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Program testing can be used to show the presence of bugs, but never to show their absence!

quote by Edsger Dijkstra
Added by Lucian Velea
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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

[...] Read more

song performed by Tatu
Added by Lucian Velea
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Soccer Rollback

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soccer referee training san diego ca

[...] Read more

poem by Rwetewrt Erwtwer
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Ya Tvoya Ne Pervaya

hello...
hello...
do you see wind?
so what?
just look at the window.
so what?
it was sun yesterday
so what?
why are you always saying the same thing?
i am-answering machine.
Just to calm down,
silence is gold,
radio insomnia,
station parting.
who will get who,
coins will show?
who will be left to who,
by nerves, pills?
behind the windows at night
(she) will yell and break,
this doesn't count, this doesn't count.
(she is) faithful, not faithful,
i am not your first,
you are my sudden.
(you)show, show, show, show,
show, show me love.
(you) show, show, show, show
why, why am i with you.
(you)show, show, show,show
show, show me love.
(you)show, show, show, show
why, why am i with you.
i guess (someone) will refuse,
easier not to meet (not to introduce ourselves to each other)
who of us will refuse,
just to calm down.
girls like girls,
and then- sleepwalkers.
Numbers and narrows,
Chocolate bars, wrappings.
(she)will hide, cry,
will, say, scare.
this doesn't count
i am not your first
you are my sudden.
(you)show, show, show, show,
show, show me love.
(you)show, show, show, show,
why, why am i with you.
(you)show, show, show, show,

[...] Read more

song performed by Tatu
Added by Lucian Velea
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Pushing Me Away

I've lied to you
The same way that I always do
This is the last smile
That I'll fake for the sake of being with you

(Everything falls apart/Even the people who never frown/Eventually break down)
The sacrifice of hiding in a lie
(Everything has to end/You'll soon find we're out of time/To watch it all unwind)
The sacrifice is never knowing

Why I never walked away
Why I played myself this way
Now I see your testing me pushes me away
Why I never walked away
Why I played myself this way
Now I see your testing me pushes me away

I've tried like you
To do everything you wanted too
This is the last time
I'll take the blame for the sake of being with you

(Everything falls apart/Even the people who never frown/Eventually break down)
The sacrifice of hiding in a lie
(Everything has to end/You'll soon find we're out of time/To watch it all unwind)
The sacrifice is never knowing

Why I never walked away
Why I played myself this way
Now I see your testing me pushes me away
Why I never walked away
Why I played myself this way
Now I see your testing me pushes me away
The sacrifice of hiding in a lie
The sacrifice is never knowing
Why I never walked away
Why I played myself this way
Now I see your testing me pushes me away
Why I never walked away
Why I played myself this way
Now I see your testing me pushes me away
Pushes me away

song performed by Linkin Park from Hybrid Theory
Added by Lucian Velea
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Woes And Wonders

Show me a city full of happiness,
Then i will show you the effect of their weakness.
Show me a man who is full of himself,
Then i will show you why he's a fool to himself.
Show me your success today,
And i will show you your mistakes of yesterday.
Show me a community not far from the mountain,
Then i will show you why their security is certain.
Show me a holy man,
Then i will show you why he's called a human.
Show me a man who is not afraid of death,
Then i will show him the theory of birth.
Show me an ocean of misery,
Then i will show you how to swim in victory.
Tell me the meaning of ' STOP ',
Then i will show you the way to the top.
Show me your best friend,
Then i will show you where your dreams will end.

Show me a good and caring heart,
And i will show you why it hasn't been torn apart.
Show me your hall of pain,
Then i will show you all what u've gain.
Show me an exceptional reader,
Then i will show you a great leader.
Show me a way to financial prosperity,
Then i will show you a way to heavenly security.
Show me a great man of all time,
Then i will show you his footprint on the sand of time.
Show me a problem you can't solve,
Then i will show you why you haven't use the solution called love.
Show me a world full of fantasy,
Then i will show you the pain behind a life full of ecstasy.
Show me a kingdom built with wrath,
Then i will show you how much it is worth.
Show me a man with a problem free life,
Then i will show you why he hasn't gotten a wife.
Show me all of earth's pleasure,
Then i will show you why heaven is the place to be beyond all measure

poem by Stanley Oguh
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Fog, Yet Another Point Of View

Fog, Yet Another Point Of View

Near Fisherman’s Wharf, quite late at night
Tendrils of music and mist mix together
Slim young ladies and slender young men
Street musicians, with grand aspirations
Dressed a bit tattered, on lonely street corners
Used as impromptu stages
While fingers of fog probe…searching tentatively…
Testing and tasting

Self-written songs ghost into the night
Tremulous voices, hopefully singing
Few people stop, even less truly listen
Some dropping change in foam cups at their sides
All the while fog sniffs like dogs, at ankles and feet
Touching, licking, testing and tasting

Too young to truly know of their songs deep emotions
Thinking they’ve suffered already most sorrows
More mist now…then music, swirling together
Grey miasma pulling shroud over sound and
The fog slowly thickens,
like pudding congealing
Rising up, bubbling
groping and grasping. Testing and tasting

Some on their corners, in the fog, stay too long
Feral fog surrounds them and bodies dissolve
Then slowly resolve, as if undecided
whether to stay or become haze
Fog softens their sad songs, seems to pull them away
Absorbing them in it’s tentacles
Sucking and pulling, testing and tasting

Grey billows pull capes to their eyes and slink back unwillingly
To the bay as the sun slowly rises
Slowly, so slowly, as if draggiing resistant, reluctant, victims
Wrapped within it’s folds and furls
While appearing still to be
Groping and fondling, testing and tasting

The fogs final retreat, the last vestiges dissipating
Revealing hand-written, hopeful, scattered, sheet music
Strewn on a few empty corners
A few melancholy musicians less tonight
No one will miss them
The fog has found them to it’s liking
has tested and tasted…and taken

poem by David Whalen
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Keeping Up Appearances

Darkness appears to be the absence of light
but absence of darkness is not light.
Misery appears to be the absence of happiness
but absence of misery is not happiness.

Isolation appears to be the absence of love
but absence of isolation is not love.
Ignorance appears to be the absence of knowledge
but absence of ignorance is not knowledge.

Being what we are simply means
coming out of what appears to be.
But being what we are cannot be dependant
on coming out of something we are not.

We have always been and will always be
what we are.
So, we are realised but
we don’t realise it yet?
Until we come out of what we are not
which is only an appearance.

There is a lot to this keeping up of appearances
and no effort in simply being…………
And ego said
“Whatever. What’s for lunch”

poem by David Taylor
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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

[...] Read more

poem by Thomas Parnell
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Poetry Computer

A dozen universities united in one cause,
To make a program for PCs, a total tour de force.
Composing awesome poetry, that stirs the hearts of men,
Towards some global harmony, for now, beyond our ken.

At first, with basic rhymes to use, the program had no clue,
Until they gave it more to choose, to see what it could do.
And hooked up to the Internet, that program poured out stuff,
Though some of it they would regret, there were some things to love.

Their website asked for feedback, so, the visitors replied,
To criticise its form and flow and how they felt inside.
And while most praised it to the hilt, some hated what it wrote,
Poets are born, then taught not built, so they refused to vote.

A little child, aged ten, no more, condemned it from the start,
To state the program broke God's Law, because it lacked a heart.
It had no spirit, had no soul... and no morality...
And thus it lacked all self-control, indeed, true poetry.

The universities agreed, the program was erased...
They chose to help the ones in need, instead of words well phrased.
Their charity got worldwide fame, thanks to their devotion.
That ten-year-old gave them its name: Poetry In Motion...

Denis Martindale, copyright, March 2012.

poem by Denis Martindale
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9904

9904
9904



CharlaXFabels

Ninenintyfour

Autofixation

A Dialog Fabel
Mrs. Smithster: BOSS let me help you clean up your computor today the new auto program disc is arrived in my snail mail box.
BOSS: OK just don't lose any of my contacts on the list the accounts are way too important.
JUNE: to her self: an aside: GET HIM who does he THINK he is giving me that guff so early in the mourning.
BOSS: Poor June is my secretary and eye love her like my sister but she is so dense the bullits bounce off her like she is Superman, or wait no Supergirl mabe.

Narrator Ed.Note: This is the twilight zoned for the next five minutiae you can not understand anything but this fable you have been transported to the twilight zone. This Lady Bosses Secretary one Mrs. June Smithster has been the receiver of a program sent to her inside her snail mail marked as a FIXIT program disc the entire story is now centered around what comes next let's watch what happens…

Charlax the Narrator: June reached into the envelope slowly and opened the disc cover reluctantly she was wondering now just where it had come from it was compelling her to use it she could feel its message somewhere near her left toe and the eye her left eye was twitching like a nervous wrecked her whole face was letting go she had to she had to over and over like a ROBOT compulsion she HAD to place the disc in the BOSSES computor NOW.
June: something is almost forcing me to use this new hardware it's an alien tech rippoff of an image of the MOON it makes me want to dress up and wear my cape out.
Charlax the Narrator: The Bosses Computor is slowly being eaten up by the disc all the contacts on the every list are gone the moral of the CharlaXFabel number 9904 poor gentle reader ewe is never use a disc program to enable accounts not meant to be edited by ewe. The computor is now gone the disc dropped to the floor lets go back and see what happens now…
BOSS: walking in to his office to check on his computor and June Smithster: well that is not funny did the android charlock pick up my computor for cleaning again?
Charlax the Narrator: but there is only silence from the corner of the room where June is laying down curled up in a ball of Supergirl costume her cape lay furled around her like a hobo blanket cover…

Narrator Ed.Note: CharlaXAndroidoneseven is now flying to the moon to save Supergirl he has to disable the program that sent the disc…
Stay tuned to find out more about the MOON in the new twilighted zoned series on CharlaXFabels@

poem by Charles Hice
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Remedy of Love

When Cupid read this title, straight he said,
'Wars, I perceive, against me will be made.'
But spare, oh Love! to tax thy poet so,
Who oft bath borne thy ensign 'gainst thy foe;
I am not he by whom thy mother bled,
When she to heaven on Mars his horses fled.
I oft, like other youths, thy flame did prove,
And if thou ask, what I do still? I love.
Nay, I have taught by art to keep Love's course,
And made that reason which before was force.
I seek not to betray thee, pretty boy,
Nor what I once have written to destroy.
If any love, and find his mistress kind,
Let him go on, and sail with his own wind;
But he that by his love is discontented,
To save his life my verses were invented.
Why should a lover kill himself? or why
Should any, with his own grief wounded, die?
Thou art a boy, to play becomes thee still,
Thy reign is soft; play then, and do not kill;
Or if thou'lt needs be vexing, then do this,
Make lovers meet by stealth, and steal a kiss
Make them to fear lest any overwatch them,
And tremble when they think some come to catch them;
And with those tears that lovers shed all night,
Be thou content, but do not kill outright.—
Love heard, and up his silver wings did heave,
And said, 'Write on; I freely give thee leave.'
Come then, all ye despised, that love endure,
I, that have felt the wounds, your love will cure;
But come at first, for if you make delay,
Your sickness will grow mortal by your stay:
The tree, which by delay is grown so big,
In the beginning was a tender twig;
That which at first was but a span in length,
Will, by delay, be rooted past men's strength.
Resist beginnings, medicines bring no curing
Where sickness is grown strong by long enduring.
When first thou seest a lass that likes thine eye,
Bend all thy present powers to descry
Whether her eye or carriage first would shew
If she be fit for love's delights or no:
Some will be easy, such an one elect;
But she that bears too grave and stern aspect,
Take heed of her, and make her not thy jewel,
Either she cannot love, or will be cruel.
If love assail thee there, betime take heed,
Those wounds are dangerous that inward bleed;
He that to-day cannot shake off love's sorrow,
Will certainly be more unapt to-morrow.

[...] Read more

poem by Francis Beaumont
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Gail

A tree has grown on the spot
Where her body did rest
Blood seeped into the soil
From the knife in her chest
The bugs serve time in her skeletal jail
I wonder how the bugs remember Gail
What a lovely young girl
Everybody would say
You can still hear her laugh
In the shadows on a cold winter's day
A dog dug up a bone and wagged it's tail
I wonder how the dog remembers Gail
The bugs serve time in her skeletal jail
I wonder how the bugs remember Gail

song performed by Alice Cooper
Added by Lucian Velea
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Bugs Bunny! !

My honey bunny
Dunt be bugs bunny
Its matter of souls
Not a flare funny

The day I found ur soul
I was cherishd with love
Isn't it funny?
My bugs bunny!

Let's make it little better
Let's do it finer
Let s do it out of grinny
My honey bunny

Dunt be bugs bunny
Loves on mind
Peace in soul
Let's not make it funny
My honey bunny
Dunt b bugs bunny

poem by Somia Race
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Hurry Down Doomsday

The man in the corner of this picture has a sinister purpose
In the teeming temple of the railroad kings
Hes planting a trashy paperback book for accidental purchase
Containing all the secrets of life and other useless things
But I cant bring myself to look
Wake up zombie write yourself another book
You want to scream and shout my little flaxen lout
Hurry down doomsday the bugs are taking over
She sleeps with the shirt of a late, great country singer
Stretched out on her poor jealous husbands pillow
In time you can turn these obsessions into careers
While the parents of those kidnapped children start the bidding
For their tears
But I cant bring myself to look
Wake up zombie
Get yourself off the book
You want to scream and shout my little waxen lout
Hurry down doomsday the bugs are taking over
Forget about beethoven, rembrandt and rock and roll
Forget about mickey mouse, marlboro and coca cola
Forget about cadillac, mercedes and toyota
Forget about buddha, allah, jesus and jehovah
Hurry down doomsday the bugs are taking over
Any day now a giant insect mutation
Will swoop down and devour the white mans burden
Starting out with all of the sensitive ones
Better make like a fly if you dont want to die
Look out there goes gordon
But I cant bring myself to think
Wake up zombie
Kick up a big stink
You want to scream and shout my little saxon lout
Hurry down doomsday the bugs are taking over

song performed by Elvis Costello
Added by Lucian Velea
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Sleeping In The Flowers

I got a crush
Copy shop clerk
But she wont look up at me
Dont want to be known as the freak
Who just comes around to catch her eye
We could be sleeping in the flowers
We could sleep all afternoon
Youd proclaim that youre an island
Id proclaim that Im one too
Then we float into the harbor
With just piers and boats around
I declare that I am england
You declare that I have drowned
I got a ride
Home with a drunk guy
How ungrateful I must have seemed
He showed me how
To spin my head round and round
We could be sleeping in the flowers
We could sleep all afternoon
Youd proclaim that youre an island
Id proclaim that Im one too
Then we float into the harbor
With just piers and boats around
I declare that I am england
You declare that I have drowned
We could be sleeping in the flowers
We could sleep all afternoon
Youd proclaim that youre an island
Id proclaim that Im one too
Then we float into the harbor
With just piers and boats around
I declare that I am england
You declare that I have drowned
Well be sleeping in the flowers
Tell my boss that Ive been fired
Well be sleeping in the flowers
Tell my boss that Ive been fired
Well be sleeping in the flowers
Tell my boss Im fired
Well be sleeping in the flowers
Tell my boss Im fired
Notes
The dial-a-song lyrics are unclear. the following is the best guess at this time.
Dogs masters stay off em
Bugs stay off em
Dogs masters stay off em
Bugs stay off em
Now were sleeping in the flowers
And well sleep all afternoon

[...] Read more

song performed by They Might Be Giants
Added by Lucian Velea
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0164In Mind

It’s only now, only now, that I remember, that I can see,
how you made your presence felt so often;
so long unlooked for, seeing only absence, never believing presence;

for in the subtlety of your wisdom, the wisdom of your subtlety,
you leave reminders of that presence in that secret place
where it’s as safe as childhood happiness
forgotten, then remembered…

for you speak a closer language to a child,
closer than the growing child comes to believe.
When was the first time - now I can remember who you are,
when you first spoke to me?

Wasn’t it that day when I could toddle unsteadily
but with wide open eyes, where the lion’s head
poured water from its mouth into the basin?
and in the paving of the bricks – which anyone could see –
you left me that private, secret message,
knowing that I’d not notice, (so I’d not forget) ,
until one day it swam out of memory?

For this is your so secret, open generosity: you leave every one of us
this secret message: that moment when we knew
that we knew something certain – and yet,
did not know what that something was?

And then, that time after a year or two – a lifetime for a child –
when you announced your presence by your so painful absence,
and I made that solemn decision for a four-year-old,
never to trust a grown-up ever again; not because
of being a helpless child – but because there was that in me
which knew when you were there, and when you weren’t?

Then you left so many messages I did not need to heed
-or so it seemed, because they were so obvious –
and only in your absence was your presence felt:
the day after a gale, the ozone of the beach, the sea
now brown but calming, seaweed salty on the stones;
the field of flowers and dewdrops –the moths in ecstasy;
and in that silent glade of woodland, as if you had made that space
between the trees, to leave a message loud and clear: that
you live in space, so visibly invisible…

then later, on the tennis court, green grass just newly cut,
that exhilarating smell; lime-white lines just newly marked;
and when the ball hit the centre of the racquet, just so,
I missed your message, in the will to win…

And then, grown up: how are we to know – until we know –

[...] Read more

poem by Michael Shepherd
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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poem by Gert Strydom
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Lathmon

ARGUMENT.

Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.

SELMA, thy halls are silent. There is no sound in the woods of Morven. The wave tumbles along on the coast. The silent beam of the sun is on the field. The daughters of Morven come forth, like the bow of the shower; they look towards green Erin for the white sails of the king. He had promised to return, but the winds of the north arose!

Who pours from the eastern hill, like a stream of darkness? It is the host of Lathmon. He has heard of the absence of Fingal. He trusts in the winds of the north. His soul brightens with joy. Why dost thou come, O Lathmon? The mighty are not in Selma. Why comest thou with thy forward spear? Will the daughters of Morven fight? But stop, O mighty stream, in thy course! Does not Lathmon behold these sails? Why dost thou vanish, Lathmon, like the mist of the lake? But the squally storm is behind thee; Fingal pursues thy steps!

The king of Morven had started from sleep, as we rolled on the dark-blue wave. He stretched his hand to his spear, his heroes rose around. We knew that he had seen his fathers, for they often descended to his dreams, when the sword of the foe rose over the land and the battle darkened before us. "Whither hast thou fled, O wind?" said the king of Morven. "Dost thou rustle in the chambers of the south? pursuest thou the shower in other lands? Why dost thou not come to my sails? to the blue face of my seas? The foe is in the land of Morven, and the king is absent far. But let each bind on his mail, and each assume his shield. Stretch every spear over the wave; let every sword be unsheathed. Lathmon is before us with his host; he that fled from Fingal on the plains of Lona. But he returns like a collected stream, and his roar is between our hills."

Such were the words of Fingal. We rushed into Carmon's bay. Ossian ascended the hill! he thrice struck his bossy shield. The rock of Morven replied: the bounding roes came forth. The foe was troubled in my presence: he collected his darkened host. I stood like a cloud on the hill, rejoicing in the arms of my youth.

Morni sat beneath a tree on the roaring waters of Strumon: his locks of age are gray: he leans forward on his staff; young Gaul is near the hero, hearing the battles of his father. Often did he rise in the fire of his soul, at the mighty deeds of Morni. The aged heard the sound of Ossian's shield; he knew the sign of war. He started at once from his place. His gray hair parted on his back. lie remembered the deeds of other years.

"My son," he said, to fair-haired Gaul, "I hear the sound of war. The king of Morven is returned; his signals are spread on the wind. Go to the halls of Strumon; bring his arms to Morni. Bring the shield of my father's latter years, for my arm begins to fail. Take thou thy armor, O Gaul! and rush to the first of thy battles. Let thine arm reach to the renown of thy fathers. Be thy course in the field like the eagle's wing. Why shouldst thou fear death, my son? the valiant fall with fame; their shields turn the dark stream of danger away; renown dwells on their aged hairs. Dost thou not see, O Gaul! low the steps of my age are honored? Morni moves forth. and the young men meet him, with silent joy, on his course. But I never fled from danger, my son! my sword lightened through the darkness of war. The stranger melted before me; the mighty were blasted in my presence."

Gaul brought the arms to Morni: the aged warrior is covered with steel. He took the spear in his hand, which was stained with the blood of the valiant. He came towards Fingal; his son attended his steps. The son of Comhal arose before him with joy, when he came in his locks of age.

"Chief of the roaring Strumon!" said the rising soul of Fingal; "do I behold thee in arms, after thy strength has failed? Often has Morni shone in fight, like the beam of the ascending sun; when he disperses the storms of the hill, and brings peace to the glittering fields. But why didst thou not rest in thine age? Thy renown is in the song. The people behold thee, and bless the departure of mighty Morni. Why didst thou not rest in thine age? The foe will vanish before Fingal!"

"Son of Comhal," replied the chief, "the strength of Morni's arm has failed. I attempt to draw the sword of my youth, but it remains in its place. I throw the spear, but it falls short of the mark. I feel the weight of my shield. We decay like the grass of the hill; our strength returns no more. I have a son, O Fingal! his soul has delighted in Morni's deeds; but his sword has not been lifted against a foe, neither has his fame begun. I come with him to the war; to direct his arm in fight. His renown will be a light to my soul in the dark hour of my departure. O that the name of Morni were forgot among the people! that the heroes would only say, 'Behold the father of Gaul!'"

"King of Strumon," Fingal replied, "Gaul shall lift the sword in fight. But he shall lift it before Fingal; my arm shall defend his youth. But rest thou in the halls of Selma, and hear of our renown. Bid the harp to be strung, and the voice of the bard to arise, that those who fall may rejoice in their fame, and the soul of Morni brighten with joy. Ossian, thou hast fought in battles: the blood of strangers is on thy spear: thy course be with Gaul in the strife; but depart not from the side of Fingal, lest the foe should find you alone, and your fame fail in my presence."

[Ossian speaks ] "I saw Gaul in his arms; my soul was mixed with his. The fire of the battle was in his eyes! he looked to the foe with joy. We spoke the words of friendship in secret; the lightning of our swords poured together; for we drew them behind the wood, and tried the strength of our arms on the empty air!"

Night came down on Morven. Fingal sat at the beam of the oak. Morni sat by his side with all his gray-waving locks. Their words were of other times, of the mighty deeds of their fathers. Three bards, at times, touched the harp: Ullin was near with his song. He sung of the mighty Comhal; but darkness gathered on Morni's brow. He rolled his red eye on Ullin: at once ceased the song of the bard. Fingal observed the aged hero, and he mildly spoke: "Chief of Strumon, why that darkness? Let the days of other years be forgot. Our fathers contended in war; but we meet together at the feast. Our swords are turned on the foe of our land: he melts before us on the field. Let the days of our fathers be forgot, hero of mossy Strumon!"

King of Morven," replied the chief, "I remember thy father with joy. He was terrible in battle, the rage of the chief was deadly. My eyes were full of tears when the king of heroes fell. The valiant fall, O Fingal! the feeble remain on the hills! How many heroes have passed away in the days of Morni! Yet I did not shun the battle; neither did I fly from the strife of the valiant. Now let the friends of Fingal rest, for the night is around, that they may rise with strength to battle against car-borne Lathmon. I hear the sound of his host, like thunder moving on the hills. Ossian! and fair-haired Gaul! ye are young and swift in the race. Observe the foes of Fingal from that woody hill. But approach them not: your fathers are near to shield you. Let not your fame fall at once. The valor of youth may fail!"

We heard the words of the chief with joy. We moved in the clang of our arms. Our steps are on the woody hill. Heaven burns with all its stars. The meteors of death fly over the field. The distant noise of the foe reached our ears. It was than Gaul spoke, in his valor: his hand half unsheathed his sword.

"Son of Fingal!" he said, "why burns the soul of Gaul? my heart beats high. My steps are disordered; my hand trembles on my sword. When I look towards the foe, my soul lightens before me. I see their sleeping host. Tremble thus the souls of the valiant in battles of the spear? How would the soul of Morni rise if we should rush on the foe? Our renown should grow in song: our steps would be stately in the eyes of the brave."

"Son of Morni," I replied, "my soul delights in war. I delight to shine in battle alone, to give my name to the bards. But what if the foe should prevail? can I behold the eyes of the king? They are terrible in his displeasure, and like the flames of death. But I will not behold them in his wrath! Ossian shall prevail or fall. But shall the fame of the vanquished rise? They pass like a shade away. But the fame of Ossian shall rise! His deeds shall be like his father's. Let us rush in our arms; son of Morni, let us rush to fight. Gaul, if thou shouldst return, go to Selma's lofty hall. Tell to Everallin that I fell with fame; carry this sword to Branno's daughter. Let her give it to Oscar, when the years of his youth shall arise."

"Son of Fingal," Gaul replied with a sigh, "shall I return after Ossian is low? What would my father say? what Fingal, the king of men? The feeble would turn their eyes and say, 'Behold Gaul, who left his friend in his blood!' Ye shall not behold me, ye feeble, but in the midst of my renown! Ossian, I have heard from my father the mighty deeds of heroes; their mighty deeds when alone! for the soul increases in danger!"

"Son of Morni," I replied, and strode before him on the heath, "our fathers shall praise our valor when they mourn our fall. A beam of gladness shall rise on their souls, when their eyes are full of tears. They will, say, 'Our sons have not fallen unknown: they spread death around them.' But why should we think of the narrow house? The sword defends the brave. But death pursues the flight of the feeble; their renown is never heard."

We rushed forward through night; we came to the roar of a stream, which bent its blue course round the foe, through trees that echoed to its sound. We came to the bank of the stream, and saw the sleeping host. Their fires were decayed on the plain: the lonely steps of their scouts were distant far. I stretched my spear before me, to support my steps over the stream. But Gaul took my hand, and spoke the words of the brave. "Shall the son of Fingal rush on the sleeping foe? Shall he come like a blast by night, when it overturns the young trees in secret? Fingal did no receive his fame, nor dwells renown on the gray hairs of Morni, for actions like these. Strike, Ossian, strike the shield, and let their thousands rise! Let them meet Gaul in his first battle, that he may try the strength of his arm."

My soul rejoiced over the warrior; my bursting tears came down. "And the foe shall meet thee, Gaul," I said: "the fame of Morni's son shall arise. But rush not too far, my hero: let the gleam of thy steel be near to Ossian. Let our hands join in slaughter. Gaul! dost thou not behold that rock? Its gray side dimly gleams to the stars. Should the foe prevail, let our back be towards the rock. Then shall they fear to approach our spears; for death is in our hands!"

I struck thrice my echoing shield. The startling foe arose. We rushed on in the sound of our arms. Their crowded steps fly over the heath. They thought that the mighty Fingal was come. The strength of their arms withered away. The sound of their flight was like that of flame, when it rushes through the blasted groves. It was then the spear of Gaul flew in its strength; it was then his sword arose. Cramo fell; and mighty Leth! Dunthormo struggled in his blood. The steel rushed through Crotho's side, as bent he rose on his spear; the black stream poured from the wound, and hissed on the half-extinguished oak. Cathmin saw the steps of the hero behind him: he ascended a blasted tree; but the spear pierced him from behind. Shrieking, panting, he fell. Moss and withered branches pursue his fall, and strew the blue arms of Gaul.

Such were thy deeds, son of Morni, in the first of thy battles. Nor slept the sword by thy side, thou last of Fingal's race! Ossian rushed forward in his strength; the people fell before him; as the grass by the stall of the boy, when he whistles along the field, and the gray beard of the thistle falls. But careless the youth moves on; his steps are towards the desert. Gray morning rose around us; the winding streams are bright along the heath. The foe gathered on a bill; and the rage of Lathmon rose. He bent the red eye of his wrath: he is silent in his rising grief. He often struck his bossy shield: and his steps are unequal on the heath. I saw the distant darkness of the hero, and I spoke to Morni's son.

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poem by James Macpherson
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The Believer's Jointure : Chapter II.

Containing the Marks and Characters of the Believer in Christ; together with some further privileges and grounds of comfort to the Saints.

Sect. I.

Doubting Believers called to examine, by marks drawn from their love to Him and his presence, their view of his glory, and their being emptied of Self-Righteousness, &c.

Good news! but, says the drooping bride,
Ah! what's all this to me?
Thou doubt'st thy right, when shadows hide
Thy Husband's face from thee.

Though sin and guilt thy spirit faints,
And trembling fears thy fate;
But harbour not thy groundless plaints,
Thy Husband's advent wait.

Thou sobb'st, 'O were I sure he's mine,
This would give glad'ning ease;'
And say'st, Though wants and woes combine,
Thy Husband would thee please.

But up and down, and seldom clear,
Inclos'd with hellish routs;
Yet yield thou not, nor foster fear:
Thy Husband hates thy doubts.

Thy cries and tears may slighted seem,
And barr'd from present ease;
Yet blame thyself, but never dream
Thy Husband's ill to please.

Thy jealous unbelieving heart
Still droops, and knows not why;
Then prove thyself to ease thy smart,
Thy Husband bids the try.

The following questions put to the
As scripture-marks, may tell
And shew, what'er thy failings be,
Thy Husband loves thee well.

MARKS.

Art thou content when he's away?
Can earth allay thy pants?
If conscience witness, won't it say,
Thy Husband's all thou wants?

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poem by Ralph Erskine
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