There are those who so dislike the nude that they find something indecent in the naked truth.
quote by F.H. Bradley
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poem by David Keig
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
[...] Read more
poem by Robert Browning from The Ring and the Book
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Truth and Reality (Opinion)
Daily at the end of my "anusthaanam"-(spiritual ritual) ", I make a strong, fervent and sincere prayer to the Divinity that intellectuals and scholars in the world should be fearless and speak the truth without any inhibitions. This has been the tradition of our ancestors and speaking truth is essential for the benefit of the society and the society will be able to know the actualities and act on them.
Normally the rulers do not like the truth to be known. Also leaders of ideologies, religions, their supporters and the like also do not like the truth to be known to the ordinary people. The writers are normally and should be fearless such that the ills and evils in the society are exposed and remedial measures are taken. But what is truth?
Truth is what it is or as it is irrespective of perceptions of the individuals. Reality is what we see of truth; how much we see of truth. Reality is always dictated by our mental make-up, likes, dislikes, limitations in our ability and willingness to see, view, comprehend and accept the truth. Reality is individual's perception of the truth. Truth, most of the times, is only perceived and rarely understood or experienced. Thus reality is limited truth. Reality is either inability to be truthful or inability and limitations of the individual to see the truth unbiased. Also truth corresponds to the individual, about himself, his Self and the reality corresponds to the objective world within and without the body of the individual.
Real situations are compromised states of existence in the attempt of pursuit of the truth. We all talk about truth limited by our perception and not the truth most of the times. We have compulsions inbuilt, acquired or imagined not to accept the truth and allow truth to be spoken or spread through us. But truth is a flowing river. It may flood us but it never dries up. On the other the reality is like a stagnated lake. Our fear of repercussions taking place if we speak, accept or propagate truth, make us real and not truthful. We prefer peaceful and calm life. We call that realistic approach and adjust and compromise.
Thus, most of the times, we are not truthful. We are all limited and confined to our perceptions of truth. Truth is best revealed when understood or experienced. But we rarely get such insight. All our knowledge and information is hearsay through books, newspapers, magazines, radio and TV news channels, web sites etc, . We are all aware that these books and news items are filtered through the editors and owners of these media. Thus the perceptions of these responsible and financing individuals decide the truth content in the item. We pick up these as truth and argue or form our own perceptions. Sometimes the editorial policy of the editors or owners of these media do not allow truth as it is to reach us when they find it objectionable in that form. Thus truth is never completely known or allowed to be known and hence not completely comprehended. The fears, imaginations, illusions shape our perceptions and our comprehension of the truth. Many times it appears that no absolute truth exists or known, perceived or understood and experienced. Just as feelings and perceptions of good and bad and other qualities, truth is also relative as "truth to me", "truth to him", "truth to you", "truth to them" and a truth accepted by all is not possible and available to be expressed, accepted or spread and we all mistake our perceptions of truth as truth without understanding or experiencing the truth. But truth is like fire. It can not be hidden or held in hand.
the palm. Truth sneaks through our cautions and suppression and declares itself.
poem by Varanasi Ramabrahmam
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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A Nude Artist
A Nude Artist
he says he is a nude artist
because he is naked when he paints
such nakedness has
nothing to do with being a nude artist
a naked artist who paints a cat or a chicken
is not a nude artist
there is no nude cat
thyere is no nude chicken
just paint a naked woman
and he will be called a nude artist
an artist is not an art
he must know that
- Frog Mantra, Accents Publishing,2012 -
poem by Suchoon Mo_
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The Naked and the Nude
For me, the naked and the nude
(By lexicographers construed
As synonyms that should express
The same deficiency of dress
Or shelter) stand as wide apart
As love from lies, or truth from art.
Lovers without reproach will gaze
On bodies naked and ablaze;
The Hippocratic eye will see
In nakedness, anatomy;
And naked shines the Goddess when
She mounts her lion among men.
The nude are bold, the nude are sly
To hold each treasonable eye.
While draping by a showman's trick
Their dishabille in rhetoric,
They grin a mock-religious grin
Of scorn at those of naked skin.
The naked, therefore, who compete
Against the nude may know defeat;
Yet when they both together tread
The briary pastures of the dead,
By Gorgons with long whips pursued,
How naked go the sometimes nude!
poem by Robert Graves
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Bishop Blougram's Apology
No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.
So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.
[...] Read more
poem by Robert Browning from Men and Women (1855)
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Naked City
All the victims have turned to stone, no one is happy, theyre all alone
Id sacrifice my social position tonight
In new york, millionaires, and lonely people with lonely stares
Im not lookin for love and Im lost in this night
In the naked city (in the city) there are ten million stories (naked city)
Im not lookin for pity (in the city) in this naked city (naked city)
Street vampires in the night, young lovers and love at first sight
This is my flesh and my fantasy
Older women with younger men, Ive got a feelin Im in trouble again
But Ive got to live my destiny
In the naked city (in the city) its a race with the devil (naked city)
All the pain and the sorrow (in the city) is there more tomorrow (naked city)
In the naked, naked city (in the city) naked city
Lonely people lookin for someone, lonely people goin their way
Lonely people lookin for something, lonely people goin their way
In new york, millionaires, lonely people with lonely stares
Im not lookin for love and Im lost in this night
In the naked city, there are ten million stories
Im not lookin for pity in this naked city
In the naked, naked city (in the city), its a race with the devil (naked city)
All the pain and the sorrow (in the city) is there more tomorrow (naked city)
(in the city, naked city) (repeats out)
song performed by Kiss
Added by Lucian Velea
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Foma Bobrov And His Spouse
GRANNY Bobrov (Playing patience) Now that's the card. Oh, it's all coming out topsy-turvy! A king. And where am I supposed to put that? Just when you want one, there's never a five around. Oh, I could do with a five! Now it'll be the five. Oh, sod it, another king!
She flings the cards on to the table with such force that a porcelain vase falls off the table and smashes.
GRANNY Oh! Oh! My Gawd! These bloody cards! (She crawls under the table and picks up the pieces). This'll never glue back together again. And it was a good vase, too. You can't get them like that any more. This bit's right over there! (Stretches for the piece. BOBROV enters the room).
BOBROV Granny! Is that you clambering about under the table?
GRANNY Yes, okay, okay. What do you want?
BOBROV I just came to ask you: you wouldn't happen to have a chest of tea?
GRANNY Come on then, give me a hand up from under the table.
BOBROV What have you done, dropped something? Oh, you've broken the vase!
GRANNY (Mimicking him) You've broken the vase!
(BOBROV helps GRANNY up. But as soon as he lets go of her, GRANNY sits back down on the floor).
BOBROV Oh, you're down again!
GRANNY Down, so now what?
BOBROV Let me help you up (Pulls GRANNY up).
GRANNY The cards were going badly. I tried this and that... But don't pull me by the arms, get hold of me under the armpits. All I got, you know, was king after king. I need a five and all the kings keep turning up.
BOBROV lets go of GRANNY and GRANNY again sprawls on the floor.
GRANNY Akh!
BOBROV Oh, Lord! You're down again.
GRANNY What are you on about: down, down! What are you after, anyway?
BOBROV I came to ask if you've a chest of tea.
GRANNY I know that. You've already told me. I don't like listening to the same tale twenty times. The thing is: akh, I'm down again! and a chest of tea. Well, what are you looking at! Get me up, I'm telling you.
BOBROV (Pulling GRANNY up) I'll just, excuse me, put you in the armchair.
GRANNY You'd do better to prattle on a bit less and pull me up in a proper fashion. I meant to tell you, and it almost slipped my mind: you know, that door in my bedroom isn't shutting properly again. No doubt you messed the whole thing up.
BOBROV No, I put a staple on with fillister-head screws.
GRANNY Do you think I know anything about staples and fillister heads? I don't care about all that. I just want the door to shut.
BOBROV It doesn't shut properly because the fillister heads won't stay in the woodwork.
GRANNY That'll do, that'll do. That's your business. I just need to... Akh! (She again sprawls on the floor).
BOBROV Oh, Lord!
GRANNY Have you decided to fling me to the floor deliberately? Decided to have a bit of fun? Oh you useless devil! You're just a useless devil and you might as well clear off!
BOBROV No, Granny, 'onest injun, I just meant to put you in the armchair.
GRANNY Did you hear what I said? I told you to clear out! So why aren't you going? Well, why aren't you going? Do you hear? Clear off out of it! Well? Bugger off! (exits BOBROV)
GRANNY Off! Go on! Away! Bugger off! Talk about a reprobate! (Gets up from the floor and sits in the armchair). And his wife is simply an indecent madam. The madam walks about absolutely starkers and doesn't bat an eyelid, even in front of me, an old woman. She covers her indecent patch with the palm of her hand, and that's the way she walks around. And then she touches bread with that hand at lunchtime. It's simply revolting to watch. She thinks that if she's young and pretty, then she can do anything she likes. And as for herself, the trollop, she never washes herself properly just where she should do. I, she says, like a whiff of woman to come from a woman! And as for me, as soon as I see her coming, I'm straight into the bathroom with the eau de Cologne to my nose. Perhaps it may be nice for men, but as for me, you can spare me that. The shameless hussy! She goes around naked without the slightest embarrassment. And when she sits down she doesn't even keep her legs together properly, so that everything's on show. And -- there, she's well just always wet. She's leaking like that all the time. If you tell her she should go and wash herself, she will say you shouldn't wash there too often and she'll take a handkerchief and just wipe herself. And you're lucky if it's a handkerchief, because just with her hand she smears it all over the place. I never give her my hand, as there's perpetually an indecent smell from her hands. And her breasts are indecent. It's true, they are very fine and bouncy, but they are so big that, in my opinion, they're simply indecent. That's the wife that Foma found for himself! How she ever got round him is beyond me.
poem by Daniil Ivanovich Kharms
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
[...] Read more
poem by Wilfrid Scawen Blunt
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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A Nude Picture
Your love is like a nude picture in my mind and,
It is sweeter than a candy pie;
You are real and i am here to stay.
Like a nude picture,
Your taste is sweeter than the candy;
For it makes me feel so high!
Your love is like a nude picture in my mind and,
I am dying for your love my sweet one;
Oh girl, throw me an apple of your sweet love to run for it.
True love knows no boundary and,
Sweet love knows no barrier;
You are my precious one and, what is your hot-line? !
The only picture i have in my mind is your nude body.
I will wait for you always!
Even in the rain;
I will sing for you always!
Even on your bed;
My nude lover,
My nude picture,
What a beauty that you are! !
Like Romeo and Juliet.
Do rebounce on me always,
For your love is like a nude picture in my mind;
With the reflections of you in the mirror.
You are sweeter than the candy pie,
With much hope and dreams to the world of roses;
I will wait for you always my sweet one.
poem by Edward Kofi Louis
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The Ancient Banner
In boundless mercy, the Redeemer left,
The bosom of his Father, and assumed
A servant's form, though he had reigned a king,
In realms of glory, ere the worlds were made,
Or the creating words, 'Let there be light'
In heaven were uttered. But though veiled in flesh,
His Deity and his Omnipotence,
Were manifest in miracles. Disease
Fled at his bidding, and the buried dead
Rose from the sepulchre, reanimate,
At his command, or, on the passing bier
Sat upright, when he touched it. But he came,
Not for this only, but to introduce
A glorious dispensation, in the place
Of types and shadows of the Jewish code.
Upon the mount, and round Jerusalem,
He taught a purer, and a holier law,—
His everlasting Gospel, which is yet
To fill the earth with gladness; for all climes
Shall feel its influence, and shall own its power.
He came to suffer, as a sacrifice
Acceptable to God. The sins of all
Were laid upon Him, when in agony
He bowed upon the cross. The temple's veil
Was rent asunder, and the mighty rocks,
Trembled, as the incarnate Deity,
By his atoning blood, opened that door,
Through which the soul, can have communion with
Its great Creator; and when purified,
From all defilements, find acceptance too,
Where it can finally partake of all
The joys of His salvation.
But the pure Church he planted,—the pure Church
Which his apostles watered,—and for which,
The blood of countless martyrs freely flowed,
In Roman Amphitheatres,—on racks,—
And in the dungeon's gloom,—this blessed Church,
Which grew in suffering, when it overspread
Surrounding nations, lost its purity.
Its truth was hidden, and its light obscured
By gross corruption, and idolatry.
As things of worship, it had images,
And even painted canvas was adored.
It had a head and bishop, but this head
Was not the Saviour, but the Pope of Rome.
Religion was a traffic. Men defiled,
Professed to pardon sin, and even sell,
The joys of heaven for money,—and to raise
Souls out of darkness to eternal light,
For paltry silver lavished upon them.
[...] Read more
poem by Anonymous Americas
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XII. The Book and the Ring
Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!
After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.
"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
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The Truth The Whole Truth And Nothing But The Truth
Lonely days lonely nights
Hoping thing's gonna turn out right
You had me hanging on a string
For you I did most anything
You don't give me no
The truth, the whole truth, nothing but the truth
Its a blind mans eye baby ain't no youth
The truth, the whole truth, nothing but the truth
Don't need your lies I got my proof
Put your face up to my window
Ask me baby what did I see
Well I know I know you ain't right
I know you ain't right for me
You don't give me no
The truth, the whole truth, nothing but the truth
Gods little baby's got nothing to shoot
The truth, the whole truth, nothing but the truth
Get your kicks on a different route
All I want is the truth
All I want is the truth
All I want is
The truth, the whole truth, nothing but the truth
Blind mans eye baby ain't no use
The truth, the whole truth, nothing but the truth
Don't need your lies I got nothing to prove
The truth, the whole truth, nothing but the truth
Gods little baby's got nothing to shoot
The truth, the whole truth, nothing but the truth
Get your kicks on a different route
Don't hurt ya
Don't hurt ya
The truth don't hurt ya
The truth don't hurt ya
Don't hurt ya don't hurt ya
The truth don't hurt ya
(fade)
song performed by Ian Hunter
Added by Lucian Velea
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The Truth Whole Truth, Nuthin But The Truth
(ian hunter)
Lonely days lonely nights
Hoping things gonna turn out right
You had me hanging on a string
For you I did most anything
You dont give me no
The truth, the whole truth, nothing but the truth
Its a blind mans eye baby aint no youth
The truth, the whole truth, nothing but the truth
Dont need your lies I got my proof
Put your face up to my window
Ask me baby what did I see
Well I know I know you aint right
I know you aint right for me
You dont give me no
The truth, the whole truth, nothing but the truth
Gods little babys got nothing to shoot
The truth, the whole truth, nothing but the truth
Get your kicks on a different route
All I want is the truth
All I want is the truth
All I want is
The truth, the whole truth, nothing but the truth
Blind mans eye baby aint no use
The truth, the whole truth, nothing but the truth
Dont need your lies I got nothing to prove
The truth, the whole truth, nothing but the truth
Gods little babys got nothing to shoot
The truth, the whole truth, nothing but the truth
Get your kicks on a different route
Dont hurt ya
Dont hurt ya
The truth dont hurt ya
The truth dont hurt ya
Dont hurt ya dont hurt ya
The truth dont hurt ya
(fade)
song performed by Ian Hunter
Added by Lucian Velea
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The Truth, The Whole Truth, Nuthin' But The Truth
(ian hunter)
Lonely days lonely nights
Hoping thing's gonna turn out right
You had me hanging on a string
For you i did most anything
You don't give me no
The truth, the whole truth, nothing but the truth
Its a blind mans eye baby ain't no youth
The truth, the whole truth, nothing but the truth
Don't need your lies i got my proof
Put your face up to my window
Ask me baby what did i see
Well i know i know you ain't right
I know you ain't right for me
You don't give me no
The truth, the whole truth, nothing but the truth
Gods little baby's got nothing to shoot
The truth, the whole truth, nothing but the truth
Get your kicks on a different route
All i want is the truth
All i want is the truth
All i want is
The truth, the whole truth, nothing but the truth
Blind mans eye baby ain't no use
The truth, the whole truth, nothing but the truth
Don't need your lies i got nothing to prove
The truth, the whole truth, nothing but the truth
Gods little baby's got nothing to shoot
The truth, the whole truth, nothing but the truth
Get your kicks on a different route
Don't hurt ya
Don't hurt ya
The truth don't hurt ya
The truth don't hurt ya
Don't hurt ya don't hurt ya
The truth don't hurt ya
(fade)
song performed by Ian Hunter
Added by Lucian Velea
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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