That some should be rich, shows that others may become rich, and, hence, is just encouragement to industry and enterprise.
quote by Abraham Lincoln
Added by Lucian Velea
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Related quotes
Make Me Rich
Purchase purchase buy buy
Purchase purchase buy buy
Purchase purchase buy buy
Purchase purchase buy buy.
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
'Horns and tambourines'
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
'Congas'
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
' And to the bridge'
Purchase purchase buy buy
Purchase purchase buy buy
[...] Read more
poem by Lawrence S. Pertillar
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The Race Industry
The coconuts have got the jobs.
The race industry is a growth industry.
We despairing, they careering.
We want more peace they want more police.
The Uncle Toms are getting paid.
The race industry is a growth industry.
We say sisters and brothers don't fear.
They will do anything for the Mayor.
The coconuts have got the jobs.
The race industry is a growth industry.
They're looking for victims and poets to rent.
They represent me without my consent.
The Uncle Toms are getting paid.
The race industry is a growth industry.
In suits they dither in fear of anarchy.
They take our sufferings and earn a salary.
Steal our souls and make their documentaries.
Inform daily on our community.
Without Black suffering they'd have no jobs.
Without our dead they'd have no office.
Without our tears they'd have no drink.
If they stopped sucking we could get justice.
The coconuts are getting paid.
Men, women and Brixton are being betrayed.
poem by Benjamin Zephaniah
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The Four Seasons : Autumn
Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind
[...] Read more
poem by James Thomson
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The Castle Of Indolence
The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.
O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.
[...] Read more
poem by James Thomson
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South Carolina
The other day my neighbor has a dented bike
Second day he called me from intensive care
Says he needs a picture of the dented bike
For the evidence of what a wreck he had
Accident
Accident
Lift that fork, eat that snail
Garcon summoned, have a new cocktail
Lift that fork, eat that snail
Garcon summoned, have a new cocktail
Crash my bicycle
Crash my bicycle
In a big south carolina wreck
I crash my bicyle
Crash my bicycle
Crash my bicycle
In a big south carolina wreck
I crash my bicyle
And I won some damages and they were punitive
By which I mean the punishment was damaging
It crushed my head
It crushed my head
Garcon, wheres my drink?
Wreck!
Observe the front wheel spinning upside down
Wreck!
The red reflector fragments strewn around
Wreck!
The back wheels o is now a letter d
Wreck!
I was an i and now I am a v
Lift that fork, eat that snail
Garcon summoned, have a new cocktail
Lift that fork, eat that snail
Garcon summoned, have a new cocktail
Crash my bicycle
Crash my bicycle
In a big south carolina wreck
I crash my bicyle
Crash my bicycle
Crash my bicycle
In a big south carolina wreck
I crash my bicyle
If I had to do it all again, buy* bicycle
If I had to do it, I would crash my bicycle
Id crush my head
Collect the bread
Crash my bicycle
Move along folks
Push her back there, move along
[...] Read more
song performed by They Might Be Giants
Added by Lucian Velea
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The Next Generation
(STARDATE 45122.3. The sensors aboard the Starship Enterprise have detected a subspace anomaly. The nature of the anomaly is as yet unknown, but Commander Data has reported a slight drain on the warp core generator. Captain Jean Luc Picard has alerted the senior crew members to keep him informed of any changes and meanwhile continue on course to the colony on Aldebaran III)
“It must mean we’re really getting old when the only thing we talk about is television, ” I say to Bobby. He sits across from me, the flickering colors from the TV screen playing across his face, the dim light illuminating the room like a lunar landscape.
We are watching episode #232 of ‘Star Trek: The Next Generation.’ There are no more new episodes. We have seen this episode before, but we are watching it because it’s better than not watching it. We watch it at the same time every night. We are watching it because we are addicted to its predictable action, its monotone dialog, its hypnotic cinematography. We watch it because we have seen so many episodes that we know all the characters, their life histories, their personal characteristics, their predilections and idiosyncrasies, better than we know some of our own family members.
(Commander Data has been experimenting with oil painting. All of his subjects appear to be meticulously drawn but do not express feeling. Ship’s Counselor Deanna Troi suggests that he attempt abstract art to explore his subjective experience.
Their conversation is interrupted, however, by a message from the bridge. The subspace anomaly has greatly increased in both its size and intensity. If it continues to grow at its present rate the Enterprise will soon be in danger of being drawn into it and being destroyed.)
I feel that my life is slipping away, that I am trapped, helpless, in a void of television shows, TV dinners, and a routine of daily activity, doing the same thing at the same time each day, that makes the days go by as quickly and painlessly as possible. I feel that each week that passes is a week that I will never have again. That I am dying, slowly, the life energy being sucked out of me, a little bit each hour, each day, in a plethora of ‘Seinfeld, ’ ‘Friends’, ‘The X-Files, ” and ‘Star Trek: The Next Generation.’ That I am caught in a time warp and slowly and inexorably being drawn into its vortex.
{The subspace anomaly continues to grow and to draw energy from the Starship’s warp core generator.
“Shields at 14 per cent, ” says Commander Worf.
“At this rate the Enterprise will be destroyed in 13 hours,28 minutes, and 32 seconds, ” says Data.)
Somehow I’ve got to escape from this, to rejoin the flow of humanity, to begin my life once more. If only I could meet the person, write the poem, sing the song, paint the painting. If only I could break the cycle. But it’s too safe remaining here. And I use television like a drug, insulating me from my own feelings, insulating me from my own sense of loss, substituting instead the fictitious emotions of fictitious characters, lived vicariously at the same time each day, with a standardized format designed to keep the self distant, removed, safe, anaesthetized from the pain of indirect living.
Bobby says, “You really know you’ve been watching too much television when everything on the cable is a re-run.”
(Captain’s Log Supplemental: The Enterprise has escaped from the subspace anomaly with 1.4 seconds to spare. The senior officers on the bridge look at each other with a sigh of relief.
“Ensign, lay in a course for Star Base 67, bearing 6571, mark 82, warp six, ” says Picard.
“Engage! ”)
poem by Theresa Haffner
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Crushed By The Wheels Of Industry (Extended Dance Mix)
Breaking in the future just before the week is up
They can do it but it's going to take some money
Have what you desire if and when you see the fact
They will lead us to the land of milk and honey
Work all day or work all night it's all the same
If you want the pay
Some drive tankers
Some are bankers
Some are workers
Some are not
It is time for a party
Destination for the nation now!
Chorus:
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels
Work now!
Call me in the morning just before the breakfast show
We'll watch TV and analyse the weather
Before we go to work we'll have planned the day ahead
We'll while away the working day together
Work all day or work all night it's all the same
If you want to play
Some are nurses
Some steal purses
Some are workers
Some are not
It is time for a party
Liberation for the nation now!
Chorus
There's a party going on
That's going to change the way we live
But how do we know we've even been invited
Now the invitation's waiting
And the table is reserved
So just play it cool and don't get excited
Work or day or work all night it's all the same
Will we ever change
It's vocation or vacation
Some are workers
Some are not
It is time for a party
Syncopation for the nation now!
Chorus
song performed by Heaven 17
Added by Lucian Velea
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Freaks Of The Industry
*this is a cover of a digital underground song*
Yeah, suburban noize, those kottonmouth kings
Freaks come out at night, the freaks come out...
Well... were the freaks of the industry, suburban noize, kottonmouth kings
The freaks of the industry, and when ya see us back stage be prepared to g
Now they say that first do it means do it, time to freak, saint dog gets to it
Not a heavy weight, but Ill go twelve rounds with a jab of the stick
Im going lick for lick, so give me the helmet, Ill be the stunt man
Just relax, and I wont front like arena, I mean to get the cream of the crop
And Ill be taking it slow, never missing a spot, yes caress your back n chest
Youre kissing on my nose ring, Ill whisper in your ear
Saint dog kottonmouth king, oh big st thats what youll be screaming and creaming
But its not a wet dream its the real, the freaky dog, dog nasty,
Never letting a kitty cat get past me, without picking it up, petting it
Teasing it, taking 3 home and pleasing it
Were the freaks of the industry, suburban noize, kottonmouth kings
The freaks of the industry, and when ya see us back stage be prepared to g
Say youre g-in, nobody else is seeing
And the freak that your withs in front of you, bending over naked
As shes leaning on the dresser, boo-yeah, youre looking at her from the rear
She looks just like rebecca, not rebecca with the singing career
But the x rated video queen, ya know what I mean?
All right heres the scene, youre lying on your back
With your head on the edge of the bed
The bootys 2 feet from your head, should you
A. take the time to find a condom, b. walk right over and you pound em
C. tell her that you want her love, well the answer is d. all of the above
So youre freakin, the furnitures squeakin, shes tweaking,
Saying that shes weak in the knees, cheek for cheek, and pound for pound
Im taxing it and waxing it and working it around
Till the booty starts making that clapping sound
Which is cool but your friends are chillin in the other room
The clap is getting louder, you dont want them to clown you
In this situation, what do you do?
A. plainly simply back up off her
B. you hit it just a little bit softer
C. you take it out and put it in her butt
Well this for daddy x yo, yo listen up
I put a towel on the floor by the 2 inch gap under the door
And now ya cant see me anymore, to the lock to the top,
But they cant listen, therell be no barging in, therell be no dissin
Get back to the mission, broke out the whip cream and the cherry
I go through all the 5 positions, my head under her leg under my arm under her toe
She says I like it when you scream, daddy let yourself go,
I hit it, slid it, lick it, quit it, after the ride I put my clothes on I walk outside,
And before anybody has a chance to speak I say yo Im daddy x
I guess Im just a freak
Were the freaks of the industry, suburban noize, kottonmouth kings
The freaks of the industry, and when ya see us back stage be prepared to g
song performed by Kottonmouth Kings
Added by Lucian Velea
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“LIVES” are Priceless
Believe it, humans cost money, they’re profits, and lives aren’t
important:
“It costs to be born, ”
“It costs to live, ”
“It costs to die.”
In the agriculture industry, money comes before being fed.
In the fashion industry, money comes before being clothed.
In the real estate industry, money comes before being sheltered.
In the business industry, money comes before doing without needs.
In the health industry, money comes before saving lives.
In the funeral industry, money comes before burying a life.
Money is the main human sacrifice and those celebrities are the public example; the dramas and appraisers surrounding their lives are preyed upon by tabloids that make earnings about their publicity:
Their charity work, it’s worth bronze.
Their childhood, it’s worth silver.
Adultery exposure, nude images, drugs, DUI, etc. it’s worth gold.
Death or prison sentence, a pandemonium, that’s worth platinum!
Coming into this world you’re paying a price, but what will happen if people can’t afford to buy anymore? Nah, that wouldn’t happen—it’s always will or a way, and even with the different birth control life can’t be eliminated.
poem by Francee Bouvenir
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Orlando Furioso Canto 16
ARGUMENT
Gryphon finds traitorous Origilla nigh
Damascus city, with Martano vile.
Slaughtered the Saracens and Christians lie
By thousands and by thousands heaped this while;
And if the Moor outside of Paris die,
Within the Sarzan so destroys each pile,
Such slaughter deals, that greater ill than this
Never before has been exprest, I wiss.
I
Love's penalties are manifold and dread:
Of which I have endured the greater part,
And, to my cost, in these so well am read,
That I can speak of them as 'twere my art.
Hence if I say, or if I ever said,
(Did speech or living page my thoughts impart)
'One ill is grievous and another light.'
Yield me belief, and deem my judgment right.
II
I say, I said, and, while I live, will say,
'He, who is fettered by a worthy chain,
Though his desire his lady should gainsay,
And, every way averse, his suit disdain;
Though Love deprive him of all praised pay,
After long time and trouble spent in vain,
He, if his heart be placed well worthily,
Needs not lament though he should waste and die.'
III
Let him lament, who plays a slavish part,
Whom two bright eyes and lovely tresses please:
Beneath which beauties lurks a wanton heart
With little that is pure, and much of lees.
The wretch would fly; but bears in him a dart,
Like wounded stag, whichever way he flees;
Dares not confess, yet cannot quench, his flame,
And of himself and worthless love has shame.
IV
The youthful Gryphon finds him in this case,
Who sees the error which he cannot right;
He sees how vilely he his heart does place
On faithless Origille, his vain delight:
Yet evil use doth sovereign reason chase,
And free will is subdued by appetite.
Though a foul mind the lady's actions speak,
Her, wheresoe'er she is, must Gryphon seek.
[...] Read more
poem by Ludovico Ariosto
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Job Proposal
The community has no immunity from the systematic demise
Of inner city enterprise
This demise creates economic development for administrations
In the midst of inner city death cries
Poverty, an opportunity for the business community to procure
Appropriations for the revitalization of bureaucratic relations
Poverty works, it is the hidden agenda that doth lurk
Anti-poverty programs comprehensive and coordinated
Jobs for social workers, counselors and bureaucrats created
While communities, neighborhoods and ghettos waited and waited
Urban Renewal 1949, Community Action Program 1964
Model Cities 1966, Community Development Block Grants 1974
Urban Development Action Grants 1977, Enterprise Zones 1980,
Empowerment Zones 1993
The community has no immunity from the systematice demise
Of inner city enterprise
Poverty and crime are permitted to murder the inner city
Without remorse, without mercy, without justice, without pity
The need for the slums sanctions traditional deterioration of
Social humanity
Representative of, representative of bureaucratic insanity
The community has no immunity from systematic demise
Of inner city enterprise
poem by Josephine DixonBanks
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
[...] Read more
poem by John Dryden
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Canto the Fifth
I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.
II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.
III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.
IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.
V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Fifth
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.
I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.
'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning
[...] Read more
The Task: Book I. -- The Sofa
I sing the Sofa. I who lately sang
Truth, Hope, and Charity, and touched with awe
The solemn chords, and with a trembling hand,
Escaped with pain from that adventurous flight,
Now seek repose upon an humbler theme;
The theme though humble, yet august and proud
The occasion, - for the fair commands the song.
Time was when clothing, sumptuous or for use,
Save their own painted skins, our sires had none.
As yet black breeches were not, satin smooth,
Or velvet soft, or plush with shaggy pile.
The hardy chief upon the rugged rock
Washed by the sea, or on the gravelly bank
Thrown up by wintry torrents roaring loud,
Fearless of wrong, reposed his weary strength.
Those barbarous ages past, succeeded next
The birthday of invention, weak at first,
Dull in design, and clumsy to perform.
Joint-stools were then created; on three legs
Upborne they stood, - three legs upholding firm
A massy slab, in fashion square or round.
On such a stool immortal Alfred sat,
And swayed the sceptre of his infant realms;
And such in ancient halls and mansions drear
May still be seen, but perforated sore
And drilled in holes the solid oak is found,
By worms voracious eating through and through.
At length a generation more refined
Improved the simple plan, made three legs four,
Gave them a twisted form vermicular,
And o'er the seat with plenteous wadding stuffed
Induced a splendid cover green and blue,
Yellow and red, of tapestry richly wrought
And woven close, or needle-work sublime.
There might ye see the peony spread wide,
The full-blown rose, the shepherd and his lass,
Lap-dog and lambkin with black staring eyes,
And parrots with twin cherries in their beak.
Now came the cane from India, smooth and bright
With Nature's varnish; severed into stripes
That interlaced each other, these supplied
Of texture firm a lattice-work, that braced
The new machine, and it became a chair.
But restless was the chair; the back erect
Distressed the weary loins that felt no ease;
The slippery seat betrayed the sliding part
That pressed it, and the feet hung dangling down,
[...] Read more
poem by William Cowper
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The Parish Register - Part I: Baptisms
The year revolves, and I again explore
The simple Annals of my Parish poor;
What Infant-members in my flock appear,
What Pairs I bless'd in the departed year;
And who, of Old or Young, or Nymphs or Swains,
Are lost to Life, its pleasures and its pains.
No Muse I ask, before my view to bring
The humble actions of the swains I sing. -
How pass'd the youthful, how the old their days;
Who sank in sloth, and who aspired to praise;
Their tempers, manners, morals, customs, arts,
What parts they had, and how they 'mploy'd their
parts;
By what elated, soothed, seduced, depress'd,
Full well I know-these Records give the rest.
Is there a place, save one the poet sees,
A land of love, of liberty, and ease;
Where labour wearies not, nor cares suppress
Th' eternal flow of rustic happiness;
Where no proud mansion frowns in awful state,
Or keeps the sunshine from the cottage-gate;
Where young and old, intent on pleasure, throng,
And half man's life is holiday and song?
Vain search for scenes like these! no view appears,
By sighs unruffled or unstain'd by tears;
Since vice the world subdued and waters drown'd,
Auburn and Eden can no more be found.
Hence good and evil mixed, but man has skill
And power to part them, when he feels the will!
Toil, care, and patience bless th' abstemious few,
Fear, shame, and want the thoughtless herd pursue.
Behold the Cot! where thrives th' industrious
swain,
Source of his pride, his pleasure, and his gain;
Screen'd from the winter's wind, the sun's last ray
Smiles on the window and prolongs the day;
Projecting thatch the woodbine's branches stop,
And turn their blossoms to the casement's top:
All need requires is in that cot contain'd,
And much that taste untaught and unrestrain'd
Surveys delighted; there she loves to trace,
In one gay picture, all the royal race;
Around the walls are heroes, lovers, kings;
The print that shows them and the verse that sings.
Here the last Louis on his throne is seen,
And there he stands imprison'd, and his Queen;
To these the mother takes her child, and shows
What grateful duty to his God he owes;
[...] Read more
poem by George Crabbe
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Cyder: Book I
-- -- Honos erit huic quoq; Pomo? Virg.
What Soil the Apple loves, what Care is due
To Orchats, timeliest when to press the Fruits,
Thy Gift, Pomona, in Miltonian Verse
Adventrous I presume to sing; of Verse
Nor skill'd, nor studious: But my Native Soil
Invites me, and the Theme as yet unsung.
Ye Ariconian Knights, and fairest Dames,
To whom propitious Heav'n these Blessings grants,
Attend my Layes; nor hence disdain to learn,
How Nature's Gifts may be improv'd by Art.
And thou, O Mostyn, whose Benevolence,
And Candor, oft experienc'd, Me vouchsaf'd
To knit in Friendship, growing still with Years,
Accept this Pledge of Gratitude and Love.
May it a lasting Monument remain
Of dear Respect; that, when this Body frail
Is moulder'd into Dust, and I become
As I had never been, late Times may know
I once was blest in such a matchless Friend.
Who-e'er expects his lab'ring Trees shou'd bend
With Fruitage, and a kindly Harvest yield,
Be this his first Concern; to find a Tract
Impervious to the Winds, begirt with Hills,
That intercept the Hyperborean Blasts
Tempestuous, and cold Eurus nipping Force,
Noxious to feeble Buds: But to the West
Let him free Entrance grant, let Zephyrs bland
Administer their tepid genial Airs;
Naught fear he from the West, whose gentle Warmth
Discloses well the Earth's all-teeming Womb,
Invigorating tender Seeds; whose Breath
Nurtures the Orange, and the Citron Groves,
Hesperian Fruits, and wafts their Odours sweet
Wide thro' the Air, and distant Shores perfumes.
Nor only do the Hills exclude the Winds:
But, when the blackning Clouds in sprinkling Show'rs
Distill, from the high Summits down the Rain
Runs trickling; with the fertile Moisture chear'd,
The Orchats smile; joyous the Farmers see
Their thriving Plants, and bless the heav'nly Dew.
Next, let the Planter, with Discretion meet,
The Force and Genius of each Soil explore;
To what adapted, what it shuns averse:
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poem by John Arthur Phillips
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The Spirit Of Navigation
Stern Father of the storm! who dost abide
Amid the solitude of the vast deep,
For ever listening to the sullen tide,
And whirlwinds that the billowy desert sweep!
Thou at the distant death-shriek dost rejoice;
The rule of the tempestuous main is thine,
Outstretched and lone; thou utterest thy voice,
Like solemn thunders: These wild waves are mine;
Mine their dread empire; nor shall man profane
The eternal secrets of my ancient reign.
The voice is vain: secure, and as in scorn,
The gallant vessel scuds before the wind;
Her parting sails swell stately to the morn;
She leaves the green earth and its hills behind;
Gallant before the wind she goes, her prow
High bearing, and disparting the blue tide
That foams and flashes in its rage below;
Meantime the helmsman feels a conscious pride,
And while far onward the long billows swell,
Looks to the lessening land, that seems to say, Farewell!
Father of storms! then let thy whirlwinds roar
O'er seas of solitary amplitude;
Man, the poor tenant of thy rocky shore,
Man, thy terrific empire hath subdued;
And though thy waves toss his high-foundered bark
Where no dim watch-light gleams, still he defies
Thy utmost rage, and in his buoyant ark
Speeds on, regardless of the darkening skies;
And o'er the mountain-surges, as they roll,
Subdues his destined way, and speeds from pole to pole.
Behold him now, far from his native plain,
Where high woods shade some wild Hesperian bay,
Or green isles glitter in the southern main,
His streaming ensign to the morn display!
Behold him, where the North's pale meteors dance,
And icy rocks roll glimmering from afar,
Fearless through night and solitude advance!
Or where the pining sons of Andamar,
When dark eclipse has wrapt the labouring moon,
Howl to the demon of the dread monsoon!
Time was, like them, poor Nature's shivering child,
Pacing the beach, and by the salt spray beat,
He watched the melancholy surge, or smiled
To see it burn and bicker at his feet;
In some rude shaggy spot, by fortune placed,
He dreamed not of strange lands, and empires spread,
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poem by William Lisle Bowles
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Trivia ; or, the Art of Walking the Streets of London : Book II.
Of Walking the Streets by Day.
Thus far the Muse has trac'd in useful lays
The proper implements for wintry ways;
Has taught the walker, with judicious eyes,
To read the various warnings of the skies.
Now venture, Muse, from home to range the town,
And for the public safety risk thy own.
For ease and for dispatch, the morning's best;
No tides of passengers the street molest.
You'll see a draggled damsel, here and there,
From Billingsgate her fishy traffic bear;
On doors the sallow milk-maid chalks her gains;
Ah! how unlike the milk-maid of the plains!
Before proud gates attending asses bray,
Or arrogate with solemn pace the way;
These grave physicians with their milky cheer,
The love-sick maid and dwindling beau repair;
Here rows of drummers stand in martial file,
And with their vellum thunder shake the pile,
To greet the new-made bride. Are sounds like these
The proper prelude to a state of peace?
Now industry awakes her busy sons,
Full charg'd with news the breathless hawker runs:
Shops open, coaches roll, carts shake the ground,
And all the streets with passing cries resound.
If cloth'd in black, you tread the busy town
Or if distinguish'd by the rev'rend gown,
Three trades avoid; oft in the mingling press,
The barber's apron soils the sable dress;
Shun the perfumer's touch with cautious eye,
Nor let the baker's step advance too nigh;
Ye walkers too that youthful colours wear,
Three sullying trades avoid with equal care;
The little chimney-sweeper skulks along,
And marks with sooty stains the heedless throng;
When small-coal murmurs in the hoarser throat,
From smutty dangers guard thy threaten'd coat:
The dust-man's cart offends thy clothes and eyes,
When through the street a cloud of ashes flies;
But whether black or lighter dyes are worn,
The chandler's basket, on his shoulder borne,
With tallow spots thy coat; resign the way,
To shun the surly butcher's greasy tray,
Butcher's, whose hands are dy'd with blood's foul stain,
And always foremost in the hangman's train.
Let due civilities be strictly paid.
The wall surrender to the hooded maid;
Nor let thy sturdy elbow's hasty rage
Jostle the feeble steps of trembling age;
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poem by John Gay
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100 STD's 10,000 MTD's
There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.
The latter take a lot more lives.
*********
In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria
Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.
WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)
POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST
a partial list in alphabetical order
acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)
ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)
BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting
bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions
BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken
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poem by O. Anna Niemus
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