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The green twig is easily bent.

Turkish proverbs
Added by Lucian Velea
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Hell Bent For Leather

Seek him here, seek him on the highway
Never knowing when hell appear
All await, engines ticking over
Hear the roar as they sense the fear
Wheels! a glint of steel and a flash of light!
Screams! from a streak of fire as he strikes!
Hell bent, hell bent for leather
Hell bent, hell bent for leather
Black as night, faster than a shadowcrimson flare from a raging sun
An exhibition, of sheer precision
Yet no one knows from where he comes
Fools! self destruct cannot take that crown
Dreams! crash one by one to the ground
Hell bent, hell bent for leather
Hell bent, hell bent for leather
Theres many who tried to prove that theyre faster
But they didnt last and they died as they tried
Theres many who tried to prove that theyre faster
But they didnt last and they died as they tried
Hell bent, hell bent for leather
Hell bent, hell bent for leather
Hell bent, hell bent for leather
Hell bent, hell bent for leather

song performed by Judas Priest
Added by Lucian Velea
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Green Spanish Eyes

Ah Consuela! Surveying vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then, when we kissed as she parted, my friend.
So I'm daring to tread towards the klieg lights ahead, where I'll wait and I'll watch her ascend.

Ah Consuela! I'm watching, she teases the mirror with green Spanish eyes;
Her serape entangles her ebony bangles like lace on the sorcerer's looms,
And her capes of the night, she drapes tight to excite, and her fan is embellished with plumes.

Ah Consuela! I'm watching as spectators savour her green Spanish eyes;
Taming wild concertinas, the dark ballerina performs on the concert hall stage,
But she shies from the sound of ovation unbound like a timorous bird in a cage.

Ah Consuela! I'm watching, she quickens the pit with her green Spanish eyes,
As the cymbals shake, clashing, the floodlights wake, flashing, igniting the wild fireflies,
And the piccolo piper's inviting the vipers to coil in the cold caldron skies.

Ah Consuela! I'm watching the shimmering shadows in green Spanish eyes
As I rise from my chair and converge to the stair with a hesitant sip of my wine.
Though she doesn't deny me, she wanders right by me with neither a look nor a sign.

Ah Consuela! I'm watching, she waves to the stage with her green Spanish eyes,
(For her senses scoff, scorning the biblical warning of kisses of Judas that sting,
With her pierced ears defeating the echoes repeating) and smiles at the bluebird that sings.

Ah Consuela! I'm watching faint embers a' stir in her green Spanish eyes,
For a soft spoken stranger enveloping danger has captured the rhyme in the room
As he slips into sight through the scent of the night and the breath of her heavy perfume.

Ah Consuela! I'm watching, she gauges his guise through her green Spanish eyes
- From his gypsy-like mane, to his diamond stud cane, to the raven engraved on his vest -
For a faraway form, a tempestuous storm, lurks and heaves neath the cleav'e of her breasts.

Ah Consuela! I'm watching the caravels cruise in her green Spanish eyes;
With the castanets clacking upon the deck cracking, he whips 'round his cloak with a whiz
And without sacrificing, at mien so enticing, she floats with her face facing his.

Ah Consuela! I'm watching, the vertigo veiling her green Spanish eyes,
While the drumbeat pounds, droning, the rhythm sounds, moaning, of jungles Jamaican entwined
In the valleys concealing the vineyards revealing the vaults in the caves of her mind.

Ah Consuela! I'm watching, while carnivals call to her green Spanish eyes,
And with paused palpitations the tom-tom temptations come taunting her tremulous feet
With her toe tips a' tingle while jute boxes jingle for jesters that jive on the street.

Ah Consuela! I'm watching, she rides with the tides in her green Spanish eyes,
And her silhouette's travelling on ripples unravelling and shaking the shivering shores,
As she strides from the light to the taste of the night through the candlelit cabaret doors.

Ah Consuela! I'm watching, she dances till dawn with her green Spanish eyes,
With her movements adorning a trickle of morning as sipped by the mouth of the moon,

[...] Read more

poem by Terry O'Leary
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

[...] Read more

poem by Gilbert Keith Chesterton
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The Flower And The Leaf, Or the Lady In The Arbour. A Vision

Now turning from the wintry signs, the sun
His course exalted through the Ram had run,
And whirling up the skies, his chariot drove
Through Taurus, and the lightsome realms of love;
Where Venus from her orb descends in showers,
To glad the ground, and paint the fields with flowers:
When first the tender blades of grass appear,
And buds, that yet the blast of Eurus fear,
Stand at the door of life, and doubt to clothe the year;
Till gentle heat, and soft repeated rains,
Make the green blood to dance within their veins;
Then, at their call emboldened, out they come,
And swell the gems, and burst the narrow room;
Broader and broader yet, their blooms display,
Salute the welcome sun, and entertain the day.
Then from their breathing souls the sweets repair
To scent the skies, and purge the unwholesome air:
Joy spreads the heart, and, with a general song,
Spring issues out, and leads the jolly months along.
In that sweet season, as in bed I lay,
And sought in sleep to pass the night away,
I turned my weary side, but still in vain,
Though full of youthful health, and void of pain:
Cares I had none, to keep me from my rest,
For love had never entered in my breast;
I wanted nothing Fortune could supply,
Nor did she slumber till that hour deny.
I wondered then, but after found it true,
Much joy had dried away the balmy dew:
Seas would be pools, without the brushing air
To curl the waves; and sure some little care
Should weary nature so, to make her want repair.
When Chanticleer the second watch had sung,
Scorning the scorner sleep, from bed I sprung;
And dressing, by the moon, in loose array,
Passed out in open air, preventing day,
And sought a goodly grove, as fancy led my way.
Straight as a line in beauteous order stood
Of oaks unshorn a venerable wood;
Fresh was the grass beneath, and every tree,
At distance planted in a due degree,
Their branching arms in air with equal space
Stretched to their neighbours with a long embrace;
And the new leaves on every bough were seen,
Some ruddy coloured, some of lighter green.
The painted birds, companions of the spring,
Hopping from spray to spray, were heard to sing.
Both eyes and ears received a like delight,
Enchanting music, and a charming sight.
On Philomel I fixed my whole desire,

[...] Read more

poem by John Dryden
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Romance Sonámbulo

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsy dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;

[...] Read more

poem by Federico García Lorca
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As Ireland Wore the Green

BY RIGHT of birth in southern land I send my warning forth.
I see my country ruined by the wrongs that damned the North.
And shall I stand with fireless eyes and still and silent mouth
While Mammon builds his Londons on the fair fields of the South?

CHORUS:
O must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we will wear our colour still,
As Ireland wore the green!

I see the shade of poverty fall on each sunny scene.
And slums and alley-ways extend where fields were evergreen.
There is a law that stamps the flower of freedom as it springs;
And this upon a soil that’s trod by prouder feet than kings’.

And must I hide my colour
In fear of Mammon’s spleen?
Or shall I wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland swore the green!
Aye, I will wear my colour yet,
As Ireland wore the green!

Out there beyond the lonely range our fathers toiled for years
’Neath all the hardships that beset true-hearted pioneers;
And our brave mothers journeyed there to do the work of men
On those great awful plains that were unfit for women then.

Then must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland swore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we shall wear our colour still,
As Ireland wore the green!

O shall the fields our fathers won be yielded to the few
Who never touched the axe or spade, and hardships never knew?
Shall lordly robbers rule the land and build their mansions high,
And ladies flaunt their jewelled plumes where our brave mothers lie?

O must we hide our colour
In fear of Mammnon’s spleen?

[...] Read more

poem by Henry Lawson
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Endymion: Book IV

Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

"Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

"Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet

[...] Read more

poem by John Keats
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GREEN, A Litany

green in the midst of drab desolation
green ‘til the tide in the street overflows
green that preserves green's green reputation
green behind curtains, like cellist & bow

green on occasions no green is permissible
green by inversion a negative flame
green in final disgrace & dismissal
green where the gravedigger shoulders his spade

green like the walls of Verlaine's Belgium prison
green woods, wolf & poet meeting on equal foot
green like embroidery on old smoking-jackets
covered with needlepoint dragons & soot

green like a murderer gone to the guillotine
green like the lawns of this land breaking through
our windows in herbicide frenzy to taunt us
green like the tarnish on brass tiger shoes

green the result of choice or of chance
green when the famished, the hopeful despair
green that we have no hope of outguessing
green for which always we must be prepared

poem by Jay Mandeville
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The Scout Toward Aldie

The cavalry-camp lies on the slope
Of what was late a vernal hill,
But now like a pavement bare-
An outpost in the perilous wilds
Which ever are lone and still;
But Mosby's men are there -
Of Mosby best beware.

Great trees the troopers felled, and leaned
In antlered walls about their tents;
Strict watch they kept; 'twas Hark! and Mark!
Unarmed none cared to stir abroad
For berries beyond their forest-fence:
As glides in seas the shark,
Rides Mosby through green dark.

All spake of him, but few had seen
Except the maimed ones or the low;
Yet rumor made him every thing-
A farmer-woodman-refugee-
The man who crossed the field but now;
A spell about his life did cling -
Who to the ground shall Mosby bring?

The morning-bugles lonely play,
Lonely the evening-bugle calls -
Unanswered voices in the wild;
The settled hush of birds in nest
Becharms, and all the wood enthralls:
Memory's self is so beguiled
That Mosby seems a satyr's child.

They lived as in the Eerie Land-
The fire-flies showed with fairy gleam;
And yet from pine-tops one might ken
The Capitol dome-hazy-sublime-
A vision breaking on a dream:
So strange it was that Mosby's men
Should dare to prowl where the Dome was seen.

A scout toward Aldie broke the spell. -
The Leader lies before his tent
Gazing at heaven's all-cheering lamp
Through blandness of a morning rare;
His thoughts on bitter-sweets are bent:
His sunny bride is in the camp -
But Mosby - graves are beds of damp!

The trumpet calls; he goes within;
But none the prayer and sob may know:

[...] Read more

poem by Herman Melville
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The Troubadour. Canto 4

IT was a wild and untrain'd bower,
Enough to screen from April shower,
Or shelter from June's hotter hour,
Tapestried with starry jessamines,
The summer's gold and silver mines;
With a moss seat, and its turf set
With crowds of the white violet.
And close beside a fountain play'd,
Dim, cool, from its encircling shade;
And lemon trees grew round, as pale
As never yet to them the gale
Had brought a message from the sun
To say their summer task was done.
It was a very solitude
For love in its despairing mood,
With just enough of breath and bloom,
With just enough of calm and gloom,
To suit a heart where love has wrought
His wasting work, with saddest thought;
Where all its sickly fantasies
May call up suiting images:
With flowers like hopes that spring and fade
As only for a mockery made,
And shadows of the boughs that fall
Like sorrow drooping over all.

And LEILA , loveliest! can it be
Such destiny is made for thee?
Yes, it is written on thy brow
The all thy lip may not avow,--
All that in woman's heart can dwell,
Save by a blush unutterable.
Alas! that ever RAYMOND came
To light thy cheek and heart to flame,--
A hidden fire, but not the less
Consuming in its dark recess.

She had leant by his couch of pain,
When throbbing pulse and bursting vein
Fierce spoke the fever, when fate near
Rode on the tainted atmosphere;
And though that parch'd lip spoke alone
Of other love, in fondest tone,
And though the maiden knew that death
Might be upon his lightest breath,
Yet never by her lover's side
More fondly watch'd affianced bride,--
With pain or fear more anxious strove,
Than LEILA watch'd another's love.

[...] Read more

poem by Letitia Elizabeth Landon
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Endymion: Book III

There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen breasts,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones--
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone--
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.--
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe--
Few, who with gorgeous pageantry enrobe
Our piece of heaven--whose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,

[...] Read more

poem by John Keats
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Go Green…

'Green' is enchantment unparalleled; transforming every beleaguered
bone on disdainfully crackled earth; into a festoon of undying
replenishment till times beyond eternity,

'Green' is the ultimate magicians wand; perpetuating every speck of
the atmosphere with a tranquil so victorious; that it became the smile
of each symbiotic countenance alive,

'Green' is the most everlastingly compassionate caress of nature
divine; royally accommodating infinite organisms of different shapes,
sizes, color and charm into a blanket of invincible frolic and
togetherness,

'Green' is the most pricelessly inimitable definition of freshness;
incessantly spawning into the undefeated dazzle of optimistic dawn; to
enlighten the entire Universe with the colors of brilliant newness,

'Green' is every sore eye's perpetual delight; wholesomely shrugging
off every wretched insinuation of monotonous commercialism; with the
effervescent new-born foliage of earth divine,

'Green' is the most supremely mollifying tonic to the incarcerated
soul; alleviating the most inconspicuous of its sorrow with undying
enigmatic whispers; which reverberated till beyond the infinite,

'Green' is the most fragrantly uninhibited dance of every organism
alive; as the unsurpassable buckets of rain; pelted unfettered from
the belly of fathomless sky,

'Green' is the most pristine shade of prosperity at its unbelievable
hilt; shimmering like a new born child replete with only happiness in
every flamboyant ray of the sun and the equally royally moonlit night,

'Green' is the destiny which never ever dies; astoundingly
proliferating into a boundless landscapes of blooming life; which made
the most parasitic robots as the greatest poets till as long as God's
earth survived,

'Green' symbolizes the most blissfully perfect truce between austere
white and diabolical black; where the winds of majestic moderation
transit every living being to the paths of bountiful righteousness,

'Green' nullifies the very non-existent roots of anarchic depression;
profoundly enthralling one and all in the neighborhood with the
tantalizing vivaciousness of a fairy; who'd descended down solely to
magnetize rustic soil,

'Green' evokes unconquerable desire in every ingredient of the blood;
to be one and in perfect unison with Mother nature; let the unbridled
beauty of her endless creations harness every aspect of impoverished

[...] Read more

poem by Nikhil Parekh
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Emerald Green

Emerald green is the colour of life and of the springtime,
Conveying harmony, joie de vivre and most important, love
Emerald green retains its lively vigour all the time
In all nuances, like those wonderful green eyes that rove.

Sunlight dances across the Gulf of Mexico, a lovely place
With emerald green waters and very hot white sand.
Moreover, we see this green in a forest, a darker space,
Or we can see it in the green grass in the Spring land,

A metallic green body with small yellow sweet stripes
And emerald eyes has the Hine’s emerald dragonfly.
Nymphs hatch in marshes high in sedge meadows,
When sheds its skin and emerges an adult to fly.

A mineral emerald green contains the Romanesque murals.
The old Masters used verdigris for them and copper green
To make a deep brown, mixed it with sulfur-containing colors,
Such as cadmium yellow, vermilion or blue-ultramarine.

The green we see in December represents the evergreen tree,
A symbol of life continuing even in that dark day.
We look to the pins and the rhododendrons and we agree
That greenery will return to the world again someday.

The green chosen for the color scheme of Christmas night
Is emerald green, that deep, pure, clear green inside
That seems to shine with light, in the season of white
When there isn't much natural green available outside.

A very ambitious plant is hymenaea courbaril, the tree named Amber
It has the most attractive emerald-green heart shaped leaves.
Like Orchid Tree, so pleasing to the eye with their alluring shimmer.
Lycopersicon esculentum has emerald green tomatoes with dark green stripes.

With this emerald green Van Gogh wanted to paint plastic correctly
Maybe his eyes saw a special nuance, after cutting his ear
He worked alla prima, on to the canvas painting directly
From his imagination and from reality, making the image believable.

poem by Marieta Maglas
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The LoRuhamah Poems - Her Death Discordant

for Judy Asher, killed at age 21

These meditations/laments are set in
Appalachian mountains and towns of
North American Southern states, circa mid1960's

[The name, LoRuhamah, means 'not loved']

Hosea 1: 6 - 'And she conceived again, and bare a daughter.
And God said unto him, Call her name LoRuhamah' for I will
no more have mercy on the house of Israel, but will utterly take
them away.'

Part One

1

O rue rue LaRue among the ginkgoes
cloven leaves all fallen whose burnished berries
yellow late melon sweetness of Autumn days

O rue rue LaRue among the boxwoods
evergreen for no good phlox.
Blooded leaves settle upon golden flax of weeds
seeding the chilling ground receiving soundless
lips of grain enduring ice and ice again

O rue rue LaRue amidst the sortilege
Coo of pigeons in the distant spired village
low of legion cattle turning toward evening millet
mow of fringing grain chafing toward winter silos

O rue rue LaRue
Blue waters at a distance
blue the tails of otters
blue the eyelids of sleeping beasts
nested beneath the earth

Distant crows sound the morning field beyond pasture
Dew murmurs names upon passing grasses
Echoing wood gold where below the stream's gash
furthers along slowly murdering dimensions of
width and depth

Remembered gait of young ponies toward
the spring's sweet water

Remembered laughter of the frail daughter there
beside the fields sweet grasses

[...] Read more

poem by Warren Falcon
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Monroe Louisiana

On the green, green farm
In green, green Monroe Louisiana
So green, green
Wet-luscious green and alive
So green after the rain
So bright green and clean
Just passing through
On my way to tomorrow
But so green today and yesterday
It was on that stranger's green, green farm
And I didn't stay long
And I didn't expect someone
To fire that shotgun right next to me
The barrel pointed out the front door
Into that green, green world beyond.
There were hot springs
On the green, green farm
In green, green Monroe Louisiana
Back in 1973.

poem by M.L. Squier
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I Discover The World In India

red vermillion streaked hair
a red wattled lapwing
orange, same time each day, sunrises and sunsets
yellow and black taxi colours, yellow temple flags, bright yellow confectionery shops, yellow bright fragrant perfume shops
green lush city pot plants, green lush country side
light blue warm skies, light blue cool cabs
indigo blue dupattas, turbans
navy blue trains, absence of starchy navy blue suits
sexy, pink, curved, massive majestic palaces, pink film posters
gold and glass chhum chhummy bangles
one purple TV happily watched by hundreds of labourers, purple crow sounds
gold chhum chhummy payals
white nehru jackets, pyjamas and kurtas, white cracking paint on grand old victorian buildings, white floor seating
_______
I discover

white clear eyes, white teeth behind white greetings
gold namastes
purple glee at fairs, purple glee when trying new technology and at receiving smallest of gifts
gold helping hands
many pink smiles
navy blue restful sleep on pavements, on roof terraces
indigo blue uniforms on giving railway porters
light blue singing on pavements, in big halls
limitless sincere green hospitality
endless yellow courtesy and welcomes
orange early morning school uniforms and school bags
an orange headed minla
red eyed hard working farmers and labourers
_______
the world

red rose petals in idol garlands, red rose petals at feet of idols
orange marigolds and sadhus, orange sacred cows
yellow rose petals in idol garlands, at feet of idols
a yellow eurasian golden eriole
green mango leaf awnings at entrances
light blue shiny clothes for deities, light blue ganges, light blue yamuna, light blue ceremonies
indigo blue in ancient temple and church paintings, indigo blue in contemporary art , indigo blue art and artists everywhere
navy blue backdropp in Shree Nathji's haveli
pink garlands on shiv lings, pink stained rice in flower formations on pooja tables
gold crowns for goddesses and gods
purple checks on worship lungis
gold ornaments on idols in gold temples, gold borders on worship saris
white churches, brahmins clad in white, stirring orators in white, ancient white stone sculptures and carvings
_____
in India

white barfi, white lassi, white raw and crunchy radishes
gold basundi, gold masala dosas, gold pani puris

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poem by Bhupen Thakker
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Beachy Head

ON thy stupendous summit, rock sublime !
That o'er the channel rear'd, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretch'd forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between

The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast !
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice

Of the gray choughs, and ever restless daws,
With clamour, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea.
Dimpling its tranquil surface.
Afar off,
And just emerging from the arch immense

Where seem to part the elements, a fleet
Of fishing vessels stretch their lesser sails;
While more remote, and like a dubious spot
Just hanging in the horizon, laden deep,
The ship of commerce richly freighted, makes
Her slower progress, on her distant voyage,
Bound to the orient climates, where the sun
Matures the spice within its odorous shell,
And, rivalling the gray worm's filmy toil,

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poem by Charlotte Smith
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Tristram And Iseult

I
TRISTRAM

Tristram. Is she not come? The messenger was sure—
Prop me upon the pillows once again—
Raise me, my page! this cannot long endure.
—Christ, what a night! how the sleet whips the pane!
What lights will those out to the northward be?

The Page. The lanterns of the fishing-boats at sea.

Tristram. Soft—who is that, stands by the dying fire?

The Page. Iseult.

Tristram. Ah! not the Iseult I desire.

What Knight is this so weak and pale,
Though the locks are yet brown on his noble head,
Propt on pillows in his bed,
Gazing seaward for the light
Of some ship that fights the gale
On this wild December night?
Over the sick man's feet is spread
A dark green forest-dress;
A gold harp leans against the bed,
Ruddy in the fire's light.
I know him by his harp of gold,
Famous in Arthur's court of old;
I know him by his forest-dress—
The peerless hunter, harper, knight,
Tristram of Lyoness.
What Lady is this, whose silk attire
Gleams so rich in the light of the fire?
The ringlets on her shoulders lying
In their flitting lustre vying
With the clasp of burnish'd gold
Which her heavy robe doth hold.
Her looks are mild, her fingers slight
As the driven snow are white;
But her cheeks are sunk and pale.
Is it that the bleak sea-gale
Beating from the Atlantic sea
On this coast of Brittany,
Nips too keenly the sweet flower?
Is it that a deep fatigue
Hath come on her, a chilly fear,
Passing all her youthful hour
Spinning with her maidens here,
Listlessly through the window-bars

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poem by Matthew Arnold
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Autumn Swing

Back to the back
Undo and tracking our footprints
Printed on the sand of time
Reached and stopped at one point
The beginning of earliest thing
Our first meet and Hello greet

Hello world
We keen seed a plant
Sprout the moment, the lesson start
Water my soul you bring me light
With you the life we ride
Deep in core, inside
Grows to root in heart
Hello world
It's been many years we had
But seems like yesterday we been here
The wind still calm, loyal visit our garden
Hope all season life still evergreen not frozen

Time goes fast like a smoke
Thick, thin, disappear
We smile we cry, branching emotion in vessels
Patiently we waiting to smell the scent of happy
Life not easy but we learn new lesson daily
Branches becomes stronger day by day
Stronger construct history today
Dig deep by root, taller, up by shoot
Life so mystery but can be understood

Green leaf symbols of living
Each one, each day we been talking
One day we gained or leaving
Day by day, Oh World
Who thought we passed years
We changed by now and we still
To be now a shady tree
Against the storm or a safe home
The best shelter of nightingale
And we learn how to sing beautiful tale
At least apples ripen accompany

Time running just like a smoke
Dense, smear, disappear
Now, here, today will be another memory
Seasons of life, chapter of our story
Green leaf will change to yellow or brown glory
Feel blue, past leave yellow history
Time so fast, if wrong, say my sorry

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poem by Unwritten Soul
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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