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I really see low-fare carriers, quality low-fare carriers anyway, continuing to become more and more popular.

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Popular Thug

You know what I am
You know what I do well at least I thought you knew
They call me Pusha
Damn
I take you like a slap in the face
Everytime the bass is mentioned like I had bad intentions
Listen, I thought love was given
So for you I did those things you were missing
Never have to say
Please gimme borrow
As long as I got yay
And two semi autos
And connects in the jets
Like wetback Carlos
I ain't askin' you to follow
Just think about tomorrow
Please
I should have known by the way that you stared
Eyeing Passes by like you're rich but life ain't fair
But you make my record skip
Make my record skip
Make my record skip
Make my record skip
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I can't help if I'm a thug and I'm popular
I think that come along with driving a shocking car
Watch the coke light up they life
The rocks with stars
Had fiends talking crippled
Cuz they locked they jaw
Aw Pusha T you think it's cool that you deal
Bout as cool as that breeze on the beach in Brazil
As long as fiends want pain
Then I'm gon' slang
When my financial change
Then I'm gon' change
I should have seen in the way you touched my hand
Shuffling your car keys
But sounded like a gentleman
But ya make my record skip
Make my record skip
Make my record skip
Make my record skip
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)

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Song: Popular Culture

Oh I'm sick to death of spin,
And this banal, self-serving sin,
That justifies usurpation like a king.
When shove will come to push,
Weilding power without blush,
This vigilante State is so right-wing!

Pop, pop, popular history,
Grows a crop of myth and mystery,
Where legends reap the cynical flattery,
That maintains the lie:
Of who we are,
What we've become,
In whose name,
Was violence done;
Of why we're here,
And how we came.
Who's excused,
And who's to blame.
Of where we're going,
And where we're from;
And what we're doing,
To right the wrongs...

Pop, pop, popular culture.
Does it diminish or exalt ya?
Pop, pop, popular culture.
Is it Art or just sheer torture?

Pop, pop, popular culture;
Soporific by it's nature,
From mediocre to bad.
Pop, pop, popular culture,
Confers on all a bland inertia,
Embracing every fad:
Of how we look,
The way we feel;
What is image,
And what is real.
Of what to eat,
And what to wear;
How best to cheat,
Or how to care.
The puzzle of love,
The seizures of hate;
How best to survive,
The quirks of cruel fate.
The rule of the stars,
Or the lives of the great;
Hints from the famous,

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The American Popular Song

It's a popular song, an American popular song.
And there's something about it, can't live without it.
It's the tune of the day, somehow it takes you away
and it grabs you, and it holds you, feel it control you,
makes you want to clap your hands.
Makes you want to stomp your feet.
Makes you want to sing along. It means business.
The American popular song goes on and on.
The American popular song goes on and on and on.
It's a popular song. An American popular song.
A simple story wrapped up in glory.
Once you hear it you know you got to hear it some more.
And that's power, try it, you can't deny it.
Makes you want to clap your hands.
Makes you want to stomp your feet.
Makes you want to sing along. It means business.
The American popular song goes on and on.
The American popular song goes on and on and on.
It's a popular song. An American popular song.
It's a popular song, an American popular song.
It's a popular song, an American popular song.

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The quality of mercy (conditions apply)

The quality of mercy,
Portia declared,

the quality of mercy is
suspended during the present conflict

the quality of mercy is
not the business of a Minister of Justice

the quality of mercy is
not a matter of individual conscience

the quality of mercy is
too subtle for public discussion
or law

the quality of mercy is
only for Shakespeare and stuff

the quality of mercy is
less stimulating than revenge

the quality of mercy is
no business of yours

the quality of mercy is
no concern of religious authorities
who should stay silent

the quality of mercy is
an outdated concept

the quality of mercy is
nothing to do with forgiveness
or circumstantial evidence
or the remission of sins

the quality of mercy is
no longer a matter of pride

the quality of mercy is
no longer a mark of humanity

the quality of mercy
would be OK if Obama said so

the quality of mercy
is one hell of a hot potato
cooked in oil

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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Dink's Song

(b.gibson/b.lomax/j.lomax)
This is a blues traditional that has been performed also by bob dylan. jeff performed it several times in his concerts, and he performed it also live on-air for the music faucet, a wfmu radio broadcast, on october 11 1992.
If i had wings like noah's dove
I'd fly up the river to the one i love
Fare thee well, my honey, fare thee well
If i met your man, who was long and tall
I'd hit his body like a cannon ball
Fare thee well, my honey, fare thee well
One of these days and it won't be long
Call my name and i'll be gone
Fare thee well, my honey, fare thee well
I remember one night, a drizzling rain
Round my heart i felt an achin' pain
Fare thee well, oh honey, fare thee well
When i wore my apron low
Couldn't keep you from my do'
Fare thee well, my honey, fare thee well
Now i wear my apron high
Scarcely ever see you passing by
Fare thee well, my honey, fare thee well
Now my apron's up to my chin
You pass my door and you won't come in
Fare thee well, oh honey, fare thee well
If i had listened to what my mama said
I'd be at home in my mama's bed
Fare thee well, oh honey, fare thee well

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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.


For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.


And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.


For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.


Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.


Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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The Avowyng of Arthur

He that made us on the mulde,
And fair fourmet the folde,
Atte His will, as He wold,
The see and the sande,
Giffe hom joy that will here
Of dughti men and of dere,
Of haldurs that before us were,
That lifd in this londe.
One was Arther the Kinge,
Wythowtun any letting;
Wyth him was mony lordinge
Hardi of honde.
Wice and war ofte thay were,
Bold undur banere,
And wighte weppuns wold were,
And stifly wold stond.

This is no fantum ne no fabull;
Ye wote wele of the Rowun Tabull,
Of prest men and priveabull,
Was holdun in prise:
Chevetan of chivalry,
Kyndenesse and curtesy,
Hunting full warly,
As wayt men and wise.
To the forest thay fare
To hunte atte buk and atte bare,
To the herte and to the hare,
That bredus in the rise.
The King atte Carlele he lay;
The hunter cummys on a day -
Sayd, 'Sir, ther walkes in my way
A well grim gryse.
'He is a balefull bare -
Seche on segh I nevyr are:
He hase wroghte me mycull care
And hurte of my howundes,
Slayn hom downe slely
Wyth feghting full furcely.
Wasse ther none so hardi
Durste bide in his bandus.
On him spild I my spere
And mycull of my nothir gere.
Ther moue no dintus him dere,
Ne wurche him no wowundes.
He is masly made -
All offellus that he bade.
Ther is no bulle so brade
That in frith foundes.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Quality Street

Ive seen, so many lovers cry
Lost love, makes me wonder why
Ive found a love, a once in a lifetime love
Angel on high, from heaven so high above
So I thank God for sending me you
I have heard of playing around with numbers
But one is all I need
She cant be beat, she makes me complete
On quality street
I have heard of playing around with numbers
But one is all I need
She cant be beat, she makes me complete
On quality street
I have lived alone, until you came along
And you gave me love
And my dream came true
And God gave me you
I see, the end of the rainbow now
True love, has blessed me somehow
Blessing of love, a once in a lifetime love
Angel on high, from heaven so high above
So I thank God for sending me you
I have heard of playing around with numbers
But one is all I need
She cant be beat, she makes me complete
On quality street
Quality street
On quality street
Quality, quality, quality, quality street
Quality street
On quality street.

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The Bear and the Hare

The bear is always bare. I have never seen a bear who was not bare. Or does he or she wear a coat of hair? Where does he or she go to buy a coat of hair so that he or she won't be a bare bear? Coats cost money. Bare bears have no money.

But bears eat honey. Even bare bears eat honey. And this bear had a honey who wanted a coat of hair. So when she said to her honey, 'Honey, I want a coat of hair, but I have no money.', her honey replied, 'Honey, I have no money to buy a coat of hair. But I do have honey. Maybe I can sell my honey for money.' So he sold his honey for money so that his honey could have some money to buy a coat of hair and not be a bare bear.

This bear had a friend who was a hare. This hare has hair. Is he bare? He is not a bare bear but a hare and hares have hair. But he is a funny bunny and likes a sunny spot even when it is hot because he like to have fun in the sun. But this funny bunny could not find a sunny spot to go to have fun in the sun until one day a fair came to town.

The bear and hare of course went to the fair. What a pair! The fair was quite far so the bare bear and the hare with the hair decided to ride the street car. To ride the street car, they had to pay a fare. I say that was quite an affair - to see the bare bear and the hair paying for their fare. The bare bear had no pockets in which to carry any fare. The funny bunny had no honey to sell to get some money to pay the fare so that he could go to the fair. The fare cost ten cents. But that makes no sense. It isn't fair to make a bear who is bare and has no pockets to hold a fare or a funny bunny who has no honey to get money to pay a fare to go to the fair.

Subsequently, the bare bear barely got on the street car after the funny bunny hopped on, the bare bear and the hair were there sitting in chairs riding in the street car to the fair without paying any fare. Along the way they saw a mare. They did not care about the mare. They wanted to get to the fair. Have you every seen a bare bear sitting in a chair? I once saw a bare bear sitting in a chair at a fair but he wasn't bare.

To get into the fair the bare bear and the hair had to pay another fare. And still the bare bear had no money to pay any fare to get into the fair. And the funny bunny had no money to pay any fare to get into the fair. So what did they do? How did they get into the fair? As I said, I saw the bare bear sitting in a chair at the fair but he wasn't bare.

Tell me if this is a poem. Thanks.

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Popular

I've got a plan to make it rich and famous
Lucky for me, for you it's a bitch you ain't in,
My plans are slowly changing,
Fame is so contagious
Chorus
I'm willing to sleep my way to the top,
I wanna be pop-ular,
I don't wanna keep my feet on the ground,
I wanna be popular
I must confess,
I've been a ve-ry bad boy,
Been sleepin around,
Talk of the town,
My name is
Hol-lywood will beckon,
E-veryone will listen,
Play my video hear me on the radio,
Dancin to the disco no one ever says no
Chorus
I'm willing to sleep my way to the top,
I wanna be pop-ular,
I don't wanna keep my feet on the ground,
I wanna be popular,
I'm willing to sleep my way to the top,
I wanna be pop-ular,
I don't wanna keep my feet on the ground,
I wanna be popular
My friends are all in Limousines
My friends are all celebrity
I Just Sold My Soul
Play my video hear me on the radio,
Dancin to the disco no one ever says no
I'm willing to sleep my way to the top,
I wanna be pop-ular,
I don't wanna keep my feet on the ground,
I wanna be popular,
I'm willing to sleep my way to the top,
I wanna be pop-ular,
I don't wanna keep my feet on the ground,
I wanna be popular
My friends are all celebrity
My friends are all in magazines
{ Play my video hear me on the radio,}
I'm willing to sleep my way to the top,
{Dancin to the disco, no one ever says no}
I wanna be pop-ular,
{ Play my video hear me on the radio,}
I don't wanna keep my feet on the ground,
{Dancin to the disco, no one ever says no}
I wanna be popular,

[...] Read more

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Popular Thug (feat. Nas)

(feat. Pusha T)
You know what I am
You know what I do well at least I thought you knew
They call me Pusha
Damn
I take you like a slap in the face
Everytime the bass is mentioned like I had bad intentions
Listen, I thought love was given
So for you I did those things you were missing
Never have to say
Please gimme borrow
As long as I got yay
And two semi autos
And connects in the jets
Like wetback Carlos
I ain't askin' you to follow
Just think about tomorrow
Please
I should have known by the way that you stared
Eyeing Passes by like you're rich but life ain't fair
But you make my record skip
Make my record skip
Make my record skip
Make my record skip
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)
I can't help if I'm a thug and I'm popular
I think that come along with driving a shocking car
Watch the coke light up they life
The rocks with stars
Had fiends talking crippled
Cuz they locked they jaw
Aw Pusha T you think it's cool that you deal
Bout as cool as that breeze on the beach in Brazil
As long as fiends want pain
Then I'm gon' slang
When my financial change
Then I'm gon' change
I should have seen in the way you touched my hand
Shuffling your car keys
But sounded like a gentleman
But ya make my record skip
Make my record skip
Make my record skip
Make my record skip
I would have never talked to you if I had known you was a popular thug
Hey, popular thug (you're damn right)

song performed by KelisReport problemRelated quotes
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Continuing...............

Limitations are not for people for whom life is a continuing quest.
Boundaries are not for people for whom life is a continuing exploration.
Destinations are not for people for whom life is a continuing journey.
Harbours are not for people for whom life is a continuing sail.
Accomplishments are not for people for whom life is a continuing
Leisure is not for those who are always indulged in work.

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No One That Is Living Has A Quality Owed

No one that is living,
Has a quality owed.
No one that is giving,
Has a quality owed.
No one who is wishing,
Has a quality owed...
With nothing less,
Than solid gold.
With expectations,
Another holds...
Delivered and quick to give.

No one is living,
To demand and get.
No one is living,
Just to benefit.
No one is living...
Just to sit!
And to get.

No one that is living,
Has a quality owed.
No one that is giving,
Has a quality owed.
No one who is wishing,
Has a quality owed...
With nothing less,
Than solid gold.
With expectations,
Another holds...
Delivered and quick to give.

No one is living,
To demand and to get.
No one is living,
Just to benefit.
No one is living,
Just to sit and sit.
No matter what it is...
To receive without a risk.
And if they don't,
They throw a fit.

No one is living,
To demand and to get.
No one is living,
Just to benefit.
No one is living,
Just to sit and sit.
No matter what it is...

[...] Read more

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Kill the virus, not us

Kill the virus, not us

Recently this fever is frequently reported
Some even die
People infected by this virus
Range from slum dwellers to farm owners
Even doctors are not spared
Why a very successful film producer
And director too succumbed to this
The blame come on to us, the carriers
We, the Aedes mosquitoes
Thrive on juicy leave saps
And our female members have to have a
Human blood meal
If not for anything else,
For the continuation of our generation
The blood meal is taken early in the morning
Or in the evening with sunlight still being there
We have no clue as to
Whether the person on whom we feed
Suffers an infection of dengue or not
You may not know that
We too get infected by the virus
But we manage well without suffering any symptoms
By the time when all our body fluids
Are enriched with virus it will be
A week or ten days passed
After the blood meal from the infected person
This is when we become real carriers
We have the potential to infect a healthy person
With dengue virus if we happen to bite that person
We are just carriers, not knowing what we carry
Blaming us only is unfair
You hurriedly take measures to eliminate our species
It is not at all possible
We brave all your biological weapons
And you may not be aware that some of us
Have already developed resistance to
Most of your branded repellants and pesticides
We have some of these suggestions
For your staying uninfected by this virus
We admit, we only spread the infection
Remove and clear all such spots
Where we may establish a habitat
We suggest that you use a good mosquito net
And keep us away from you
We repeat, your repellants and pesticides
Are no longer effective against us
Or your genetic stalwarts can engineer
A mutation in us

[...] Read more

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Name Sakes

BUT where's the brown drifter that went out alone ?
-Roll and go, and fare you well-
' Was her name
Peggy Nutten?
' That name is my own.
Fare you well, my sailor.
They sang in the dark, ' Let her go ! Let her go ! '
And she sailed to the West, where the broad waters flow;
And the others come back, but . . . the bitter winds blow.
Ah, fare you well, my sailor.

The women, at evening, they wave and they cheer.
-Roll and go, and fare you well-
They're waiting to welcome their lads at the pier.
Fare you well, my sailor.
They're all coming home in the twilight below;
But there's one little boat. . . . Let her go ! Let her go!
She carried my heart, and a heart for the foe.
Ah, fare you well, my sailor.

The
Nell
and the
Maggie
, the
Ruth
and the Joan,

-'-Roll and go, and fare you well-
They come to their name-sakes, and leave me alone.
Fare you well, my sailor.
And names are kep' dark, for the spies mustn't know;
But they'll look in my face, an' I think it will show;
Peggy Nutten's my name. Let her go ! Let her go!
Ah, fare you well, my sailor.

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