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Isaac Asimov

No sensible decision can be made any longer without taking into account not only the world as it is, but the world as it will be. . .

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Hey

Hey , Im a-gettin that way
Goin out of my mind , out of my mind , its true
Its on account of you , its on account of you
Hey , Im a-feelin so low
Im gettin my heart all mixed up , gettin all mixed up too
Its on account of you , its on account of you
Now , I dont want your troubles and sorrows
Ive got plenty of my own
I dont want to worry about tomorrow
I dont want to live alone
Let me tell ya now ...
(break)
Hey , Im a-gettin that way
Goin out of my mind, out of my mind its true
Its on account of you ,its on account of you
Now I dont want your troubles and sorrows
Ive got plenty of my own
I dont want to worry about tomorrow
I dont want to be alone
Let me tell ya now
(break)
Hey , Im a-gettin that way
Goin out of my mind , out of my mind its true
Its on account of you
Its on account of you
Its on account of you
Its on account of you (fade)

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The Cloud Messenger - Part 04

The slender young woman who is there would be the premier creation by the
Creator in the sphere of women, with fine teeth, lips like a ripe bimba fruit, a
slim waist, eyes like a startled gazelle’s, a deep navel, a gait slow on account
of the weight of her hips, and who is somewhat bowed down by her breasts.

You should know that she whose words are few, my second life, is like a
solitary female cakravaka duck when I, her mate, am far away. While these
weary days are passing, I think the girl whose longing is deep has taken on an
altered appearance, like a lotus blighted by frost.

Surely the face of my beloved, her eyes swollen from violent weeping, the
colour of her lower lip changed by the heat of her sighs, resting upon her
hand, partially hidden by the hanging locks of her hair, bears the miserable
appearance of the moon with its brightness obscured when pursued by you.

She will come at once into your sight, either engaged in pouring oblations, or
drawing from memory my portrait, but grown thin on account of separation,
or asking the sweet-voiced sarika bird in its cage, ‘I hope you remember the
master, O elegant one, for you are his favourite’;

Or having placed a lute on a dirty cloth on her lap, friend, wanting to sing a
song whose words are contrived to contain my name, and somehow plucking
the strings wet with tears, again and again she forgets the melody, even
though she composed it herself;

Or engaged in counting the remaining months set from the day of our
separation until the end by placing flowers on the ground at the threshold, or
enjoying acts of union that are preserved in her mind. These generally are the
diversions of women when separated from their husbands.

During the day, when she has distractions, separation will not torment her so
much. I fear that your friend will have greater suffering at night without
distraction. You who carry my message, positioned above the palace roof-top,
see the good woman at midnight, lying on the ground, sleepless, and cheer her
thoroughly.

Grown thin with anxiety, lying on one side on a bed of separation, resembling
the body of the moon on the eastern horizon when only one sixteenth part
remains, shedding hot tears, passing that night, lengthened by separation,
which spent in desired enjoyments in company with me would have passed in
an instant.

Covering with eyelashes heavy with tears on account of her sorrow, her eyes
which were raised to face the rays of the moon, which were cool with nectar
and which entered by way of the lattice, fall again on account of her previous
love, like a bed of land-lotuses on an overcast day, neither open nor closed.

She whose sighs that trouble her bud-like lower lip will surely be scattering
the locks of her hair hanging at her cheek, dishevelled after a simple bath,
thinking how enjoyment with me might arise even if only in a dream, yearning

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Letter To... From A Classic Archetypal Dope

Now as I account for myself
I know the fight is over
You made me feel if I was worth saving
I was worth having
And I knew as the man flattered to grow
He also learned the crafts of
Clinging on to his sleazy self

When we have to account for ourselves
When we have to take stock of the unaccountable
When
When we have but ourselves to account for
When all but you and I alone are left
Standing
Amid the crowds that hover at my presence
In your eye
Amid the lashing lolling tongues
Criticising
Amid the squelching claws of distrust
And the deriding press of after thought
What are my lean-throated words
What are my bleating pleas of
What
When we have to account for ourselves
In the awakening stillness of other judgment worlds
What account do we have for ourselves
But the rabid thirst of a search
When we may have met in this or that town
But in this land and in this continent
This world
This incarnation
This temporal crevice

You in the fresh burst of put-up discovery
I in the aftermath of debunking rediscovery
Time was then held alike that summer
Growing only to fruition in our recognition
My senses were growingly numb from blunt use
Burning when the electric fondling
Dared enter and worry the dusty corners

I saw you then
Not as the strapping dash of bubbliness
Nor as the plaitted innocence of schooling youth
Trundling the scenes of covertly revisited crimes
Forming with others the dutiful good habits
Nor as the tall preening blot of shyness
At the hedge of a group picture
Fronting a personality
Dicing friendship

[...] Read more

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Definite Maybe

Got a letter through the post that says I dont exist.
Apparently the new computer thinks I wont be missed.
We need more facts, perhaps you would find out and forward them.
Theres no proof or trace or date or place or where or when.
Central informations got no news today (today).
Is there a change in my position?
No decision, no decision.
All I ever get is a definite maybe.
Head office thinks Im dead,
But Im not even ill.
How do I get attention,
Tell me who I have to kill.
Is there a change in my condition?
Not today.
The answer comes with repetition,
No decision, no decision.
round and round the circle goes,
Stood in line but the counter was closed.
And when I ask who is responsible,
Nobody knows, try one of those.
All I want is a yes or a no,
(all he wants is a yes or a no).
But all I ever get is a definite maybe.
Tried to make my life a misery,
But they dont want to know,
They dont want to know,
They dont want to know.
And all I ever get is a definite maybe.
No decision, no decision.
Surely there must be a way to open all the doors,
And wade through all the petty bureaucratic little laws.
Frustration everywhere I turn, I just get more and more.
Everyones got problems and theyve heard all mine before.
Oh, Im tired of making endless calls.
(somebody help this poor man.)
Banging my head against the wall.
I walk along an endless corridor,
Then I knock on the door, then I realize
That Ive been there before.
No one here can hear my case.
So all I ever get is a definite maybe.
When they say, no news today, get back in the queue,
What can I do? what can I do? what can I do?
No decision, no decision.
No decision.
All I ever get (no decision) is a definite maybe (no decision).

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How Much Longer

I'm stuck
Inside
Can't get this done wish I could hide
This scene is really such a pain
I just
Can't see
How this is any use to me
This work is drivin' me insane
All I really want is to get away (can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
It's on
My mind
I think I'm runnin out of time
This weight is more than I can take
That clock
Is slow
It's never gonna let me go
This time I need more than just a break
All I really want is to get away (can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
And here I go again (and here I go again)
Wondering when (when)
I can have my time to play
(Can anybody tell me)
(Can anybody, can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait

[...] Read more

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Reverse Reality

when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision

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Loverman

(originally recorded by nick cave and the bad seeds)
Theres a devil waiting outside your door (how much longer? )
Theres a devil waiting outside your door (how much longer? )
And hes bucking and braying and pawing at the floor (how much longer? )
And hes howling with pain, crawling up the walls (how much longer? )
Theres a devil waiting outside your door (how much longer? )
And hes weak with evil and broken by the world (how much longer? )
And hes shouting your name and asking for more (how much longer? )
Theres a devil waiting outside your door (how much longer? )
Loverman! since the world began
Forever, amen, till the end of time, yeah
Take off that dress, oh
Im coming down, yeah
Im your loverman, yeah
cause I am what I am what I am what I am what I am
L is for love, baby
O is for only you that I do
V is for loving virtually everything that you are
E is for loving almost everything that you do
R is for rape me
M is for murder me
A is for answering all of my prayers
N is for knowing your lovermans going to be the answer to all of yours
Loverman! till the bitter end
While the empires burn down
Forever and ever and ever, ever, amen
Im your loverman
So help me, baby
So help me, baby
cause I am what I am what I am what I am what I am
Im your loverman
Theres a devil crawling along your floor (how much longer? )
Theres a devil crawling along your floor (how much longer? )
With a trembling heart, hes coming through your door (how much longer? )
With his straining sex in his jumping paw (how much longer? )
Ooh, theres a devil crawling along your floor (how much longer? )
And hes old and hes stupid and hes hungry and hes sore
And hes blind and hes lame and hes dirty and hes poor
Gimme more, gimme more, gimme more, gimme more, gimme more, gimme more (how much longer? )
Theres a devil crawling along your floor
Loverman! haha! and here I stand
Forever, amen
cause I am what I am what I am what I am, hey
Forgive me, baby
My hands are tied
And I got no choice, no, no, no, no
I got no choice, no choice at all
Ill say it again
L is for love, baby
O is for oh yes I do

[...] Read more

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Fine

A lovers quarrel
Death by a shotgun barrel
With a cleaning solution the instruments are made sterile.
A hairy situation.
Like a plastic surgeon.
Rewriting the expression.
In both the date and time.

Now its fine
Now its fine.
Fine as fine can be.
I no longer need you and you no longer need me.
Can you hear the anger scream.
Reaching out for mercy in its desperate pleas.

Now its fine
Now its fine.
Fine as fine can be.
I no longer need you and you no longer need me.
Can you hear the anger scream.
Reaching out for mercy in its desperate pleas.

Changing my identity
Becoming that man I never use to be
With all niceties, and pleasantries wrapped in a little bow tie.
I don't even know how I survived.
Some thought I would have committed suicide.
But my drive just wouldn't let me.

Well, Now its fine
Now its fine.
Fine as fine can be.
I no longer need you and you no longer need me.
Can you hear the anger scream.
Reaching out for mercy in its desperate pleas.

Now its fine
Now its fine.
Fine as fine can be.
I no longer need you and you no longer need me.
Can you hear the anger scream.
Reaching out for mercy in its desperate pleas.

A murders escape.
A mind debates.
With shouts of hate.
How can you? Just how can you?
Emotional distress.
In all this I digest the worthiness
Worthless I've been called.

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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Hermann And Dorothea - IV. Euterpe

MOTHER AND SON.

THUS the men discoursed together; and meanwhile the mother
Went in search of her son,--at first in front of the dwelling
On the bench of stone, for he was accustom'd to sit there.
When she found him not there, she went to look in the stable,
Thinking perchance he was feeding his splendid horses, the stallions
Which he had bought when foals, and which he entrusted to no one.
But the servant inform'd her that he had gone to the garden.
Then she nimbly strode across the long double courtyard,
Left the stables behind, and the barns all made of good timber,
Enter'd the garden which stretch'd far away to the walls of the borough,
Walk'd across it, rejoicing to see how all things were growing,
Carefully straighten'd the props, on which the apple-tree's branches,
Heavily loaded, reposed, and the weighty boughs of the pear-tree,
Took a few caterpillars from off the strong-sprouting cabbage;
For a bustling woman is never idle one moment.
In this manner she came to the end of the long-reaching garden,
Where was the arbour all cover'd with woodbine: she found not her son there,
Nor was he to be seen in any part of the garden.
But she found on the latch the door which out of the arbour
Through the wall of the town had been made by special permission
During their ancestor's time, the worthy old burgomaster.
So she easily stepp'd across the dry ditch at the spot where
On the highway abutted their well-inclosed excellent vineyard.
Rising steeply upwards, its face tow'rd the sun turn'd directly.
Up the hill she proceeded, rejoicing, as farther she mounted,
At the size of the grapes, which scarcely were hid by the foliage.
Shady and well-cover'd in, the middle walk at the top was,
Which was ascended by steps of rough flat pieces constructed.
And within it were hanging fine chasselas and muscatels also,
And a reddish-blue grape, of quite an exceptional bigness,
All with carefulness planted, to give to their guests after dinner.
But with separate stems the rest of the vineyard was planted,
Smaller grapes producing, from which the finest wine made is.
So she constantly mounted, enjoying in prospect the autumn.
And the festal day, when the neighbourhood met with rejoicing,
Picking and treading the grapes, and putting the must in the wine-vats,
Every corner and nook resounding at night with the fireworks,
Blazing and cracking away, due honour to pay to the harvest.
But she uneasy became, when she in vain had been calling
Twice and three times her son, and when the sole answer that reach'd her
Came from the garrulous echo which out of the town towers issued.
Strange it appear'd to have to seek him; he never went far off,
(As he before had told her) in order to ward off all sorrow
From his dear mother, and her forebodings of coming disaster.
But she still was expecting upon the highway to find him,
For the doors at the bottom, like those at the top, of the vineyard
Stood wide open; and so at length she enter'd the broad field
Which, with its spreading expanse, o'er the whole of the hill's back extended.

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Hermann And Dorothea - VI. Klio

THE AGE.

WHEN the pastor ask'd the foreign magistrate questions,
What the people had suffer'd, how long from their homes they had wander'd,
Then the man replied:--'By no means short are our sorrows,
For we have drunk the bitters of many a long year together,
All the more dreadful, because our fairest hopes have been blighted.
Who can deny that his heart beat wildly and high in his bosom
And that with purer pulses his breast more freely was throbbing,
When the newborn sun first rose in the whole of its glory,
When we heard of the right of man, to have all things in common,
Heard of noble Equality, and of inspiriting Freedom!
Each man then hoped to attain new life for himself, and the fetters
Which had encircled many a land appear'd to be broken,
Fetters held by the hands of sloth and selfish indulgence.
Did not all nations turn their gaze, in those days of emotion,
Tow'rds the world's capital, which so many a long year had been so,
And then more than ever deserved a name so distinguish'd?
Were not the men, who first proclaim'd so noble a message,
Names that are worthy to rank with the highest the sun ever shone on,
Did not each give to mankind his courage and genius and language?

'And we also, as neighbours, at first were warmly excited.
Presently after began the war, and the train of arm'd Frenchmen
Nearer approach'd; at first they appear'd to bring with them friendship,
And they brought it in fact; for all their souls were exalted.
And the gay trees of liberty ev'rywhere gladly they planted,
Promising unto each his own, and the government long'd for.
Greatly at this was youth, and greatly old age was delighted,
And the joyous dance began round the newly-raised standards.
In this manner the overpowering Frenchmen soon conquer'd
First the minds of the men, with their fiery lively proceedings,
Then the hearts of the women, with irresistible graces.
Even the strain of the war, with its many demands, seem'd but trifling,
For before our eyes the distance by hope was illumined,
Luring our gaze far ahead into paths now first open'd before us.
'O how joyful the time, when with his bride the glad bridegroom
Whirls in the dance, awaiting the day that will join them for ever
But more glorious far was the time when the Highest of all things
Which man's mind can conceive, close by and attainable seemed.
Then were the tongues of all loosen'd, and words of wisdom and feeling
Not by greybeards alone, but by men and by striplings were utter'd.

'But the heavens soon clouded became. For the sake of the mast'ry
Strove a contemptible crew, unfit to accomplish good actions.
Then they murder'd each other, and took to oppressing their new-found
Neighbours and brothers, and sent on missions whole herds of selfÄseekers
And the superiors took to carousing and robbing by wholesale,
And the inferiors down to the lowest caroused and robb'd also.
Nobody thought of aught else than having enough for tomorrow.

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Let It All Burn

Riding the waves of premonitions.
Maybe your right, maybe your wrong.
I no longer care.
You gave up on me long ago.
And now I'm giving up on you.

The broken hearted are departing.
Setting sail for a new found trust.
I don't blame you, I've just had enough.
Trying to cross the divide.
Trying to see eye to eye.
But the flames just carry to high.
Their might be clearing in the sky but I can't find it.

And I can no longer afford to waste time.
Riding the waves of premonitions.
Maybe your right, maybe your wrong.
I no longer care.
You gave up on me long ago.
And now I'm giving up on you.

Being sucked down in the turmoil at the gates of hell.
I can still hear all those cross words.
As if I can make this work.
I've been down this road before.
I know where it leads.
I know what the seeds grow,
I know you will reap what I sew.
Oh no, no no no no.

And I can no longer afford to waste time.
Riding the waves of premonitions.
Maybe your right, maybe your wrong.
I no longer care.
You gave up on me long ago.
And now I'm giving up on you.

I was once an open door.
But now that is closed.
Can you feel the coldness of the frigid ice.
That's my heart.
It no long bleeds.
Not for you.
Not ever again.
With all the discontent as you keep trying.
Still I'm not moved.

And I can no longer afford to waste time.
Riding the waves of premonitions.
Maybe your right, maybe your wrong.

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Ch 07 On The Effects Of Education Story 20

Contention of Sa’di with a Disputant concerning Wealth and Poverty

I saw a man in the form but not with the character of a dervish, sitting in an assembly, who had begun a quarrel; and, having opened the record of complaints, reviled wealthy men, alleging at last that the hand of power of dervishes to do good was tied and that the foot of the intention of wealthy men to do good was broken.

The liberal have no money.
The wealthy have no liberality.

I, who had been cherished by the wealth of great men, considered these words offensive and said: ‘My good friend, the rich are the income of the destitute and the hoarded store of recluses, the objects of pilgrims, the refuge of travellers, the bearers of heavy loads for the relief of others. They give repasts and partake of them to feed their dependants and servants, the surplus of their liberalities being extended to widows, aged persons, relatives and neighbours.’

The rich must spend for pious uses, vows and hospitality,
Tithes, offerings, manumissions, gifts and sacrifices.
How canst thou attain their power of doing good who art able
To perform only the prayer-flections and these with a hundred distractions?

If there be efficacy in the power to be liberal and in the ability of performing religious duties, the rich can attain it better because they possess money to give alms, their garments are pure, their reputation is guarded, their hearts are at leisure. Inasmuch as the power of obedience depends upon nice morsels and correct worship upon elegant clothes, it is evident that hungry bowels have but little strength, an empty hand can afford no liberality, shackled feet cannot walk, and no good can come from a hungry belly.

He sleeps troubled in the night
Who has no support for the morrow.
The ant collects in summer a subsistence
For spending the winter in ease.

Freedom from care and destitution are not joined together and comfort in poverty is an impossibility. A man who is rich is engaged in his evening devotions whilst another who is poor is looking for his evening meal. How can they resemble each other?

He who possesses means is engaged in worship.
Whose means are scattered, his heart is distracted.

The worship of those who are comfortable is more likely to meet with acceptance, their minds being more attentive and not distracted or scattered. Having a secure income, they may attend to devotion. The Arab says: ‘I take refuge with Allah against base poverty and neighbours whom I do not love. There is also a tradition: Poverty is blackness of face in both worlds.’ He retorted by asking me whether I had heard the Prophet’s saying: Poverty is my glory. I replied: ‘Hush! The prince of the world alluded to the poverty of warriors in the battlefield of acquiescence and of submission to the arrow of destiny; not to those who don the patched garb of righteousness but sell the doles of food given them as alms.’

O drum of high sound and nothing within,
What wilt thou do without means when the struggle comes?
Turn away the face of greed from people if thou art a man.
Trust not the rosary of one thousand beads in thy hand.

A dervish without divine knowledge rests not until his poverty, culminates in unbelief; for poverty is almost infidelity, because a nude person cannot be clothed without money nor a prisoner liberated. How can the like of us attain their high position and how does the bestowing resemble the receiving hand? Knowest thou not that God the most high and glorious mentions in his revealed word the Pleasures of paradise-They shall have a certain provision in paradise-to inform thee that those who are occupied with cares for a subsistence are excluded from the felicity of piety and that the realm of leisure is under the ring of the certain provision.

The thirsty look in their sleep
On the whole world as a spring of water.

Wherever thou beholdest one who has experienced destitution and tasted bitterness, throwing himself wickedly into fearful adventures and not avoiding their consequences, he fears not the punishment of Yazed and does not discriminate between what is licit or illicit.

The dog whose head is touched by a clod of earth
Leaps for joy, imagining it to be a bone.
And when two men take a corpse on their shoulders,
A greedy fellow supposes it to be a table with food.

But the possessor of wealth is regarded with a favourable eye by the Almighty for the lawful acts he has done and preserved from the unlawful acts he might commit. Although I have not fully explained this matter nor adduced arguments, I rely on thy sense of justice to tell me whether thou hast ever seen a mendicant with his hands tied up to his shoulders or a poor fellow sitting in prison or a veil of innocence rent or a guilty hand amputated, except in consequence of poverty? Lion-hearted men were on account of their necessities captured in mines which they had dug to rob houses and their heels were perforated. It is also possible that a dervish, impelled by the cravings of his lust and unable to restrain it, may commit sin because the stomach and the sexual organs are twins, that is to say, they are the two children of one belly and as long as one of these is contented, the other will likewise be satisfied. I heard that a dervish had been seen committing a wicked act with a youth, and although he had been put to shame, he was also in danger of being stoned. He said: ‘O Musalmans, I have no power to marry a wife and no patience to restrain myself. What am I to do? There is no monasticism in Islam.” Among the number of causes producing internal tranquility and comfort in wealthy people, the fact may be reckoned that they take every night a sweetheart in their arms and may every day contemplate a youth whose brightness excels that of the shining morn and causes the feet of walking cypresses to conceal themselves abashed.

Plunging the fist into the blood of beloved persons,
Dying the finger-tips with the colour of the jujube-fruit.

[...] Read more

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Decisions

At the times decisions must be had, we weigh the good and the bad.
Decisions not always cut and dry, being left too often to wonder why,
What decision bears more weight, on the scale that people call fate?
Why do these things happen to me, just what is it that I can not see?

With decisions made from the heart, reason sometimes plays no part.
There is never rhyme or reason, when it’s your heart you’re pleasing.
And reason can seem kind of cold, when a decision seems to be bold.
However, it is never fate my friend, with our God, who knows the end.

With any decision that you make, there’s a chance a heart will break.
But you must remember my friend, that in due time hearts will mend.
Decisions come in various kinds, and burden both hearts and minds.
Whatever the decision, be assured, guidance is offered by The Lord.

Friend, you can humbly go to God, and He will light the path to trod.
And when you truly seek His face, God will fill your heart with Grace.
Make the decision and take a stand, even if others don’t understand.
If someone towards you is unkind, Christ will give you peace of mind.

The Lord will light the proper path, guiding you from the unkind wrath.
If you have never sought The Lord, He’s truly a source to be implored.
Christ will then show you the way, to make a decision in a Godly way.
With God make your decision then, leave it with The Savior my friend.

(Copyright ©04/2006)

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Sensurround

Sensurround
When I was only a zygote
I still remember the time
When there was nothing to know or to think about
Except the sound of my mind
And the sound from outside
Sensurround
Down at the bottom
Sensible to ear and sternum
And the world first spoke to me in sensurround
If mom had known she was expecting
She might have gone to see jaws
Instead of picking the film where the sound effects
Came right up through the floor
And Id be differently formed
Sensurround
Down at the bottom
Sensible to ear and sternum
And the world first spoke to me in sensurround
Accidentally in a coal mine
It was found
When they accidentally dug too far down
And found the sensurround
I still dont know who conceived it
Or where they got the idea
But there it was in the aisle by the exit sign
A woofer covered in wood
To shake the world when it should
Sensurround
Down at the bottom
Sensible to ear and sternum
Made the fakeness realistic
When the action went ballistic
One degree shy of sadistic
And the world first spoke to me in sensurround
If I could swim under the water
Without having to breathe
If I could follow the trail to the ocean floor
I think I know what thered be
Down there waiting for me
Sensurround
Down at the bottom
Sensible to ear and sternum
Made the fakeness realistic
When the action went ballistic
One degree shy of sadistic
And the world first spoke to me in sensurround
--------------------------------------------------------------------------------

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Lovers

Sit down and listen 'cause I've got good news for you
It was in the papers today
Some physician had made a discovery
This' what she had to say:
(Oooh you know that)
She said that every result she had backed her
Claiming that love's a longevity factor
So lovers live a little longer, baby
You and me, we got a chance to live twice
Lovers live a little longer, ain't that nice
Lovers live a little longer, baby
What a feeling when I hold you tight
Lovers live a little longer, yeah
I can imagine, I'll see in my fantasy
I'll enjoy every day
Making love is a dynamite drug, baby
So why don't we start right away
(Ahh, please don't wait)
I don't care if they're watching 'cause listen
We've got a reason for each time we're kissing
'Cause lovers live a little longer, baby
You and me, we got a chance to live twice
Lovers live a little longer, ain't that nice
Lovers live a little longer, baby
What a feeling when I hold you tight
Lovers live a little longer, yeah
I just don't care if they're watching 'cause listen
We've got a reason for each time we're kissing
'Cause lovers live a little longer, baby
You and me, we got a chance to live twice
Lovers live a little longer, ain't that nice
Lovers live a little longer, baby
What a feeling when I hold you tight
Lovers live a little longer, yeah
Lovers live a little longer, baby
You and me, we got a chance to live twice
Lovers live a little longer, yeah

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Samuel Butler

Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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Walt Whitman

To Think Of Time

To think of time--of all that retrospection!
To think of to-day, and the ages continued henceforward!

Have you guess'd you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear'd the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing?
If the future is nothing, they are just as surely nothing.

To think that the sun rose in the east! that men and women were
flexible, real, alive! that everything was alive!
To think that you and I did not see, feel, think, nor bear our part!
To think that we are now here, and bear our part! 10


Not a day passes--not a minute or second, without an accouchement!
Not a day passes--not a minute or second, without a corpse!

The dull nights go over, and the dull days also,
The soreness of lying so much in bed goes over,
The physician, after long putting off, gives the silent and terrible
look for an answer,
The children come hurried and weeping, and the brothers and sisters
are sent for,
Medicines stand unused on the shelf--(the camphor-smell has long
pervaded the rooms,)
The faithful hand of the living does not desert the hand of the
dying,
The twitching lips press lightly on the forehead of the dying,
The breath ceases, and the pulse of the heart ceases, 20
The corpse stretches on the bed, and the living look upon it,
It is palpable as the living are palpable.

The living look upon the corpse with their eye-sight,
But without eye-sight lingers a different living, and looks curiously
on the corpse.


To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits
ripen, and act upon others as upon us now--yet not act upon us!
To think of all these wonders of city and country, and others taking
great interest in them--and we taking no interest in them!

To think how eager we are in building our houses!
To think others shall be just as eager, and we quite indifferent!

(I see one building the house that serves him a few years, or seventy
or eighty years at most, 30

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