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An expectation is a future object, recognised as belonging to me.

quote by Samuel Alexander
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Object

You know you turn me on
Eyes so white and legs so long
But don't try to talk to me
I won't listen to your lies
You're just an object in my eyes
You're just an object in my eyes
Sophisticated smile
You seduce in such fine style
But don't try to fool me
'cause i can see through your disguise
You're just an object in my eyes
You're just an object in my eyes
But i don't mind
I just don't care
I've got no objection
To you touching me there
Object object
Object object
Object object
Object object
You know just what to do
Lick your lips
And i want you
But don't try to hold me
'cause i don't want any ties
You're just an object in my eyes
You're just an object in my eyes
But i don't mind
I just don't care
I've got no objections
To you touching me there
You're just an object object
Object object
You're just an object

song performed by Cure
Added by Lucian Velea
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Future Babies

A flower stands erect upon the stem.

Odd:
It bears the naked flesh of many men –
Pulsing, writhing, arteries humming;
Androgenic fluids chase their channels
To the ground, caking at a mound
Of naked girls, who pout in doubt and
Hurl their rabid glares from eyes
That catch the light of want
And desperation.

Sighs:
They know the separation
Stays their open legs
From bursting cocks.

Masturbation of the mind
Is all they need –
They’re in the docks of
Fate:
The evil Overpopulation’s out to feed
Their thund’rous urge to procreate!

Forget the conjugation, just for once?
Bag the bulbous tits in bras.
I know they want the tongue on c*nts;

But focus! Where’s the room to live?
And think about the future babies.

THINK:

You know they won’t forgive
Your selfish drive to suck, to shag.
The Dying Age of Man will drag
Him down to disappear.

So keep the girls away from sperm –
Don’t let the men up there!

Copyright © Mark R Slaughter 2011

[...] Read more

poem by Mark R Slaughter
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Modern Girl

Once a beautiful miss america married mr. right
Had a little baby girl, born on a stormy night
But that was once upon a time, now its a brand new world
Gimme the future, gimme the future, gimme the future with a modern girl
Gimme the future, gimme the future, gimme the future with a modern girl
Somewhere just between the past and somethin dawnin new
Theres a break in the chain, theres a skip in the clock
Girl thats where Im gonna find you
Between the boy I was before and what Im gonna be
Theres a clash on the border, a flame in the sky
Girl thats where youre gonna find me
Cant you hear the planet groanin like a broken down machine
Rusted with the guilty tears of fallen kings and queens
But you and I stand innocent, baby its a brand new world
Gimme the future, gimme the future, gimme the future with a modern girl
Gimme the future, gimme the future, gimme the future with a modern girl
(gimme the future, gimme the future, gimme the future with a modern girl)
Bridge:
Were the son and the daughter on a new freeway
(gimme the future, gimme the future)
Laughin while the road maps blow away
(gimme the future with a modern girl)
Were the son and the daughter and we aint afraid
(gimme the future, gimme the future)
Wont be makin the mistakes our fathers made
(gimme the future with a modern girl)
(gimme the future, gimme the future) oh, gimme the future with a modern girl
(gimme the future, gimme the future) oh, gimme the future with a modern girl
Once a beautiful miss america married mr. right
Had a little baby boy, born on a stormy night
But that was once upon a time, now its a brand new world
Gimme the future, gimme the future - gimme the future with a modern girl...
(repeats out)
(bridge)

song performed by Meat Loaf
Added by Lucian Velea
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I Was Made To Think It

First and foremost you've been the ultimate friend
But you know that's not a passport to me
It's seems secondary to the official reasons I have
But you know they're not right
They're not supposed to be right
Such a royal misfit
You demand the highest respect
Such a royal misfit
Your demands should be higher
It wasn't weird it wasn't nothing
Curious at all but nothing so high
It wasn't weird it wasn't nothing
It wasn't nothing
Moments follow one another without belonging
Moments follow one another without belonging
Moments follow one another without belonging
Moments follow one another without belonging
First and foremost what you know isn't everything you are
Or everything you know it to be
It seems secondary that the real real reason I have
When you know it's not right
It's not supposed to be right
Such a royal misfit
You demand the highest respect
Such a royal misfit
Your demands should be higher
It wasn't weird it wasn't nothing
Curious at all but nothing so high
It wasn't weird it wasn't nothing
Curious at all but nothing so high
It wasn't weird it wasn't nothing
Curious at all but nothing so high
It wasn't weird it wasn't nothing
It wasn't nothing
Moments follow one another without belonging
Moments follow one another without belonging
Moments follow one another without belonging
Moments follow one another without belonging
Everything you are won't last longer
Everything you are won't last longer
Won't last longer
Won't last longer

song performed by Idlewild
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Sex Object

Yes! No!
Yes! No!
I don't want to be your sex object
Show some feeling and respect
I don't want to be your sex object
I've had enough and that's a fact
Yes! No!
Yes! No!
I don't want to be your sex object
You play your tricks they're just perfect
I don't want to be your sex object
You turn me on then you forget
No! Why? [sex]
No! Why? [sex]
Maybe, Perhaps, Yes!
Maybe, Perhaps, Yes!
Yes! No!
Yes! No!
I don't want to be your sex object
You play your tricks they're just perfect
I don't want to be your sex object
I've had enough and that's a fact
[Spanish: No! Yes! Maybe Perhaps Yes]
No... si, si quieres
No... si, si quieres
Por que? No. Quizas.
Por que? No. A lo mejor.
Sex object
Sex object
No... si, si quieres
No... si, si quieres
Por que? No. Quizas.
Por que? No. A lo mejor.
No! Why? [sex]
No! Why? [sex]
Maybe, Perhaps, Yes!
Maybe, Perhaps, Yes!
[German?]
Sex object
Sex object
No! Why? [sex]
No! Why? [sex]
Maybe, Perhaps, Yes!
Maybe, Perhaps, Yes!
Sex object
Sex object

song performed by Kraftwerk
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Someone Belonging to Someone

I know how I feel
Lonely in the black of night
There can be no love for me now
Nobody listens when the words ain't right
And you get into someone else
It's hard for me to know
Who's lovin' who
And where do I stand
What did I do it all for
There's no one I could love more
I did it for your heart alone
All that I try to be growin' inside to me
I can be strong if you're there

And there is someone belonging to someone
And I got no one belonging to me
I live in a world where the face of an angel
is all that a fool can see
You got the power to find me whenever I'm lost
Where are you ? Who are we?

I believe in time
Can eat away a heart of stone
And baby if I leave you too late
It's just a feather and the bird has flown
It's colder when the fire dies
With all the trouble I'm in if I lose you too

Then what is my life
If I don't wanna go through
Anything without you
Couldn't be life at all
I could be lyin' on
You are the only one
We didn't make it by chance
And there is someone
belonging to someone
And I got no one belonging to me
I'm caught in a world on
the edge of tomorrow
It's all that a fool can find
I don't belong in the arms
of a love that is lost
Nowhere to cry
There must be something we
can say my love
Something except goodbye

And there is someone belonging to someone
And I got no one belonging to me

[...] Read more

song performed by Bee Gees from Staying Alive (soundtrack)
Added by Lucian Velea
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Someone Belong To Someone

I know how I feel
Lonely in the black of night
There can be no love for me now
Nobody listens when the words aint right
And you get into someone else
Its hard for me to know
Whos lovin who
And where do I stand
What did I do it all for
Theres no one I could love more
I did it for your heart alone
All that I try to be growin inside to me
I can be strong if youre there
And there is someone belonging to someone
And I got no one belonging to me
I live in a world where the face of an angel
Is all that a fool can see
You got the power to find me whenever Im lost
Where are you ? who are we?
I believe in time
Can eat away a heart of stone
And baby if I leave you too late
Its just a feather and the bird has flown
Its colder when the fire dies
With all the trouble Im in if I lose you too
Then what is my life
If I dont wanna go through
Anything without you
Couldnt be life at all
I could be lyin on
You are the only one
We didnt make it by chance
And there is someone
Belonging to someone
And I got no one belonging to me
Im caught in a world on
The edge of tomorrow
Its all that a fool can find
I dont belong in the arms
Of a love that is lost
Nowhere to cry
There must be something we
Can say my love
Something except goodbye
And there is someone belonging to someone
And I got no one belonging to me
Repeat above

song performed by Bee Gees
Added by Lucian Velea
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Back To The Future

(diana ross/bill wray/jim wray)
Every days a new beginning
Thats what I stand for
Since our possibilities
In a world out of control
Youre looking for a miracle
To spray the air feel the rain
Since youre out of control
Married to pain
Which way forever
Which way will I go
Which way forever
Theres no heroes
Take me back, take me out
Back to the future
Back to the future
Change your thinking
Change your mind
Back to the future
Close your eyes and pretend
That youre a bird in the sky
Turn your face to the wind
I know you can learn to fly
Which way forever
Which way will I go
Which way forever
Theres no heroes
Take me back, take me out
Back to the future
Back to the future
Change your thinking
Change your mind
Back to the future
Back to the future
Take me back, take me out
Back to the future
Back to the future
Change your thinking
Change your mind
Back to the future
Back to the future
Believe you can be
Believe that you can
You can make a stay
We can change the world
I know we can
You gotta take me back, take me out
Back to the future
Back to the future
Change your thinking

[...] Read more

song performed by Diana Ross
Added by Lucian Velea
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Accordingly

someday everyone will be wise in the future
everyone will be sensible and forward thinking
wear sensible shoes and act accordingly in the future
wise action according to everyone will be the act
of the future everyone will be futuristic someday
according to god according to everyone and their shoes
in the future everyone will be godless and free
act accordingly in the future or else
play accordions wisely in your godless future
in the future accordions will play themselves

act three in the future: there will be no accordions
everyone will get nostalgic for the accordion god
and act as if they were wise in the future
everyone will be according to god
in the future everyone will not act accordingly
wisdom is unholy in the future
to act accordingly is to stay out of trouble
in the future jails will be bigger and much better
everyone will need some punishment in the future
thinking of accordions will be a crime

lawrence welk is a revolutionary in the future
to act accordingly is to act with wisdom
everyone will act as one in the future
accordingly for everyone to act
in the future everyone will be discredited
everyone must act now to avoid the future
be wise and dont act accordingly
play accordions in the street the future cannot
wait for wisdom and forced accord
one chord might save the future

poem by Stephen Roxborough
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Future, Future Before and Future From The Future: Journey:

O'er the hills,
hills on land,
o'er the land,
land on water,
o'er the water.
water on land,
land on water again.
And again, again...

And so it goes,
to infinity, i see.
: deep thinkers discern:
travelling in the soul,
i went,
muscle stonger than ever,
flying high into SEVENTH HEAVEN,
soaring like the eagle,
with mystery more than,
MYSTERY OF THE PHANTOM FLAME,
but in the body im weak.
Here i lie,
thinking of,
great things.

Was i a weak soul?

Gently in my couch,
i rest,
viewing the infinity,
FUTURE! !

I looked o'er the future,
over the infinity,
i passed hills,
savannas
oceans,
then future.

But in soul not in body.

Was i the weak soul?

I saw what future awaits,
the poor soul.
Who has been living in future,
before time.
Now its the time,
he's doomed.
All things upside down.
I saw eyes red,

[...] Read more

poem by Shalomj THE MESSAGE
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The Future

Im not gonna kill you. I want you to do me a favor,
I want you to tell all your friends about me.
What are you?
Im batman!
Ive seen the future and it will be
Ive seen the future and it works
And if theres life after, we will see
So I cant go like a jerk
Systematic overthrow of the underclass
Hollywood conjures images of the past
New world needs spiritually
That will last
Ive seen the future and it will be
Ive seen the future and it will be
Ive seen the future and it works
And if theres life after, we will see
So I cant go like a jerk
Yellow smiley offers me x
Like hes drinking seven up
I would rather drink 6 razor blades
Razor blades from a paper cup
He cant understand, I say 2 tough
Its just that Ive seen the future
And boy its rough
Ive seen the future and it will be
Ive seen the future and it works
And if theres life after, we will see
So u cant go like a jerk
No, no
Ive seen the future and it will be
Wait a minute
Pretty pony standing on the avenue
Flashin a loaded pistol, 2 dumb 2 be true
Somebody told him playin cops and robbers was cool
Would our rap have been different if we only knew?
Ive seen the future and it will be
Ive seen the future and it works
If theres life after, we will see
Dont go out like a jerk
Systematic overthrow of the underclass
Hollywood conjures images of the past
New world needs spiritually
That will last
Ive seen the future and it will be
Ive seen the future and it will be
Ive seen the future and it will be
Ive seen the future and it will be
Ive seen the future and it will be
Ive seen the future and it will be
Think about the future

song performed by Prince
Added by Lucian Velea
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Henry And Emma. A Poem.

Upon the Model of The Nut-Brown Maid. To Cloe.

Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.

No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.
Whatever has been writ, whatever said
Henceforth shall in my verse refuted stand,
Be said to winds, or writ upon the sand:
And while my notes to future times proclaim
Unconquer'd love and ever-during flame,
O, fairest of the sex, be thou my muse;
Deign on my work thy influence to diffuse:
Let me partake the blessings I rehearse,
And grant me love, the just reward of verse.

As beauty's potent queen with every grace
That once was Emma's has adorn'd thy face,
And as her son has to my bosom dealt
That constant flame which faithful Henry felt,
O let the story with thy life agree,
Let men once more the bright example see;
What Emma was to him be thou to me:
Nor send me by thy frown from her I love,
Distant and sad, a banish'd man to rove:
But, oh! with pity long entreated crown
My pains and hopes: and when thou say'st that one
Of all mankind thou lovest, oh! think on me alone.

Where beauteous Isis and her husband Thame
With mingled waves for ever flow the same,
In times of yore an ancient baron lived,
Great gifts bestowed, and great respect received.

When dreadful Edward, with successful care
Led his free Britons to the Gallic war,

[...] Read more

poem by Matthew Prior
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The Doer Of Good

It was night-time and He was alone.

And He saw afar-off the walls of a round city and went towards the
city.

And when He came near He heard within the city the tread of the
feet of joy, and the laughter of the mouth of gladness and the loud
noise of many lutes. And He knocked at the gate and certain of the
gate-keepers opened to Him.

And He beheld a house that was of marble and had fair pillars of
marble before it. The pillars were hung with garlands, and within
and without there were torches of cedar. And He entered the house.

And when He had passed through the hall of chalcedony and the hall
of jasper, and reached the long hall of feasting, He saw lying on a
couch of sea-purple one whose hair was crowned with red roses and
whose lips were red with wine.

And He went behind him and touched him on the shoulder and said to
him, 'Why do you live like this?'

And the young man turned round and recognised Him, and made answer
and said, 'But I was a leper once, and you healed me. How else
should I live?'

And He passed out of the house and went again into the street.

And after a little while He saw one whose face and raiment were
painted and whose feet were shod with pearls. And behind her came,
slowly as a hunter, a young man who wore a cloak of two colours.
Now the face of the woman was as the fair face of an idol, and the
eyes of the young man were bright with lust.

And He followed swiftly and touched the hand of the young man and
said to him, 'Why do you look at this woman and in such wise?'

And the young man turned round and recognised Him and said, 'But I
was blind once, and you gave me sight. At what else should I
look?'

And He ran forward and touched the painted raiment of the woman and
said to her, 'Is there no other way in which to walk save the way
of sin?'

And the woman turned round and recognised Him, and laughed and
said, 'But you forgave me my sins, and the way is a pleasant way.'

And He passed out of the city.

[...] Read more

poem by Oscar Wilde
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Between Dark Past and Future Flight

Between dark past and future flight
Effect and Cause we question quite,
rhyme time between midnight and noon
to read, mark, learn, digest this tune.
Soul travels far, ka’s second sight
scouts out from dune to blue lagoon -
with moral codes plays fey buffoon.

Between dark past and future flight
the butterfly finds wings for flight
although, in silk spin knit cocoon,
it knows not dawn from afternoon.
Mind mirage magic may excite
confusing notions – far and soon
merge premonition’s present boon.

Between dark past and future flight
trace space, expand and pace delight ~
from morn till midnight one should learn
to seed born insight, harvest earn,
bend to contentment very soon
ends, means, all harmonies attune
heart, soul, which whole from parts return.

Between dark past and future flight
now ‘stalac_might’ checks stalag tight
mankind evolved from the baboon
to trace his race pace picayune.
between the darkness and the light
most squander chances opportune
dreams rose themed spurned, they haste to tomb.
Vague contexts blurred, restrictions fight
unshadowed vision full, shy moon
casts spell whose pull’s forgot by noon.

Between dark past and future flight
The wheel spins on, ignores ‘wrong’, ‘right’
As light, dark, rainbow’s ark all churn
fear not fall near, nor rise call spurn.
Sandman plays game outside luck, blight,
for more than intellect's harpoon.
Hope blooms, may anguish, heartache, prune.

Between dark past and future flight
oft ‘Justice’ seems a notion quite
outside God’s scheme - ‘on joue le clown’
play insecurity immune
while mocking empty social rite

[...] Read more

poem by Jonathan Robin
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Spotless object

Spotless object

I saw spotless emerging object
Very much silvery and natural act
Slowly rising from the bottom of the sky
With full size and feeling very shy

Beauty can seldom be narrated
Now with any of the object equated
Such a beautiful scene with no blockade
Whole of sky illuminated with no sign of shade

I saw spotless character
As if highly integrated as lady actor
What a beautiful show altogether!
In fine atmosphere with cool weather

Not a single person can resist temptation
Few words in praise with so much elation
How come an object rise with so much of elegance?
Lovers across the world give so much of importance

Stars have no place to twinkle
Only moon has space and capable
Complete sway over millions of hearts
An object seen as unparallel natural art

Can you imagine few spots on the face?
As if cried for few minutes in waiting race
The smile was clearly reflected as sign of happiness
That is why there was brightness all over on the face

The sadness and pain was left all behind
We have no means to point out or find
The wonders behind such a artful show
Where you find all inspirations with glow

Such a humble and all round show in universe
Where all love hungry people see and converse
Express their desire with full of promises
Not to part with any of the reasons with slight miss

I shall depict it as heavenly creature
Where only peace and love resides for future
No hatred but enough of space for future generations
With a sole aim to rise again for maintaining relation

We may miss such a scene for times to come
If not adhere to in our life and welcome
What we need to see at this object and learn!

[...] Read more

poem by Hasmukh Amathalal
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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Berenice by edgar allan poe

MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, -as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? -from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.

My baptismal name is Egaeus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars -in the character of the family mansion -in the frescos of the chief saloon -in the tapestries of the dormitories -in the chiselling of some buttresses in the armory -but more especially in the gallery of antique paintings -in the fashion of the library chamber -and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.

The recollections of my earliest years are connected with that chamber, and with its volumes -of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before -that the soul has no previous existence. You deny it? -let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms -of spiritual and meaning eyes -of sounds, musical yet sad -a remembrance which will not be excluded; a memory like a shadow, vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.

In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy-land -into a palace of imagination -into the wild dominions of monastic thought and erudition -it is not singular that I gazed around me with a startled and ardent eye -that I loitered away my boyhood in books, and dissipated my youth in reverie; but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers -it is wonderful what stagnation there fell upon the springs of my life -wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, -not the material of my every-day existence-but in very deed that existence utterly and solely in itself.

Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew -I ill of health, and buried in gloom -she agile, graceful, and overflowing with energy; hers the ramble on the hill-side -mine the studies of the cloister -I living within my own heart, and addicted body and soul to the most intense and painful meditation -she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! -I call upon her name -Berenice! -and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh! gorgeous yet fantastic beauty! Oh! sylph amid the shrubberies of Arnheim! -Oh! Naiad among its fountains! -and then -then all is mystery and terror, and a tale which should not be told. Disease -a fatal disease -fell like the simoom upon her frame, and, even while I gazed upon her, the spirit of change swept, over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim -where was she, I knew her not -or knew her no longer as Berenice.

Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself -trance very nearly resembling positive dissolution, and from which her manner of recovery was in most instances, startlingly abrupt. In the mean time my own disease -for I have been told that I should call it by no other appelation -my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form -hourly and momently gaining vigor -and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.

To muse for long unwearied hours with my attention riveted to some frivolous device on the margin, or in the topography of a book; to become absorbed for the better part of a summer's day, in a quaint shadow falling aslant upon the tapestry, or upon the door; to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescence long and obstinately persevered in; -such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.

Yet let me not be misapprehended. -The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day dream often replete with luxury, he finds the incitamentum or first cause of his musings entirely vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.

My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio 'de Amplitudine Beati Regni dei'; St. Austin's great work, the 'City of God'; and Tertullian 'de Carne Christi, ' in which the paradoxical sentence 'Mortuus est Dei filius; credible est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est' occupied my undivided time, for many weeks of laborious and fruitless investigation.

Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fall to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice -in the singular and most appalling distortion of her personal identity.

During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning -among the trellised shadows of the forest at noonday -and in the silence of my library at night, she had flitted by my eyes, and I had seen her -not as the living and breathing Berenice, but as the Berenice of a dream -not as a being of the earth, earthy, but as the abstraction of such a being-not as a thing to admire, but to analyze -not as an object of love, but as the theme of the most abstruse although desultory speculation. And now -now I shuddered in her presence, and grew pale at her approach; yet bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.

And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, -one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon*, -I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But uplifting my eyes I saw that Berenice stood before me.

*For as Jove, during the winter season, gives twice seven days of warmth, men have called this clement and temperate time the nurse of the beautiful Halcyon -Simonides.

Was it my own excited imagination -or the misty influence of the atmosphere -or the uncertain twilight of the chamber -or the gray draperies which fell around her figure -that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word, I -not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being, lurked in any single line of the contour. My burning glances at length fell upon the face.

The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets now of a vivid yellow, and Jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupil-less, and I shrank involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!

The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface -not a shade on their enamel -not an indenture in their edges -but what that period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! -the teeth! -they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a phrenzied desire. All other matters and all different interests became absorbed in their single contemplation. They -they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Salle it has been well said, 'que tous ses pas etaient des sentiments, ' and of Berenice I more seriously believed que toutes ses dents etaient des idees. Des idees! -ah here was the idiotic thought that destroyed me! Des idees! -ah therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.

And the evening closed in upon me thus-and then the darkness came, and tarried, and went -and the day again dawned -and the mists of a second night were now gathering around -and still I sat motionless in that solitary room; and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow, or of pain. I arose from my seat and, throwing open one of the doors of the library, saw standing out in the antechamber a servant maiden, all in tears, who told me that Berenice was -no more. She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which intervened I had no positive -at least no definite comprehension. Yet its memory was replete with horror -horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed -what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, 'what was it? '

On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat, 'Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.' Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?

There came a light tap at the library door, and pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? -some broken sentences I heard. He told of a wild cry disturbing the silence of the night -of the gathering together of the household-of a search in the direction of the sound; -and then his tones grew thrillingly distinct as he whispered me of a violated grave -of a disfigured body enshrouded, yet still breathing, still palpitating, still alive!

He pointed to garments; -they were muddy and clotted with gore. I spoke not, and he took me gently by the hand; -it was indented with the impress of human nails. He directed my attention to some object against the wall; -I looked at it for some minutes; -it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and in my tremor it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white and ivory-looking substances that were scattered to and fro about the floor.

poem by Erie Morganmaples
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Book Eleventh: France [concluded]

FROM that time forth, Authority in France
Put on a milder face; Terror had ceased,
Yet everything was wanting that might give
Courage to them who looked for good by light
Of rational Experience, for the shoots
And hopeful blossoms of a second spring:
Yet, in me, confidence was unimpaired;
The Senate's language, and the public acts
And measures of the Government, though both
Weak, and of heartless omen, had not power
To daunt me; in the People was my trust:
And, in the virtues which mine eyes had seen,
I knew that wound external could not take
Life from the young Republic; that new foes
Would only follow, in the path of shame,
Their brethren, and her triumphs be in the end
Great, universal, irresistible.
This intuition led me to confound
One victory with another, higher far,--
Triumphs of unambitious peace at home,
And noiseless fortitude. Beholding still
Resistance strong as heretofore, I thought
That what was in degree the same was likewise
The same in quality,--that, as the worse
Of the two spirits then at strife remained
Untired, the better, surely, would preserve
The heart that first had roused him. Youth maintains,
In all conditions of society,
Communion more direct and intimate
With Nature,--hence, ofttimes, with reason too--
Than age or manhood, even. To Nature, then,
Power had reverted: habit, custom, law,
Had left an interregnum's open space
For 'her' to move about in, uncontrolled.
Hence could I see how Babel-like their task,
Who, by the recent deluge stupified,
With their whole souls went culling from the day
Its petty promises, to build a tower
For their own safety; laughed with my compeers
At gravest heads, by enmity to France
Distempered, till they found, in every blast
Forced from the street-disturbing newsman's horn,
For her great cause record or prophecy
Of utter ruin. How might we believe
That wisdom could, in any shape, come near
Men clinging to delusions so insane?
And thus, experience proving that no few
Of our opinions had been just, we took
Like credit to ourselves where less was due,
And thought that other notions were as sound

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poem by William Wordsworth
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Future Games

Written by bob welch.
I did a thing last night
You know those future games
I turned off all the lights
Oh, the future came
You were by my side
Will you explain-oh yeah
Real rhyme or reason for those future games
Now you were there last night
And oh were you afraid
Of things wed come upon
While playing future games
But baby its alright and so have faith
Oh yeah, you invent the future that you want to face
How many people sit home at night
Wondering if they will be here tonight
Wondering if children will he bring to the light
Inherit the world, or inherit the night
Wondering if neighbors are thinking the same
All of the wild things tomorrow will tame
Talking of journeys that happen in vain
Well I know Im not the only one
To ever spend my life sitting playing future games
You better take your time
You know theres no escape
The future sends a sign
Of things we will create
Baby its alright
And so have faith
Oh yeah, you invent the future that you want to face
How many people sit home at night
Wondering if they will be here tonight
Wondering if children will he bring to the light
Inherit the world, or inherit the night
Wondering if neighbors are thinking the same
All of the wild things tomorrow will tame
Talking of journeys that happen in vain
And I know Im not the only one
To ever spend my life sitting playing future games
Future games...
Future games...
Future games...
Future games...
I know Im not the only one...
I know Im not the only one...
I know Im not the only one...
I know Im not the only one...
I know Im not the only one...
I know Im not the only one...
I know Im not the only one...

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song performed by Fleetwood Mac
Added by Lucian Velea
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