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Musical theatre is something I'm familiar with, I've been doing that.

quote by David Naughton
Added by Lucian Velea
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Lines in Defence of the Stage

Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play.

The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect.

Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted,

And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play.

Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay.

And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept.

We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!"

A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay.

[...] Read more

poem by William Topaz McGonagall
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Mother's Opinion

Mother's opinion is that we're too young to be old
And mother's opinion is we should never do what we are told
And mothers reactions are the same as they were before
And mothers anterior she gave us all of this and much more
And mothers superior, she's been through all this before
She's got a lot of things she wants to tell you
Like who you are and what you've came here for
Mothers reaction hasn't changed much since the war
And mothers opinion is the same as it was before
And mothers anterior she's got a lot of tricks up her sleeve
And mothers superior, gave us everything that we need
And mother superior, she's been through all this before
She's got a lot of things she wants to tell you
Like who you are and what you've came here for
I say hey, it sounds familiar, but it just doesn't sound the same
I say hey, it sounds familiar, but just a million miles away, hey, hey, hey
And mothers reactions are the same as they were before
And mothers anterior she gave us all of this and much more
I say hey, it sounds familiar, but it just doesn't sound the same
I say hey, it sounds familiar, just a million miles away, hey, hey, hey
It sounds familiar, but it doesn't sound the same
It sounds familiar, just a million miles away, away!
It sounds familiar, but it doesn't sound the same
It sounds familiar, just a million miles away
It sounds familiar, but it doesn't sound the same
It sounds familiar, just a million miles away
It sounds familiar, but it doesn't sound the same
It sounds familiar, just a million miles away
It sounds familiar, but it doesn't sound the same
It sounds familiar, just a million miles away, away

song performed by Men Without Hats
Added by Lucian Velea
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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Theatre Of The Absurd

(ian hunter)
My tea turned seven shades darker
As I sit n write these words
And londons gettin paler
In my theatre of the absurd.
You figured for an evening
And you made it all worthwile.
Its seldom people have a job
And even rarer that I smile.
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
And if your songs be classics,
Throw them to the hurd.
Truth is where they came from
And not this theatre of the absurd.
Some say you wanted to play for me
But its only what youve heard
That made you want to capture me
In your theatre of the absurd.
It was not me, I said myself
And you must do so, too.
I hope you have the strength to stay
When Ill be watchin you.
So baby,
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
Oh when I got here back home tonight
Something within me stirred.
Oh it must have been a different kind of play
That touched my theatre of the absurd.
Now Ill be on my way alone
But an interesting thing occurred
See nobody ever shared too much
In my theatre of the absurd.
And there I was back in london,
Thought about history.
It was just like being in school again
But I felt something movin in me.

[...] Read more

song performed by Ian Hunter
Added by Lucian Velea
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The Guilt

I still look upon the stars
They're still forever changing and rearranging.
A musical collaboration.
A fantastic sensation and it is with out you.

Oh how I wish I could undo the things I have said and done to you.
It's all my fault.
I'll take all the blame hand to god.
Every time you cried I claim it as my own.
And now I'm living a shallow life all alone.
Their is some things you just can't condone.

I still look upon the stars
They're still forever changing and rearranging.
A musical collaboration.
A fantastic sensation and it is with out you.

To move on is so hard.
Love has retarded all my movements.
Slow has slow can be.
A distinguished defeat.
A gallant retreat.
Is never full of such deceit.

I still look upon the stars
They're still forever changing and rearranging.
A musical collaboration.
A fantastic sensation and it is with out you.

The people have spoken.
Capital punishment for a capital crime.
Maybe not in your eyes.
But most certainly in mine.
Grinding the steel down to tip so fine.
A brutal way to inflict the pain.
I do this to myself in your name.

I still look upon the stars
They're still forever changing and rearranging.
A musical collaboration.
A fantastic sensation and it is with out you.

How can I defend my actions.
How could I have walk down this road of hate and rage.
How can I claim to even be a poet of this day and age.
Mere ramblings that now feel so fake.
Everyone I've written was for her sake.
Everyone was just another page of mistakes.

I still look upon the stars

[...] Read more

poem by Ace Of Black Hearts
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Nothing But Wind

Nothing But Wind

Music the world filled with,
And is God-breathed the melody in it.
Music moves the world around on its way,
And it’s wind in music dwells.
Muse of Music! Let me imbibe thy notes
For sans thee my voice lies half-dead
When my heart is to sing
That
NOTHING BUT WIND is music.

My soul enters the sylvan woodlands-
The abode of musical birds,
And in quest of music haunts every nest.
It’s music that birds chirp,
And I lay my soul on a pasture,
And the chirping of birds does caress my soul:
The cuckoo sings with twain quick notes,
The nightingale babbles with nectarous notes,
The sparrow squeaks with mumbling thoughts,
The throttle bubbles with drizzling thoughts,
All sail into, my soul cherished
When wind turned to music through birds.
Crickets join the orchestra with their wings rubbed the air,
And music flows when their wings flap.
My soul journeys along the bank of musical stream,
Where bamboos rustle when wind penetrates them:
It’s “Bamboo” music breathed thro’ flute,
I learnt the love for music born thro’ bamboo
Perfected with beautiful melodies.
Dwelling on pastures music grows personified:
Harps reverberate at the hands of the shepherds,
Green music born of pastoral spirit join the bleating of lambs:
The lambs bleat and music is breathed,
And the whole of the pastures flutter with joy.
Into deep woods my soul moves,
And lions roar I hear, elephants trumpet,
And ravens voice hoarse notes
When “bamboo” music is tried by machines:
Harp turned to Guitar, bamboo turned to piano,
And music now flows thro’ science -
Science that survives with computers.
When engine whistles I hear music
And train follows it with “friction” music,
Rhythmic beats perfected on rails.
”Friction” music turned to “roar” music
When air-plane has been invented.
My soul speeds up - speeding up

[...] Read more

poem by MBJ Pancras
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Theatre Of The Soul

On a cold night in a hotel in new orleans
Came the final blow
And somehow somewhere we lost sight
In our search for that pot of gold
And all that happened I dont understand
Could somebody here, somebody please explain to me
Cause Im feeling so damn deceived
And I cant run, cant hide, cant get nothing right lately
Theatre of my soul....play on child
Ashes to ashes...light the good lord lays us down
Dust to dust, oh, no
The time has come to lay to rest the years
All the years it took this heart to trust
Maybe too much too soon, I couldnt get my head on straight
All that worry, just wasted time
And now its much too late to save it
Long forgotten midnight dancer
Plays her final role
The curtain falls and Im still standing
Theatre of my soul you left in vain
Could someone please explain, and I said
Solo
I know that nothings the same
Riding blind on the winds of change
But in my head that scene just keeps on playing
Long forgotten midnight dancer
Plays her final role, oh, yes she does
Cant run, cant hide, cant get nothing right lately
The curtain falls and Im still standing
In the theatre of my soul
Cant run, cant hide, cant get nothing right lately
When time it just keeps on passing,
I got to let it go, let it roll, let it roll, let it roll
Cant run, cant hide, cant get nothing right lately
I keep searching for those long lost answers
In the theatre of my soul
Theatre of my soul

song performed by Poison
Added by Lucian Velea
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The Old Familiar Faces

I HAVE had playmates, I have had companions,
In my days of childhood, in my joyful school-days--
All, all are gone, the old familiar faces.

I have been laughing, I have been carousing,
Drinking late, sitting late, with my bosom cronies--
All, all are gone, the old familiar faces.

I loved a Love once, fairest among women:
Closed are her doors on me, I must not see her--
All, all are gone, the old familiar faces.

I have a friend, a kinder friend has no man:
Like an ingrate, I left my friend abruptly;
Left him, to muse on the old familiar faces.

Ghost-like I paced round the haunts of my childhood,
Earth seem'd a desert I was bound to traverse,
Seeking to find the old familiar faces.

Friend of my bosom, thou more than a brother,
Why wert not thou born in my father's dwelling?
So might we talk of the old familiar faces--

How some they have died, and some they have left me,
And some are taken from me; all are departed--
All, all are gone, the old familiar faces.

poem by Charles Lamb
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Musical chair

Musical chair is not mine
I can not share the musical chair with others.

I never play with musical chair
I do not believe musical chair can be played.

I believe mine is mine
And yours is yours.

I can not take away your right
You can not take away mine.

The world is here, look
With a musical chair.
I am here and also you are.

poem by Gajanan Mishra
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I Need A Beat

If its a malibu beat, subject of discussion
Malibu beat, subject of discuss-cussion
Youre motivated-vated, to aid a percussion-cussion
Theres no glo-glory, for this story-story
It-it rock-rock in any territory-tory
I syncopate it and design it well-well
Beat elevates-vates, the scratch excels-cels
All techniques are a combination
Of skills that I have, thought narration
Last year my melody, but still complete
Providing musical energy for the street
Lyrics are smooth for maximum effect
Jump track patt-erns on cass-ette
Time-time snare had bass and cymbal
Like that of a cat on the mic Im nimble
Ba-sic patterns, grouped and changed
Se-quence fre-quent, seek and gain...
Break... break... for narration
Break two... break two...
Im in the center of a - Im in the center of a
Musical skinner; some say the skins is a blow of torture
They hear me, they fear me, they hear me, they fear me
Im improvin the conditions of the rap industry
The beat will expand, to land on foreign lands
Germany, italy, france and japan, itll
Give you a lift, no need to sniff
No butts no hows no whys or ifs
Its you I defeated, theyll say you retreated
Pick up your favorite magazine and read it
Wrapped by a power, a musical shower-shower
A picture-picture of me-of me on the eiffel-eiffel tower-tower
I need a beat-beat...
Doing-doing dirty, Im your-your thought
Youre bein-bein taken-taken, the musical boom
Im in full trating your eardrums
Increasing the rate of vibration
I wanna rock ya-rock ya, thats all you need to know-know
I need a beat, is the title of the show-show
Providing-providing pleasure on the musical measures
All-all arranged, to alleviate pressure
Im up on your list, your party thera-therapist
Beat programmer and lyri-lyricist
Ladies love cool james, studio user
A million or more screamin people abuser
I predict, this jam will hit
The highest plateau in the world of music
Paparazzi, wealth and fame
The total propulsion, of my name
I need a beat..
Computer wise, and the engineers eyes

[...] Read more

song performed by LL Cool J
Added by Lucian Velea
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Musical Instruments To Produce Love

Cymbal for Zambia
Zambia for Cymbal
Zambia cymbal music
Harps to produce musical sounds
Tambourines to produce musical dances

Dances for Serbia Ladies
Samba shake body make bottom dazzle our eyes for laughter

I did not have shoes, i complained crying profusely until i saw a man without legs, i have legs and i can dance
Love sparkles beauty
Beauty sparkles dance
Dance for all is fun
Cymbal for Zambia
Zambia for cymbal
Zambia cymbal music
Harps to produce musical sounds

Tambourines to produce musical dances, we are dancing
Babies Bobos want to dance, dance away your sorrows until day - break
We are dancing

Musical instruments produce melodious sound for love flow, caresses and kisses
Dance away your sorrows
We are dancing

poem by Olayemi Ayo
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Jazz Doctor: Milford Graves

His playful eyes are framed by a bearded face.
The energy comes through the roots, he says.
If you cut the stems, you're truncating power.

His place exhales an alchemical aura.
A stairway painted in bright rainbow colors
leads to the music research laboratory.
Next to it, in the lavish garden citrus trees
grow amidst healing herbs and exotic plants.

The walls of the house are covered
with a rococo of mosaic stones,
pieces of reflective metal
and chunks of discarded marble
that stand apart from the gritty character
of the 110th Avenue in Queens.

The basement glares in psychedelic colors.
The interior is filled with musical instruments
computers, electronic stethoscopes,
botanical remedies and acupuncture dummies
marked with tinted pathways
along the meridians.

Among many other things, Milford Graves
made trips to the Far East, studying with
Chinese and Japanese masters
of acupuncture, as part of his development
as a critic of allopathic mainstream medicine
in the context of western culture.

Many days ago
he was a police boxing champion
and invented his own martial art technique,
a perpetual motion form,
which borrows from aikido and African dance,
sort of a physical jazz
that hits hard and fast.

Milford Graves came
from Jamaica to New York City,
where he liberated percussion
from its timekeeping role.

In the 1950s and 1960s he emerged in America
as an intrepid pioneer of avant-garde music;
an innovative and different drummer
who marches to his own beat beyond bebop.

He altered, extended and broke down

[...] Read more

poem by Paul Hartal
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The Child Of The Islands - Winter

I.

ERE the Night cometh! On how many graves
Rests, at this hour, their first cold winter's snow!
Wild o'er the earth the sleety tempest raves;
Silent, our Lost Ones slumber on below;
Never to share again the genial glow
Of Christmas gladness round the circled hearth;
Never returning festivals to know,
Or holidays that mark some loved one's birth,
Or children's joyous songs, and loud delighted mirth.
II.

The frozen tombs are sheeted with one pall,--
One shroud for every churchyard, crisp and bright,--
One foldless mantle, softly covering all
With its unwrinkled width of spotless white.
There, through the grey dim day and starlit night,
It rests, on rich and poor, and young and old,--
Veiling dear eyes,--whose warm homne-cheering light
Our pining hearts can never more behold,--
With an unlifting veil,--that falleth blank and cold.
III.

The Spring shall melt that snow,--but kindly eyes
Return not with the Sun's returning powers,--
Nor to the clay-cold cheek, that buried lies,
The living blooms that flush perennial flowers,--
Nor, with the song-birds, vocal in the bowers,
The sweet familiar tones! In silence drear
We pass our days,--and oft in midnight hours
Call madly on their names who cannot hear,--
Names graven on the tombs of the departed year!
IV.

There lies the tender Mother, in whose heart
So many claimed an interest and a share!
Humbly and piously she did her part
In every task of love and household care:
And mournfully, with sad abstracted air,
The Father-Widower, on his Christmas Eve,
Strokes down his youngest child's long silken hair,
And, as the gathering sobs his bosom heave,
Goes from that orphaned group, unseen to weep and grieve.
V.

Feeling his loneliness the more this day
Because SHE kept it with such gentle joy,
Scarce can he brook to see his children play,
Remembering how her love it did employ

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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Princes Familiar

Please be philosophical
Please be tapped into your femininity
Please be able to take the wheel from me
Please be crazy and curious
Papa love your princess so that she will find loving princes familiar
Papa cry for your princess so that she will find gentle princes familiar
Please be a sexaholic
Please be unpredictably miserable
Please be self absorbed much (not the good kind)
Please be addicted to some substance
Papa listen to your princess so that she will find attentive princes familiar
Papa hear your princess so that she will find curious princes familiar
Please be the jerk of my knee Ive fit you always
You finish my sentences I think I love you
What is your name again no matter Im guessing your thoughts again correctly and I love the way
You press my buttons so much sometimes I could strangle you
Papa laugh with your princess so that she will find funny princes familiar
Papa respect your princess so that she will find respectful princes familiar
Please be strangely enigmatic
Please be just like my

song performed by Alanis Morissette
Added by Lucian Velea
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Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.

quote by Christopher Eccleston
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I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.

quote by Brenda Blethyn
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Great Conductors

Hans Richter Parsifal did not conduct,
and to the National Gallery he never paid
a visit, but he showed Franz Strauss who never sucked
just how the horn in Meistersinger should be played.

Franz Strauss refused to play a second time
for Hans von Bülow Meistersinger’s second act;
Hans begged his pardon when Franz told him: “I’m
retiring, since you for the hornist show no tact.”

There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene How can a conducter to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersingers. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you cant do it again, so you must better ask for retirement! , replied von Buelow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene. How can a conductor to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersinger. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you can’t do it again you had better ask for retiremen! replied von Bülow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.

8/25/08

poem by Gershon Hepner
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The Cranes Of Ibycus

Once to the song and chariot-fight,
Where all the tribes of Greece unite
On Corinth's isthmus joyously,
The god-loved Ibycus drew nigh.
On him Apollo had bestowed
The gift of song and strains inspired;
So, with light staff, he took his road
From Rhegium, by the godhead fired.

Acrocorinth, on mountain high,
Now burns upon the wanderer's eye,
And he begins, with pious dread,
Poseidon's grove of firs to tread.
Naught moves around him, save a swarm
Of cranes, who guide him on his way;
Who from far southern regions warm
Have hither come in squadron gray.

"Thou friendly band, all hail to thee!
Who led'st me safely o'er the sea!
I deem thee as a favoring sign,--
My destiny resembles thine.
Both come from a far distant coast,
Both pray for some kind sheltering place;--
Propitious toward us be the host
Who from the stranger wards disgrace!"

And on he hastes, in joyous wood,
And reaches soon the middle wood
When, on a narrow bridge, by force
Two murderers sudden bar his course.
He must prepare him for the fray,
But soon his wearied hand sinks low;
Inured the gentle lyre to play,
It ne'er has strung the deadly bow.

On gods and men for aid he cries,--
No savior to his prayer replies;
However far his voice he sends,
Naught living to his cry attends.
"And must I in a foreign land,
Unwept, deserted, perish here,
Falling beneath a murderous hand,
Where no avenger can appear?"

Deep-wounded, down he sinks at last,
When, lo! the cranes' wings rustle past.
He hears,--though he no more can see,--
Their voices screaming fearfully.
"By you, ye cranes, that soar on high,

[...] Read more

poem by Friedrich Schiller
Added by Poetry Lover
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I am musical and I enjoy theatre, but I never wanted to just do theatre. I always wanted to go into film. I love film. I loved growing up in the theatre, but I always wanted to do film all along. But, I still pursue music separately.

quote by Sabrina Lloyd
Added by Lucian Velea
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