Whoever becomes the head of the National Theater finds himself in a position like that of Nelson's Column - pigeons dump on you because you're there.
quote by Peter Hall
Added by Lucian Velea
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Related quotes
Hold Your Position (Stones)
Now here comes the great musical thing called "hold your position"
Rasta, them style ya a just levelment Uncle seen
Hold me position, Just a hold me position
I ya, hold me position, just a hold me position
Go on, hold me position, just a hold me position
Just like Jesus Christ in the valley of decision
Devil come along and tru to deceive man through him
Got him plan from the older one
Him had to hold him position, had to hold him position yeh
Hold him position, had to hold him position
Well rhythm like this makes me and me daughter
Go down at the dance, bubble on the corner
When the rhythm is sweet, we a go hold tighter
Rub-adub like this makes you go one
So you hold your position
Say you hold you position aya
Hold your position, say hold your position
Things and time was a getting slow let off the rhythm
Let the good time roll
Don't bother go a slow and stay a back row
I man come to make the rhythm
Just a rock and flow, because me hold me position
Just a hold me position
Special request to 39 Acker Tree, Frontline, everyman on Kime
UB40 say come and rhyme
Yes, Daddy Stone, me in the dance hall style
So we really come to make it versatile
Because one of a kind we come to blow your mind
So you should hold you position
Yes, hold your position, aya
Hold your position, hold your position
Hold Your Position (cont'd) Stones
Skank steady, Skank Steady
I tell you rock the rhythm
You should skank down steady
You know you say, it heavier than lead
Kinda tougher than tough
You know that Jah, Jah covers
Since he stands over us
So hold your position
Hold your position
Move to the east, and you could a move to the west
Lyrics like this Jab know never go jest
Say chunk ice water say right to your chest
Intercity, outer city everywhere the best you better
Hold you position, just hold your position
Hold you position, say hold your position
Well rhythm like this is really so hot
Let off the vilse because a legal shot
Because we hold our position
[...] Read more
song performed by Ub40
Added by Lucian Velea
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The Motor Car
The motor car is sullen, like a thing that should not be;
The motor car is master of Smart Society.
’Twas born of sweated genius and collared by a clown;
’Twas planned by Retribution to ride its riders down.
And straight for Caesar’s Column,
It runs to Caesar’s Column,
Last section, Caesar’s Column
To ride its riders down!
The motor car is shame-struck, for greed and misery,
For mad and hopeless self-lust, and the sins that need not be.
The motor car is vicious, for its conscience makes it so,
It aye would smash the victims while it runs the riders low.
And straight for Caesar’s Column,
Its goal is Caesar’s Column,
It longs for Caesar’s Column
To lay its riders low.
The motor car is maddened like a horse that’s had a fright,
The shameful day behind it and the Coming of the Night!
It flees across the country and it flees back to the town
And straight for Caesar’s Column to run its riders down.
And straight for Caesar’s Column,
What ho! for Caesar’s Column!
Hurrah! for Caesar’s Column!
To seal its riders down.
The motor car is reckless like a gambler losing fast;
The motor car’s in terror of the Future—and the Past;
The motor car is worn out and has passed Sin’s boundary by,
And is bound for Caesar’s Column where to pile its riders high.
It’s bound for Caesar’s Column
And marked for Caesar’s Column,
And doomed for Caesar’s Column
To pile its riders high.
The motor car is brainless, and scornful of all tears,
Its dust is in our faces, its giggle in our ears,
Its harsh laugh is the last laugh of the last lost soul alone,
’Tis nearing Caesar’s Column to set self-damned in stone.
Change here for Caesar’s Column!
All out for Caesar’s Column!
Past Hope—and Caesar’s Column
To lodge self-damned in stone.
I don’t know how ’twill happen, or when ’twill come to pass,
But folk shall yet pass sanely by river, tree and grass;
By homesteads and farm wagons, they’ll ride each pleasant mile,
And back from Caesar’s Column where the world went mad awhile.
And back from Caesar’s Column
[...] Read more
poem by Henry Lawson
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The Battle of the Nile
'Twas on the 18th of August in the year of 1798,
That Nelson saw with inexpressible delight
The City of Alexandria crowded with the ships of France,
So he ordered all sail to be set, and immediately advance.
And upon the deck, in deep anxiety he stood,
And from anxiety of mind he took but little food;
But now he ordered dinner and prepared without delay,
Saying, I shall gain a peerage to-morrow, or Westminster Abbey.
The French had found it impossible to enter the port of Alexandria,
Therefore they were compelled to withdraw;
Yet their hearts were burning with anxiety the war to begin,
But they couldn't find a pilot who would convey them safely in.
Therefore Admiral Brueyes was forced to anchor in Aboukir Bay,
And in a compact line of battle, the leading vessel lay
Close to a shoal, along a line of very deep water,
There they lay, all eager to begin the murderous slaughter.
The French force consisted of thirteen ships of the line,
As fine as ever sailed on the salt sea brine;
Besides four Frigates carrying 1,196 guns in all,
Also 11,230 men as good as ever fired a cannon ball.
The number of the English ships were thirteen in all,
And carrying 1012 guns, including great and small;
And the number of men were 8,068,
All jolly British tars and eager for to fight.
As soon as Nelson perceived the position of the enemy,
His active mind soon formed a plan immediately;
As the plan he thought best, as far as he could see,
Was to anchor his ships on the quarter of each of the enemy.
And when he had explained hid mode of attack to his officers and men,
He said, form as convenient, and anchor at the stern;
The first gain the victory, and make the best use of it you can,
Therefore I hope every one here to-day, will do their duty to a man.
When Captain Berry perceived the boldness of the plan,
He said, my Lord, I'm sure the men will do their duty to a man;
And, my Lord, what will the world say, if we gain the victory?
Then Nelson replied, there's no if in the case, and that you'll see.
Then the British tars went to work without delay,
All hurrying to and fro, making ready for the fray;
And there wasn't a man among them, but was confident that day,
That they would make the French to fly from Aboukir Bay.
[...] Read more
poem by William Topaz McGonagall
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Admiral Nelson
When I was a child, in the Forest of Dean
We would play 'hunt deer', like a King or a Queen,
We would hide in the forest 'til the sun went down
Then hurry off in terror from old man Brown.
He lived in the forest in a house on a hill
And he wore torn shirts and a hat of brown twill,
He carried round a gun that he fired in the air
When he saw us picking berries in the trees up there.
He lived with his sister who was Emily Maude
Who had never even married, she was much too odd.
To impressionable children, a frightening pair -
He with his shotgun, she with her hair.
For her hair blew wild, neither brushed nor combed
And it flew all over like a witch, old crone,
But she loved little children, so our parents said,
And warned, 'stay away, 'cause she's soft in the head! '
On All Hallows Eve we were up in the oak
Like brave Robin Hood, I was dressed in a cloak,
An old green scarf that my mother threw out
That I thought was impressive as a camouflage coat.
There was Jock, Jim, Sandy, then Elaine and me
We were up in the branches, in the boughs of the tree
While down keeping watch was Ashley on the ground,
Getting tired and sleepy as the day wound down.
So it was, she never heard the old man come
But soon, there he was, and was carrying his gun,
And Ashley was caught by the collar of her coat
While the sounds of her screams just died in her throat.
He lined us all up and marched us up the hill
At the point of his gun, and against our will,
And he said, 'Aunt Emmy's set you up for a treat,
For it's All Hallow's Eve - so, all you can eat! '
He marched us to the house, in a cold, dark room
We could barely see each other in the dark, in the gloom
Then he sat us at a table with a stained veneer
And he called, 'Hey Emmy, all the guests are here! '
She slid into the room like a wraith from a mist
And we all jumped together for she scared us to bits,
But she said, 'Now, children, there is no need to fret,
Tonight we'll have a party with the best fun yet.'
[...] Read more
poem by David Lewis Paget
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The Hind And The Panther, A Poem In Three Parts : Part III.
Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,
[...] Read more
poem by John Dryden
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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Burning Ground
And I take you down to the burning ground
And you change me up and you turned it around
In the wind and rain Im gonna see you again
In the morning sun and when the day is done
And you take my hand and you walk with me
Sometimes it feels like eternity
And I turn the tide I get back my pride
And I make you proud wont you say it out loud
When I take you down to the burning ground
To the burning ground, to the burning ground
To the burning ground, to the burning ground
And I take you down by the factory
And I show you like it has to be
And you understand how the work is done
And I pick up the sack in the midday sun
And I pull you through by the skin of your teeth
And I lift the veil, I see whats underneath
And you return to me and you sit on your throne
And you make me feel that Im not alone
And I take you down to the burning ground
To the burning ground, to the burning ground
To the burning ground
Hey man, whats that youre carrying?
Feels like lead
It weighs a ton - lets see if we can dump it by the side of the hill
Hey wait up, why dont you dump it on the burning ground
Dump it down there
Yeh man, dump the jute
Hey man dump the jute on the burning ground
Dump the jute?
Yeh you know, dump the jute
Dump the jute!
On the burning ground
On the burning ground
And you make me think what its all about
Sometimes I know gonna work it out
And I watch you run in the crimson sun
Tear my shirt apart open up my heart
And I watch you run
Down on your bended knees
By the burnt out well
Can you tell me please
Between heaven and hell
Wont you take me down
To the burning ground, to the burning ground
To the burning ground, to the burning ground
And you fall and pray, when you hear that sound
As were walking back to the burial mound
And you shake your head and you turn it around
And you see the flames from the burning ground
[...] Read more
song performed by Van Morrison
Added by Lucian Velea
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Canto the Eighth
I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.
II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.
III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.
IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.
V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Dump The Dude
Hey girl, I wanna give you some friendly advice
Hes got you cryin, oh hes done it again
Hes made a date and he didnt show
You know hes done this to you so many times
When you gonna let him go
He doesnt treat you little a lover should
He could be so downright cruel
Cant understand why youre hangin with him
Girl, dont you be a fool
Go on and dump the dude
You know hes got a rotten attitude
He always leaves you in a cryin mood
Take my advice, dont you think twice
Listen to what Im telling you
Go on and dump the dude
You know that weve been friends for so many years
And Ive never ever seen you this way
So torn apart, how he gets to your heart
With all the little games that he plays
Just give him up, get him out of your life
Promise me that once and for all
Youre gonna tell him that its over and done
The very next time he calls, aint you now
Dump the dude
You know hes got a rotten attitude
He always leaves you in a cryin mood
Take my advice, find somebody nice
Listen to what Im telling you
Go on and dump the dude
Girl, I know you may think this is none of my business
But the fact that were friends I believe that makes it my business
I care about you but I aint preachin
I think you should dump the dude
I dont know why youd want to settle for less
When you could have so much more
You know that you deserve only the best
So what are you waiting for?
Go on and dump the dude
You know hes got a rotten attitude
He always leaves you in a cryin mood
Take my advice, dont you think twice
Find yourself somebody nice
Go on and dump the dude
song performed by Dolly Parton
Added by Lucian Velea
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From Four Saints in Three Acts
Pigeons on the grass alas.
Pigeons on the grass alas.
Short longer grass short longer longer shorter yellow grass. Pigeons
large pigeons on the shorter longer yellow grass alas pigeons on the
grass.
If they were not pigeons what were they.
If they were not pigeons on the grass alas what were they. He had
heard of a third and he asked about if it was a magpie in the sky.
If a magpie in the sky on the sky can not cry if the pigeon on the
grass alas can alas and to pass the pigeon on the grass alas and the
magpie in the sky on the sky and to try and to try alas on the
grass alas the pigeon on the grass the pigeon on the grass and alas.
They might be very well they might be very well very well they might
be.
Let Lucy Lily Lily Lucy Lucy let Lucy Lucy Lily Lily Lily Lily
Lily let Lily Lucy Lucy let Lily. Let Lucy Lily.
poem by Gertrude Stein
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Collision
Collision, my mission,
When the dawn breaks
With a handshake
Relaxed and feelin great
Screeching head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
All the days plans
All the shaken hands
Beepers and suntans
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Collision, my mission
Head on, head on, head on, head on
(sample of people talking)
When the dawn breaks
With a handshake
Relaxed and feelin great
Collision, my mission
Head on, head on, head on,
Head on, head on, head on,
Head on,
Head on,
Head on
song performed by Faith No More
Added by Lucian Velea
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National Front Disco (live)
David, the wind blows,
The wind blows
Bits of your life away.
Your friends all say,
"Where is our boy?
Ah, we've lost our boy".
But they should know,
Where you've gone,
Because again and again you've explained
That you're going to . . .
Oh, oh, oh, going to . . .
Yeah, yeah, yeah, yeah
"England for the English",
"England for the English".
David, the wind's blown,
The wind's blown
All of my dreams away.
And I still say,
"Where is our boy?
Ah, we've lost our boy".
But I should know
Why you've gone,
Because again and again you've explained
You're going to the National . . .
Ah, to the National . . .
There's a country,
You don't live there,
But one day you would like to.
And if you show them what you're made of,
Ah, then you might do.
But David, we wonder,
We wonder if the thunder
Is ever really gonna begin,
Begin, begin
Your mum says,
"I've lost my boy".
But she should know
Why you've gone,
Because again and again you've explained
You're going to the National,
To the National,
To the National Front disco,
Because you want the day to come sooner,
You want the day to come sooner,
You want the day to come sooner,
When you've settled the score.
Oh, the National,
Oh, the National,
Oh, the National,
Oh, the National,
[...] Read more
song performed by Morrissey
Added by Lucian Velea
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Notes On An Unadorned Night
after Rene Char
Let's agree that the night is a blank canvas, a station
break, a bridge of a song.
Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.
I have come to regard these two statements as
contradictory. Let me explain.
First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.
The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.
You could do nothing at night! Just lay and sleep!
A Cézanne sketch I looked at last night bears
mentioning.
A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.
The man's eyes are wide open and unfulfilled.
The two disemboweled deer I saw the night before also
bear mentioning.
The torsos of both deer were connected to faces, both
looking up.
I assumed they were struck by trains near the house
where I was sleeping.
Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.
I want to be among people. I do.
But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.
Those deer weren't an emblem of anything. I'm not like that.
I don't need dead animals to mirror my own interior world.
[...] Read more
poem by Daniel Nester
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When You Dump Dung
When you,
Dump dung.
Do it in a place to be used.
With someone else who'll accept,
What you do.
As if...
You've got something that nourishes.
I said,
...
Do it in a place to be used.
With someone else who'll accept,
What you do.
As if...
You've got something that nourishes.
When you dump dung,
With a stinging that stuns...
It only closes up eyes.
It doesn't open up a mind,
To empathize...
The reason or the why for the doing.
When you dump dung,
With a stinging that stuns...
It only closes up eyes.
It doesn't open up a mind,
To empathize...
The reason or the why for the doing.
When you,
Dump dung.
Do it in a place to be used.
With someone else who'll accept,
What you do.
As if...
You've got something that nourishes.
I said,
When you dump dung...
Do it in a place to be used.
With someone else who'll accept,
What you do.
As if...
You've got something that nourishes.
When a dummy does a dung dumped.
Nobody stays around but runs to hide.
To leave before the spreading of the stench comes.
[...] Read more
poem by Lawrence S. Pertillar
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Yinged and Yanged
If I never ever see you,
You'd be fine!
And I'd be too!
If you never see the 'me' I am,
I still will not deserve
To be kicked to the curb and slammed.
'Cause I believe I've yinged and yanged my needs.
Doing yoga to get over.
Making my life much more easier for me.
And I do it to get over the hump!
I do it to get over the hump.
Yes I do it to get over the hump.
Taking every lump and crushing it to dump!
I do it to get over the hump!
I do it to get over the hump.
Yes I do it to get over the hump.
Taking every lump and crushing it to dump!
If I never ever see you,
You'd be fine!
And I'd be too!
'Cause I believe I've yinged and yanged my needs.
Doing yoga to get over.
Making my life much more easier me.
And I do it to get over the hump!
I do it to get over the hump.
Yes I do it to get over the hump.
And taking every lump and crushing it to dump!
I do it to get over the hump!
I do it to get over the hump.
Yes I do it to get over the hump.
And taking every lump and crushing it to dump!
'Cause I do yoga.
And I ain't bi-polar.
I don't drink soda.
To stir my motor.
As I grow older,
I don't cry on shoulders.
I get right up!
And I strut my stuff,
With a strength that's tough.
[...] Read more
poem by Lawrence S. Pertillar
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Pigeons Cooing When They Do
Pigeons cooing when they do,
A cooing begun.
As they strut after flying...
Or sit and stare with a sitting done.
They seem to fly around in packs,
To peck and pick in shifts.
Until someone begins to eat,
A delicious 'anything' pigeons seek...
With probing beaks.
Then other pigeons dropp in flocks,
From places suspicious.
While peacocking around,
Scouting out for something dished.
Like some popcorn or peanuts.
Or crumbs from crackers and/or bread.
To feed in a cooing...
As if a drooling done is did.
They seem to fly around in packs,
To peck and pick in shifts.
Until someone begins to eat,
A delicious 'anything' pigeons seek...
With probing beaks.
Pigeons cooing when they do,
A cooing begun.
As they strut after flying...
Or sit and stare with a sitting done.
Then other pigeons dropp in flocks,
From places suspicious.
While peacocking around,
Scouting out for something dished.
poem by Lawrence S. Pertillar
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A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
[...] Read more
poem by James Russell Lowell
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The Man On The Dump
Day creeps down. The moon is creeping up.
The sun is a corbeil of flowers the moon Blanche
Places there, a bouquet. Ho-ho…The dump is full
Of images. Days pass like papers from a press.
The bouquets come here in the papers. So the sun,
And so the moon, both come, and the janitor's poems
Of every day, the wrapper on the can of pears,
The cat in the paper-bag, the corset, the box
From Esthonia: the tiger chest, for tea.
The freshness of night has been fresh a long time.
The freshness of morning, the blowing of day, one says
That it puffs as Cornelius Nepos reads, it puffs
More than, less than or it puffs like this or that.
The green smacks in the eye, the dew in the green
Smacks like fresh water in a can, like the sea
On a cocoanut—how many men have copied dew
For buttons, how many women have covered themselves
With dew, dew dresses, stones and chains of dew, heads
Of the floweriest flowers dewed with the dewiest dew.
One grows to hate these things except on the dump.
Now in the time of spring (azaleas, trilliums,
Myrtle, viburnums, daffodils, blue phlox) ,
Between that disgust and this, between the things
That are on the dump (azaleas and so on)
And those that will be (azaleas and so on) ,
One feels the purifying change. One rejects
The trash.
That's the moment when the moon creeps up
To the bubbling of bassoons. That's the time
One looks at the elephant-colorings of tires.
Everything is shed; and the moon comes up as the moon
(All its images are in the dump) and you see
As a man (not like an image of a man) ,
You see the moon rise in the empty sky.
One sits and beats an old tin can, lard pail.
One beats and beats for that which one believes.
That's what one wants to get near. Could it after all
Be merely oneself, as superior as the ear
To a crow's voice? Did the nightingale torture the ear,
Pack the heart and scratch the mind? And does the ear
Solace itself in peevish birds? Is it peace,
Is it a philosopher's honeymoon, one finds
On the dump? Is it to sit among mattresses of the dead,
Bottles, pots, shoes, and grass and murmur aptest eve:
Is it to hear the blatter of grackles and say
Invisible priest; is it to eject, to pull
[...] Read more
poem by Wallace Stevens
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