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Precisely what menstruation is, is not yet very well known.

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A Woman With Double Loss

During menstruation period
due to hormonal influence,
some women become depressed and different.

Usually she is stingy and thrifty.
She would buy useless things with big money.
It is discovered in a scientific study.

From uterus, she loses blood.
From her purse, she loses buck.
During menstruation, she becomes a crazy shopping nut.

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Dinner Menu Affected The Bedroom

Insecticides concentrated
in meat and fish cause sterility
Amyloid plaque from meat
and fish... cause senility
The animal fat in meat fish
and dairy
clogs the arteries
reducing sexual
ability
*


PREVENTION OF SEXUAL TRAUMA

Impotence And Animal Flesh

A. CONQUERING IMPOTENCE
Dr. Michael Klaper, Md, in a public speech mentioned that a 25 per
cent blockage of penile arteries from cholesterol (animal fat) accounts for a quadrupled lack of function. Elimination of animal products in many cases returns sexual function. The Physicians' Desk Reference lists sexual dysfunction or impotence as a byproduct of many psychiatric drugs.
(Dr. Klaper is available through archives and live discussion on the web
at
Drs. Neal Barnard MD and Chaitowitz both concurred in this opinion in an
article in May in the Montreal Gazette.
National Public Radio on Sept 9,98 hosted the author of a book on Prozac
who stated that 30 to 40% of users feel a loss of sensation sexually.
Viagra has been correlated to heart attacks. (Eli Lilly and Pfizer
make these 2 drugs.) Fox News reported June 10,98 that Viagra in combination
with nitrates such as sodium nitrate used to color hot dogs can be lethal.
Dr. Drew, MD, host of Loveline, stated one should research the many
antidepressants which cause impotence.
B. CURING BREAST CANCER
(See the Ohio file no.7 under Nonviolent Action for an analysis of
federal and state programs regarding breast cancer.)
The New England Journal of Medicine in November of 1997 stated that
animal fats which become trans-fatty acids are a cause of breast cancer.
The major cause of breast removal in the U.S.is animal products.
(The five countries with the highest rates of breast
cancer have the highest animal product consumption. They are
Scandinavian countries, the U.S. and one other. Women with mastectomies lose
none of their beauty, but they have
a difficult time adjusting. Elimination of the butyric acid in animal
products makes the body more fragrant.
(Other factors in sexual dysfunction are generalized anger, anger with
the partner, low self esteem, general exhaustion, female hormones in animal
products, etc.)
The dietary causes of breast cancer are both the animal products and the
female hormones given to the animals. The Dept. of Defense Health Section in
October did a symposium on the trans fatty acids found in animal products as
a cause of cancer.
The administration's plan to give 450 million dollars to the testing

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I Only Dance With You

Ohh, ohh
Ohhh
Girl, I remember how it all began
You introduced her as your friend
But I knew I was in trouble when
I saw her smile at me
And then she asked me for a dance
But never offered you a glance
Well let me tell you girl with friends like that
Who needs enemies
[chorus:]
Shouldve known better than to trust a friend
Whos jealous of the way we livin
I dont think you know whats happening
Your girl is shading you
Shouldve known better than to trust a friend
Behind your back she gives me rhythm
But Im bout to make her understand
I only dance with you
Girl, you say your friend is just flirting by
Its getting so ridiculous
That shes thinking she can mess with us
But I dont play around
Even when shes saying that youre unaware
And its cool with you to share
No I still ait gonna dance with her
Im telling you right now
[chorus:]
Shouldve known better than to trust a friend
Whos jealous of the way we livin
I dont think you know whats happening
Your girl is shading you
Shouldve known better than to trust a friend
Behind your back she gives me rhythm
But Im bout to make her understand
I only dance with you
Dont try to say I lost the mind
I know your girl has crossed the line (cause I really know that)
She got issues, she trying to diss you
The minute that you turn around
She pulled a switch boo
Cause shes wishing whats yours was hers
So now leave the girl, that aint never gonna work
[chorus:]
Shouldve known better than to trust a friend
Whos jealous of the way we livin
I dont think you know whats happening
Your girl is shading you
Shouldve known better than to trust a friend
Behind your back she gives me rhythm

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Byron

Beppo

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The people take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment night with dusky mantle covers
The skies (and the more duskily the better),
The time less liked by husbands than by lovers
Begins, and prudery flings aside her fetter;
And gaiety on restless tiptoe hovers,
Giggling with all the gallants who beset her;
And there are songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses splendid, but fantastical,
Masks of all times and nations, Turks and Jews,
And harlequins and clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the clergy, —
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of coat and smallclothes, than put on
A single stitch reflecting upon friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one mass to cool the caldron's bubble
That boil'd your bones, unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak.
Such as in Monmouth-street, or in Rag Fair,
Would rig you out in seriousness or joke;
And even in Italy such places are,
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called "Piazza" in Great Britain.

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Byron

Beppo, A Venetian Story

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The People take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment Night with dusky mantle covers
The skies (and the more duskily the better),
The Time--less liked by husbands than by lovers--
Begins, and Prudery flings aside her fetter,
And Gaiety on restless tiptoe hovers,
Giggling with all the Gallants who beset her;
And there are Songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses, splendid but fantastical,
Masks of all times and nations, Turks and Jews,
And Harlequins and Clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the Clergy,--
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of Coat and smallclothes, than put on
A single stitch reflecting upon Friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one Mass to cool the Caldron's bubble
That boil'd your bones--unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak,
Such as in Monmouth Street, or in Rag Fair,
Would rig you out in Seriousness or Joke;
And even in Italy such places are
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called 'Piazza' in Great Britain.

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Popular Thug

You know what I am
You know what I do well at least I thought you knew
They call me Pusha
Damn
I take you like a slap in the face
Everytime the bass is mentioned like I had bad intentions
Listen, I thought love was given
So for you I did those things you were missing
Never have to say
Please gimme borrow
As long as I got yay
And two semi autos
And connects in the jets
Like wetback Carlos
I ain't askin' you to follow
Just think about tomorrow
Please
I should have known by the way that you stared
Eyeing Passes by like you're rich but life ain't fair
But you make my record skip
Make my record skip
Make my record skip
Make my record skip
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I can't help if I'm a thug and I'm popular
I think that come along with driving a shocking car
Watch the coke light up they life
The rocks with stars
Had fiends talking crippled
Cuz they locked they jaw
Aw Pusha T you think it's cool that you deal
Bout as cool as that breeze on the beach in Brazil
As long as fiends want pain
Then I'm gon' slang
When my financial change
Then I'm gon' change
I should have seen in the way you touched my hand
Shuffling your car keys
But sounded like a gentleman
But ya make my record skip
Make my record skip
Make my record skip
Make my record skip
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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I'm A Believer (With This Known)

Take your evil self away...
To lie and hide liar.
Liar.
I am not inspired,
By your lies.

Take your evil self away...
To lie and hide liar.
Liar.
I am not inspired,
By your lies.

'Cause...
I'm a believer,
With this known...
I'm here to grow,
With this known...
And I'm not gonna stop,
With this known...
To woe,
With this known.
And I am here to overcome,
Obstacles.
With this known.
With this known.

And with this known...
People will lip,
With this known...
To deceive.
And unknown is their evil.
But...
I'm not one to give up,
Because I'm a believer.
And with this known.

Take your evil self away...
To lie and hide liar.
Liar.
I am not inspired,
By your lies.

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Welcome To The Cordillera

WELCOME TO THE CORDILLERA
mELVIN d.bANGGOLLAY


Welcome to the great Cordillera's beauty
And behold its mystic land and history
Of people in a land known as the stairway
To heaven with its ranges of nature tapestry.

Welcome to Kalinga, verdant land known to many
As the land of the brave hunters our history,
The land known as the peacock of the country
With their colorful custom amidst modernity.

Here you can fine Cordillera's rice granary
With the best aroma of coffee in the country
Perfectly brewed by hands of genuine beauty
Of charming ladies dancing with gong's intimacy.

If you traverse the highways of Cagayan Valley
You will be charmed by Apayao's serene beauty
Where you can now fine banana based industry
With their growing cassava production in ARC.

You can fine here the cleanest river in our country
From its unexploited forest away from modernity
Where you can enjoy wildlife living in intimacy
As you can see domesticated dear in every family.

Benguet is another source of the land' beauty
Where the famous mines of gold and silver stay
Popularly known as the region's vegetable granary
With its temperate cold climate you can feel everyday.

On this land you can also fine the famous Baguio City
Known as the cleanest and greenest city in history
Known as the city of pines in the entire country
and as the summer capital of our archipelago today.

If you go down and pass along the whirling highway
You can reach the province of Abra known to many
As the bamboo capital of the entire region' today
With their famous bamboo based craft and industry.

Although the land is know for its political history
With famous politicians names making their own story
It is peopled by those who love to have peace everyday
Making the land of love flowing with stream of honey.

When you go west passing the known Halsima Highway

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It cannot be precisely known how any thing is good or bad, till it is precisely known what it is.

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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Elizabeth Barrett Browning

Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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Few Two Liners

I’ve known reception
I’ve seen rejection

I’ve known how life gets reduced to a memory
I’ve seen how memory fades

I’ve seen how life takes off
I’ve known how life slumps

I’ve seen how one clings to life
I’ve known how life passes

I’ve known how knotty time is
I’ve seen comfort time brings

I've seen how life flows
I've known how it floods

I've seen clear light
I've known hazy veils in the way

I’ve seen the first cry
I’ve known the last breath

05 Apr 2011
07.20hrs

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The Last Time

Like an old abandoned ferriswheel
Time for me is standin' still
And it's you and me in mid July
Underneath the midway lights
And all our friends are standing there
So I was actin' like I didn't care
When you put your arms around my neck
And I barely even kissed you back
But if I'da have known it was the last time
I'da held on a little longer
And let that moment linger
And never let your fingers slip away from mine
If I'da known there'd never be another day
I'da watched you as you walked away
And kept you in my eyes till you were out of sight
If I, If I'da known it was the last time
Now the midway lights have all shut down
And grass has grown up all around
It's an empty field across the track
But I can't keep from coming back
It was another summer night
Carousel and rollercoaster ride
And that silly fight that we got in
Didn't seem so important then
But if I'da known it was the last time
I'da held on a little longer
And let that moment linger
And never let your fingers slip away from mine
If I'da known there'd never be another day
I'da watched you as you walked away
And kept you in my eyes till you were out of sight
If I, If I'da known it was the last time
And if I'da known then, what I know now
I'd never let you disappear into the crowd
Or turn away the way I did
With so much left unsaid
If I, If I'da known it was the last time

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If I Had Only Known

(jana stanfield, craig morris)
If I had only known
It was the last walk in the rain
Id keep you out for hours in the storm
I would hold your hand
Like a life line to my heart
Underneath the thunder wed be warm
If I had only known
It was our last walk in the rain
If I had only known
Id never hear your voice again
Id memorize each thing you ever said
And on those lonely nights
I could think of them once more
Keep your words alive inside my head
If I had only known
Id never hear your voice again
You were the treasure in my hand
You were the one who always stood beside me
So unaware I foolishly believed
That you would always be there
But then there came a day
And I turned my head and you slipped away
If I had only known
It was my last night by your side
Id pray a miracle would stop the dawn
And when youd smile at me
I would look into your eyes
And make sure you know my love
For you goes on and on
If I had only known
If I had only known
The love I wouldve shown
If I had only known

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A Lamentation

I.
WHO hath known the ways of time
Or trodden behind his feet?
There is no such man among men.
For chance overcomes him, or crime
Changes; for all things sweet
In time wax bitter again.
Who shall give sorrow enough,
Or who the abundance of tears?
Mine eyes are heavy with love
And a sword gone thorough mine ears,
A sound like a sword and fire,
For pity, for great desire;
Who shall ensure me thereof,
Lest I die, being full of my fears?

Who hath known the ways and the wrath,
The sleepless spirit, the root
And blossom of evil will,
The divine device of a god?
Who shall behold it or hath?
The twice-tongued prophets are mute,
The many speakers are still;
No foot has travelled or trod,
No hand has meted, his path.
Man’s fate is a blood-red fruit,
And the mighty gods have their fill
And relax not the rein, or the rod.

Ye were mighty in heart from of old,
Ye slew with the spear, and are slain.
Keen after heat is the cold,
Sore after summer is rain,
And melteth man to the bone.
As water he weareth away,
As a flower, as an hour in a day,
Fallen from laughter to moan.
But my spirit is shaken with fear
Lest an evil thing begin,
New-born, a spear for a spear,
And one for another sin.
Or ever our tears began,
It was known from of old and said;
One law for a living man,
And another law for the dead.
For these are fearful and sad,
Vain, and things without breath;
While he lives let a man be glad,
For none hath joy of his death.

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.

So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.

So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;

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