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Once again, stock markets have been threatened with extinction for almost 75 years, and I have found that stock markets are harder to kill than roaches.

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Harder They Come

Nah nah nah nah nah nah nah nahnah
Nah nah nah nah nah
Nah nah nah nah nah nah nah nahnah
Nah nah nah nah nah
I dont need no-one whos gonna tie me down
I need you to let me be
Why is it, they always seem to come around?
I dont have time for me
Have some pride, lift your head high
Walk away while you can
Theres nothing I can do to save you now
So take it like a man
The harder they come, the harder they fall
You think Im yours but Im not at all
The harder they come, the harder they fall around me
The harder they come, the harder they fall
Your confident but youll lose it all
The harder they come, the harder they fall around me
Love my freedom, nothings gonna take it from me
Dont want it to end
I cant see why people always try and change me
Thats not my intent
Have some pride, lift your head high
Walk away while you can
Theres nothing I can do to save you now
So take it like a man
The harder they come, the harder they fall
You think Im yours but Im not at all
The harder they come, the harder they fall around me
The harder they come, the harder they fall
Your confident but youll lose it all
The harder they come, the harder they fall around me
Nah nah nah nah nah nah nah nahnah
Nah nah nah nah nah
Nah nah nah nah nah nah nah nahnah
Nah nah nah nah nah
Nah nah nah nah nah nah nah nahnah
Nah nah nah nah nah
Nah nah nah nah nah nah nah nahnah
Nah nah nah nah nah
The harder they come, the harder they fall
You think Im yours but Im not at all
The harder they come, the harder they fall around me
The harder they come, the harder they fall
Your confident but youll lose it all
The harder they come, the harder they fall around me
Nah nah nah nah nah nah nah nahnah
The harder they come, the harder they fall
You think Im yours but Im not at all
The harder they come, the harder they fall around me

[...] Read more

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The Harder They Come

Well they tell me about the pie up in the sky.
Waiting for me when I die.
But between the day your born and when you die.
They never seem to hear even your cry.
So as soon as the sun will shine.
Im gonna get my shine out whats mine.
And then the harder they come, the harder they fall.
One and all.
The harder they come, the harder they fall.
One and all.
Well the opus are trying to keep me down.
Trying to drag me under-ground.
And they think that they have got the battle won.
Oh! I say forgive them lord the do not what theyve done.
So as soon as the sun will shine.
Im gonna get my shine out whats mine.
And then the harder they come, the harder they fall.
One and all. (what I say, now what I say)
The harder they come, the harder they fall.
One and all.
(yeah!)
(yeah!)
Well Ill keep on fighting for the things I want. (for the things I want.)
Though I know that when you dead you gone.
But Id rather be a free man in my grave.
Then living as a puppet or a slave.
So as soon as the sun will shine.
Im gonna get my shine out whats mine.
And then the harder they come, the harder they fall.
One and all. (its true)
Oh! the harder they come, the harder they fall.
One and all.
Oh! the harder they come, the harder they fall.
One and all. (what I say, now what I say)
The harder they come, the harder they fall.
One and all.
[instrumental]
The harder they come, the harder they fall.
One and all.
Oh! the harder they come, the harder they fall.
One and all. (yes.)
The harder they come, the harder they fall.
One and all. (what I say.)
The harder they come, the harder they fall.
One and all.
Oh! the harder they come, the harder they fall.
One and all. (what I say.)
The harder they come, the harder they fall.
One and all.

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

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The Harder They Come

Well they tell me of a pie up in the sky
Waiting for me when I die
But between the day youre born and when you die
They never seem to hear even your cry
So as sure as the sun will shine
Im gonna get my share now of whats mine
And then the harder they come the harder theyll fall,
One and all
Ooh the harder they come the harder theyll fall,
One and all
Well the oppressors are trying to keep me down
Trying to drive me underground
And they think that they have got the battle won
I say forgive them lord, they know not what theyve done
cause as sure as the sun will shine
Im gonna get my share now of whats mine
And then the harder they come the harder theyll fall,
One and all
Ooh the harder they come the harder theyll fall,
One and all
And I keep on fighting for the things I want
Though I know that when youre dead you cant
But Id rather be a free man in my grave
Than living as a puppet or a slave
So as sure as the sun will shine
Im gonna get my share now of whats mine
And then the harder they come the harder theyll fall,
One and all
Ooh the harder they come the harder theyll fall,
One and all

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The Harder They Come

Well they tell me of a pie up in the sky
Waiting for me when I die
But between the day you're born and when you die
They never seem to hear even your cry
So as sure as the sun will shine
I'm gonna get my share now of what's mine
And then the harder they come the harder they'll fall,
One and all
One and all Well the oppressors are trying to keep me down
Trying to drive me underground
And they think that they have got the battle won
I say forgive them Lord, they know not what they've done 'Cause as sure
as the sun will shine
I'm gonna get my share now of what's mine
And then the harder they come the harder they'll fall,
One and all
Ooh the harder they come the harder they'll fall,
One and all And I keep on fighting for the things I want
Though I know that when you're dead you can't
...But I'd rather be a free man in my grave
Than living as a puppet or a slave So as sure as the sun will shine
I'm gonna get my share now of what's mine
And then the harder they come the harder they'll fall,
One and all
Ooh the harder they come the harder they'll fall,
One and all

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Kill Your Sons

All your two-bit psychiatrists
Are giving you electroshock
They said, theyd let you live at home with mom and dad
Instead of mental hospitals
But every time you tried to read a book
You couldnt get to page 17
cause you forgot where you were
So you couldnt even read
Dont you know theyre gonna kill your sons
Dont you know gonna kill, kill your sons
Theyre gonna kill, kill your sons
Until they run, run, run, run, run, run, run, run away
Mom informed me on the phone
She didnt know what to do about dad
Took an axe and broke the table
Arent you glad youre married
And sister, she got married on the island
And her husband takes the train
Hes big and hes fat
And he doesnt even have a brain
Theyre gonna kill your sons
Dont you know theyre gonna kill, kill your sons
Dont you know theyre gonna kill, kill your sons
Until they run away
Creedmore treated me very good
But paine whitney was even better
And when I flipped out on phc
I was so sad, I didnt even get a letter
All of the drugs, that we took
It really was lots of fun
But when they shoot you up with thorizene on crystal smoke
You choke like a son of a gun
Dont you know theyre gonna kill your sons
Dont you know theyre gonna kill, kill your sons
Dont you know theyre gonna kill, kill your sons
Until they run, run, run, run, run, run, run away

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Ill Always Be With You

I just went to the corner
To get some bread and butter,
Dad called, hed got your letter,
This is his new number.
Chickens on the burner
But wait for me if you can,
Ill be back soon, honey,
Big kiss from mommy.
(chorus)
Kill, kill, kill, kill, kill,
Kill, kill, kill, kill, kill,
Kill, kill, kill, kill, kill.
Please, I have a son!
(chorus)
Kiss, kiss, kiss, kiss,
Kiss, kiss, kiss, kiss.
Sorry, I was so late,
Did you call your dad?
I hope he was nice to you,
I dont wanna see you sad.
I see you ate your chicken,
And saved me a plate,
I dont know how to tell you, I dont know how to tell,
But I love you, baby, rememember, Ill always be with you
Ill always be with you.
I love you, mommy, I love you with all my heart,
Please, always be with me.
(chorus)
Miss, miss, miss, miss,
Miss, miss, miss, miss.
Mommy! mommy!
Why do I love you so if youre just a spec of dust,
Floating endlessly amongst the trillion stars?
Knowing that one day we may float apart,
Meeting each other in universe.

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Make It Rain

I been waiting,
You been waiting
We been waitin,
But the rain dont come,
Rain wont come
Rain wont come
You been waiting
I been waiting,
An we been waitin so long
But the rain wont come,
Rain wont come
The rain wont come
Hey, make it rain
Heeeeeaay, make it rain
Pump, pump, a little harder
Pump, pump, a little harder
Say yeah
Say yeah
Say yeah
Say yeah
Heeeeeaay, hey yeah make it rain
Heeeeeaay, make it rain
Pump, pump, a little harder
Pump, pump, a little harder
?
Pump, pump, a little harder
Pump, pump, a little harder
Pump, pump, a little harder
Pump, pump, a little harder
Say yeah
Say yeah
Rain, oh wont you, make it rain
Oooooh wont you rain
Rain, make it rain
Pump, pump, a little harder
I been waiting,
You been waiting
....

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Harder To Breathe

How dare you say that my behavior is unacceptable
So condescending unnecessarily critical
I have the tendency of getting very physical
So watch your step cause if I do youll need a miracle
You drain me dry and make me wonder why Im even here
This double vision I was seeing is finally clear
You want to stay but you know very well I want you gone
Not fit to funkin tread the ground Im walking on
When it gets cold outside and you got nobody to love
Youll understand what I mean when I say
Theres no way were gonna give up
And like a little girl cries in the face of a monster that lives in her dreams
Is there anyone out there cause its getting harder and harder to breathe
Is there anyone out there cause its getting harder and harder to breathe
What you are doing is screwing things up inside my head
You should know better you never listened to a word I said
Clutching your pillow and writhing in a naked sweat
Hoping somebody someday will do you like I did
When it gets cold outside and you got nobody to love
Youll understand what I mean when I say
Theres no way were gonna give up
And like a little girl cries in the face of a monster that lives in her dreams
Is there anyone out there cause its getting harder and harder to breathe
Is there anyone out there cause its getting harder and harder to breathe
Does it kill
Does it burn
Is it painful to learn
That its me that has all the control
Does it thrill
Does it sting
When you feel what I bring
And you wish that you had me to hold

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Saltbush Bill on the Patriarchs

Come all you little rouseabouts and climb upon my knee;
To-day, you see, is Christmas Day, and so it’s up to me
To give you some instruction like—a kind of Christmas tale—
So name your yarn, and off she goes. What, “Jonah and the Whale”?
Well, whales is sheep I’ve never shore; I’ve never been to sea,
So all them great Leviathans is mysteries to me;
But there’s a tale the Bible tells I fully understand,
About the time the Patriarchs were settling on the land.

Those Patriarchs of olden time, when all is said and done,
They lived the same as far-out men on many a Queensland run—
A lot of roving, droving men who drifted to and fro,
The same we did out Queensland way a score of years ago.

Now Isaac was a squatter man, and Jacob was his son,
And when the boy grew up, you see, he wearied of the run.
You know the way that boys grow up—there’s some that stick at home;
But any boy that’s worth his salt will roll his swag and roam.

So Jacob caught the roving fit and took the drovers’ track
To where his uncle had a run, beyond the outer back;
You see they made for out-back runs for room to stretch and grow,
The same we did out Queensland way a score of years ago.

Now, Jacob knew the ways of stockthat’s most uncommon clear—
For when he got to Laban’s Run, they made him overseer;
He didn’t ask a pound a week, but bargained for his pay
To take the roan and strawberry calves—the same we’d take to-day.

The duns and blacks and “Goulburn roans” (that’s brindles), coarse and hard,
He branded them with Laban’s brand, in Old Man Laban’s yard;
So, when he’d done the station work for close on seven year,
Why, all the choicest stock belonged to Laban’s overseer.

It’s often so with overseers—I’ve seen the same thing done
By many a Queensland overseer on many a Queensland run.
But when the mustering time came on old Laban acted straight,
And gave him country of his own outside the boundary gate.

He gave him stock, and offered him his daughter’s hand in troth;
And Jacob first he married one, and then he married both;
You see, they weren’t particular about a wife or so—
No more were we up Queensland way a score of years ago.

But when the stock were strong and fat with grass and lots of rain,
Then Jacob felt the call to take the homeward road again.
It’s strange in every creed and clime, no matter where you roam,
There comes a day when every man would like to make for home.

So off he set with sheep and goats, a mighty moving band,

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems


March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush


SONS AND DAUGHTERS OF WORLD WAR III


Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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Hail Venerated King Of Sushi In Death Throes

writing had been clearly maritime written
highlighted upon oceans walls for decades
greed claimed oceans could not be emptied
stupidity said inexhaustible were vast seas

but decades of data affirmed emptying seas
an example was tuna and tuna-like species
was denied by supposed expert statements

“serious over-fishing has been largely avoided
for various reasons, (such as) including the high
productivity of tuna species and possibly, (what)
decreases in fish prices to uneconomical (prices)

as markets become (unbelievable) saturated”
a world ever expanding ever hungry population
and de expert believes markets are saturated?

but a temporary blip in saga sea fish markets
world trends fish eating clearly demonstrated
affirmed documented globally increased sales
1950s to 2000 fleets raped increased catches

catches of southern bluefin steeply increased
from only 14 000t in 1952 to 53 000t in 1961
between 40 000t and 55 000t until date 1974
warns unsustainable fluctuated without trend

from 47 000t in 1980 to only 12 000t in 1991
observe catches fast steeply steadily decreased
needle next between 11 000t to 17 600t flickers
15 000t in 2002 about to risk nose dive reported

as venerable blue fin tuna warning extinction goes
so all fish predators fishing down species goes
catch fish before bred in unsustainable numbers
are excellent fish stocks disaster extinction recipes


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