Quotes like The only thing a heated...

The only thing a heated argument ever produced is coolness.

American proverbs
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Value Society

values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace
values, coolness, calmness and peace

poem by Nyein Way
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Keep That Beat Just Heated

You keep that conga beat strickly in the rhythm.
You keep that conga beat heat, rhythmically.
And keep that beat just heated as it flows around the room.
And keep that beat just heated.
Keep it and just heated.
Keep it as it's needed.

You keep that conga beat heat, rhythmically.
And keep that beat just heated as it flows around the room.
And keep that beat just heated.
Keep it and just heated.
Keep it as it's needed to stir up a good mood.

Give me some cello,
With the flute and bassist playing.
You keep that conga beat heat,
Rhythmically.

Add some violins and French horns too.
With the build up of some trumpets,
And a sax player's groove.

Give me some cello,
With the flute and bassist playing.
You keep that conga beat heat,
Rhythmically.
You keep that conga beat...
Strickly in the rhythm.
You keep that conga beat heat, rhythmically.

Give me some cello,
With the flute and bassist playing.
Add some violins and French horns too.
With the build up of some trumpets,
And a sax player's groove.

[...] Read more

poem by Lawrence S. Pertillar
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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poem by Robert Browning from The Ring and the Book
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
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Prejudice

IN yonder red-brick mansion, tight and square,
Just at the town's commencement, lives the mayor.
Some yards of shining gravel, fenced with box,
Lead to the painted portal--where one knocks :
There, in the left-hand parlour, all in state,
Sit he and she, on either side the grate.
But though their goods and chattels, sound and new,
Bespeak the owners very well to do,
His worship's wig and morning suit betray
Slight indications of an humbler day

That long, low shop, where still the name appears,
Some doors below, they kept for forty years :
And there, with various fortunes, smooth and rough,
They sold tobacco, coffee, tea, and snuff.
There labelled drawers display their spicy row--
Clove, mace, and nutmeg : from the ceiling low
Dangle long twelves and eights , and slender rush,
Mix'd with the varied forms of genus brush ;
Cask, firkin, bag, and barrel, crowd the floor,
And piles of country cheeses guard the door.
The frugal dames came in from far and near,
To buy their ounces and their quarterns here.
Hard was the toil, the profits slow to count,
And yet the mole-hill was at last a mount.
Those petty gains were hoarded day by day,
With little cost, for not a child had they ;
Till, long proceeding on the saving plan,
He found himself a warm, fore-handed man :
And being now arrived at life's decline,
Both he and she, they formed the bold design,
(Although it touched their prudence to the quick)
To turn their savings into stone and brick.
How many an ounce of tea and ounce of snuff,
There must have been consumed to make enough !

At length, with paint and paper, bright and gay,
The box was finished, and they went away.
But when their faces were no longer seen
Amongst the canisters of black and green ,
--Those well-known faces, all the country round--
'Twas said that had they levelled to the ground
The two old walnut trees before the door,
The customers would not have missed them more.
Now, like a pair of parrots in a cage,
They live, and civic honours crown their age :
Thrice, since the Whitsuntide they settled there,
Seven years ago, has he been chosen mayor ;
And now you'd scarcely know they were the same ;
Conscious he struts, of power, and wealth, and fame ;

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poem by Jane Taylor
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A Map Of Culture

Culture

Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?

What is Culture?

I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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poem by Nyein Way
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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Give and Free It Up On The Rough Stuff

When I was hard,
It wasn't enough.
The sensitive and warm nice guy,
I had to give with no hint of the tough stuff.

I was the one who supplied the tenderness,
With touches.
Supplied I did the sweet kisses too!
You want it tough and rough and ready,
Through the weekends.
And all week until we get through too!

The sensitive and warm nice guy,
I had to be with no hint of the tough stuff.
You want it tough and rough and ready,
Through the weekends.
And all week until we get through too!

You've got to give and free it up on the rough stuff.
I like to get it and receive it with a tender touch.
I like to feel it getting heated with a whispered love.
I like to get it and receive it with a tender touch.
I like to feel it getting heated with a whispered love.
You've got to give and free it up on the rough stuff.

Free it up to give it up!
That rough stuff.
Free it up to give it up!
That rough stuff.
Free it up to give it up!
That rough stuff.
That rough stuff.
That rough stuff.

I was the one who supplied the tenderness,
With touches.
Supplied I did sweet kisses too!
You want it tough and rough and ready,
Through the weekends.
And all week until we get through too!

You've got to give and free it up on the rough stuff.
You've got to give and free it up on the rough stuff.

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poem by Lawrence S. Pertillar
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Preacher Needs More Ram

I took the modem off the podium...
Just before the preacher sneezed!
I asked a doctor in a pew...
If the sneeze would spread disease?
And Doctor Blye looked in my eyes,
As if I was there for church.
I looked him up and down and said,
'I am here doing research! '

I came to hook the preacher up,
To a new connection!
He wanted all his emails sent...
And downloaded to the chatrooms.
I came to hook the PC up for online sessions!
But the preacher is displeased...
'Cause the modem seems to need,
More ram!

I'm in the house of the Lord,
And the preacher needs more ram!
I hear the people pat their feet,
When the preacher's sermon's heated!

I'm in the house of the Lord,
And the preacher needs more ram!
Oh Lord...
What do I do with the modem?

I'm in the house of the Lord,
And the preacher needs more ram!
I hear the people pat their feet,
When the preacher's sermon's heated!

I'm in the house of the Lord,
And the preacher needs more ram!
Oh Lord...
What do I do with the modem?

oh Oh OHHH....

I'm in the house of the Lord,

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poem by Lawrence S. Pertillar
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Yesterday

Today is lived.
And there they stay,
In heated debate.
About what took place,
Yesterday.
And who did what and when.
How they dressed!
And what impressed them.
With recalled expressions on their faces.

Another day is lived!
And there they stay,
In heated debate.
About what took place,
Yesterday.
And who did what and when.
How they dressed!
And what impressed them.
With recalled expressions on their faces.

And yet another day to them comes.
And there they stay,
In heated debate.
About what took place,
Yesterday.
And who did what and when.
How they dressed!
And what impressed them.
With recalled expressions on their faces.

Few if any live in the 'now'.
Or have their eyes on tomorrow.
Because...
There they stay,
In heated debate.
About what took place,
Yesterday.
And who did what and when.
How they dressed!
And what impressed them.
With recalled expressions on their faces.

poem by Lawrence S. Pertillar
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Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

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poem by Byron from Don Juan (1824)
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Canto I

ARGUMENT

The Argument ? what needs a Proëme
To vamp a Three-half-penny Poëme ?
No, Reader, No ; ‘twas never writt
For thy sake, but for little Chitt.
St. George oth’ back-side of the Horn-book,
The Dragon kills, to Humour Scorn-book.
And thus to wheddle in young Fops,
The gilded Sign hangs o’re the Shops :
Miss won’t come in to Buy, before
She spies the Knick-knack at the Dore.
Thus Queasie Madams meat forbear
Until they read, The Bill of Fare.
Instead a Frontispiece, or Babbie,
We plac’t to please some puiney Rabbie,
Who hates an Author that enlarges,
And cons the Index to save charges.
Discord, that Tearing, Hectoring Ranter,
Provokes a Dean and his Arch-chanter,
Who had liv’d friendly forty years,
To fall together by the ears ;
A Rotten Pulpit plac’d i’th’ Quire
Furnished fewel to the Fire :
Three swashing Blades, blind Fates agree
Should do the work : but who they bee,
Pray ask the Canto, that can tell
Better than I : and so Farewell
Thus far the Porch, now view the House,
Here is the Mountain, there’s the Mouse.

Immortal feuds, and more than Civil Warrs,
And Fights thô fierce, disfigur’d with no Scarrs
I sing ! And thee Great Prelate, who of late,
Maugre the Changer, and Reluctant Fate
Didst raise at length a Pulpit in the Quire,
Th’ immortal Trophee of thy Mortal Ire.
Twice the Pragmatick Chanter, thô in vain,
Pesum’d to discompose thy peaceful Reign ;
Twice with Schismatick Pride did enterprise
To force the Chapter in Rebellion rise ;
As oft the Dean him swoln with envious rage,
Hurl’d Headlong from high hopes ; and by sage
Sexton assisted, terrify’d the People
Who durst dispute the Title to his Steeple.
Instruct me Muse, for thou canst tell, what Thirst
Of sweeet Revenge, thô Dire, engaged first
Religious Souls to break the Sacred Tye
Of blessed Peace and heaven-born Amitie,
To make old Friends new Rivals ; can there rest

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poem by Nicolas Boileau-Despréaux from Le Lutrin
Added by Veronica Serbanoiu
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It IS Milk!

Pretend it is milk!
That is all we are asking you to do!
Just keep pretending that it is.
What difference does it make,
That it isn't produced from a cow?
Keep pretending that it was!
And your pretensions will make it come true.

'But...
It is not milk!
It's not even a cheap version of it.'

'It is!
It IS milk! '

Great!
Now...
Let's move on to the meat and vegetables.

poem by Lawrence S. Pertillar
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by Robert Browning from The Ring and the Book
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The Interpretation of Nature and

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.

II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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poem by Sir Francis Bacon
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The Silent Pool

I have discovered finally to-day
This home that I have called my own
Is built of straw and clay,
Not, as I thought, of stone.

I wonder who the architect could be,
What builder made it of that stuff;
When it was left to me
The house seemed good enough.

Yet, slowly, as its roof began to sink,
And as its walls began to split,
And I began to think,
Then I suspected it;

But did not clearly know until today
That it was only built of straw and clay.

Now I will go about on my affairs
As though I had no cares,
Nor ever think at all
How one day soon that house is bound to fall,
So when I'm told the wind has blown it down
I may have something else to call my own.

I have enquired who was the architect,
What builder did erect.
I'm told they did design
Million and million others all like mine,
And argument with all men ends the same:-
It is impossible to fix the blame.

I am so glad that underneath our talk
Our minds together walk.
We argue all the while,
But down below our argument we smile,
We have our houses, but we understand
That our real property is common land.

III

At night we often go
With happy comrades to that real estate,
Where dreams in beauty grow,
And every man enjoys a common fate.

At night in sleep one flows
Below the surface of all argument;

[...] Read more

poem by Harold Monro
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Ducking Buttercup

In the midst of our last argument,
I did a reaching to kiss your lips.
And you balled your fist,
Prepared to hit me.

In the midst of our last argument,
I did a reaching to kiss your lips.
And you balled your fist,
Prepared to hit me.
To do it and split.

But I...
Am not a ducking buttercup.
Someone that gives up easy.
No I...
Am not a ducking buttercup.
Someone that gives up easy...
To appease someone,
Who is quick to leave.
After a plucking of me has been done.

In the midst of an argument...
I'm not a ducking buttercup,
Easily plucked when I've had enough.

No I...
Am not a ducking buttercup.
Easily plucked when I've had enough.
No I...
Am not a ducking buttercup.
I've got a backbone tough that's rough enough.

In the midst of our last argument,
I did a reaching to kiss your lips.
And you balled your fist,
Prepared to hit me.
To do it and split.

But I...
Am not a ducking buttercup.
Someone that gives up easy,
When the going gets tough!

Believe me when I say,
I'm not a ducking buttercup.
Believe me when I say,
I'm not a ducking buttercup.
Believe me when I say,
I'm not a ducking buttercup.
Someone that gives up easy,

[...] Read more

poem by Lawrence S. Pertillar
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Blazing Through All Precedents

Blazing through all precedents,
Supreme Court Justices have customarily abused
omnipotence until as decedents
they are compelled by death, an act of God, to be recused.

Of corporate money there’s no dearth
in politics, said John Paul Stevens, arguing in dissent;
decisions with some moral worth
are lacking in the Highest Court, should have been his lament.

Inspired by a comment by Justice John Paul Stevens, cited by Adam Liptak in an article on him in the NYT, January 25,2010 (“After 34 Years, a Plainspoken Justice Gets Louder”) :
The Supreme Court announced its big campaign finance decision at 10 in the morning last Thursday. By 10: 30 a.m., after Justice Anthony M. Kennedy had offered a brisk summary of the majority opinion and Justice John Paul Stevens labored through a 20-minute rebuttal, a sort of twilight had settled over the courtroom. It seemed the Stevens era was ending. Justice Stevens, who will turn 90 in April, joined the court in 1975 and is the longest-serving current justice by more than a decade. He has given signals that he intends to retire at the end of this term, and his dissent on Thursday was shot through with disappointment, frustration and uncharacteristic sarcasm.He seemed weary, and more than once he stumbled over and mispronounced ordinary words in the lawyer’s lexicon — corruption, corporation, allegation. Sometimes he would take a second or third run at the word, sometimes not. But there was no mistaking his basic message. “The rule announced today — that Congress must treat corporations exactly like human speakers in the political realm — represents a radical change in the law, ” he said from the bench. “The court’s decision is at war with the views of generations of Americans.”..
“It is difficult to convey how thoroughly egregious counsel’s closing argument was, ” Justice Stevens wrote of a defense lawyer’s work. “Suffice it to say that the argument shares far more in common with a prosecutor’s closing than with a criminal defense attorney’s. Indeed, the argument was so outrageous that it would have rightly subjected a prosecutor to charges of misconduct.” In the second case, Justice Stevens did vote to uphold the death sentence, saying that even a closing argument worthy of Clarence Darrow would not have spared the defendant. That carefully calibrated distinction was of a piece with the view he announced in 2008 in Baze v. Rees, when he said he had come to the conclusion that the death penalty violates the Eighth Amendment. But he went on to say that his conclusion did not justify “a refusal to respect precedents that remain a part of our law.”

1/25/10

poem by Gershon Hepner
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Cracked Up Passion

Cracked dry lips,
Clinging to each other.
Fiercely
where two couple of curious hands
roam all around
two heated bodies.
Heated feelings, heated passion.
Passion to know,
Passion to discover,
To explore,
To take and give pleasure,
To be loved
and to love.

poem by Tulay Beyhan
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