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They made the garlic a bride, its smell did not come out for forty days.

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That Smell

Whiskey bottles, and brand new cars
Oak tree you're in my way
There's too much coke and too much smoke
Look what's going on inside you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink fool, will drown you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Now they call you Prince Charming
Can't speak a word when you're full of 'ludes
Say you'll be all right come tomorrow
But tomorrow might not be here for you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Hey, you're a fool you
Stick them needles in your arm
I know I been there before
One little problem that confronts you
Got a monkey on your back
Just one more fix, Lord might do the trick
One hell of a price for you to get your kicks
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

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That Smell

(allen collins - ronnie vanzant)
Whiskey bottles, and brand new cars
Oak tree youre in my way
Theres too much coke and too much smoke
Look whats going on inside you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink fool, will drown you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Now they call you prince charming
Cant speak a word when youre full of ludes
Say youll be all right come tomorrow
But tomorrow might not be here for you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Hey, youre a fool you
Stick them needles in your arm
I know I been there before
One little problem that confronts you
Got a monkey on your back
Just one more fix, lord might do the trick
One hell of a price for you to get your kicks
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you

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The Bride's Prelude

“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.

[...] Read more

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Poor Paddy

[the pogues version]
-----------------------------------------
In eighteen hundred and forty-one
The corduroy breeches I put on
Me corduroy breeches I put on
To work upon the railway, the railway
Im weary of the railway
Poor paddy works on the railway
In eighteen hundred and forty-two
From hartlepool I moved to crewe
Found myself a job to do
A working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-three
I broke the shovel across me knee
I went to work for the company
On the leeds to selby railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-four
I landed on the liverpool shore
My belly was empty me hands were raw
With working on the railway, the railway
Im sick to my guts of the railway
Poor paddy works on the railway
In eighteen hundred and forty-five
When daniel oconnell he was alive
When daniel oconnell he was alive
And working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-six
I changed my trade to carrying bricks
I changed my trade to carrying bricks
To work upon the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-seven
Poor paddy was thinking of going to heaven
The old bugger was thinking of going to heaven
To work upon the railway, the railway

[...] Read more

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Better Dayz

Lookin for these better days
Better days, heyyy! Better days
Got me thinkin bout better days
Better days! Better days, better days
Heyyy! Better days
Got me thinkin bout better days
Time to question our lifestyle, look how we live
Smokin weed like it ain't no thang, so even kids
wanna try now, they lie down and get ran through
Nobody watched 'em clockin the evil man do
Faced with the demons, addicted to hearin victims screamin
Guess we was evil since birth, product of cursed semens
Cause even our birthdays is cursed days
A born thug in the first place, the worst ways
I'd love to see the block in peace
With no more dealers and crooked cops, the only way to stop the beast
And only we can change
It's up to us to clean up the streets, it ain't the same
Too many murders, too many funerals and too many tears
Just seen another brother buried plus I knew him for years
Passed by his family, but what could I say?
Keep yo' head up and try to keep the faith
And pray for better days
Better days, better days, heyyy!
Better days.. got me thinkin bout better days
Better days, better days, better days
Heyyy! Better days
Got me thinkin bout better days
Thinkin back as an adolescent, who would've guessed
that in my future years, I'd be stressin
Some say the ghetto's sick and corrupted
Plus my P.O. won't let me hang with the brothers I grew up with
Tryin to keep my head up and stay strong
All my homies slangin llello all day long, but they wrong
So I'm solo and so broke
Savin up for some Jordan's, cause they dope
I got a girl and I love her but she broke too, and so am I
I can't take her to the place she wanna go to
So we argue and play fight, all day and night
Makin passionate love 'til the daylight
Plus we about to get evicted, can't pay the rent
Guess it's time to see who really is yo' friend
Tell me you pregnant and I'm amazed
So many blessings while we stressin
Lookin for them better days
For better days, better days, better days, heyyy!
Better days.. got me thinkin bout better days
Better days, better days, better days
Heyyy! Better days.. got me thinkin bout better days
Now me and you was real cool, hell on them square fools

[...] Read more

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Henry Wadsworth Longfellow

The Blind Girl Of Castel-Cuille. (From The Gascon of Jasmin)

At the foot of the mountain height
Where is perched Castel Cuille,
When the apple, the plum, and the almond tree
In the plain below were growing white,
This is the song one might perceive
On a Wednesday morn of Saint Joseph's Eve:

'The roads should blossom, the roads should bloom,
So fair a bride shall leave her home!
Should blossom and bloom with garlands gay,
So fair a bride shall pass to-day!'

This old Te Deum, rustic rites attending,
Seemed from the clouds descending;
When lo! a merry company
Of rosy village girls, clean as the eye,
Each one with her attendant swain,
Came to the cliff, all singing the same strain;
Resembling there, so near unto the sky,
Rejoicing angels, that kind Heaven has sent
For their delight and our encouragement.
Together blending,
And soon descending
The narrow sweep
Of the hillside steep,
They wind aslant
Towards Saint Amant,
Through leafy alleys
Of verdurous valleys
With merry sallies
Singing their chant:

'The roads should blossom, the roads should bloom,
So fair a bride shall leave her home!
Should blossom and bloom with garlands gay,
So fair a bride shall pass to-day!

It is Baptiste, and his affianced maiden,
With garlands for the bridal laden!

The sky was blue; without one cloud of gloom,
The sun of March was shining brightly,
And to the air the freshening wind gave lightly
Its breathings of perfume.

When one beholds the dusky hedges blossom,
A rustic bridal, oh! how sweet it is!
To sounds of joyous melodies,
That touch with tenderness the trembling bosom,
A band of maidens

[...] Read more

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Lord Thomas And Fair Annet

Lord Thomas and Fair Annet
Sate a' day on a hill;
Whan night was cum, and sun was sett,
They had not talkt their fill.

Lord Thomas said a word in jest,
Fair Annet took it ill:
'A, I will nevir wed a wife
Against my ain friend's will.'

'Gif ye wull nevir wed a wife,
A wife wull neir wed yee;'
Sae he is hame to tell his mither,
And knelt upon his knee.

'O rede, O rede, mither,' he says,
'A gude rede gie to mee;
O sall I tak the nut-browne bride,
And let Faire Annet bee?'

'The nut-browne bride haes gowd and gear,
Fair Annet she has gat nane;
And the little beauty Fair Annet haes
O it wull soon be gane.'

And he has till his brother gane:
'Now, brother, rede ye mee;
A, sall I marrie the nut-browne bride,
And let Fair Annet bee?'

'The nut-browne bride has oxen, brother,
The nut-browne bride has kye;
I wad hae ye marrie the nut-browne bride,
And cast Fair Annet bye.'

'Her oxen may dye i' the house, billie,
And her kye into the byre;
And I sall hae nothing to mysell
Bot a fat fadge by the fyre.'

And he has till his sister gane:
'Now, sister, rede ye mee;
O sall I marrie the nut-browne bride,
And set Fair Annet free?'

'I'se rede ye tak Fair Annet, Thomas,
And let the browne bride alane;
Lest ye sould sigh, and say, Alace,
What is this we brought hame!'

[...] Read more

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My Bride That Is To Be

O soul of mine, look out and see
My bride, my bride that is to be!
Reach out with mad, impatient hands,
And draw aside futurity
As one might draw a veil aside--
And so unveil her where she stands
Madonna-like and glorified--
The queen of undiscovered lands
Of love, to where she beckons me--
My bride--my bride that is to be.

The shadow of a willow-tree
That wavers on a garden-wall
In summertime may never fall
In attitude as gracefully
As my fair bride that is to be;--
Nor ever Autumn's leaves of brown
As lightly flutter to the lawn
As fall her fairy-feet upon
The path of love she loiters down.--
O'er drops of dew she walks, and yet
Not one may stain her sandal wet--
Aye, she might _dance_ upon the way
Nor crush a single drop to spray,
So airy-like she seems to me,--
My bride, my bride that is to be.

I know not if her eyes are light
As summer skies or dark as night,--
I only know that they are dim
With mystery: In vain I peer
To make their hidden meaning clear,
While o'er their surface, like a tear
That ripples to the silken brim,
A look of longing seems to swim
All worn and wearylike to me;
And then, as suddenly, my sight
Is blinded with a smile so bright,
Through folded lids I still may see
My bride, my bride that is to be.

Her face is like a night of June
Upon whose brow the crescent-moon
Hangs pendant in a diadem
Of stars, with envy lighting them.--
And, like a wild cascade, her hair
Floods neck and shoulder, arm and wrist,
Till only through a gleaming mist
I seem to see a siren there,
With lips of love and melody

[...] Read more

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John Milton

Paradise Regained

THE FIRST BOOK

I, WHO erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence 10
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand 20
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan--came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove 30
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers, 40
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:--
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

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The Parish Register - Part II: Marriages

DISPOSED to wed, e'en while you hasten, stay;
There's great advantage in a small delay:
Thus Ovid sang, and much the wise approve
This prudent maxim of the priest of Love;
If poor, delay for future want prepares,
And eases humble life of half its cares;
If rich, delay shall brace the thoughtful mind,
T'endure the ills that e'en the happiest find:
Delay shall knowledge yield on either part,
And show the value of the vanquish'd heart;
The humours, passions, merits, failings prove,
And gently raise the veil that's worn by Love;
Love, that impatient guide!--too proud to think
Of vulgar wants, of clothing, meat, and drink,
Urges our amorous swains their joys to seize,
And then, at rags and hunger frighten'd, flees:
Yet not too long in cold debate remain;
Till age refrain not--but if old, refrain.
By no such rule would Gaffer Kirk be tried;
First in the year he led a blooming bride,
And stood a wither'd elder at her side.
Oh! Nathan! Nathan! at thy years trepann'd,
To take a wanton harlot by the hand!
Thou, who wert used so tartly to express
Thy sense of matrimonial happiness,
Till every youth, whose banns at church were read,
Strove not to meet, or meeting, hung his head;
And every lass forebore at thee to look,
A sly old fish, too cunning for the hook;
And now at sixty, that pert dame to see,
Of all thy savings mistress, and of thee;
Now will the lads, rememb'ring insults past,
Cry, 'What, the wise one in the trap at last!'
Fie! Nathan! fie! to let an artful jade
The close recesses of thine heart invade;
What grievous pangs! what suffering she'll impart!
And fill with anguish that rebellious heart;
For thou wilt strive incessantly, in vain,
By threatening speech thy freedom to regain:
But she for conquest married, nor will prove
A dupe to thee, thine anger or thy love;
Clamorous her tongue will be: --of either sex,
She'll gather friends around thee and perplex
Thy doubtful soul;--thy money she will waste
In the vain ramblings of a vulgar taste;
And will be happy to exert her power,
In every eye, in thine, at every hour.
Then wilt thou bluster--'No! I will not rest,
And see consumed each shilling of my chest:'
Thou wilt be valiant--'When thy cousins call,

[...] Read more

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The Song of Songs

The Bride and the Daughters of Jerusalem

The Song of songs, which is Solomon's.
Let him kiss me with the kisses of his mouth:
for thy love is better than wine.
Because of the savor of thy good ointments
thy name is as ointment poured forth,
therefore do the virgins love thee.

Draw me, we will run after thee:
the King hath brought me into his chambers:
we will be glad and rejoice in thee,
we will remember thy love more than wine:
the upright love thee.

I am black, but comely, O ye daughters of Jerusalem,
as the tents of Kedar,
as the curtains of Solomon.
Look not upon me, because I am black,
because the sun hath looked upon me:
my mother's children were angry with me;
they made me the keeper of the vineyards;
but mine own vineyard have I not kept.

Tell me, O thou whom my soul loveth, where thou feedest,
where thou makest thy flock to rest at noon:
for why should I be as one that turneth aside
by the flocks of thy companions?
If thou know not, O thou fairest among women,
go thy way forth by the footsteps of the flock,
and feed thy kids beside the shepherds' tents.


The Bride and the Bridegroom

I have compared thee, O my love,
to a company of horses in Pharaoh's chariots.
Thy cheeks are comely with rows of jewels,
thy neck with chains of gold.
We will make thee borders of gold
with studs of silver.

While the King sitteth at his table,
my spikenard sendeth forth the smell thereof.
A bundle of myrrh is my well-beloved unto me;
he shall lie all night betwixt my breasts.
My beloved is unto me as a cluster of camphire
in the vineyards of Enge'di.

Behold, thou art fair, my love;

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Elizabeth Barrett Browning

Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

[...] Read more

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Days Of 49

Im old tom moore from the bummers shore in that good old golden days
They call me a bummer and a ginsot too, but what cares I for praise ?
I wander around from town to town just like a roving sign
And all the people say, there goes tom moore, in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
My comrades they all loved me well, a jolly saucy crew
A few hard cases I will recall though they all were brave and true
Whatever the pitch they never would flinch, they never would fret or whine
Like good old bricks they stood the kicks in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
There was new york jake, the butcher boy, he was always getting tight
And every time that hed get full he was spoiling for a fight
But jake rampaged against a knife in the hands of old bob stein
And over jake they held a wake in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
There was poker bill, one of the boys who was always in a game
Whether he lost or whether he won, to him it was always the same
He would ante up and draw his cards and he would you go a hatful blind
In the game with death bill lost his breath, in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
There was ragshag bill from buffalo, I never will forget
He would roar all day and hed roar all night and I guess hes roaring yet
One day he fell in a prospect hole, in a roaring bad design
And in that hole he roared out his soul, in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
Of the comrades all that Ive had, theres none thats left to boast
And Im left alone in my misery like some poor wandering ghost
And I pass by from town to town, they call me a rambling sign
There goes tom moore, a bummer shore in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.

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The Zenana

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,

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Golfre, Gothic Swiss Tale

I.

Where freezing wastes of dazzl'ing Snow
O'er LEMAN'S Lake rose, tow'ring;
The BARON GOLFRE'S Castle strong
Was seen, the silv'ry peaks among,
With ramparts, darkly low'ring!--

Tall Battlements of flint, uprose,
Long shadowing down the valley,
A grove of sombre Pine, antique,
Amid the white expanse would break,
In many a gloomy alley.

A strong portcullis entrance show'd,
With ivy brown hung over;
And stagnate the green moat was found,
Whene'er the Trav'ller wander'd round,
Or moon-enamour'd Lover.

Within the spacious Courts were seen
A thousand gothic fancies;
Of banners, trophies, armour bright,
Of shields, thick batter'd in the fight,
And interwoven lances.

The BARON GOLFRE long had been
To solitude devoted;
And oft, in pray'r would pass the night
'Till day's vermillion stream of light
Along the blue hill floated.

And yet, his pray'r was little mark'd
With pure and calm devotion;
For oft, upon the pavement bare,
He'd dash his limbs and rend his hair
With terrible emotion!

And sometimes he, at midnight hour
Would howl, like wolves, wide-prowling;
And pale, the lamps would glimmer round--
And deep, the self-mov'd bell would sound
A knell prophetic, tolling!

For, in the Hall, three lamps were seen,
That quiver'd dim;--and near them
A bell rope hung, that from the Tow'r
Three knells would toll, at midnight's hour,
Startl'ing the soul to hear them!

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Fair Annie

THE reivers they stole Fair Annie,
   As she walk'd by the sea;
But a noble knight was her ransom soon,
   Wi' gowd and white monie.

She bided in strangers' land wi' him,
   And none knew whence she cam;
She lived in the castle wi' her love,
   But never told her name.

'It 's narrow, narrow, mak your bed,
   And learn to lie your lane;
For I'm gaun owre the sea, Fair Annie,
   A braw Bride to bring hame.
Wi' her I will get gowd and gear,
   Wi' you I ne'er gat nane.

'But wha will bake my bridal bread,
   Or brew my bridal ale?
And wha will welcome my bright Bride,
   That I bring owre the dale?'

It 's I will bake your bridal bread,
   And brew your bridal ale;
And I will welcome your bright Bride,
   That you bring owre the dale.'

'But she that welcomes my bright Bride
   Maun gang like maiden fair;
She maun lace on her robe sae jimp,
   And comely braid her hair.

'Bind up, bind up your yellow hair,
   And tie it on your neck;
And see you look as maiden-like
   As the day that first we met.'

'O how can I gang maiden-like,
   When maiden I am nane?
Have I not borne six sons to thee,
   And am wi' child again?'

'I'll put cooks into my kitchen,
   And stewards in my hall,
And I'll have bakers for my bread,
   And brewers for my ale;
But you're to welcome my bright Bride,
   That I bring owre the dale.'

Three months and a day were gane and past,

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Marmion: Canto V. - The Court

I.

The train has left the hills of Braid;
The barrier guard have open made
(So Lindesay bade) the palisade,
That closed the tented ground;
Their men the warders backward drew,
And carried pikes as they rode through
Into its ample bound.
Fast ran the Scottish warriors there,
Upon the Southern band to stare.
And envy with their wonder rose,
To see such well-appointed foes;
Such length of shaft, such mighty bows,
So huge, that many simply thought,
But for a vaunt such weapons wrought;
And little deemed their force to feel,
Through links of mail, and plates of steel,
When rattling upon Flodden vale,
The clothyard arrows flew like hail.

II.

Nor less did Marmion's skilful view
Glance every line and squadron through;
And much he marvelled one small land
Could marshal forth such various band:
For men-at-arms were here,
Heavily sheathed in mail and plate,
Like iron towers for strength and weight,
On Flemish steeds of bone and height,
With battle-axe and spear.
Young knights and squires, a lighter train,
Practised their chargers on the plain,
By aid of leg, of hand, and rein,
Each warlike feat to show,
To pass, to wheel, the croupe to gain,
The high curvet, that not in vain
The sword sway might descend amain
On foeman's casque below.
He saw the hardy burghers there
March armed, on foot, with faces bare,
For vizor they wore none,
Nor waving plume, nor crest of knight;
But burnished were their corslets bright,
Their brigantines, and gorgets light,
Like very silver shone.
Long pikes they had for standing fight,
Two-handed swords they wore,
And many wielded mace of weight,

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Elizabeth Barrett Browning

De Profundis

I

The face, which, duly as the sun,
Rose up for me with life begun,
To mark all bright hours of the day
With hourly love, is dimmed away—
And yet my days go on, go on.

II

The tongue which, like a stream, could run
Smooth music from the roughest stone,
And every morning with ' Good day'
Make each day good, is hushed away,
And yet my days go on, go on.

III

The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day
With steadfast love, is caught away,
And yet my days go on, go on.

IV

And cold before my summer's done,
And deaf in Nature's general tune,
And fallen too low for special fear,
And here, with hope no longer here,
While the tears drop, my days go on.

V

The world goes whispering to its own,
‘This anguish pierces to the bone;’
And tender friends go sighing round,
‘What love can ever cure this wound ?'
My days go on, my days go on.

VI

The past rolls forward on the sun
And makes all night. O dreams begun,
Not to be ended! Ended bliss,
And life that will not end in this!
My days go on, my days go on.

VII

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40-40 Home

Think in time
Early evening light will start to fade
And well be called inside
To wait for chance to say
Can I stay out late or maybe just an hour
But when you call I know that all I have to say is...
Forty forty home
You never could catch me
With a stocking and a ball
Around the world a yo-yo spun
You would skip and I would run
Those long days are slipping away
Days will pass
Taking turns to hide and lose our way
And beats will change the rhythm of the year
A worn out gate will swingalongasister
And running out calling to a friendly teaser
Forty forty home
You never would catch me
My ball against the wall
But around the world a yo-yo spun
Dodge the conkers one by one
But yours always came my way
Cross my path was something
I could not expect again
From beast to beauty, beautiful remain
Slide this way
Dont leave your past in shadow
And paper plane will fly your way on golden wings of...
Forty forty home
So now you have caught me
Your stocking said it all
Played the game and won, two, three
Made your move and captured me
So never let me go
Counting the spots on the lino
It seemed such a waste of time
But cant you stick to your side of the garden?
And I to mine!
Forty forty home
You never would catch me
My ball against the wall
But around the world a yo-yo spun
Dodge the conkers one by one
But yours always came my way

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