All the English speakers, or almost all, have difficulties with the gender of words.
quote by Bernard Pivot
Added by Lucian Velea
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The White Cliffs
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
[...] Read more
poem by Alice Duer Miller
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Blow Your Speakers Out
So hop in your ride
Roll your windows down
cause tonight's your night
get lost in the sound
gotta crank the music loud
baby blow your speakers out (Your speakers out)
Under the stolen lights
feel the rhythm, the rhythm
and it will get you right
sweat it all out of your system
you gotta free your mind
let yourself unwind
cause it's your night night night
so get it right right right come on
can you feel it inside
it likes to go for a ride
i know you need it
i can see it in your eyes
So hop in your ride
Roll your windows down
cause tonight's your night
get lost in the sound
gotta crank the music loud
baby blow your speakers out (Your speakers out)
So hop in your ride
Roll your windows down
cause tonight's your night
get lost in the sound
gotta crank the music loud
baby blow your speakers out (Your speakers out)
I know you feel the heat
i see you feeling the fire
don't worry bout a thing
fulfill your every desire
the Dj's playing this song
so now you can't go wrong
cause it's your night night night
so do it right right right come on
Can you feel it inside
He likes to go for a ride
i know you need it
i can see it in your eyes
So hop in your ride
Roll your windows down
[...] Read more
poem by Jojo Jonna
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
[...] Read more
poem by John Dryden
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Pardon My English
Please pardon my English
sorry I did not understand?
It is not your English
which is not at fault.
These native speakers
are speaking in idioms.
Idioms are fixed expressions
with nonliteral meanings.
A natural way of using language.
A natural way for native speakers to speak.
Your problem arises
because a fixed
distinctive expression
whose meaning
cannot be deduced
from the combined
meanings of its
actual spoken words
is not directly translatable.
Jargon and accents
betray speakers
places of origins
social background
and educational
class privileges
intonation inflection
betray mood character.
Note a
greater stress
emphasis
in pronouncing
a syllable
within a word
or a word
within a phrase.
An aspect
of situation
or issue
that is
emphasized
reveals
each speakers
main emphasis.
[...] Read more
poem by Terence George Craddock
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Katie
It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought,
Along with English creeds and thought --
Entangled in her golden hair --
Some English sunshine, warmth, and air!
I cannot tell -- but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!
I meet her on the dusty street,
And daisies spring about her feet;
Or, touched to life beneath her tread,
An English cowslip lifts its head;
And, as to do her grace, rise up
The primrose and the buttercup!
I roam with her through fields of cane,
And seem to stroll an English lane,
Which, white with blossoms of the May,
Spreads its green carpet in her way!
As fancy wills, the path beneath
Is golden gorse, or purple heath:
And now we hear in woodlands dim
Their unarticulated hymn,
Now walk through rippling waves of wheat,
Now sink in mats of clover sweet,
Or see before us from the lawn
The lark go up to greet the dawn!
All birds that love the English sky
Throng round my path when she is by:
The blackbird from a neighboring thorn
With music brims the cup of morn,
And in a thick, melodious rain
The mavis pours her mellow strain!
But only when my Katie's voice
Makes all the listening woods rejoice
I hear -- with cheeks that flush and pale --
The passion of the nightingale!
Anon the pictures round her change,
And through an ancient town we range,
Whereto the shadowy memory clings
Of one of England's Saxon kings,
And which to shrine his fading fame
Still keeps his ashes and his name.
[...] Read more
poem by Henry Timrod
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Reminders
Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As word
s confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.
song performed by Feeder
Added by Lucian Velea
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The Motown Song
(larry john mcnally)
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
Lets dance together just for the night
Lets dont worry about the future or nothin else
cause just like the musics sayin you gotta take chances
Go ahead just do it and trust yourself
Theres a soul in the city
Watching over us tonight
Theres a soul in the city
Saying everythings gonna be all right
So bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
They wish us luck
But they think were just dreaming
Lets prove them wrong baby
cause you know what luck is
Luck is believing youre lucky
Thats all and showing just a little bit of faith
Theres a soul in the city
Watching over us I swear
Theres a soul in the city
Theres a whole world waiting out there
Listen
I got plans for us
Playing like a skip on a record
Through my head all night long
But when we walk that darkened stairway
And step out on the roof
I know what were feeling cant be wrong
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
Bring over some of your old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
let the temptations sing it one time
Bring over some of you old motown records
Well put the speakers in the window and well go
On the roof and listen to the miracles
Echo to the alley down below
song performed by Rod Stewart
Added by Lucian Velea
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Can't Stand It (Live On Letterman)
The way things go
You get so low
Struggle to find your skin
Hey ho
Look out below
Your prayers will never be answered again
Phones still ring
And singers sing
Speakers are speaking in code
What now
Well anyhow
Our prayers will never be answered again
You know it's all beginning
(It's all beginning)
To feel like It's ending
(Feels like It's ending)
No loves as random
As God's love
I can't stand it
I can't stand it
The way things get
You get so high
Funny how we make new friends
Oh hey ho
I gotta go
My prayers will never be answered again
You know It's all beginning
(it's all beginning)
To feel like It's ending
(Feels like It's ending)
No loves as random
As God's love
I can't stand it
I can't stand it
Speakers speaking
Speakers speaking
Speaking in code
Speakers speaking
Speakers speaking
Speaking in code
You know It's all beginning
(it's all beginning)
To feel like pretending
(To feel like pretending)
No loves as random
As my love
I can't stand it
I can't stand it
Your prayers will never be answered again
Your prayers will never be answered again
[...] Read more
song performed by Wilco
Added by Lucian Velea
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New-Englands Crisis
IN seventy five the Critick of our years
Commenc'd our war with Phillip and his peers.
Whither the sun in Leo had inspir'd
A feav'rish heat, and Pagan spirits fir'd?
Whither some Romish Agent hatcht the plot?
Or whither they themselves? appeareth not.
Whither our infant thrivings did invite?
Or whither to our lands pretended right?
Is hard to say; but Indian spirits need
No grounds but lust to make a Christian bleed.
And here methinks I see this greazy Lout
With all his pagan slaves coil'd round about,
Assuming all the majesty his throne
Of rotten stump, or of the rugged stone
Could yield; casting some bacon-rine-like looks,
Enough to fright a Student from his books,
Thus treat his peers, and next to them his Commons,
Kennel'd together all without a summons.
"My friends, our Fathers were not half so wise
As we our selves who see with younger eyes.
They sel our land to english man who teach
Our nation all so fast to pray and preach:
Of all our countrey they enjoy the best,
And quickly they intend to have the rest.
This no wunnegin, so big matchit law,
Which our old fathers fathers never saw.
These english make and we must keep them too,
Which is too hard for them or us to doe,
We drink we so big whipt, but english they
Go sneep, no more, or else a little pay.
Me meddle Squaw me hang'd, our fathers kept
What Squaws they would whither they wakt or slept.
Now if you'le fight Ile get you english coats,
And wine to drink out of their Captains throats.
The richest merchants houses shall be ours,
Wee'l ly no more on matts or dwell in bowers
Wee'l have their silken wives take they our Squaws,
They shall be whipt by virtue of our laws.
If ere we strike tis now before they swell
To greater swarmes then we know how to quell.
This my resolve, let neighbouring Sachems know,
And every one that hath club, gun or bow."
This was assented to, and for a close
He strokt his smutty beard and curst his foes.
This counsel lightning like their tribes invade,
And something like a muster's quickly made,
A ragged regiment, a naked swarm,
Whome hopes of booty doth with courage arm,
[...] Read more
poem by Benjamin Tompson
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English Dream
I once had a dream
A feeling inside
A yearning so bad you have to shout it out
Hey kid look at me
You can make it real
You can get it if you want
When I first started out
They shut all the doors
But I laughed at all the doors
And I kicked them down
Heres my energy for you
Step into the light while you still feel young
I look in your eyes
And I reach for your hands
Well Ill do anything
To make you understand
That Im still the seeker
For your english dream
Dont you give up trying
And dont you let me down
The english dream - dont let me down
The english dream - dont let me down
The english dream - dont let me down
The english dream - dont let me down
I look in your eyes
And I reach for your hands
Well Ill do anything
To help you understand
That Im still the seeker
For your english dream
Dont you
Dont you give up trying
And dont you let me down
The english dream - dont let me down
The english dream - dont let me down
The english dream - dont let me down
The english dream - dont let me down
song performed by Billy Idol
Added by Lucian Velea
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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A Song Of Trafalgar
LIKE an angry sun, like a splendid star,
War gleams down the long years' track;
They strain at the leash, the dogs of war,
And who shall hold them back?
'Let loose the pack: we are English bred,
We will meet them full and fair
With the flag of England over our head,
And his hand to keep it there!'
So spake our fathers. Our flag, unfurled,
Blew brave to the north and south;
An iron answer we gave the world,
For we spoke by the cannon's mouth.
But he who taught us the word to say
Grew dumb as his Victory sang,
And England mourned on her triumph day,
And wept while her joy-bells rang.
Long hour by hour, and long day by day,
The swift years crept apace,
The patient, the coral-insect way,
To cover the dear dead face.
O foolish rabble of envious years,
Who wist not the dead must rise,
His name is music still in our ears,
His face a light to our eyes!
Bring hither your laurels, the fading sign
Of a deathless love and pride;
These cling more close than the laurels twine,
They are strong as the world is wide:
At the feet of Virtue in Valour clad
Shall glory and love be laid,
While Glory sings to an English lad,
Or Love to an English maid.
Wherever the gleams of an English fire
On an English roof-tree shine,
Wherever the fire of a youth's desire
Is laid upon Honour's shrine,
Wherever brave deeds are treasured and told,
In the tale of the deeds of yore
Like jewels of price in a chain of gold
Are the name and the fame he bore.
[...] Read more
poem by Edith Nesbit
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The Flowers
To our private taste, there is always something a little exotic,
almost artificial, in songs which, under an English aspect and dress,
are yet so manifestly the product of other skies. They affect us
like translations; the very fauna and flora are alien, remote;
the dog's-tooth violet is but an ill substitute for the rathe primrose,
nor can we ever believe that the wood-robin sings as sweetly in April
as the English thrush. -- THE ATHEN]AEUM.
Buy my English posies!
Kent and Surrey may --
Violets of the Undercliff
Wet with Channel spray;
Cowslips from a Devon combe --
Midland furze afire --
Buy my English posies
And I'll sell your heart's desire!
Buy my English posies!
You that scorn the May,
Won't you greet a friend from home
Half the world away?
Green against the draggled drift,
Faint and frail and first --
Buy my Northern blood-root
And I'll know where you were nursed:
Robin down the logging-road whistles, "Come to me!"
Spring has found the maple-grove, the sap is running free;
All the winds of Canada call the ploughing-rain.
Take the flower and turn the hour, and kiss your love again!
Buy my English posies!
Here's to match your need --
Buy a tuft of royal heath,
Buy a bunch of weed
White as sand of Muysenberg
Spun before the gale --
Buy my heath and lilies
And I'll tell you whence you hail!
Under hot Constantia broad the vineyards lie --
Throned and thorned the aching berg props the speckless sky --
Slow below the Wynberg firs trails the tilted wain --
Take the flower and turn the hour, and kiss your love again!
Buy my English posies!
You that will not turn --
Buy my hot-wood clematis,
Buy a frond o' fern
Gathered where the Erskine leaps
[...] Read more
poem by Rudyard Kipling
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Six Words Long
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
Couldn't think of any lyrics
No i never wrote the lyrics
So i'll just sing any old lyrics
That come to mind, child
You really need words
Whole lotta rhyming words
You gotta rhyme so many words, mm-mm
To do it, to do it, to do it, to do it
To do it, to do it right, child
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
I know that you're probably sore
'cause i didn't write any more
I just didn't get to complete it
So that's why i gotta repeat it
This song is just six words long (six words long)
This song is just six words long (six words long)
Oh i make a lotta money
They pay me a ton of money
They're payin' me plenty of money
To sing this song, child
I gotta fill time
Three minutes worth of time
Oh, how will i fill so much time, mm-mm
I'll throw in a solo, a solo, a solo
A solo, a solo here
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
This song's got nothin' to say
But i'm recording it anyway
I know if i put my mind to it
I know i could find a good rhyme here
Oh, you gotta have-a music
You need really catchy music
This song has got plenty of music
But just six words, child
And so i'll sing' em over
And over and over and over
And over and over and over, mm-mm
And over and over and over
And over and over and over again
Six words long, six words long
[...] Read more
song performed by Weird Al Yankovic
Added by Lucian Velea
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Canto the Fifth
I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.
II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.
III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.
IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.
V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.
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poem by Byron from Don Juan (1824)
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Don Juan: Canto The Fifth
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.
I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.
'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning
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English Sunset
I want to ride the range
Across those skies of black
I want to see for myself
And see me coming back
And when Ive gone the distance
Ill be making tracks
For an english sunset.
Were on a runaway train
Rolling down the track
And where its taking us to
Who knows where its at
But if we hold together
We can make it back
For an english sunset
We want an english sunset.
I feel the rhythm of the earth
In my soul tonight
May it never fade away
And Ive decided I can live
With humility
And the sad decay
cos thats the english way.
We keep the faith alive
In everything we do
And at the end of the road
We still keep coming through
And though its sad and sorry
What else can we do
Its an english sunset
An english sunset.
I feel the rhythm of the earth
In my soul tonight
May it never fade away
And Ive decided they can wait
For the requiem
We take it day by day
cos thats the english way
I saw the english sunset.
song performed by Moody Blues
Added by Lucian Velea
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Who Wonders About Spellings?
who wonders about spellings?
judgement made and judgment passed
a word application flags judgement
as an incorrect spelling
but a rolling stone gathers no moss
search the word online
a kiwi familiar with both
British and American spellings
instantly searches in mind
both judgement and judgment
occur with seemingly equal frequency
one English the other American?
Dictionary English
Dictionary American
Program setting in computer?
What a bother!
If both are OK
on differing sides of pond?
Yes Yes you guess
you could...
updat your dictionary?
by adding
the 'judgement'
spelling
but doing
so might
lend
it will it will
assistance...
to spelling
inconsistencies
a certain probability
yes yes a 'judgment call'
your wondering
why the two spellings?
now your saying
you would have to say
British spelling is judgement
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poem by Terence George Craddock
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The Battle of Flodden Field
'Twas on the 9th of September, a very beautiful day,
That a numerous English army came in grand array,
And pitched their tents on Flodden field so green
In the year of our Lord fifteen hundred and thirteen.
And on the ridge of Braxton hill the Scottish army lay,
All beautifully arrayed, and eager for the fray,
And near by stood their noble king on that eventful day,
With a sad and heavy heart, but in it no dismay.
And around him were his nobles, both in church and state,
And they felt a little dispirited regarding the king's fate;
For the independence of bonnie Scotland was at stake,
And if they lost the battle, many a heart would break.
And as King James viewed the enemy he really wondered,
Because he saw by them he was greatly outnumbered,
And he knew that the struggle would be desperate to the last,
And for Scotland's weal or woe the die was cast.
The silence of the gathered armies was very still
Until some horsemen began to gallop about the brow of the hill,
Then from rank to rank the signal for attack quickly flew,
And each man in haste to his comrade closely drew.
Then the Scottish artillery opened with a fearful cannonade;
But the English army seemed to be not the least afraid,
And they quickly answered them by their cannon on the plain;
While innocent blood did flow, just like a flood of rain.
But the artillery practice very soon did cease,
Then foe met foe foot to foot, and the havoc did increase,
And, with a wild slogan cry, the Highlanders bounded down the hill,
And many of the English vanguard, with their claymores, they did kill.
Then, taken by surprise and the suddenness of the attack,
The vanguard of the English army instantly fell back,
But rallied again immediately-- to be beaten back once more,
Whilst beneath the Highlanders' claymores they fell by the score.
But a large body of horsemen came to the rescue,
And the wing of the Scottish army they soon did subdue;
Then swords and spears clashed on every side around,
While the still air was filled with a death-wailing sound.
Then King James thought he'd strike an effective blow-
So he ordered his bodyguard to the plain below,
And all the nobles that were in his train,
To engage the foe hand to hand on that bloody plain.
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poem by William Topaz McGonagall
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Canto the Sixteenth
I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.
II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.
III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."
IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.
V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."
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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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