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Civilization is not a spontaneous generation with any race or nation known to history, but the torch to be handed down from race to race from age to age.

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Cat Stevens

I did not come into contact with any Muslim before I embraced Islam. I read the Qur'an first and realized no person is perfect, Islam is perfect, and if we imitate the conduct of the Holy Prophet... we will be successful.

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Arguably John Clare

In the English language the greatest poet of Nature is arguably John Clare
Many of his bird and animal and insect poems are gems beyond compare
Yet he died in Northampton mental asylum where he had lived for many years
He penned such marvellous poetry though his life was full of tears.

His Nature poems of the nineteenth century are relevant to today
The Badger and The Landrail, The Fox and Clock a Clay
The Pettichap, The Cuckoo and The Thrush's Nest
When Writing about Nature Clare was at his best.

In death the poor shepherd poet from Helpston has come into his own
His poems poetic classics around the World are known
The greatest Nature poet of England as many would agree
A poet for the ages from a life of poverty.

As a boy amongst Nature in the fields of Helpston he knew of happiness
But sad to think one like him in life did not know of success
With any English Nature poet he favourably does compare
The legendary one of Helpston the reamarkable John Clare.

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:--
At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,--
Let Favour speak for others, Worth for me.--
For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows--
At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view--
What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,--
Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know--
It was the fashion twenty years ago.
Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last--
He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came--
Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
Can none remember? Yes--I know all must--
When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
Talk not to me of diffidence and fear--
I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,--
Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly--
Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:--
From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low--
Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause--
'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught--
Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,--
Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:--
If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.

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Exquisite Details May Be Missed

Returning from a visit,
Of unleashing inquisitive explorations.
Experiences alone adventured,
Does not fulfill.
Without someone with them to share.

Observations can be communicated,
But the exquisite details may be missed.
Especially if what one sees to witness,
Is interpreted to be depicted.
As an embellishment wished and not lived.

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In July Far away

The pleasant natural aroma of meadows mown for silage or hay
Come wafting to my memory from places far away
And the sun at intervals shines through the gray clouds of the sky
And cattle in lush fields chew their cuds at ease in the warmth of July
Young birds chirping in the hedgerows near where the stream goes babbling by
And dark winged swallows chasing flying insects above the valley fly
It does not seem that long ago or a long gone yesterday
Since I walked in the old grassy fields in July far away
In the knee high rushes hidden from view the male pheasant cuck and crow
And dipper the dark brown river bird with breast as white as snow
Is singing in the babbling stream that flows down from the lake
His scratchy notes familiar once heard one cannot mistake
And white butterflies flitting in the breeze make for a pretty sight
Above the wildflowers in the fields in the Summer sunlight.

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The Conference

Grace said in form, which sceptics must agree,
When they are told that grace was said by me;
The servants gone to break the scurvy jest
On the proud landlord, and his threadbare guest;
'The King' gone round, my lady too withdrawn;
My lord, in usual taste, began to yawn,
And, lolling backward in his elbow-chair,
With an insipid kind of stupid stare,
Picking his teeth, twirling his seals about--
Churchill, you have a poem coming out:
You've my best wishes; but I really fear
Your Muse, in general, is too severe;
Her spirit seems her interest to oppose,
And where she makes one friend, makes twenty foes.
_C_. Your lordship's fears are just; I feel their force,
But only feel it as a thing of course.
The man whose hardy spirit shall engage
To lash, the vices of a guilty age,
At his first setting forward ought to know
That every rogue he meets must be his foe;
That the rude breath of satire will provoke
Many who feel, and more who fear the stroke.
But shall the partial rage of selfish men
From stubborn Justice wrench the righteous pen?
Or shall I not my settled course pursue,
Because my foes are foes to Virtue too?
_L_. What is this boasted Virtue, taught in schools,
And idly drawn from antiquated rules?
What is her use? Point out one wholesome end.
Will she hurt foes, or can she make a friend?
When from long fasts fierce appetites arise,
Can this same Virtue stifle Nature's cries?
Can she the pittance of a meal afford,
Or bid thee welcome to one great man's board?
When northern winds the rough December arm
With frost and snow, can Virtue keep thee warm?
Canst thou dismiss the hard unfeeling dun
Barely by saying, thou art Virtue's son?
Or by base blundering statesmen sent to jail,
Will Mansfield take this Virtue for thy bail?
Believe it not, the name is in disgrace;
Virtue and Temple now are out of place.
Quit then this meteor, whose delusive ray
Prom wealth and honour leads thee far astray.
True virtue means--let Reason use her eyes--
Nothing with fools, and interest with the wise.
Wouldst thou be great, her patronage disclaim,
Nor madly triumph in so mean a name:
Let nobler wreaths thy happy brows adorn,
And leave to Virtue poverty and scorn.
Let Prudence be thy guide; who doth not know
How seldom Prudence can with Virtue go?
To be successful try thy utmost force,
And Virtue follows as a thing of course.
Hirco--who knows not Hirco?--stains the bed
Of that kind master who first gave him bread;
Scatters the seeds of discord through the land,
Breaks every public, every private band;
Beholds with joy a trusting friend undone;
Betrays a brother, and would cheat a son:
What mortal in his senses can endure
The name of Hirco? for the wretch is poor!
Let him hang, drown, starve, on a dunghill rot,
By all detested live, and die forgot;
Let him--a poor return--in every breath
Feel all Death's pains, yet be whole years in death,
Is now the general cry we all pursue.
Let Fortune change, and Prudence changes too;
Supple and pliant, a new system feels,
Throws up her cap, and spaniels at his heels:
Long live great Hirco, cries, by interest taught,
And let his foes, though I prove one, be nought.
_C_. Peace to such men, if such men can have peace;
Let their possessions, let their state increase;
Let their base services in courts strike root,
And in the season bring forth golden fruit.
I envy not; let those who have the will,
And, with so little spirit, so much skill,
With such vile instruments their fortunes carve;
Rogues may grow fat, an honest man dares starve.
_L_. These stale conceits thrown off, let us advance
For once to real life, and quit romance.
Starve! pretty talking! but I fain would view
That man, that honest man, would do it too.
Hence to yon mountain which outbraves the sky,
And dart from pole to pole thy strengthen'd eye,
Through all that space you shall not view one man,
Not one, who dares to act on such a plan.
Cowards in calms will say, what in a storm
The brave will tremble at, and not perform.
Thine be the proof, and, spite of all you've said,
You'd give your honour for a crust of bread.
_C_. What proof might do, what hunger might effect,
What famish'd Nature, looking with neglect
On all she once held dear; what fear, at strife
With fainting virtue for the means of life,
Might make this coward flesh, in love with breath,
Shuddering at pain, and shrinking back from death,
In treason to my soul, descend to boar,
Trusting to fate, I neither know nor care.
Once,--at this hour those wounds afresh I feel,
Which, nor prosperity, nor time, can heal;
Those wounds which Fate severely hath decreed,
Mention'd or thought of, must for ever bleed;
Those wounds which humbled all that pride of man,
Which brings such mighty aid to Virtue's plan--
Once, awed by Fortune's most oppressive frown,
By legal rapine to the earth bow'd clown,
My credit at last gasp, my state undone,
Trembling to meet the shock I could not shun,
Virtue gave ground, and blank despair prevail'd;
Sinking beneath the storm, my spirits fail'd
Like Peter's faith, till one, a friend indeed--
May all distress find such in time of need!--
One kind good man, in act, in word, in thought,
By Virtue guided, and by Wisdom taught,
Image of Him whom Christians should adore,
Stretch'd forth his hand, and brought me safe to shore.
Since, by good fortune into notice raised,
And for some little merit largely praised,
Indulged in swerving from prudential rules,
Hated by rogues, and not beloved by fools;
Placed above want, shall abject thirst of wealth,
So fiercely war 'gainst my soul's dearest health,
That, as a boon, I should base shackles crave,
And, born to freedom, make myself a slave?
That I should in the train of those appear,
Whom Honour cannot love, nor Manhood fear?
That I no longer skulk from street to street,
Afraid lest duns assail, and bailiffs meet;
That I from place to place this carcase bear;
Walk forth at large, and wander free as air;
That I no longer dread the awkward friend.
Whose very obligations must offend;
Nor, all too froward, with impatience burn
At suffering favours which I can't return;
That, from dependence and from pride secure,
I am not placed so high to scorn the poor,
Nor yet so low that I my lord should fear,
Or hesitate to give him sneer for sneer;
That, whilst sage Prudence my pursuits confirms,
I can enjoy the world on equal terms;
That, kind to others, to myself most true,
Feeling no want, I comfort those who do,
And, with the will, have power to aid distress:
These, and what other blessings I possess,
From the indulgence of the public rise,
All private patronage my soul defies.
By candour more inclined to save, than damn,
A generous Public made me what I am.
All that I have, they gave; just Memory bears
The grateful stamp, and what I am is theirs.
_L_. To feign a red-hot zeal for Freedom's cause,
To mouth aloud for liberties and laws,
For public good to bellow all abroad,
Serves well the purposes of private fraud.
Prudence, by public good intends her own;
If you mean otherwise, you stand alone.
What do we mean by country and by court?
What is it to oppose? what to support?
Mere words of course; and what is more absurd
Than to pay homage to an empty word?
Majors and minors differ but in name;
Patriots and ministers are much the same;
The only difference, after all their rout,
Is, that the one is in, the other out.
Explore the dark recesses of the mind,
In the soul's honest volume read mankind,
And own, in wise and simple, great and small,
The same grand leading principle in all.
Whate'er we talk of wisdom to the wise,
Of goodness to the good, of public ties
Which to our country link, of private bands
Which claim most dear attention at our hands;
For parent and for child, for wife and friend,
Our first great mover, and our last great end
Is one, and, by whatever name we call
The ruling tyrant, Self is all in all.
This, which unwilling Faction shall admit,
Guided in different ways a Bute and Pitt;
Made tyrants break, made kings observe the law;
And gave the world a Stuart and Nassau.
Hath Nature (strange and wild conceit of pride!)
Distinguished thee from all her sons beside?
Doth virtue in thy bosom brighter glow,
Or from a spring more pure doth action flow?
Is not thy soul bound with those very chains
Which shackle us? or is that Self, which reigns
O'er kings and beggars, which in all we see
Most strong and sovereign, only weak in thee?
Fond man, believe it not; experience tells
'Tis not thy virtue, but thy pride rebels.
Think, (and for once lay by thy lawless pen)
Think, and confess thyself like other men;
Think but one hour, and, to thy conscience led
By Reason's hand, bow down and hang thy head:
Think on thy private life, recall thy youth,
View thyself now, and own, with strictest truth,
That Self hath drawn thee from fair Virtue's way
Farther than Folly would have dared to stray;
And that the talents liberal Nature gave,
To make thee free, have made thee more a slave.
Quit then, in prudence quit, that idle train
Of toys, which have so long abused thy brain.
And captive led thy powers; with boundless will
Let Self maintain her state and empire still;
But let her, with more worthy objects caught,
Strain all the faculties and force of thought
To things of higher daring; let her range
Through better pastures, and learn how to change;
Let her, no longer to weak Faction tied,
Wisely revolt, and join our stronger side.
_C_. Ah! what, my lord, hath private life to do
With things of public nature? Why to view
Would you thus cruelly those scenes unfold
Which, without pain and horror to behold,
Must speak me something more or less than man,
Which friends may pardon, but I never can?
Look back! a thought which borders on despair,
Which human nature must, yet cannot bear.
'Tis not the babbling of a busy world,
Where praise and censure are at random hurl'd,
Which can the meanest of my thoughts control,
Or shake one settled purpose of my soul;
Free and at large might their wild curses roam,
If all, if all, alas! were well at home.
No--'tis the tale which angry Conscience tells,
When she with more than tragic horror swells
Each circumstance of guilt; when, stern but true,
She brings bad actions forth into review;
And like the dread handwriting on the wall,
Bids late Remorse awake at Reason's call;
Arm'd at all points, bids scorpion Vengeance pass,
And to the mind holds up Reflection's glass,--
The mind which, starting, heaves the heartfelt groan,
And hates that form she knows to be her own.
Enough of this,--let private sorrows rest,--
As to the public, I dare stand the test;
Dare proudly boast, I feel no wish above
The good of England, and my country's love.
Stranger to party-rage, by Reason's voice,
Unerring guide! directed in my choice,
Not all the tyrant powers of earth combined,
No, nor of hell, shall make me change my mind.
What! herd with men my honest soul disdains,
Men who, with servile zeal, are forging chains
For Freedom's neck, and lend a helping hand
To spread destruction o'er my native land?
What! shall I not, e'en to my latest breath,
In the full face of danger and of death,
Exert that little strength which Nature gave,
And boldly stem, or perish in the wave?
_L_. When I look backward for some fifty years,
And see protesting patriots turn'd to peers;
Hear men, most loose, for decency declaim,
And talk of character, without a name;
See infidels assert the cause of God,
And meek divines wield Persecution's rod;
See men transferred to brutes, and brutes to men;
See Whitehead take a place, Ralph change his pen;
I mock the zeal, and deem the men in sport,
Who rail at ministers, and curse a court.
Thee, haughty as thou art, and proud in rhyme,
Shall some preferment, offer'd at a time
When Virtue sleeps, some sacrifice to Pride,
Or some fair victim, move to change thy side.
Thee shall these eyes behold, to health restored,
Using, as Prudence bids, bold Satire's sword,
Galling thy present friends, and praising those
Whom now thy frenzy holds thy greatest foes.
_C_. May I (can worse disgrace on manhood fall?)
Be born a Whitehead, and baptized a Paul;
May I (though to his service deeply tied
By sacred oaths, and now by will allied),
With false, feign'd zeal an injured God defend,
And use his name for some base private end;
May I (that thought bids double horrors roll
O'er my sick spirits, and unmans my soul)
Ruin the virtue which I held most dear,
And still must hold; may I, through abject fear,
Betray my friend; may to succeeding times,
Engraved on plates of adamant, my crimes
Stand blazing forth, whilst, mark'd with envious blot,
Each little act of virtue is forgot;
Of all those evils which, to stamp men cursed,
Hell keeps in store for vengeance, may the worst
Light on my head; and in my day of woe,
To make the cup of bitterness o'erflow,
May I be scorn'd by every man of worth,
Wander, like Cain, a vagabond on earth;
Bearing about a hell in my own mind,
Or be to Scotland for my life confined;
If I am one among the many known
Whom Shelburne fled, and Calcraft blush'd to own.
_L_. Do you reflect what men you make your foes?
_C_. I do, and that's the reason I oppose.
Friends I have made, whom Envy must commend,
But not one foe whom I would wish a friend.
What if ten thousand Butes and Hollands bawl?
One Wilkes had made a large amends for all.
'Tis not the title, whether handed down
From age to age, or flowing from the crown
In copious streams, on recent men, who came
From stems unknown, and sires without a name:
Tis not the star which our great Edward gave
To mark the virtuous, and reward the brave,
Blazing without, whilst a base heart within
Is rotten to the core with filth and sin;
'Tis not the tinsel grandeur, taught to wait,
At Custom's call, to mark a fool of state
From fools of lesser note, that soul can awe,
Whose pride is reason, whose defence is law.

_L_. Suppose, (a thing scarce possible in art,
Were it thy cue to play a common part)
Suppose thy writings so well fenced in law,
That Norton cannot find nor make a flaw--
Hast thou not heard, that 'mongst our ancient tribes,
By party warp'd, or lull'd asleep by bribes,
Or trembling at the ruffian hand of Force,
Law hath suspended stood, or changed its course?
Art thou assured, that, for destruction ripe,
Thou may'st not smart beneath the self-same gripe?
What sanction hast thou, frantic in thy rhymes,
Thy life, thy freedom to secure?

_G_. The Times.
'Tis not on law, a system great and good,
By wisdom penn'd, and bought by noblest blood,
My faith relies; by wicked men and vain,
Law, once abused, may be abused again.
No; on our great Lawgiver I depend,
Who knows and guides her to her proper end;
Whose royalty of nature blazes out
So fierce, 'twere sin to entertain a doubt.
Did tyrant Stuarts now the law dispense,
(Bless'd be the hour and hand which sent them hence!)
For something, or for nothing, for a word
Or thought, I might be doom'd to death, unheard.
Life we might all resign to lawless power,
Nor think it worth the purchase of an hour;
But Envy ne'er shall fix so foul a stain
On the fair annals of a Brunswick's reign.
If, slave to party, to revenge, or pride;
If, by frail human error drawn aside,
I break the law, strict rigour let her wear;
'Tis hers to punish, and 'tis mine to bear;
Nor, by the voice of Justice doom'd to death
Would I ask mercy with my latest breath:
But, anxious only for my country's good,
In which my king's, of course, is understood;
Form'd on a plan with some few patriot friends,
Whilst by just means I aim at noblest ends,
My spirits cannot sink; though from the tomb
Stern Jeffries should be placed in Mansfield's room;
Though he should bring, his base designs to aid,
Some black attorney, for his purpose made,
And shove, whilst Decency and Law retreat,
The modest Norton from his maiden seat;
Though both, in ill confederates, should agree,
In damned league, to torture law and me,
Whilst George is king, I cannot fear endure;
Not to be guilty, is to be secure.
But when, in after-times, (be far removed
That day!) our monarch, glorious and beloved,
Sleeps with his fathers, should imperious Fate,
In vengeance, with fresh Stuarts curse our state;
Should they, o'erleaping every fence of law,
Butcher the brave to keep tame fools in awe;
Should they, by brutal and oppressive force,
Divert sweet Justice from her even course;
Should they, of every other means bereft,
Make my right hand a witness 'gainst my left;
Should they, abroad by inquisitions taught,
Search out my soul, and damn me for a thought;
Still would I keep my course, still speak, still write,
Till Death had plunged me in the shades of night.
Thou God of truth, thou great, all-searching eye,
To whom our thoughts, our spirits, open lie!
Grant me thy strength, and in that needful hour,
(Should it e'er come) when Law submits to Power,
With firm resolve my steady bosom steel,
Bravely to suffer, though I deeply feel.
Let me, as hitherto, still draw my breath,
In love with life, but not in fear of death;
And if Oppression brings me to the grave,
And marks me dead, she ne'er shall mark a slave.
Let no unworthy marks of grief be heard,
No wild laments, not one unseemly word;
Let sober triumphs wait upon my bier;
I won't forgive that friend who drops one tear.
Whether he's ravish'd in life's early morn,
Or in old age drops like an ear of corn,
Full ripe he falls, on Nature's noblest plan,
Who lives to Reason, and who dies a Man.

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saddam Hussein In New Iraq

He was the dictator
in the old Iraq
the once fertile
the abandoned garden
of Eden rushed

It was always his
first word as the final and executory
handed down from
holocaust- master the
Austrian blood Hitler
in infamous Nazi era

and Saddam tragic death sentence
provoked his old Iraq was beaten

and democracy is running down
in new Iraq alas!

million patriots cheer!
their hearts pound firm
resurrecting freedom
in new Iraq at last!

but I am saddened
with too much grief

children's laughter today
will turn into blues
someday somehow as they grow
they will learn
their new Iraq acquired freedom
is under US Marines GI Joes custody

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terrorism ***** SADDAM HUSSEIN IN NEW IRAQ

He was the dictator
in the old Iraq
the once fertile
the abandoned garden
of Eden rushed

It was always his
first word as the final and executory
handed down from
holocaust- master the
Austrian blood Hitler
in infamous Nazi era

and Saddam tragic death sentence
provoked his old Iraq was beaten

and democracy is running down
in new Iraq alas!

million patriots cheer!
their hearts pound firm
resurrecting freedom
in new Iraq at last!

but I am saddened
with too much grief

children's laughter today
will turn into blues
someday somehow as they grow
they will learn
their new Iraq acquired freedom
is under US Marines GI Joes custody

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Rainbow Children

Just like the sun, the Rainbow Children rise,
Flying upon the wings of the New Translation
See them fly, fly
The covenant will b kept this time
Just like the sun, the Rainbow Children rise
Rainbow children, it's time 2 rise!
Rainbow children, it's time 2 rise!
As prophesied, the Wise One and his woman were tempted by the Resistor. He,
knowing full well the Wise One's love 4 God, assimilated the woman first and
only. Quite naturally, chaos ensued and she and 5 others were banished from
the rainbow.4ever.
Just like the sun, the Rainbow Children rise
Flying upon the wings of the New Translation
See them fly, fly
The covenant will b kept this time
Just like the sun, the Rainbow Children rise
Just like the sun, the Rainbow Children rise
Flying upon the wings of the New Translation
See them fly, fly
The covenant will b kept this time
Just like the sun, the Rainbow Children rise
Who is ur real father?
The everlasting one
The one who came from nothing
And yet from this one, everything comes
The one who commands ur momma
With the simple phrase "I am"
And every time that she obeys
She gives birth 2 the Son of Man
Who is this?
Reproduction of the new breed leader/Stand up and organize!
Reproduction of the new breed leader/Stand up and organize!
The Agreement-
With every birth, we keep it so/Never changing one piece of it
In fear of what would unfold/The scales would then become unbalanced
And thus would begin the fall/The sin of one would become
The sin of one and all
Rise, rise, rise.
Rise, Rainbow Children, rise
Rise, Rainbow Children, rise
The Wise One who understood the law that was handed down from God long ago,
held fast in his belief that the Lord would bring him another one who loved him so.

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You Are Not Going to Play With Me Today

You are so far removed from my to do list.
So distant you are,
My binoculars can not locate you.
I never thought I would feel this way.
But I am looking for a mind easier to find.
And yours?
It is never where you claim it to be,
Even when you bring it.

Playing peek-a-boo and hide and seek...
Chase-me-until-you-find-me games,
Were fine when I was a 'kid' in my 40's!
But one of us has grayed and moved on...
To seek a more muture outlook that pleases.
Don't smile and grin.
You are not that far from the fringes of this explanation.
Well...
Maybe you are.

When some of us became adults...
You decided to take another destination.
And I'm not adding that to my frustrations.
Of which you have helped to manifest.

You are so far removed from my to do list.
So distant you are,
My binoculars can not locate you.
I never thought I would feel this way.
But I am looking for a mind easier to find.
And yours?
It is never where you claim it to be,
Even when you bring it.

You are 'not' going to play with me today.
I have run out of scotch.
And my neighbors are not yet quite convinced...
My standing on the ledge of the building,
Is to get away from your voice.
They believe I have other wishes.
Even though I tell them I am fine...
You tell them I am having problems.
But you never tell them you are the main one!
They think I am the one who is 'nuts'!
However...
Five minutes with you,
Should end any clues I might drop!

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Relate With Any Interpretation

Relate,
With any interpretation...
That gives the best description,
You wish to have depicted.
With a showing of a quick thinking done,
On your feet.

This,
Momentarily...
Will give you time,
To find the appropriate apology...
To excuse that which is uncovered,
That contradicts your 'most' recent explanation.

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I dare not fill my heart with anguish

I dare not fill my heart with anguish
and although at times it thrills me,
in your memory to languish,
if I do, from it I will never be free.

Sometimes it’s better to forget you,
sometimes its better to not have known
the blessings, the passion shown
of you who in death still remains true

and life goes on with its promises
a sun that rises, shines and vanishes
but there’s no other you to take me
with children into posterity,

from winter into spring
to bring a new awakening.

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It is not going to be easy any more

It is not going to be easy any more
Is what we all cry
And it was also the cry of our parents

Look back
It was only your perception that
It is not going to be easy any more
It all happens as designed by nature
All that happen, we should know
Have a reason behind
Many a time we wonder
Why this happened
We wonder because
We are ignorant
You become enlightened
Once you stop wondering
And just get to know the
Reasons behind a happening
So that similar happenings
Can be prevented, if unpleasant

But, be sure that each happening
Has a reason,
And you cannot have an excuse
For not realizing this
It has happened because
That was the way it has to happen
Accept the happening
Then, act appropriately
Never turn emotional
Emotions retard logical thinking
Emotions lead to non-fetching actions
Stay free, act and smoothly sail over happenings

And you will stop telling
It is not going to be easy any more

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Australia With Any

The Nature and rugged beauty of this Southern Land
Is a thing one like me could never understand
A migrant from by old brown hills far away
Of Nature we learn something new every day.

How could one from the Land of the black and gray crow
Anything of the Nature of this Southern Country hope to know
The home of megapodes and marsupials and birds of beauty rare
Australia with any a Land to compare.

Australia the Land of the red and grey roo
Of emu, koala and wombat and many species of cockatoo
Of butcherbird, kookaburra, lyrebird, magpie and the pied currawong
The dark birds 'tis said who have rain in their song.

Of Australia's many beautiful parrots to name just a few
Rosellas, lorikeets and king parrots so lovely to view
The monoterenes egg laying mammals in Australia only found
The platypus and echidna mystery them does surround

The wonders of Nature have never been few
And each day from her we do learn something new
And I from the Land of the black and gray crow
So little of Australia's Nature does know.

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Whether Or Not You Are Honest With Me Now

You have allowed me to question your honesty,
For too long.
And for too long,
You have chosen to deceive.

Whether or not you are honest with me now,
Is not of an importance.
Not to me.
Nor will erase my apathy.
Or a priority that has increased,
To please my own needs.

With a total unconcerned,
About what it is you do.
Or caring less,
About what it is that is in the best of 'your' interest.

This is a fact.
Not an attitude.

For too long you have ignored my wellbeing.
With activities done by you to prove to me,
Your main objective,
Has been yourself.

And...
As times do change,
I have welcomed them.

You have allowed me to question your honesty,
For too long.
And for too long,
You have chosen to deceive.

Whether or not you are honest with me now,
Is not of an importance.
Not to me.
Nor will erase my apathy.
Or a priority that has increased,
To please my own needs.

I simply can not be stirred to excitement,
Over something that could have been shared...
By the both of us.
If you cared.
But you didn't.
And that...
You have made known as shown.

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That Is Not the Diet We Are Fed

It would be wonderful to recognize our failings,
And immediately correct them.
Or face the truth and deal with our insecurities.
But we are suspended within mentalities to react,
Too quickly!
We are prepared to defend such conditions...
We find ourselves in,
Much too fast!

Offended we are and preconditioned to attack,
And not listen.
Becoming less respected because we disrespect.
For purposes that generate a reflected unhappiness.
Handed down from one generation to the next.
To annoint our fears to the innocent.
Hardening their hearts before they are ready to speak.

And when someone is 'intentionally' like this,
Who cares how the bleeding is done?
Or how it has come to manifest.
Why bother to empathize with this stubbornness?

One in which an attraction for habitual lies,
Cries foul constantly to themselves in active denial.
Taught to whine and complain.
Why commit to be placed on trial by nitwit misfits...
Socially unfit?

Where is the benefit of it in this process?
Tied to become unified with an ignorance...
That desires to incite conflict.
And resisting the agony,
That comes with enticing more of it!

It would be wonderful to recognize our failings,
And immediately correct them.
But that is not the diet we are fed!
And we even get upset...
When placing an order for fast food to infect us,
That it does not come fast enough to do it...
Upon command.

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William Cowper

A Manual, More Ancient Than The Art Of Printing, And Not To Be Found In Any Catalogue

There is a book, which we may call
(Its excellence is such)
Alone a library, though small;
The ladies thumb it much.

Words none, things numerous it contains:
And thing with words compared,
Who needs be told, that has his brains,
Which merits most regard?

Ofttimes its leaves of scarlet hue
A golden edging boast;
And open’d, it displays to view
Twelve pages at the most.

Nor name, nor title, stamp’d behind,
Adorns its outer part;
But all within ‘tis richly lined,
A magazine of art.

The whitest hands that secret hoard
Oft visit: and the fair
Preserve it in their bosoms stored,
As with a miser’s care.

Thence implements of every size,
And form’d for various use
(They need but to consult their eyes),
They readily produce.

The largest and the longest kind
Possess the foremost page;
A sort most needed by the blind,
Or nearly such, from age.

The full charged leaf which next ensues,
Presents in bright array
The smaller sort, which matrons use,
Not quite so blind as they.

The third, the fourth, the fifth supply
What their occasions ask,
Who with a more discerning eye
Perform a nicer task.

But still with regular decrease,
From size to size they fall,
In every leaf grow less and less;
The last are least of all.

Oh! what a fund of genius, pent
In narrow space is here!
This volume’s method and intent
How luminous and clear!

It leaves no reader at a loss
Or posed, whoever reads:
No commentator’s tedious gloss,
Nor even index needs.

Search Bodley’s many thousands o’er!
No book is treasured there,
Nor yet in Granta’s numerous store,
That may with this compare.

No!—rival none in either host
Of this was ever seen,
Or, that contents could justly boast,
So brilliant and so keen.

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Patrick White

Never Alone With A Candle

Never alone with a candle
a firefly in a valley,
a star above the hill,
is your seeing less beautiful
than that stranger in the mirror
who takes you by surprise?

Can you hear your eyes
your eyes your eyes your eyes
falling like rain
on the plectra of the flowers?
Is that a coffin or a harpsichord?
Scarlatti playing the columbine
or the midnight requiem
of a dolorous pine longing
for a nightbird that never comes?

I can sense you count yourself
a dandelion among delphiniums,
a brown star without solar flare,
a moon with a complexion of coral,
and even from here I can hear
that happy bell you wear
like your heart on your sleeve
to let people know you’re coming,
and either fake it or leave.
Fashionable mirages of make-believe.
Black roses of mascara
with comets for eyebrows,
their noses stuck up in the air
like the wrong end of a telescope.

Born this crude ore of a man
what can I know of a woman’s feelings
moving around inside of me at night
like underground rivers of gold?
But, sweetness, if I were to guess,
there are stones much more lustrous,
more polished, more shapely
than even the linghams and yonis,
unenlightened cosmic eggs
with nothing inside to reveal,
no stars, no jewels, no chandeliers
of sad insights into dark mirrors
of what’s inconceivably real
and what’s merely the fossil
of an extinct species of fish
trying to swim through brimstone.

Does the sea envy its waves
because its ambient eyelashes
aren’t long enough to paint
a black velvet masterpiece
signed by a cosmetic line
of flash in the pan movie stars?
Isn’t it enough the moonlight
adorns your eyelids like a lake?
I haven’t touched a woman’s breasts yet
when I didn’t feel like a sailor
lost at sea without a lifeboat
in an ocean of heaving roses.
And I’ve slept with enough women
to know beauty isn’t only skin deep.
Sometimes it’s a shipwreck on the bottom.
Sometimes it’s a blood diamond
on the black market of a cheap eclipse
that bleeds out like haemorrhaging slaves.
Sometimes it raves like Medusa
at the snakepit of a hairdo in the mirror
that turns her reluctant heroes into stone.

You weep for this? You curse your body
your lips, your nose, your legs, your thighs,
the white-out of your smile, your eyes,
your hands for not being doves,
your hair because it doesn’t flow
like long blonde tresses of honey
from a hive of killer bees,
because you don’t think
you can please Adam well enough
with the apple you hold out to tempt him?

Ask Majnun about Laila,
it’s not the goblet, it’s the wine inside,
and from what I know of night and desire,
I’ve never met a man
who wouldn’t drink from his own skull
just to taste it like a mirage in an hourglass
or a message in a bottle on the moon.
Don’t judge the potency of the elixir
by the popularity of the flower
it’s taken from like a love potion
nor the strength of the poison
by the dowdiness of the snake.

And I don’t say this waxing insincerely
like the false dawn of a consolation
for something you’re austerely missing.
You’re not a nun among flowers
about to take vows
of silence and celibacy
because you don’t know how
to attract bees to your cult of one.
You’re not a black mass
with a rose petal on your tongue
instead of the thorn of the moon.

Why do you desecrate
the vases and urns of the wildflowers
that bloom like New England asters
in the starfields of your windowless room
like the prophetic heads of the dead
because they’re not sunflowers
or waterlilies and wild irises
in full bloom along the banks
of your cresting mindstream?
Why do you pass the hours
snuffing fireflies out in your tears
like a constellation of match heads
on the sill of a broken windowpane
in a misbegotten house
of a wayward zodiac for rogue stars?

You’re not a calendar of scars
marking time with razorblades
on the bone of your wrist
like some Neanderthal
who’s just discovered time
because there’s no view of you
scenic enough to cut out and save
that isn’t nicked by crescent moons.

Have you not seen the envy
in the eyes of those first magnitude
fixed stars showcased
on a starmap, jewels under glass,
butterflies pierced through the thorax
for the garishness of their wings?
Take a look for yourself.
Do you not see
how deeply they envy
the beauty and freedom of fireflies
who’ve gotten off the grid?

It’s not just the light that’s beautiful,
it’s what it shines upon as well.
That’s how the flowers talk to the stars
in the same universal language.
Not as lesser avatars of shining
but as one beauty to another
in an alphabet of loveletters
they leave unsigned, unaddressed,
for anyone who wants
to walk in the moonlight awhile
neither in nor out of style,
as beautiful in their own skin
as the auroral silks of the northern lights
or the moon a vaudeville stripper peeping
through the boas of the clouds
when that’s all she’s wearing
like a changeable wind, a radiant sky
revealing and veiling simultaneously
the bright vacancy of one side
and the dark abundance of the other
more intriguing face
she’s turned away from.
The one you can easily see
on the other side of your own eyes
when you turn the light around
and let the mirrors labour to perfect
the artless beauty of their reflections
by imitating you like a ballet
in the feathered death mask of a swan
learning to move with the beauty and grace
of someone flowing
like a river on the moon,
a white Taj Mahal reflecting
the pale towers of a torch
that burns like stars and lilies
in the black waters of its dark opposite.

Ask any Luna moth at the window.
it’s not the shape, colour, scent
of the votive candles or fragrant lamps
you’ve devoted to your solitude
that draws them in out of the night.
It’s the intensity of the light
that summons them to you like seance.
Ghosts, poets, lovers, artists all alike.
The way things are here, not
as they seem to appear and disappear
like fireflies in a mirror
but as they are and will ever be
the translucency of stars by night
the clarity of flowers by day,
the sun shining at midnight,
the moon keeping its shadows a secret
from the occult powers of noon,
all the beautiful shapeshifters,
all the moody chameleons,
each with a face of their own
as unique and revealing as the universe.

In every dropp of water
the depth of the sky
as in every tear an eye
that can see straight through you
to the beauty within
when you’re as easy on yourself
as a starfish on the moon
a dolphin with stage fright
on the catwalk of the stars
changing wardrobes like weather,
night seas of habitable planets
wholly at home in the mindscapes
of their luminous atmospheres,
their immaculate waterskins,
as they are in the rags of those mirages
you keep drowning your radiance in.

A constellation in the desert
that’s underwhelming itself
by forgetting that fire knows
how to swim in the deep end
of shadows on the moon
like the flame of a candle or a goldfish
even you for all your tears,
your weeping willow chandeliers,
your wishing wells, your watersheds,
your shaded windows, your broken mirrors,
the torn nets of those dreamcatchers
you gouged the eyes out of
like semi-precious jewels
that didn’t measure up to diamonds.

Even you, for all you relinquish
of your native beauty to comparisons
with the costume jewellery of other eyes
than your own, try as you might
to unfeather the plumage of the moon
you could never extinguish,
you could never eclipse or blow out,
no more than you can hold a mirror
up to the dead like a portrait of smoke
and convince them beyond
the shadow of an unreasonable doubt
it’s a simulacrum of your solitude,
though it looks nothing like you
sitting alone by a candle in the nude.

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Book V - Part 03 - The World is Not Eternal

And first,
Since body of earth and water, air's light breath,
And fiery exhalations (of which four
This sum of things is seen to be compact)
So all have birth and perishable frame,
Thus the whole nature of the world itself
Must be conceived as perishable too.
For, verily, those things of which we see
The parts and members to have birth in time
And perishable shapes, those same we mark
To be invariably born in time
And born to die. And therefore when I see
The mightiest members and the parts of this
Our world consumed and begot again,
'Tis mine to know that also sky above
And earth beneath began of old in time
And shall in time go under to disaster.
And lest in these affairs thou deemest me
To have seized upon this point by sleight to serve
My own caprice- because I have assumed
That earth and fire are mortal things indeed,
And have not doubted water and the air
Both perish too and have affirmed the same
To be again begotten and wax big-
Mark well the argument: in first place, lo,
Some certain parts of earth, grievously parched
By unremitting suns, and trampled on
By a vast throng of feet, exhale abroad
A powdery haze and flying clouds of dust,
Which the stout winds disperse in the whole air.
A part, moreover, of her sod and soil
Is summoned to inundation by the rains;
And rivers graze and gouge the banks away.
Besides, whatever takes a part its own
In fostering and increasing aught...

Is rendered back; and since, beyond a doubt,
Earth, the all-mother, is beheld to be
Likewise the common sepulchre of things,
Therefore thou seest her minished of her plenty,
And then again augmented with new growth.

And for the rest, that sea, and streams, and springs
Forever with new waters overflow
And that perennially the fluids well.
Needeth no words- the mighty flux itself
Of multitudinous waters round about
Declareth this. But whatso water first
Streams up is ever straightway carried off,
And thus it comes to pass that all in all
There is no overflow; in part because
The burly winds (that over-sweep amain)
And skiey sun (that with his rays dissolves)
Do minish the level seas; in part because
The water is diffused underground
Through all the lands. The brine is filtered off,
And then the liquid stuff seeps back again
And all re-gathers at the river-heads,
Whence in fresh-water currents on it flows
Over the lands, adown the channels which
Were cleft erstwhile and erstwhile bore along
The liquid-footed floods.
Now, then, of air
I'll speak, which hour by hour in all its body
Is changed innumerably. For whatso'er
Streams up in dust or vapour off of things,
The same is all and always borne along
Into the mighty ocean of the air;
And did not air in turn restore to things
Bodies, and thus recruit them as they stream,
All things by this time had resolved been
And changed into air. Therefore it never
Ceases to be engendered off of things
And to return to things, since verily
In constant flux do all things stream.
Likewise,
The abounding well-spring of the liquid light,
The ethereal sun, doth flood the heaven o'er
With constant flux of radiance ever new,
And with fresh light supplies the place of light,
Upon the instant. For whatever effulgence
Hath first streamed off, no matter where it falls,
Is lost unto the sun. And this 'tis thine
To know from these examples: soon as clouds
Have first begun to under-pass the sun,
And, as it were, to rend the days of light
In twain, at once the lower part of them
Is lost entire, and earth is overcast
Where'er the thunderheads are rolled along-
So know thou mayst that things forever need
A fresh replenishment of gleam and glow,
And each effulgence, foremost flashed forth,
Perisheth one by one. Nor otherwise
Can things be seen in sunlight, lest alway
The fountain-head of light supply new light.
Indeed your earthly beacons of the night,
The hanging lampions and the torches, bright
With darting gleams and dense with livid soot,
Do hurry in like manner to supply
With ministering heat new light amain;
Are all alive to quiver with their fires,-
Are so alive, that thus the light ne'er leaves
The spots it shines on, as if rent in twain:
So speedily is its destruction veiled
By the swift birth of flame from all the fires.
Thus, then, we must suppose that sun and moon
And stars dart forth their light from under-births
Ever and ever new, and whatso flames
First rise do perish always one by one-
Lest, haply, thou shouldst think they each endure
Inviolable.
Again, perceivest not
How stones are also conquered by Time?-
Not how the lofty towers ruin down,
And boulders crumble?- Not how shrines of gods
And idols crack outworn?- Nor how indeed
The holy Influence hath yet no power
There to postpone the Terminals of Fate,
Or headway make 'gainst Nature's fixed decrees?
Again, behold we not the monuments
Of heroes, now in ruins, asking us,
In their turn likewise, if we don't believe
They also age with eld? Behold we not
The rended basalt ruining amain
Down from the lofty mountains, powerless
To dure and dree the mighty forces there
Of finite time?- for they would never fall
Rended asudden, if from infinite Past
They had prevailed against all engin'ries
Of the assaulting aeons, with no crash.
Again, now look at This, which round, above,
Contains the whole earth in its one embrace:
If from itself it procreates all things-
As some men tell- and takes them to itself
When once destroyed, entirely must it be
Of mortal birth and body; for whate'er
From out itself giveth to other things
Increase and food, the same perforce must be
Minished, and then recruited when it takes
Things back into itself.
Besides all this,
If there had been no origin-in-birth
Of lands and sky, and they had ever been
The everlasting, why, ere Theban war
And obsequies of Troy, have other bards
Not also chanted other high affairs?
Whither have sunk so oft so many deeds
Of heroes? Why do those deeds live no more,
Ingrafted in eternal monuments
Of glory? Verily, I guess, because
The Sum is new, and of a recent date
The nature of our universe, and had
Not long ago its own exordium.
Wherefore, even now some arts are being still
Refined, still increased: now unto ships
Is being added many a new device;
And but the other day musician-folk
Gave birth to melic sounds of organing;
And, then, this nature, this account of things
Hath been discovered latterly, and I
Myself have been discovered only now,
As first among the first, able to turn
The same into ancestral Roman speech.
Yet if, percase, thou deemest that ere this
Existed all things even the same, but that
Perished the cycles of the human race
In fiery exhalations, or cities fell
By some tremendous quaking of the world,
Or rivers in fury, after constant rains,
Had plunged forth across the lands of earth
And whelmed the towns- then, all the more must thou
Confess, defeated by the argument,
That there shall be annihilation too
Of lands and sky. For at a time when things
Were being taxed by maladies so great,
And so great perils, if some cause more fell
Had then assailed them, far and wide they would
Have gone to disaster and supreme collapse.
And by no other reasoning are we
Seen to be mortal, save that all of us
Sicken in turn with those same maladies
With which have sickened in the past those men
Whom Nature hath removed from life.
Again,
Whatever abides eternal must indeed
Either repel all strokes, because 'tis made
Of solid body, and permit no entrance
Of aught with power to sunder from within
The parts compact- as are those seeds of stuff
Whose nature we've exhibited before;
Or else be able to endure through time
For this: because they are from blows exempt,
As is the void, the which abides untouched,
Unsmit by any stroke; or else because
There is no room around, whereto things can,
As 'twere, depart in dissolution all-
Even as the sum of sums eternal is,
Without or place beyond whereto things may
Asunder fly, or bodies which can smite,
And thus dissolve them by the blows of might.
But not of solid body, as I've shown,
Exists the nature of the world, because
In things is intermingled there a void;
Nor is the world yet as the void, nor are,
Moreover, bodies lacking which, percase,
Rising from out the infinite, can fell
With fury-whirlwinds all this sum of things,
Or bring upon them other cataclysm
Of peril strange; and yonder, too, abides
The infinite space and the profound abyss-
Whereinto, lo, the ramparts of the world
Can yet be shivered. Or some other power
Can pound upon them till they perish all.
Thus is the door of doom, O nowise barred
Against the sky, against the sun and earth
And deep-sea waters, but wide open stands
And gloats upon them, monstrous and agape.
Wherefore, again, 'tis needful to confess
That these same things are born in time; for things
Which are of mortal body could indeed
Never from infinite past until to-day
Have spurned the multitudinous assaults
Of the immeasurable aeons old.

Again, since battle so fiercely one with other
The four most mighty members the world,
Aroused in an all unholy war,
Seest not that there may be for them an end
Of the long strife?- Or when the skiey sun
And all the heat have won dominion o'er
The sucked-up waters all?- And this they try
Still to accomplish, though as yet they fail,-
For so aboundingly the streams supply
New store of waters that 'tis rather they
Who menace the world with inundations vast
From forth the unplumbed chasms of the sea.
But vain- since winds (that over-sweep amain)
And skiey sun (that with his rays dissolves)
Do minish the level seas and trust their power
To dry up all, before the waters can
Arrive at the end of their endeavouring.
Breathing such vasty warfare, they contend
In balanced strife the one with other still
Concerning mighty issues- though indeed
The fire was once the more victorious,
And once- as goes the tale- the water won
A kingdom in the fields. For fire o'ermastered
And licked up many things and burnt away,
What time the impetuous horses of the Sun
Snatched Phaethon headlong from his skiey road
Down the whole ether and over all the lands.
But the omnipotent Father in keen wrath
Then with the sudden smite of thunderbolt
Did hurl the mighty-minded hero off
Those horses to the earth. And Sol, his sire,
Meeting him as he fell, caught up in hand
The ever-blazing lampion of the world,
And drave together the pell-mell horses there
And yoked them all a-tremble, and amain,
Steering them over along their own old road,
Restored the cosmos- as forsooth we hear
From songs of ancient poets of the Greeks-
A tale too far away from truth, meseems.
For fire can win when from the infinite
Has risen a larger throng of particles
Of fiery stuff; and then its powers succumb,
Somehow subdued again, or else at last
It shrivels in torrid atmospheres the world.
And whilom water too began to win-
As goes the story- when it overwhelmed
The lives of men with billows; and thereafter,
When all that force of water-stuff which forth
From out the infinite had risen up
Did now retire, as somehow turned aside,
The rain-storms stopped, and streams their fury checked.

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Lenexa Baptist Church Poet Tom Zart, s = BELL RINGERS of THE SOUL!

POETS ARE THE BELL RINGERS of THE HEART & SOUL!


Poets as a rule are high on adventure
Like wondering bards or prophets today.
Embracing hearts and minds with wisdom
Casting through verse their visions at play.

Poets have their dreams and their nightmares
Of love, life, death, faith and war.
They feel the pain and tragedy of others
Even those they’ve never met before.

They fan the flames of human compassion
With their stories of the failings of man.
Professing to follow a higher power
As they recruit whomever they can.

Poets are the bell ringers of the soul
As they depict the past, the present and beyond.
They sound their alarm of what lies ahead
As the missteps of man live on.


POETS AND POEMS


Poetry blossomed long before Shakespeare, Milton or Poe.
It thrived prior to Solomon and the languages of old.
Poetry today offers itself more often in the form of music
Then in sonnets and poems as the legends of life unfold.

Man has his fear of loneliness, death and the hereafter
As authors compose his doom, desperation and glory.
All hear the words of both good and evil
With too many that fall for the wrong story.

The falsehoods of life find it hard to hide
From the word of God’s poets and poems.
Sharing their joy, frustration and sorrow
By voice, Internet, radio, or books, in our homes.

Poets and poems help man become more human
As the storms of life proliferate their toll.
Poets and poems were put here for a reason
To help tame the savage that dwells in our soul.


Tom Zart

GOD’S MOST HUMBLE POET


I’m God’s most humble poet
Whose poems have meter and rhyme.
Stories of love, faith, hate, honor and duty,
Obedience, war, heroes, history and crime.

I’ve performed my gift on T.V. and radio
Before millions I’ve never met.
Preached my praise of God and country
With 410 poems on the net.

Satan’s soldiers, shepherds and bards
Spew forth their foulness and grief.
They attack the joy and goodness of man
Dishonoring life, family, country and belief.

Prospering through work, love and conviction
Enables us to remain whole and how we should be.
Fortifying our soul with fulfillment of faith
Lets our worst tribulations be shouldered by Thee.

Moses, Samson, David, Solomon and Jonah
All failed God in their own human way.
He chose to forgive them and bless their powers
So they might dwell in hearts of man today.

Without God’s grace, wisdom and glorious domain
There’s no doubt all would soon cease to survive.
Through purpose, morals and Christian conviction
We are able to transform and keep hope alive.


EDGAR ALLAN POE


One of America’s most famous writers
Was born in Boston, January of 1809.
Both his parents were failing actors
And his father was drunk most the time.

In 1810 Edgar’s dad disappeared
His mother died soon after.
A childless couple took him in
Raising him with love and laughter.

Edgar had a Negro nurse
Who brought him to her quarters.
There he listened to ghost stories
Far beyond earthly borders.

The strange tales he later wrote
May have come from her inspiration.
The words she used to describe death
Gave Poe his taste for sensation.

The Allans moved to England
Where Poe attended boarding schools.
There’s no doubt his time spent there
Sharpened his skills as tools.

Returning to Richmond and back in school
He began to compose new verse.
Heavy debts forced him to leave college
As his life took a turn for the worse.

Poe caught a ride on a coal barge to Boston
Where he was unable to find employment.
A young printer agreed to publish his poems
Giving him hope and enjoyment.

Penniless, Poe enlisted in the army
And was accepted to West Point in 29.
Poe couldn’t stand not being a writer
Self-imposing his dismissal from The Line.

Afterward he became an editor and critic
And married his cousin who was thirteen.
Six years latter he discovered she was dying
Suffering once more the unforeseen.

He went through periods of insanity
Caused by grieving and functional fall.
He smoked opium and drank too much
Till at his doorstep death would call.

Edgar Allan Poe the master of verse
Still lives in our hearts today
Famous for The Raven and other great works
May his soul rest in peace we pray.


GOD’S POETS


The prize jewels of any nation
Are the philosophers of the heart.
How they think is universal
For it’s God who makes them so smart.

Most poets tell the truth of life
Though they may wrap it in beauty.
It's their passion, not their purpose
To compose is but their duty.

Poets have no reason to lie
When the truth is always so clear.
All that others say and do
Is but food for the poet's ear.

One merit of a poet's work
Which most cannot deny.
They say more and in fewer words
To illuminate you and I.

God sent his poets down to earth
With words of wisdom and of worth.
That they might touch the souls of men
And bring them back to Him again.


A GOOD POEM


A good poem paints a picture
For both your heart and brain.
It doesn't need a second chance
To make its meaning plain.

A good poem is like the flower
The lily or the rose.
God plants it in a poet's brain
And there its beauty grows.

A good poem like a cardinal
Is pregnant with song
You can’t help but hear its message
As it sings what's right or wrong.

A good poem helps us remember
What the joys of life are for
It makes us want to love someone
Till death comes knocking at our door.


POETRY


God has always had his poets
Who He watches with love from space.
But Satan has his poets too
Who try to lead us from our grace.

King Solomon was a poet
Who spoke of love, life, death and war.
That lips were like threads of scarlet
And that breasts were roses and more.

The wild birds sing and flowers bloom
As clouds form figures in the sky.
But only humans will write poems
That shall last long after they die.

The eldest sister of all arts
Which some have called the devils wine.
Poetry is but pure passion
To stimulate the heart and mind.


POET'S WIFE


My reciting seemed to delight her
Though for me it was love at first sight.
When she found out I was a poet
She asked, what kind do you write?

Love poems, mostly, I told her
While we walked alone in the park
Love's fever became even warmer
As two shadows embraced in the dark

I'll always remember when first we met
I whispered a poem in her ear.
Ever since then how happy I've been
And other women I've no need to be near.

They say that poets are divine
Though my wife would argue, that’s not true!
For, whenever I lose my direction
It’s she who tells me what to do.

Where the city ends and the suburbs begin
We've built our home beneath the sky.
We’ll raise our babies with truth and love
Till one or both of us die.

A verse a day, I always say
Helps keep lawyers from my door
For when I'm paid for what I write
My wife loves me a little more.


ALL POETS SERVE A MASTER


Most poets have a bit of Solomon
Shakespeare and Poe within.
Constantly eager to share their visions
Of love, life, joy and sin.

Some guzzle whiskey
Some sip wine
Some prefer cola
And feel just fine.

Some smoke pot
Or suck cigarettes
Some abuse drugs
With lifetime regrets.

Some attend church
And sing of God
While others make fun
And call them odd.

All have a purpose
Which drives them to compose.
All serve a master
Who by free will, they chose.


DIVINE INTERVENTION


I never write a poem
That doesn’t write itself.
I catch a buzz and come alive
Like a puppet off it’s shelf.

Hearing many voices
Whose words are never mine.
My pen becomes a painter’s brush
Forming visions on a line.

I seem to be a better person
When it’s time to sit down and write.
A higher power guides my hand
Sharing wisdom by day and night.

People born to create
Have no choice but to perform.
It’s the rush of sharing their gift
That elevates them from the norm.

What would our world become
Without intervention from above?
Angry beings in a revolving cage
With no sense of passion or love.


THE POWER of POETRY


Poetry is the lighthouse of life
Guiding the lost from a stormy sea.
Without it’s presence darkness prevails
Keeping us from all we can be.

Poems are used to convey passion
By poets of both good and evil mood.
Some are hateful others loving
Sharing thoughts to be consumed as food.

Verse can lead us to glory or doom
As we partake with others within.
Depicting our past, present and future
With words of man’s grace or sin.

People write poetry because they have no choice
Answering to the call of their gift.
Where some tend to pull their readers down
Others compose to give them a lift.

Always remember the power of poetry
Is used by both heaven and hell.
It’s up to us to choose our pleasure
As poetry remains alive and well.


WHISPERS


Poetry consumed is where wisdom begins
As we heed to the whispers of the heart.
It’s easy to blame others for our dismay
When from ignorance we refuse to part.

Verse is a beacon of hope in the darkness
To help us navigate the pitfalls of life.
Far more tend to write it, than read it
That’s why there’s endless conflict and strife.

I write poems to help fuel the light
By sharing what God has given me.
With stories of love, life, war and more
Where heroes pray on bended knee.


MASTERS of VERSE


Poetry is one of man’s oldest arts
Practiced long before words of print.
Every race had its masters of verse
In caves, huts, cabins or tent.

Stories in verse were handed down
From one generation to another.
The first told of love, war and more
And how to survive each other.

As man became more civilized
He could not help but wonder within.
Verse then took on a deeper meaning
With stories of faith, superstition and sin.

The act of reciting became in demand
As verse began to advance
Every tribe, city, town and village
Had someone who gave words romance.

Today’s poets are on the World Wide Web
Though many seem spiritually ill.
Thank Heaven for all who still have God’s gift
To compose, teach, comfort and fulfill.


MY FAVORITE POET


My favorite poet is “God”
Who gives Earth its rhythm and rhyme.
Not pied pipers of misguided souls
Who promote distrust, hatred and crime.

Poetry is nature serenading in song
The peaceful roar of the oceans waves.
The wind through the trees and over the hills
And the flowers in the fields by the graves.

The sound of rain as it waters the thirsty
The songs of children at play in the park.
The far off rumble of trains or thunder
As they pass through the night in the dark.

The joy of our babies first words and steps
The passion of life with its heroes and clowns.
The on going struggle to survive our sins
As we proliferate in hamlets and towns.

My favorite poet is our Father of above
Who was first to know us before birth.
His poetry prolongs every thing we love
As His deliverance gives life its worth.


THE POWER of WORDS


Words are the most powerful tools used by man
As hearts and souls reach for one another.
Sharing feelings of fear, wisdom and joy
Or our love for a significant other.

Where would we be without words
Which inspire, unite and motivate.
Songs, poems, stories, blogs, books
Wars, religion, love, lust and hate.

Jesus preached words to the multitudes
And nourish their hunger within.
The stories we tell portray our spirit
As examples of weakness, triumph or sin.

When we fail to control the rage of our thoughts
What is easy to say becomes hard to forgive.
Words are visions which portray our intent
The better we communicate, the better we live.


AMERICAN SOLDIER


It’s not a priest that gives us our freedom of religion
And it’s not a reporter that gives us our freedom of voice.
It’s not any judge, lawyer, politician, or teacher
But the blood of a soldier that has sacrificed by choice.

Our soldiers line up to be remembered
As the best of the best at their job.
They wish to be needed and depended on
To save all we love from the mob.

They risk their life and limb for liberty
Standing firm against evil unwilling to break.
To be part of something greater than themselves
They are willing to sacrifice whatever it will take.


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By Tom Zart
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