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The olive grove of your grandfather, the cherry trees of your father, and your grape vines.

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Cherry, Cherry Coupe

Go cherry, cherry coupe now
The wildest short around is my cherry, cherry coupe
Its the sharpest thing in town and the envy of my group
Its one of its kind and it really looks good
Chopped nose and deck with louvers on the hood
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Chrome reversed rims with whitewall slicks
And it turns a quarter mile in one oh six
Door handles are off but you know Ill never miss em
They open when I want with the cellunoid system
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
My coupes tuck and roll underneath the hood
And the rugs, seats, and panels now are looking good
When I go looking for something to do
Shes got enough room now to barely seat two
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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Georgic 2

Thus far the tilth of fields and stars of heaven;
Now will I sing thee, Bacchus, and, with thee,
The forest's young plantations and the fruit
Of slow-maturing olive. Hither haste,
O Father of the wine-press; all things here
Teem with the bounties of thy hand; for thee
With viny autumn laden blooms the field,
And foams the vintage high with brimming vats;
Hither, O Father of the wine-press, come,
And stripped of buskin stain thy bared limbs
In the new must with me.
First, nature's law
For generating trees is manifold;
For some of their own force spontaneous spring,
No hand of man compelling, and possess
The plains and river-windings far and wide,
As pliant osier and the bending broom,
Poplar, and willows in wan companies
With green leaf glimmering gray; and some there be
From chance-dropped seed that rear them, as the tall
Chestnuts, and, mightiest of the branching wood,
Jove's Aesculus, and oaks, oracular
Deemed by the Greeks of old. With some sprouts forth
A forest of dense suckers from the root,
As elms and cherries; so, too, a pigmy plant,
Beneath its mother's mighty shade upshoots
The bay-tree of Parnassus. Such the modes
Nature imparted first; hence all the race
Of forest-trees and shrubs and sacred groves
Springs into verdure.
Other means there are,
Which use by method for itself acquired.
One, sliving suckers from the tender frame
Of the tree-mother, plants them in the trench;
One buries the bare stumps within his field,
Truncheons cleft four-wise, or sharp-pointed stakes;
Some forest-trees the layer's bent arch await,
And slips yet quick within the parent-soil;
No root need others, nor doth the pruner's hand
Shrink to restore the topmost shoot to earth
That gave it being. Nay, marvellous to tell,
Lopped of its limbs, the olive, a mere stock,
Still thrusts its root out from the sapless wood,
And oft the branches of one kind we see
Change to another's with no loss to rue,
Pear-tree transformed the ingrafted apple yield,
And stony cornels on the plum-tree blush.
Come then, and learn what tilth to each belongs
According to their kinds, ye husbandmen,
And tame with culture the wild fruits, lest earth

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Cherry, Cherry

Cherry, cherry
Rozanda was her real name
But cherry was her chosen one
Everybody said that shed soon be dead
But cherry replied at least I had some fun (oh yes)
Her eyes were like a pool of 24 karat diamonds
I was the last in a long line of foolish men who dived in
Chorus:
Cherry, cherry
I think about u every rising sun
Whoa cherry, cherry
Wherever u are, I hope ure havin fun (oh yes)
Tuesday was my big game
North vs. central in basketball
Underneath their long coats
Cherry and the girls wore camisoles
Every time north would run the hoop
Cherry would flash em and they would fall
But not as hard as I fell
When cherry gave me her number and told me 2 call (u should call me)
Using all the money her boyfriend wilbur gave her, shed buy
Anything I wanted, thats why my babys so fly
Chorus
(do do do do do)
Me and cherry got married
And tried our best 2 keep it on the down low, the down low
I was combing her hair
The day that wilbur called and cussed her on the phone
He beat her up real bad and figured I was gonna leave her
Instead I bought a 45 and set out 2 relieve her (take him out)
If he was taken out then he could never harm another
No sooner than I got there, I was met by cherrys mother cryin
Cherry, cherry
Every night I ask the lord why? oh why?
Cherry, cherry
Another victim of a suicide (why oh why? )
Why?
Cherry, cherry
I think about u every rising sun
Whoa cherry, cherry
Wherever u are, I hope ure havin fun
I hope ure having fun, baby
Cherry, cherry
Id give anything 2 kiss u
Cherry, cherry
I guess I just miss u
Cherry

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Show Me (Cherry Baby)

Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry
I found you wanting
Like everyone
Always trying
Happy lying
cos Im no stranger
To the ways of the world
I felt like crying
I felt like dying
We took a coffee
You took it so strong
Shaded from the neon
I could still see your eyes
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Found in the gutter
With a knife in her back
Letter said sorry
Please dont worry
She had a lover
With danger in his eyes
I tried to tell her
But she had the wildest heart
Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby

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Show Me

Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry
I found you wanting
Like everyone
Always trying
Happy lying
'Cos I'm no stranger
To the ways of the world
I felt like crying
I felt like dying
We took a coffee
You took it so strong
Shaded from the neon
I could still see your eyes
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Found in the gutter
With a knife in her back
Letter said sorry
Please don't worry
She had a lover
With danger in his eyes
I tried to tell her
But she had the wildest heart
Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby

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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.


Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.


Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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Grains

What's the relationship
between a grain of rice
and its stalk or the stem of the
rice plants? The corelation between
the two is in other words
the source and the results
that will reap what the source
had told it to produce
in the beginning when
the source let the stem out
in a sprout form
the weed that many farmers had to toil
in hot sunny days to replant
in another rice field with some water
underneath. Water! Yes.
It's the source for life along with
the source that is planted under the ground
where the water was filled in with.
'I am going to see if the rice pad is safe
from this night storm.' In my bed side
I heard father say these words before
he put on his rain coat and boots
at 2 or 3 in the morning the good farmer
the good father the good pharmacist father
my father, he was so worried to think about
the rice fields with so much water ruin them.
It's in the midnight or after that and he...
with no other assistants was willing to
walk through the pouring rain on one
day in July that summer when he asked
me to stay in bed cozy while leaving for the
fields by himself. I slid down the blanket
though it was the summer time, was a bit
chilly for the storm the pouring rain
made the temperature quite low and
I felt cold after father had gone a far from
the house. I was so lone that moment
thinking about my father wondering where
he might be on which road he might be
treading upon what kind of gravels or
maybe some frogs dead flat or some
wet insects like the Yochee or Maettugee.
The rain usually wet those small insects
only to make them jump high and tremble
with cold and shake off the water from
their bodies. But it's the water that gives
them the life the food the fresh air, the feeling
of aliveness the inspiration God had granted
to all His creations. Yes, those small creatures
might have to escape from my father's boots

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My Redemption Poem

When satan fell,
for one wrong mistake.
He was thrown in hell,
it was all he could take.
For there was still light in him,
but with it was now doubt.
Upon his face grew a grin,
all he did was rage and shout.
He yelled to God 'Why did it have to be me? ',
but he didnt answer,
and satan did see.
That hell was his to rule,
with unimaginable pain,
he would truly be cruel.
To all the lost souls,
he was their Dark King.
With their blood in his bowl,
in their pain,
for him they would sing.
Over the eons he became insane,
but there was still light in him.
Hidden in a deep part of his soul,
a place he forgot to know.
And one day their blood spilled out of the bowl,
he felt something stir.
A sadness so deep,
with a pain so true.
He could never sleep,
so the pain was all he could know.
As he sat there,
with tears in his eyes,
he thought noone was there,
noone to hear his cries.
He heard a voice,
and this is what it said 'Son why do you cry? '
He couldnt believe what he heard,
and was voiceless.
God said 'Son your here by your own choice'.
And with that he felt,
in numerous times,
all the pain he had delt.
And now he seen,
that little light,
he could find that little gleam.
He fell to his knees,
for all to see.
He prayed to God,
saying 'Father can i be saved? '.
'Am i doomed to live a life in this darkness? '.
And God said to satan 'My son all you had to do was accept your choice',

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Cherry Pie

Dirty, Rotten, Filthy, Stinky
She's my cherry pie
Cool drink of water
Such a sweet surprise
Tastes so good
Make a grown man cry
Sweet Cherry Pie
Yeah
Wow
Heh Heh
Well swinging on the front porch
Swinging on the lawn
Swinging where we want
Cause there ain't nobody home
Swingin' to the left and
Swingin' to the right
I think about baseball
I'll swing all night, yeah
Yeah, yeah - huh!
Swingin in the living room
Swingin' in the kitchen
Most folks don't
Cause they're too busy bitchin'
Swingin' in there
Cause she wanted me to feed her
So I mixed up the batter
And she licked the beater
I scream, you scream,
We all scream for her
Don't even try
Cause you can't ignore her
CHORUS
She's my cherry pie
Cool drink of water
Such a sweet surprise
Tastes so good make a grown man cry
Sweet cherry pie
Oh yeah
She's my cherry pie
Put a smile on your face
Ten miles wide
Looks so good
Bring a tear to your eye
Sweet cherry pie
Yeah sweet cherry pie
Yeah
Swingin to the drums
Swingin to guitar
Swingin to the bass in the back of my car
Ain't got money, ain't got no gas

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Grandfather Squeers

'My grandfather Squeers,' said The Raggedy Man,
As he solemnly lighted his pipe and began--

'The most indestructible man, for his years,
And the grandest on earth, was my grandfather Squeers!

'He said, when he rounded his three-score-and-ten,
'I've the hang of it now and can do it again!'

'He had frozen his heels so repeatedly, he
Could tell by them just what the weather would be;

'And would laugh and declare, 'while the _Almanac_ would
Most falsely prognosticate, _he_ never could!'

'Such a hale constitution had grandfather Squeers
That, 'though he'd used '_navy_' for sixty odd years,

'He still chewed a dime's-worth six days of the week,
While the seventh he passed with a chew in each cheek:

'Then my grandfather Squeers had a singular knack
Of sitting around on the small of his back,

'With his legs like a letter Y stretched o'er the grate
Wherein 'twas his custom to ex-pec-tor-ate.

'He was fond of tobacco in _manifold_ ways,
And would sit on the door-step, of sunshiny days,

'And smoke leaf-tobacco he'd raised strictly for
The pipe he'd used all through The Mexican War.'

And The Raggedy Man said, refilling the bowl
Of his own pipe and leisurely picking a coal

From the stove with his finger and thumb, 'You can see
What a tee-nacious habit he's fastened on me!

'And my grandfather Squeers took a special delight
In pruning his corns every Saturday night

'With a horn-handled razor, whose edge he excused
By saying 'twas one that his grandfather used;

'And, though deeply etched in the haft of the same
Was the ever-euphonious Wostenholm's name,

''Twas my grandfather's custom to boast of the blade
As 'A Seth Thomas razor--the best ever made!'

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The Deserted Garden

I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.

Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,
Runs an old wall; long centuries have frayed
Its scalloped edge, and passers to and fro
Heard never from beyond its crumbling height
Sweet laughter ring at noon or plaintive song at night.

But here where little lizards bask and blink
The tendrils of the trumpet-vine have run,
At whose red bells the humming bird to drink
Stops oft before his garden feast is done;
And rose-geraniums, with that tender pink
That cloud-banks borrow from the setting sun,
Have covered part of this old wall, entwined
With fair plumbago, blue as evening heavens behind.

And crowning other parts the wild white rose
Rivals the honey-suckle with the bees.
Above the old abandoned orchard shows
And all within beneath the dense-set trees,
Tall and luxuriant the rank grass grows,
That settled in its wavy depth one sees
Grass melt in leaves, the mossy trunks between,
Down fading avenues of implicated green;

Wherein no lack of flowers the verdurous night
With stars and pearly nebula o'erlay;
Azalea-boughs half rosy and half white
Shine through the green and clustering apple-spray,
Such as the fairy-queen before her knight
Waved in old story, luring him away
Where round lost isles Hesperian billows break
Or towers loom up beneath the clear, translucent lake;

And under the deep grass blue hare-bells hide,
And myrtle plots with dew-fall ever wet,
Gay tiger-lilies flammulate and pied,
Sometime on pathway borders neatly set,
Now blossom through the brake on either side,

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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Olive At Midnight

An olive at midnight

Green

shiny

globe

of
black

The size of a dirty workman's thumb

They (the olives) tumble towards me

Down hills and in still slick lakes of olive oil

I meet my dark shining olive

By suprise

It's midnight in the olive grove

My ciabatta catches him

spinning on the tastebuds together

My olive and I

Two star crossed lovers

One black

On green

Obscene nights of perpetual fulfillment

What a scene! my olive and me

My olive my heart

Oh my darling lovely one

Olive at midnight

At last

you have come to me

And together we will may a delightful

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Hilaire Belloc

Heroic Poem in Praise of Wine

To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!

Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head. Sing the Panther-team,
The gilded Thrysus twirling, and the gleam
Of cymbals through the darkness. Sing the drums.
He comes; the young renewer of Hellas comes!
The Seas await him. Those Aegean Seas
Roll from the dawning, ponderous, ill at ease,
In lifts of lead, whose cresting hardly breaks
To ghostly foam, when suddenly there awakes
A mountain glory inland. All the skies
Are luminous; and amid the sea bird cries
The mariner hears a morning breeze arise.
Then goes the Pageant forward. The sea-way
Silvers the feet of that august array
Trailing above the waters, through the airs;
And as they pass a wind before them bears
The quickening word, the influence magical.
The Islands have received it, marble-tall;
The long shores of the mainland. Something fills
The warm Euboean combes, the sacred hills
Of Aulis and of Argos. Still they move
Touching the City walls, the Temple grove,
Till, far upon the horizon-glint, a gleam
Of light, of trembling light, revealed they seem
Turned to a cloud, but to a cloud that shines,
And everywhere as they pass, the Vines! The Vines!
The Vines, the conquering Vines! And the Vine
breaths
Her savour through the upland, empty heaths
Of treeless wastes; the Vines have come to where
The dark Pelasgian steep defends the lair
Of the wolf's hiding; to the empty fields
By Aufidus, the dry campaign that yields
No harvest for the husbandman, but now
Shall bear a nobler foison than the plough;
To where, festooned along the tall elm trees,
Tendrils are mirrored in Tyrrhenian seas;
To where the South awaits them; even to where
Stark, African informed of burning air,
Upturned to Heaven the broad Hipponian plain
Extends luxurious and invites the main.

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Black Cherry

How can it be?
I can taste you now
How can I see
When you're everything
All the world in one grain of sand
And I've blown it
All my world in one grain of sand
And you own it
Black cherry
Black cherry
Stone
Black cherry
Black cherry
Stone
Hearing you say it
I could die
Trembling star
Just reminds me
All the world in one grain of sand
And I've blown it
All my world in one grain of sand
And you own it
Black cherry
Black cherry
Stone
Black cherry
Black cherry
Stone
Excite me, ignite me
Oh and you know,
I miss you, I kiss you
Oh and you know
Black cherry
Black cherry
Stone
Black cherry
Black cherry
Stone
Excite me, ignite me
Oh and you know,
I miss you, I kiss you
Oh and you know

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Ode To The Cherry Blossom

I have grown up with this tree,
as my father had grown with it,
and his father before him.

The cherry blossom tree where I was first exposed to the beauty of nature,
where my baby seat was set upon the picnic blanket in the grass,
and I could watch the petals fall and dance around me and my family.
and they would land in my seat,
and I would play with them.

The cherry blossom tree,
with its long branches,
where I first learned to climb,
and where I got my first broken bone,
after I slipped while pretending to be a monkey.

The cherry blossom tree,
where we had our first play date together.
We ran around and played two person tag,
and two person hide and seek,
and two person leap frog.

The cherry blossom tree,
where we had our first date,
where I picked a blossom and put it in your hair,
and called you my hime,
my princess.

The cherry blossom tree,
where we took shelter from the pouring rain,
and I gave you my jacket to put over your head,
and we ran home to take a bath in our clothes,
Because they couldn’t have gotten wetter anyway.

The cherry blossom tree,
under which we said our vows,
and got married,
and you cried,
and said you felt beautiful,
and I kissed you,
and said you looked beautiful,
and we ran through the blossom petals.

The cherry blossom tree,
where we took our two daughters,
and watched them pick flowers,
and give them to you.

The cherry blossom tree,
where our daughters took their loves,

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Amy Lowell

Pickthorn Manor

I

How fresh the Dartle's little waves that day!
A steely silver, underlined with blue,
And flashing where the round clouds, blown away,
Let drop the yellow sunshine to gleam through
And tip the edges of the waves with shifts
And spots of whitest fire, hard like gems
Cut from the midnight moon they were, and sharp
As wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.

II

Her little feet tapped softly down the path.
Her soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath
Of fallen petals on the grass, could please
Her not at all. She brushed a hair aside
With a swift move, and a half-angry frown.
She stopped to pull a daffodil or two,
And held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.

III

A lady in a Manor-house, alone,
Whose husband is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown
Too apathetic even to rebuke
Her idleness. What is she on this Earth?
No woman surely, since she neither can
Be wed nor single, must not let her mind
Build thoughts upon a man
Except for hers. Indeed that were no dearth
Were her Lord here, for well she knew his worth,
And when she thought of him her eyes were kind.

IV

Too lately wed to have forgot the wooing.
Too unaccustomed as a bride to feel
Other than strange delight at her wife's doing.
Even at the thought a gentle blush would steal
Over her face, and then her lips would frame
Some little word of loving, and her eyes

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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