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Rambo isn't violent. I see Rambo as a philanthropist.

quote by Sylvester Stallone
Added by Lucian Velea
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Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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poem by Walt Whitman
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The Rambo-Tree

When Autumn shakes the rambo-tree--
It's a long, sweet way across the orchard!--
The bird sings low as the bumble-bee--
It's a long, sweet way across the orchard!--
The poor shote-pig he says, says he:
'When Autumn shakes the rambo-tree
There's enough for you and enough for me.'--
It's a long, sweet way across the orchard.

_For just two truant lads like we_,
_When Autumn shakes the rambo-tree_
_There's enough for you and enough for me_--
_It's a long, sweet way across the orchard_.

When Autumn shakes the rambo-tree--
It's a long, sweet way across the orchard!--
The mole digs out to peep and see--
It's a long, sweet way across the orchard!--
The dusk sags down, and the moon swings free,
There's a far, lorn call, 'Pig-_gee_! 'Pig-_gee_!'
And two boys--glad enough for three.--
It's a long, sweet way across the orchard.

_For just two truant lads like we_,
_When Autumn shakes the rambo-tree_
_There's enough for you and enough for me_--
_It's a long, sweet way across the orchard_.

poem by James Whitcomb Riley
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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.

For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.

And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.

For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.

Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.

Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

[...] Read more

poem by Anonymous Olde English
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Violent Side

Here comes the night
Here comes the anger
Hidden so deep inside
No one can see
Behind these eyes
There walks a stranger
Wandering through the dark
Following me.
Control the violent side
Control the violent side
Control the violent side
Control the violent side.
Electric light
Shining on your block
Sayin to everyone
The power is on
While your alarm
Set up for safety
Keeps out invaders who come
But still cant control.
Control the violent side
Control the violent side
Control the violent side
Control the violent side.
Got to fight to control the violent side
Every day and night
Ive got to fight to control it.

song performed by Neil Young
Added by Lucian Velea
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Lets See Action

Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom, lets see who cares,
Lets see freedom, lets see who cares,
Take me with you when you leave me
Take me with you when you leave me
And my shell behind us there.
And my shell behind us there.
I have learned it, known who burned me,
I have learned it, known who burned me,
Avatar has warmed my feet,
Avatar has warmed my feet,
Take me with you, let me see you,
Take me with you, let me see you,
Time and life can meet.
Time and life can meet.
Nothing is everything, everything is, nothing is,
Nothing is everything, everything is, nothing is,
Please the people, audiences,
Please the people, audiences,
Break the fences,
Break the fences,
Nothing is.
Nothing is.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Give me a drink boy, wash my feet,
Give me a drink boy, wash my feet,
Im so tired of running from my own heat,
Im so tired of running from my own heat,
Take this package and heres what you do,
Take this package and heres what you do,
Gonna get this information through.
Gonna get this information through.
I dont know where Im going,
I dont know where Im going,

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song performed by Who
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Wraith

VIOLENT J AND SHAGGS 2 DOPE: Always uninvited/ off/unrespected, sometimes he creeps other times hes expected/He hangs out in bad neighborhoods up at the park/he will strike in broad daylight but prefers the dark/Three little kids caught inside a burning home/hell just sit there and wait for em/leave em alone!/As sure as were alive today and death is inevitable/hes waitin there watching through the eyes of a crow/fo sho/I know/yo.
VIOLENT J AND SHAGGS 2 DOPE (CHORUS): Death is always at a time. Dont bother trying to run and hide. Take his hand cross to the other side (Step to the other side).
VIOLENT J AND SHAGGS 2 DOPE: Freeway intersections when the bars close, he loves em/Blew out traffic lights?/He hovers above em/And he loves the mother out of crackheads and heroin/rehab centers and caring mother always scaring him/Sharing them needles?/He encourages and raw sex. They got him working and steady collecting soul checks/Then again/What?/Nine times out of ten, I wish hed take me/Instead of some of these poor children we see/Im sayin/Skwoo/What?
VIOLENT J AND SHAGGS 2 DOPE (CHORUS): Death is always at a time. No where to run. Dont bother trying to run and hide. No where to hide. Take his hand cross to the other side. Nothing to fear. Step to the other side! (Step to the other side)
VIOLENT J AND SHAGGS 2 DOPE: He remains nameless but we call him the Wraith/He is the 6th Jokers Card of the Dark Carnival faith/Thats it, now your clock is ticking, every second counts/and everything you do thats right or wrong, it all amounts/And whether you going to heaven or hell/he doesnt care/hes only here to give you the death touch/and send you there/Most people fear him/because they dont understand/that once he finally touches you with death eternity can begin/Thats what the Im talkin about/Lotus/What/Mother /yea yeah/Woop Woop/Hoe
VIOLENT J AND SHAGGS 2 DOPE (CHORUS): Death is always at a time. No where to run. Dont bother trying to run and hide. No where to hide. Take his hand cross to the other side. Nothing to fear. Step to the other side! (Step to the other side)

song performed by Insane Clown Posse
Added by Lucian Velea
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Automatic Minuets

Climatic minutes tick and go.
And when they come...
It is known they are quickly fading.
Sweet melodies,
Serenading...
Quietly in handcuffed peace.

Release them!
Free them from the hold,
Of violent wishes.

Automatic minuets...
Prepared and dressed
For inspections to impress.
Recalling days of old,
Boldly waltzing through...
But yet not distanced!

Released them!
Free them from the hold,
Of violent wishes.

Deep hidden needs...
Romanticized by hypocrisies.
Try hard they do,
To deny what is shown...
But is known to be true.

Released them!
Free them from the hold,
Of violent wishes.

Climatic minutes tick and go.
And when they come...
It is known they are quickly fading.
Sweet melodies,
Serenading...
Quietly in handcuffed peace.

Automatic minuets...
Prepared and dressed
For inspections to impress.
Recalling days of old,
Boldly waltzing through...
But yet not distanced!

Released them!
Free them from the hold,
Of violent wishes.

[...] Read more

poem by Lawrence S. Pertillar
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Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

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poem by John Milton
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Woman In Me (feat. Destiny's Child)

Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Ohhhhh
The face that I see it's the woman in me
It's the woman that I wanna be
The face that I see it's the woman in me
It's the woman in me I see (I see)
As I look in, look in the mirror I see
Life is really here to be with me, oh
I can see myself getting stronger everyday
I'm not the same woman I used to be
So now I tell myself I am thinkin strong
I see the beauty lying within my soul
The face that I see it's the woman in me
It's the woman that I wanna be
The face that I see it's the woman in me
It's the woman in me I see (I see)
When I love myself I can do whatever I want
Doesn't matter what you do to me, do to me
Honest people, there's a possibility
To tell you my real reality
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (woman in me baby)
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Can you see the woman in me
Do you really wanna see the woman in me
Hahha, let me show you
Don't underestimate the woman I become
The woman I am
So now I tell myself that I'm thinkin I'm strong
And I see the beauty lying within my soul
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (I see)
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (I see)

[...] Read more

song performed by Jessica Simpson
Added by Lucian Velea
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Dad's Philanthropic Plan

I knew an old philanthropist, a farming man was he,
Shrewd at a deal, but still withal a man of charity.
He had three sons - three hefty lads - Josiah, Jim and Joe,
And each of these had his own land, and made a goodly show.

But still the farming methods of Josiah, Joe and Jim
Distressed their good old parent and disturbed the mind of him.
'These sons o' mine appear to be a sight too slow,' thought he
'They need a better class o' stock and more machinery.'

Wherefore this old philanthropist, this shrewd old farming man,
He sat him down and pondered long, and thus evolved a plan
A simple scheme, beneficent, and calculated so
That it would guard the interests of Josiah, Jim and Joe.

'I have acquired,' reflected he, 'a lot of tillage land
Much more than I can work; and my affairs get out of hand.
If I can but amalgamate their properties and mine,
And call the whole the Empire Farm, the prospect will be fine.

Then rose the good old farming man and called his sons around,
And thus his philanthropic scheme did earnestly expound:
'My sons, it grieves my heart to see you struggling on the land;
And I've decided, after thought, to lend a helping hand.

'You all have been good sons to me, and this is my great plan:
We shall amalgamate the farms and work them as one man.
But first you need machinery; your methods are too slow.
The cost of this will fall on you - Josiah, Jim and Joe.

'Josiah I'll allow to buy a good, upstanding team;
And Joe a separator, for there's coin in milk and cream;
To Jim I give permission - he's a fav'rite son o' mine
To buy a brand new harvester of up-to-date design.

'Josiah, he will feed the nags, and Joe can buy some cows
And these be privileges, mind, not ev'ry dad allows
While Jim can mind the harvester till harvest comes around,
When you can fetch it, with the nags, and work it on MY ground.

'And, as Joe's cows come into milk, he'll fetch 'em up to me,
'Long with the separator; I will work it - do you see?'

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poem by Clarence Michael James Stanislaus Dennis
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... Mmmmmm Skyscraper I Love You

Thirty thousand feet above
Beautiful thing
Beautiful thing
Mmm skyscraper I love you
Thirty thousand feet above the earth...its a beautiful thing
Youre a beautiful thing
Thirty thousand feet above the earth...its a beautiful thing
Everybodys a beautiful thing
Mmm skyscraper I love you
Mmm skyscraper I love you
And I see elvis
Elvis
I see porn dogs sniffing the wind
Sniffing the wind for something new
Porn dogs sniffing the wind for something violent they can do
Porn dogs sniffing the wind
Sniffing the wind for something new
Porn dogs sniffing the wind for something violent for me and you
Will you be my big plaything
My total big disorientator
Will you be my big plaything
My ninja power
My number cruncher
Yes yes yes no yes yes
Yes yes yes yes no no
And I see elvis
And I hear God on the phone
Mmm skyscraper I love you
I see porn dogs sniffing the wind
Sniffing the wind for something new
Porn dogs sniffing the wind for something violent that they could do
Porn dogs sniffing the wind
Sniffing the wind for something new
Porn dogs sniffing the wind for something violent for me and you
The city is a whore tonight
And I see God talking
Elvis
God talking
Pornfest pork fat jesus christ night light
Elvis fresh meat and a little whipped cream
Pornfast cornfat jesus christ night ride
Elvis fresh meat and a little whipped cream
Thirty thousand feet above the earth
Thirty thousand feet above the earth
Beautiful thing
Youre a beautiful thing
Thirty thousand feet above
The beautiful earth
Mmm skyscraper I love you
Like I feel you

song performed by Underworld
Added by Lucian Velea
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Mmm Skyscraper I Love You

Thirty thousand feet above the earth.
Youre a beautiful thing. mmm skyscraper I love you.
Thirty thousand feet above the earth.
Its a beautiful thing. and youre a beautiful thing.
Thirty thousand feet above the earth.
Its a beautiful thing. everybodys a beautiful thing.
And I see elvis. elvis. I see
Porn dogs sniffing the wind. sniffing the wind for something new.
Porn dogs sniffing the wind for something violent they can do.
Porn dogs sniffing the wind. sniffing the wind for something new.
Porn dogs sniffing the wind for something violent for me and you.
Will you be my big plaything. my total big disorientator.
Will you be my big plaything. my ninja power. my number cruncher.
Yes. yes. yes. no. yes. yes.
And I see elvis. and I hear God on the phone. I see
Porn dogs sniffing the wind. sniffing the wind for something new.
Porn dogs sniffing the wind for something violent that they could do.
Porn dogs sniffing the wind. sniffing the wind for something new.
Porn dogs sniffing the wind for something violent for me and you.
The city is a whore tonight. and I see God talking
Elvis. God talking.
Pornfest pork fat jesus christ night light.
Elvis fresh meat and a little whipped cream.
Pornfast cornfat jesus christ night ride.
Elvis fresh meat and a little whipped cream.
Thirty thousand feet above the earth.
Thirty thousand feet above the earth.
Beautiful thing. youre a beautiful thing.
Thirty thousand feet above the beautiful earth.
Like I feel you.

song performed by Underworld
Added by Lucian Velea
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The concept of a "billionaire philanthropist" is an oxymoron. If somebody has amassed a billion dollars of net worth, that person likely did so by overcharging for products or services either through monopolistic or oligopoly power in the marketplace. It would be much more impressive to see the "billionaire philanthropist" drastically cut prices for the benefit of mankind rather than merely handing over 10%-20% of personal net worth for purposes of obtaining a tax break long after having gouged the consumer.

quote by Catman Cohen
Added by anonym
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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.

10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIII
THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
CONFESSION

Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

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poem by Jonathan Robin
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I Can See For Miles

I know you've deceived me, now here's a surprise
I know you've deceived me, now here's a surprise
I know that you have 'cause there's magic in my eyes
I know that you have 'cause there's magic in my eyes
I can see for miles and miles and miles and miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
Oh yeah
If you think that I don't know about the little tricks you've played
If you think that i don't know about the little tricks you've played
And never see you when deliberately you put things in my way
And never see you when deliberately you put things in my way
Well, here's a poke at you
Well, here's a poke at you
You're gonna choke on it too
You're gonna choke on it too
You're gonna lose that smile
You're gonna lose that smile
Beacuse all the while
Beacuse all the while
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
Oh yeah
You took advantage of my trust in you when I was so far away
You took advantage of my trust in you when i was so far away
I saw you holding lots of other guys and now you've got the nerve to say
I saw you holding lots of other guys and now you've got the nerve to say
That you still want me
That you still want me
Well, that's as may be
Well, that's as may be
But you gotta stand trial
But you gotta stand trial
Because all the while
Because all the while
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah
Oh yeah
I know you've deceived me, now here's a surprise
I know you've deceived me, now here's a surprise

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song performed by Styx
Added by Lucian Velea
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I'm Not Brave Or Known For Courage

I'm not brave or known for courage I am allergic to fear
Of the violent and aggressive I am happy to stay clear
And far too many violent people in the World of today
Who don't respect the rights of others that does seem quite sad to say.

The living life form that I fear most happens to be my fellow man
Of those known to be violent I avoid them if I can
Even on their best behaviour bullies they have darkness of the soul
And one must say they are quite dangerous when they are out of control.

I'm not brave or known for courage just your average ageing bloke
And I like being with laid back people those who like to tell a joke
These to me are feel good people they are nice to get to know
Acquaintances with their sort into friendships do grow.

One known for to be violent could never be my friend
I see their type as control freaks of that I won't pretend
I like the easy going sort power over others they don't need
Not hard to get along with and quite likeable indeed.

poem by Francis Duggan
Added by Poetry Lover
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