shall pay for this insolence with his life."

And Minerva said, "I come from heaven, if you will hear me, to bid you stay your anger. Juno has sent me, who cares for both of you alike. Cease, then, this brawling, and do not draw your sword; rail at him if you will, and your railing will not be vain, for I tell you- and it shall surely be- that you shall hereafter receive gifts three times as splendid by reason of this present insult. Hold, therefore, and obey."

"Goddess," answered Achilles, "however angry a man may be, he must do as you two command him. This will be best, for the gods ever hear the prayers of him who has obeyed them."

He stayed his hand on the silver hilt of his sword, and thrust it back into the scabbard as Minerva bade him. Then she went back to Olympus among the other gods, and to the house of aegis-bearing Jove.

But the son of Peleus again began railing at the son of Atreus, for he was still in a rage. "Wine-bibber," he cried, "with the face of a dog and the heart of a hind, you never dare to go out with the host in fight, nor yet with our chosen men in ambuscade. You shun this as you do death itself. You had rather go round and rob his prizes from any man who contradicts you. You devour your people, for you are king over a feeble folk; otherwise, son of Atreus, henceforward you would insult no man. Therefore I say, and swear it with a great oath- nay, by this my sceptre which shalt sprout neither leaf nor shoot, nor bud anew from the day on which it left its parent stem upon the mountains- for the axe stripped it of leaf and bark, and now the sons of the Achaeans bear it as judges and guardians of the decrees of heaven- so surely and solemnly do I swear that hereafter they shall look fondly for Achilles and shall not find him. In the day of your distress, when your men fall dying by the murderous hand of Hector, you shall not know how to help them, and shall rend your heart with rage for the hour when you offered insult to the bravest of the Achaeans."

With this the son of Peleus dashed his gold-bestudded sceptre on the ground and took his seat, while the son of Atreus was beginning fiercely from his place upon the other side. Then uprose smooth-tongued Nestor, the facile speaker of the Pylians, and the words fell from his lips sweeter than honey. Two generations of men born and bred in Pylos had passed away under his rule, and he was now reigning over the third. With all sincerity and goodwill, therefore, he addressed them thus:-

"Of a truth," he said, "a great sorrow has befallen the Achaean land. Surely Priam with his sons would rejoice, and the Trojans be glad at heart if they could hear this quarrel between you two, who are so excellent in fight and counsel. I am older than either of you; therefore be guided by me. Moreover I have been the familiar friend of men even greater than you are, and they did not disregard my counsels. Never again can I behold such men as Pirithous and Dryas shepherd of his people, or as Caeneus, Exadius, godlike Polyphemus, and Theseus son of Aegeus, peer of the immortals. These were the mightiest men ever born upon this earth: mightiest were they, and when they fought the fiercest tribes of mountain savages they utterly overthrew them. I came from distant Pylos, and went about among them, for they would have me come, and I fought as it was in me to do. Not a man now living could withstand them, but they heard my words, and were persuaded by them. So be it also with yourselves, for this is the more excellent way. Therefore, Agamemnon, though you be strong, take not this girl away, for the sons of the Achaeans have already given her to Achilles; and you, Achilles, strive not further with the king, for no man who by the grace of Jove wields a sceptre has like honour with Agamemnon. You are strong, and have a goddess for your mother; but Agamemnon is stronger than you, for he has more people under him. Son of Atreus, check your anger, I implore you; end this quarrel with Achilles, who in the day of battle is a tower of strength to the Achaeans."

And Agamemnon answered, "Sir, all that you have said is true, but this fellow must needs become our lord and master: he must be lord of all, king of all, and captain of all, and this shall hardly be. Granted that the gods have made him a great warrior, have they also given him the right to speak with railing?"

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poem by Homer
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The Iliad: Book 1

Sing, O goddess, the anger of Achilles son of Peleus, that brought
countless ills upon the Achaeans. Many a brave soul did it send
hurrying down to Hades, and many a hero did it yield a prey to dogs
and vultures, for so were the counsels of Jove fulfilled from the
day on which the son of Atreus, king of men, and great Achilles, first
fell out with one another.
And which of the gods was it that set them on to quarrel? It was the
son of Jove and Leto; for he was angry with the king and sent a
pestilence upon the host to plague the people, because the son of
Atreus had dishonoured Chryses his priest. Now Chryses had come to the
ships of the Achaeans to free his daughter, and had brought with him a
great ransom: moreover he bore in his hand the sceptre of Apollo
wreathed with a suppliant's wreath and he besought the Achaeans, but
most of all the two sons of Atreus, who were their chiefs.
"Sons of Atreus," he cried, "and all other Achaeans, may the gods
who dwell in Olympus grant you to sack the city of Priam, and to reach
your homes in safety; but free my daughter, and accept a ransom for
her, in reverence to Apollo, son of Jove."
On this the rest of the Achaeans with one voice were for
respecting the priest and taking the ransom that he offered; but not
so Agamemnon, who spoke fiercely to him and sent him roughly away.
"Old man," said he, "let me not find you tarrying about our ships, nor
yet coming hereafter. Your sceptre of the god and your wreath shall
profit you nothing. I will not free her. She shall grow old in my
house at Argos far from her own home, busying herself with her loom
and visiting my couch; so go, and do not provoke me or it shall be the
worse for you."
The old man feared him and obeyed. Not a word he spoke, but went
by the shore of the sounding sea and prayed apart to King Apollo
whom lovely Leto had borne. "Hear me," he cried, "O god of the
silver bow, that protectest Chryse and holy Cilla and rulest Tenedos
with thy might, hear me oh thou of Sminthe. If I have ever decked your
temple with garlands, or burned your thigh-bones in fat of bulls or
goats, grant my prayer, and let your arrows avenge these my tears upon
the Danaans."
Thus did he pray, and Apollo heard his prayer. He came down
furious from the summits of Olympus, with his bow and his quiver
upon his shoulder, and the arrows rattled on his back with the rage
that trembled within him. He sat himself down away from the ships with
a face as dark as night, and his silver bow rang death as he shot
his arrow in the midst of them. First he smote their mules and their
hounds, but presently he aimed his shafts at the people themselves,
and all day long the pyres of the dead were burning.
For nine whole days he shot his arrows among the people, but upon
the tenth day Achilles called them in assembly- moved thereto by Juno,
who saw the Achaeans in their death-throes and had compassion upon
them. Then, when they were got together, he rose and spoke among them.
"Son of Atreus," said he, "I deem that we should now turn roving
home if we would escape destruction, for we are being cut down by
war and pestilence at once. Let us ask some priest or prophet, or some

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poem by Homer, translated by Samuel Butler
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Ode to the Great Unknown

'O breathe not his name!'
—Moore.

I

Thou Great Unknown!
I do not mean Eternity, nor Death,
That vast incog!
For I suppose thou hast a living breath,
Howbeit we know not from whose lungs 'tis blown,
Thou man of fog!
Parent of many children—child of none!
Nobody's son!
Nobody's daughter—but a parent still!
Still but an ostrich parent of a batch
Of orphan eggs,—left to the world to hatch
Superlative Nil!
A vox and nothing more,—yet not Vauxhall;
A head in papers, yet without a curl!
Not the Invisible Girl!
No hand—but a handwriting on a wall—
A popular nonentity,
Still call'd the same,—without identity!
A lark, heard out of sight,—
A nothing shin'd upon,—invisibly bright,
'Dark with excess of light!'
Constable's literary John-a-nokes—
The real Scottish wizard—and not which,
Nobody—in a niche;
Every one's hoax!
Maybe Sir Walter Scott—
Perhaps not!
Why dost thou so conceal and puzzle curious folks?

II

Thou,—whom the second-sighted never saw,
The Master Fiction of fictitious history!
Chief Nong-tong-paw!
No mister in the world—and yet all mystery!
The 'tricksy spirit' of a Scotch Cock Lane—
A novel Junius puzzling the world's brain—
A man of Magic—yet no talisman!
A man of clair obscure—not he o' the moon!
A star—at noon.
A non-descriptus in a caravan,
A private—of no corps—a northern light
In a dark lantern,—Bogie in a crape—
A figure—but no shape;

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poem by Thomas Hood
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Tirocinium; or, a Review of Schools

It is not from his form, in which we trace
Strength join'd with beauty, dignity with grace,
That man, the master of this globe, derives
His right of empire over all that lives.
That form, indeed, the associate of a mind
Vast in its powers, ethereal in its kind,
That form, the labour of Almighty skill,
Framed for the service of a freeborn will,
Asserts precedence, and bespeaks control,
But borrows all its grandeur from the soul.
Hers is the state, the splendour, and the throne,
An intellectual kingdom, all her own.
For her the memory fills her ample page
With truths pour’d down from every distant age;
For her amasses an unbounded store,
The wisdom of great nations, now no more;
Though laden, not encumber’d with her spoil;
Laborious, yet unconscious of her toil;
When copiously supplied, then most enlarged;
Still to be fed, and not to be surcharged.
For her the Fancy, roving unconfined,
The present muse of every pensive mind,
Works magic wonders, adds a brighter hue
To Nature’s scenes than Nature ever knew.
At her command winds rise and waters roar,
Again she lays them slumbering on the shore;
With flower and fruit the wilderness supplies,
Or bids the rocks in ruder pomp arise.
For her the Judgment, umpire in the strife
That Grace and Nature have to wage through life,
Quick-sighted arbiter of good and ill,
Appointed sage preceptor to the Will,
Condemns, approves, and, with a faithful voice,
Guides the decision of a doubtful choice.
Why did the fiat of a God give birth
To yon fair Sun and his attendant Earth?
And, when descending he resigns the skies,
Why takes the gentler Moon her turn to rise,
Whom Ocean feels through all his countless waves,
And owns her power on every shore he laves?
Why do the seasons still enrich the year,
Fruitful and young as in their first career?
Spring hangs her infant blossoms on the trees,
Rock’d in the cradle of the western breeze:
Summer in haste the thriving charge receives
Beneath the shade of her expanded leaves,
Till Autumn’s fiercer heats and plenteous dews
Dye them at last in all their glowing hues.—
‘Twere wild profusion all, and bootless waste,
Power misemploy’d, munificence misplaced,

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poem by William Cowper
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The Task: Book III. -- The Garden

As one who, long in thickets and in brakes
Entangled, winds now this way and now that
His devious course uncertain, seeking home;
Or, having long in miry ways been foil’d,
And sore discomfited, from slough to slough
Plunging, and half despairing of escape;
If chance at length he finds a greensward smooth
And faithful to the foot, his spirits rise,
He chirrups brisk his ear-erecting steed,
And winds his way with pleasure and with ease:
So I, designing other themes, and call’d
To adorn the Sofa with eulogium due,
To tell its slumbers, and to paint its dreams,
Have rambled wide. In country, city, seat
Of academic fame (howe’er deserved),
Long held, and scarcely disengaged at last.
But now with pleasant pace a cleanlier road
I mean to tread. I feel myself at large,
Courageous, and refresh’d for future toil,
If toil awaits me, or if dangers new.

Since pulpits fail, and sounding boards reflect
Most part an empty ineffectual sound,
What chance that I, to fame so little known,
Nor conversant with men or manners much,
Should speak to purpose, or with better hope
Crack the satiric thong? ‘Twere wiser far
For me, enamour’d of sequester’d scenes,
And charm’d with rural beauty, to repose,
Where chance may throw me, beneath elm or vine,
My languid limbs, when summer sears the plains;
Or, when rough winter rages, on the soft
And shelter’d Sofa, while the nitrous air
Feeds a blue flame, and makes a cheerful hearth;
There, undisturb’d by Folly, and apprised
How great the danger of disturbing her,
To muse in silence, or at least confine
Remarks that gall so many to the few,
My partners in retreat. Disgust conceal’d
Is ofttimes proof of wisdom, when the fault
Is obstinate, and cure beyond our reach.

Domestic Happiness, thou only bliss
Of Paradise that has survived the fall!
Though few now taste thee unimpair’d and pure,
Or tasting long enjoy thee! too infirm,
Or too incautious, to preserve thy sweets
Unmix’d with drops of bitter, which neglect
Or temper sheds into thy crystal cup;
Thou art the nurse of Virtue, in thine arms

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poem by William Cowper
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Idea Track

Dear Hugh Miller
Ive thought it through for a while but it doesnt get any easier
And three months on in this bad design wont make it feel any easier
Your grave, its your grave
Dear Hugh Miller
Its four months now from when we started and nothing feels much easier.
I sit and stare in a cork tiled room and it doesnt get much easier.
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
Dear Hugh Miller,
its four months now from when we started and nothing feels much easier.
I sit and stare in a cork tiled room and it doesnt get much easier.
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
I dont care if I dont have an idea track, its an idea track, its an idea
I dont care if I dont have an idea track, its an idea track, its an idea
Your grave, its your grave.

song performed by Idlewild
Added by Lucian Velea
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Poor Paddy

[the pogues version]
-----------------------------------------
In eighteen hundred and forty-one
The corduroy breeches I put on
Me corduroy breeches I put on
To work upon the railway, the railway
Im weary of the railway
Poor paddy works on the railway
In eighteen hundred and forty-two
From hartlepool I moved to crewe
Found myself a job to do
A working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-three
I broke the shovel across me knee
I went to work for the company
On the leeds to selby railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-four
I landed on the liverpool shore
My belly was empty me hands were raw
With working on the railway, the railway
Im sick to my guts of the railway
Poor paddy works on the railway
In eighteen hundred and forty-five
When daniel oconnell he was alive
When daniel oconnell he was alive
And working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-six
I changed my trade to carrying bricks
I changed my trade to carrying bricks
To work upon the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-seven
Poor paddy was thinking of going to heaven
The old bugger was thinking of going to heaven
To work upon the railway, the railway

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song performed by Pogues
Added by Lucian Velea
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Faith And Works. A Tale.

Good Dan and Jane were man and wife,
And lived a loving kind of life.
One point, however, they disputed
And each by turns his mate confuted.
'Twas Faith and Works, this knotty question,
They found not easy of digestion.
While Dan for Faith alone contended,
Jane equally Good Works defended.
'They are not Christians, sure, but Turks,
Who build on Faith and scoff at Works,'
Quoth Jane; while eager Dan replied,
'By none but Heathens Faith's denied.
I'll tell you, wife,' one day quoth Dan,
'A story of a right good man:
A Patriarch sage, of ancient days,
A man of Faith whom all must praise;
In his own country he possess'd
Whate'er can make a wise man blest,
His was the flock, the field, the spring,
In short, a little rural king.
Yet pleas'd he quits his native land,
By Faith in the Divine command.
God bade him go; and he, content,
Went forth, not knowing where he went:
He trusted in the promise made,
And, undisputing, straight obey'd.
The heavenly word he did not doubt,
But proved his Faith by going out.'
Jane answer'd with some little pride:
'I've an example on my side;
And though my tale be somewhat longer,
I trust you'll find it vastly stronger.
I'll tell you, Daniel, of a man,
The holiest since the world began
Who now God's favour is receiving,
For prompt
obeying
, not believing.
One only son this man possess'd,
In whom his righteous age was blest;
And more to mark the grace of heaven
This son by miracle was given.
And from this child, the word Divine,
Had promised an illustrious line.
When lo! at once a voice he hears,
Which sounds like thunder in his ears!
God says, 'Go sacrifice thy son!'
'This moment, Lord, it shall be done.'
He goes, and instantly prepares,
To slay this child of many pray'rs,

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poem by Hannah More
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