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We are more disturbed by a calamity which threatens us than by one which has befallen us.

quote by John Lancaster Spalding
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Gee, Officer Krupkee

Salt-n-pepa, left eye, etc.
(appears on the songs of west side story)
Excuse me mr. officer
You think were bad, huh?
You wanna clean up the streets, huh?
Well you better put society in handcuffs
Ha ha, you got a hard job
Music by bernstein
Lyrics by sondheim
Im talkin bout west side story
Its before my time
Police sweat me like the sharks & the jets
Because I do what I does
So they wanna hit me
If you let me
Ill explain the game
Clear my name
And show you aint a damn thing changed
So dont criticize the way that I ball hey
This aint broadway
We learned it the hard way
Dear kindly sergeant krupke
You gotta understand
Its just our bringin upke
That gets us out of hand
Our mothers all are junkies
Our fathers all are drunks
Golly moses, naturally were punks
Gee, officer krupke
Were very upset
We never had the love
That every child oughta get
We aint no deliquents
Were misunderstood
Deep down inside us there is good
There is good!
There is good, there is good
There is untapped good
Like inside, the worst of us is good
You see, officer krupkee
You gotta have some compassion
You know, you always harrassin me
But what you dont understand is
I come from a broken home
My momma dont care about me
My daddy dont care about me
And you always gettin on my case
It aint me homeboy
Its society
Dear kindly judge, your honour

[...] Read more

song performed by TLC
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

poem by Percy Bysshe Shelley
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Sounding Crescent, Moonlight Befallen

Sounding Crescent, Moonlight Befallen
By: Adam M. Snow

Sounding crescent, moonlight befallen;
now above, twinkle lights me.
A crescent moonlight now befallen,
upon thy hanging tree.

poem by Adam M. Snow
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Do You Want To Be Disturbed?

Do you want to be disturbed?
By your family
By your friend
By your relation
By unknown people

Do you want to be disturbed?
With their problem
With their need
With their worry
With their temptation

Do you want to be disturbed?
In inconvenient place
In unexpected moment
In weary condition
In mixed emotion

Do you want to be disturbed?
And will you be glad
And will you grumble
And will you ignore
And will you be generous

Do you want to be disturbed?
And still give your ears
And still give your hands
And still give your smile
And still give your hour

poem by Maria Sudibyo
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

[...] Read more

poem by John Milton
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Paradise Lost: Book 10

Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can 'scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen. Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel: They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale. But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,--death denounced that day?
Which he presumes already vain and void,

[...] Read more

poem by John Milton
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Paradise Lost: Book 02

High on a throne of royal state, which far
Outshone the wealth or Ormus and of Ind,
Or where the gorgeous East with richest hand
Showers on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heaven; and, by success untaught,
His proud imaginations thus displayed:--
"Powers and Dominions, Deities of Heaven!--
For, since no deep within her gulf can hold
Immortal vigour, though oppressed and fallen,
I give not Heaven for lost: from this descent
Celestial Virtues rising will appear
More glorious and more dread than from no fall,
And trust themselves to fear no second fate!--
Me though just right, and the fixed laws of Heaven,
Did first create your leader--next, free choice
With what besides in council or in fight
Hath been achieved of merit--yet this loss,
Thus far at least recovered, hath much more
Established in a safe, unenvied throne,
Yielded with full consent. The happier state
In Heaven, which follows dignity, might draw
Envy from each inferior; but who here
Will envy whom the highest place exposes
Foremost to stand against the Thunderer's aim
Your bulwark, and condemns to greatest share
Of endless pain? Where there is, then, no good
For which to strive, no strife can grow up there
From faction: for none sure will claim in Hell
Precedence; none whose portion is so small
Of present pain that with ambitious mind
Will covet more! With this advantage, then,
To union, and firm faith, and firm accord,
More than can be in Heaven, we now return
To claim our just inheritance of old,
Surer to prosper than prosperity
Could have assured us; and by what best way,
Whether of open war or covert guile,
We now debate. Who can advise may speak."
He ceased; and next him Moloch, sceptred king,
Stood up--the strongest and the fiercest Spirit
That fought in Heaven, now fiercer by despair.
His trust was with th' Eternal to be deemed
Equal in strength, and rather than be less
Cared not to be at all; with that care lost
Went all his fear: of God, or Hell, or worse,
He recked not, and these words thereafter spake:--

[...] Read more

poem by John Milton
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The Calamity (Chapter 101, Holy Koran)

I ask for refuge to Allah from Satan the exiled evildoer.
In the name of Allah the Kind and the Merciful Giver.

What a calamity!
What is the calamity?
How could you understand what the calamity is!
On that day what a pity:
People will be scattered like scared insects
And mountains will be as windblown wool
And then whose good deeds are heavier
They will enjoy happy life forever
And whose weight of good deeds is less
Their home will be Habia abyss
And how can you understand what it is.
It is a burning fiery place.

poem by Asif Andalib
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China Cannot Silence the Voice of Freedom

China threatens us imprisons us punishes us.
China threatens free nations stay away from Oslo.
China threatens do not attend Nobel Peace Prize Award.
China may kill us imprison us punish us but not silence us.

poem by Terence George Craddock
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Killer Of Giants

If none of us believe in war
Then can you tell me what the weapons for
Listen to me everyone
If the button is pushed
Therell be nowhere to run
Giants sleeping giants winning wars
Within their dreams
Till they wake when its too late
And in gods name blaspheme
Killer of giants threatens us all
Mountains of madness standing so tall
Marches of protest not stopping the war
Or the killer of giants
The killer of giants
Mother nature people state your case without its worth
Your seas run dry your sleepless eyes are turning red alert
Killer of giants threatens us all
Mountains of madness standing so tall
Rising so proudly it has nowhere to fall
This killer of giants
This killer of giants
Killer of giants threatens us all
Mountains of madness standing so tall
Marches of protest not stopping the war
Oh the killer of giants
Oh the killer of giants
Killer of giants
Killer of giants

song performed by Ozzy Osbourne
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The Iliad: Book 18

Thus then did they fight as it were a flaming fire. Meanwhile the
fleet runner Antilochus, who had been sent as messenger, reached
Achilles, and found him sitting by his tall ships and boding that
which was indeed too surely true. "Alas," said he to himself in the
heaviness of his heart, "why are the Achaeans again scouring the plain
and flocking towards the ships? Heaven grant the gods be not now
bringing that sorrow upon me of which my mother Thetis spoke, saying
that while I was yet alive the bravest of the Myrmidons should fall
before the Trojans, and see the light of the sun no longer. I fear the
brave son of Menoetius has fallen through his own daring and yet I
bade him return to the ships as soon as he had driven back those
that were bringing fire against them, and not join battle with
Hector."
As he was thus pondering, the son of Nestor came up to him and
told his sad tale, weeping bitterly the while. "Alas," he cried,
"son of noble Peleus, I bring you bad tidings, would indeed that
they were untrue. Patroclus has fallen, and a fight is raging about
his naked body- for Hector holds his armour."
A dark cloud of grief fell upon Achilles as he listened. He filled
both hands with dust from off the ground, and poured it over his head,
disfiguring his comely face, and letting the refuse settle over his
shirt so fair and new. He flung himself down all huge and hugely at
full length, and tore his hair with his hands. The bondswomen whom
Achilles and Patroclus had taken captive screamed aloud for grief,
beating their breasts, and with their limbs failing them for sorrow.
Antilochus bent over him the while, weeping and holding both his hands
as he lay groaning for he feared that he might plunge a knife into his
own throat. Then Achilles gave a loud cry and his mother heard him
as she was sitting in the depths of the sea by the old man her father,
whereon she screamed, and all the goddesses daughters of Nereus that
dwelt at the bottom of the sea, came gathering round her. There were
Glauce, Thalia and Cymodoce, Nesaia, Speo, thoe and dark-eyed Halie,
Cymothoe, Actaea and Limnorea, Melite, Iaera, Amphithoe and Agave,
Doto and Proto, Pherusa and Dynamene, Dexamene, Amphinome and
Callianeira, Doris, Panope, and the famous sea-nymph Galatea,
Nemertes, Apseudes and Callianassa. There were also Clymene, Ianeira
and Ianassa, Maera, Oreithuia and Amatheia of the lovely locks, with
other Nereids who dwell in the depths of the sea. The crystal cave was
filled with their multitude and they all beat their breasts while
Thetis led them in their lament.
"Listen," she cried, "sisters, daughters of Nereus, that you may
hear the burden of my sorrows. Alas, woe is me, woe in that I have
borne the most glorious of offspring. I bore him fair and strong, hero
among heroes, and he shot up as a sapling; I tended him as a plant
in a goodly garden, and sent him with his ships to Ilius to fight
the Trojans, but never shall I welcome him back to the house of
Peleus. So long as he lives to look upon the light of the sun he is in
heaviness, and though I go to him I cannot help him. Nevertheless I
will go, that I may see my dear son and learn what sorrow has befallen
him though he is still holding aloof from battle."

[...] Read more

poem by Homer, translated by Samuel Butler
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A Thread scrawled in Timely Autumn

I watch thousands of leaves drift underneath trees,
while in a tree I sat observing
timely autumn air fetching birds –
to gather above the vegetation high up in the blue
birds rise and utter messages
as timely autumn descends on our…?
On our befallen part globe.

To hear the beauty of innocence across
the damp fall ground;
vibrating, that autumn is
going to flee away and…?
And in comes the disturbing winter breeze –
bring out a smile gloating out
on the stricken faces.

Nations fall dead from autumn exhaustion.
Oh timely autumn has come to soon –
to bear a reason of befallen:
sleeping illnesses
on our old earth.
Red, brown, orange, yell a glow
Buried in leaves is our part globe.
And stricken faces
of shadows
flee away into the nest of warmth
as worrying winter breeze crawls
in, regretfully not,
but gleefully.
Swirling around, sneaking in?
In ajar windows.

Oh season is it time
for timely autumn colour to leave
our autumn colour world into
winter darkness?
Not welcomingly the
winter nips at my thin nose
as I watch above
high in this forlorn tree
with no leaves! But what?
Empty branches of crystal snow.

poem by Celine Berghmans
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Shakuntala Act 1

King Dushyant in a chariot, pursuing an antelope, with a bow and quiver, attended by his Charioteer.
Suta (Charioteer). [Looking at the antelope, and then at the king]
When I cast my eye on that black antelope, and on thee, O king, with thy braced bow, I see before me, as it were, the God Mahésa chasing a hart (male deer), with his bow, named Pináca, braced in his left hand.

King Dushyant: The fleet animal has given us a long chase. Oh! there he runs, with his neck bent gracefully, looking back, from time to time, at the car (chariot) which follows him. Now, through fear of a descending shaft, he contracts his forehand, and extends his flexible haunches; and now, through fatigue, he pauses to nibble the grass in his path with his mouth half opened. See how he springs and bounds with long steps, lightly skimming the ground, and rising high in the air! And now so rapid is his flight, that he is scarce discernible!

Suta: The ground was uneven, and the horses were checked in their course. He has taken advantage of our delay. It is level now, and we may easily overtake him.

King Dushyant: Loosen the reins.

Suta: As the king commands. – [He drives the car first at full speed, and then gently.] – He could not escape. The horses were not even touched by the clouds of dust which they raised; they tossed their manes, erected their ears, and rather glided than galloped over the smooth plain.

King Dushyant: They soon outran the swift antelope. –Objects which, from their distance, appeared minute, presently became larger: what was really divided, seemed united, as we passed; and what was in truth bent, seemed straight. So swift was the motion of the wheels, that nothing, for many moments, was either distant or near. [He fixes an arrow in his bowstring.]

[Behind the scenes.] He must not be slain. This antelope, O king, has an asylum in our forest: he must not be slain.

Suta: [Listening and Looking.] Just as the animal presents a fair mark for our arrow, two hermits are advancing to interrupt your aim

King Dushyant: Then stop the car.

Suta: The king is obeyed. [He draws in the reins.]

Enter a Hermit and his Pupil.

Hermit: [Raising his hands.] Slay not, O mighty sovereign, slay not a poor fawn, who has found a place of refuge. No, surely, no; he must not be hurt. An arrow in the delicate body of a deer would be like fire in bale of cotton. Compared with thy keen shafts, how weak must be the tender hide of a young antelope! Replace quickly, oh! replace the arrow which thou hast aimed. The weapons of you kings and warriors are destined for the relief of the oppressed, not for the destruction of the guiltless.

King Dushyant: [Saluting them.] It is replaced.

[He places the arrow in his quiver.]

Hermit: [With joy] Worthy is that act of thee, most illustrious; of monarchs; worthy, indeed, of a prince descended from Puru. Mayst thou have a son adorned with virtues, a sovereign of the world!

Pupil: [Elevating both his hands.] Oh! by all means, may thy son be adorned with every virtue, a sovereign of the world!

King Dushyant: [Bowing to them.] My head bears with reverence the order of a Bráhmin

Hermit: Great king, we came hither to collect wood for a solemn sacrifice; and this forest, and the banks of the Malini, affords an asylum to the wild animals protected by Shakuntala, (Shakuntala) whom our holy preceptor Kanva has received as a sacred deposit. If you have no other avocation, enter yon grove, and let the rights of hospitality be duly performed. Having seen with your own eyes the virtuous behaviour of those whose only wealth is their piety, but whose worldly cares are now at an end, you will then exclaim, 'How many good subjects are defended by this arm, which the bowstring has made callous!'

King Dushyant: Is the master of your family at home?

Hermit: Our preceptor is gone to Sómatirt'ha, in hopes of deprecating some calamity, with which destiny threatens the irreproachable Shakuntala, and he has charged her, in his absence, to receive all guests with due honour.

King Dushyant: Holy man, I will attend her; and she, having observed my devotion, will report it favourably to the venerable sage.

Both: Be it so; and we depart on our own business. [The Hermit and his Pupil go out.]

King Dushyant: Drive on Suta. By visiting the abode of holiness, we shall purify our souls.

Suta: As the king (may his life be long!) commands. [He drives on.]

[...] Read more

poem by Kalidasa
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Close The Door

cos I'm the one who knows everyone bar ber que lungs
none of you know what I'm thinking
who on earth would believe a word that you say
your disturbed in a strange facinated way
your disturbed, I think your disturbed
I've told you once
to switch all the lights off
you never believe that
stay near the windowthe window
phone me at 3 or 4
close the door (1, 2, 3, 4)
phone me at 3 or 4
time for the math test
I come over to you, at your chair you face up
I reply politely stare back
back
I'm so backward
I almost forgot
why I'm sitting

song performed by Idlewild
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If I am no longer disturbed myself, I will deal less with disturbed people, but I don't regret having concerned myself with them because I think most of us are disturbed.

quote by Tennessee Williams
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The Fountain Of Salmacis

Hermaphrodite: a flower containing both male and female organs; a person or animal of both sexes.
The child hermaphroditus was the son of hermes and aphrodite, the result of a secret love affair. for this reason he was entrusted to the nymphs of the isolated mount ida, who allowed him to gro
As a wild creature of the woods. after his encounter with the water-nymph salmacis, he laid a curse upon the water. according to fable, all persons who bathed in the water became hermaphrodites.
From a dense forest of tall dark pinewood,
Mount ida rises like an island.
Within a hidden cave, nymphs had kept a child;
Hermaphroditus, son of gods, so afraid of their love.
As the dawn creeps up the sky
The hunter caught sight of a doe.
In desire for conquest,
He found himself within a glade hed not beheld before.
Hermaphroditus: narrator:
Where are you, my father? then he could go no farther
Give wisdom to your son now lost, the boy was guided by the sun
And as his strength began to fail
He saw a shimmering lake.
A shadow in the dark green depths
Disturbed the strange tranquility.
Salmacis: narrator:
The waters are disturbed the waters are disturbed
Some creature has been stirred naiad queen salmacis has been stirred
As he rushed to quench his thirst,
A fountain spring appeared before him
And as his heated breath brushed through the cool mist,
A liquid voice called, son of gods, drink from my spring.
The water tasted strangely sweet.
Behind him the voice called again.
He turned and saw her, in a cloak of mist alone
And as he gazed, her eyes were filled with the darkness of the lake.
Salmacis: narrator:
We shall be one she wanted them as one
We shall be joined as one yet he had no desire to be one
Hermaphroditus: away from me cold-blooded woman
Your thirst is not mine
Salmacis: nothing will cause us to part
Hear me, o gods
Unearthly calm descended from the sky
And then their flesh and bones were strangely merged
Forever to be joined as one.
The creature crawled into the lake.
A fading voice was heard:
And I beg, yes I beg that all who touch this spring
May share my fate
Salmacis: narrator:
We are the one the two are now made one,
We are the one demi-god and nymph are now made one
Both had given everything they had.
A lovers dream had been fulfilled at last,
Forever still beneath the lake.

song performed by Genesis
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Senlin: His Futile Preoccupations

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen--
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,--and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,--
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,

[...] Read more

poem by Conrad Potter Aiken
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The Scripture of the Golden Eternity

1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.

2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.

3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.

4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.

5
I am the golden eternity in mortal animate form.

6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.

7
This truth law has no more reality than the world.

8
You are the golden eternity because there is no me and no you, only one golden eternity.

9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.

10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.

11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.

12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.

13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.

14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.

15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.

16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.

17
It came on time.

[...] Read more

poem by Jack Kerouac
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Aren't You All Neighbors?

If I consume more than my neighbor,
And squander my feeding at their expense...
To then expect for them to remain silent,
As they pay more for the construction of my fence.
Or the fixing of cracks on pavements I travel,
Without my offering a single cent.
Why should I be disturbed by their nonsense?

Yet I am the first to advocate the raising of rents,
To keep certain 'elements' away from me and distanced.
Should I get upset the request I pay higher taxes,
On my property that has been re-assessed?
Since I am more accustomed to live high on the hog,
While others around me find it difficult to live on less?

'But...
Aren't you all neighbors?
And aren't you all sharing the same amenities offered? '

I am a conservative.
I am not one of those 'liberals' seeking a hand-out.
I am entitled to be served.

'But...
Aren't you all neighbors?
And aren't you all sharing the same amenities offered? '

I am a conservative.
I am not one of those 'liberals' seeking a hand-out.
I am entitled to be served.

If I consume more than my neighbor,
And squander my feeding at their expense...
To then expect for them to remain silent,
As they pay more for the construction of my fence.
Why should I be disturbed by their nonsense?

'But...
Aren't you all neighbors? '

Why should I be disturbed by their nonsense?

poem by Lawrence S. Pertillar
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A disturbed child

For hours and days we talked, and there was that portion
Of that honest conversation when he opened a certain
Cabinet where a black-covered diary contains a page of the story

About a disturbed child,
A confused child, not because he was not born like
Any other new born child, on a package-deal of innocence
For a start of his existence,

A happy child, a normal child with a
Loving and caring ma and pa and excited siblings
To receive him as another playmate added to their house,

At most, the conversation changed to a slow motion
In that portion,
He showed some serious indications, a gaze of a man,
Undistracted by her poise for casualness and
A consideration that this is nothing but another kind
Of a light conversation unlike no other,

It is not, this is serious, he said, because this is true and this really
Happened, the cabinet and the diary are nothing but
Fronts to fictional realities,

He was the disturbed child, and he is going to tell her about it,
Today,
He did not have a happy childhood, as he once told the Jesuits,
Who accepted him to their fold,

And for which he, of course took his graceful exit,
Because he is a liar,
He began talking about some bamboo sticks which hit him,
The sack which enclosed him, the rope which hanged him
On the kitchen beam,

The ants that bit him while he
Kneeled on mongo beans under a scorching sun, and the mother
He still very well remembers,

She was not able to do anything to save him.

She too was part of
That disturbance, the slap that still left a mark of humiliation on his
Left cheek,

A scar on his childhood, forever. She died earlier than expected.
He, the villain, did not.

Not the child, who later escaped from hell.

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poem by Ric S. Bastasa
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