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Sickness soaks the purse.

Traditional proverbs
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Mad As We Are

Yes I drink away the hurt, and wishing that the ghost would fade away
There was something more I had to do before you turned and walked away
Promises broken easily
Mad as we are, cannot fail, lives across my silver screen
Soaks it out, burns a trail speed of light, hope flickering
Pins and needles climbing up
The spite of bold cathedrals ever high
I'm not sure that I could cross this river, I'm not sure I want to try
Shadows is that's left of you
Mad as we are, cannot fail, lives across my silver screen
Soaks it out, burns a trail speed of light, hope flickering
Like moths in the night
Promises broken easily
Mad as we are, cannot fail, lives across my silver screen
Soaks it out, burns a trail speed of light, hope flickering
Mad as we are, cannot fail, lives across my silver screen
Soaks it out, burns a trail speed of light, hope flickering
Mad as we are, cannot fail, lives across my silver screen
Soaks it out, burns a trail speed of light, hope flickering
Like moths in the night

song performed by Erasure
Added by Lucian Velea
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The Empty Purse--A Sermon To Our Later Prodigal Son

Thou, run to the dry on this wayside bank,
Too plainly of all the propellers bereft!
Quenched youth, and is that thy purse?
Even such limp slough as the snake has left
Slack to the gale upon spikes of whin,
For cast-off coat of a life gone blank,
In its frame of a grin at the seeker, is thine;
And thine to crave and to curse
The sweet thing once within.
Accuse him: some devil committed the theft,
Which leaves of the portly a skin,
No more; of the weighty a whine.

Pursue him: and first, to be sure of his track,
Over devious ways that have led to this,
In the stream's consecutive line,
Let memory lead thee back
To where waves Morning her fleur-de-lys,
Unflushed at the front of the roseate door
Unopened yet: never shadow there
Of a Tartarus lighted by Dis
For souls whose cry is, alack!
An ivory cradle rocks, apeep
Through his eyelashes' laugh, a breathing pearl.
There the young chief of the animals wore
A likeness to heavenly hosts, unaware
Of his love of himself; with the hours at leap.
In a dingle away from a rutted highroad,
Around him the earliest throstle and merle,
Our human smile between milk and sleep,
Effervescent of Nature he crowed.
Fair was that season; furl over furl
The banners of blossom; a dancing floor
This earth; very angels the clouds; and fair
Thou on the tablets of forehead and breast:
Careless, a centre of vigilant care.
Thy mother kisses an infant curl.
The room of the toys was a boundless nest,
A kingdom the field of the games,
Till entered the craving for more,
And the worshipped small body had aims.
A good little idol, as records attest,
When they tell of him lightly appeased in a scream
By sweets and caresses: he gave but sign
That the heir of a purse-plumped dominant race,
Accustomed to plenty, not dumb would pine.
Almost magician, his earliest dream
Was lord of the unpossessed
For a look; himself and his chase,
As on puffs of a wind at whirl,

[...] Read more

poem by George Meredith
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Following The Sickness

Follow the sickness.
As the bodies dropp the fire burns.
And man is yet to learn.

Fighting our own shadows, fooled by our enemies.
They are the ones you just can't see.
The unaccepted theory is rejected yet again.
But still the chorus plays.

Follow the sickness.
As the bodies dropp the fire burns.
And man is yet to learn.

Follow the sickness.
As the bodies dropp the fire burns.
And man is yet to learn.

To whom it may concern.
A poetic letter, dressed in feathers.
Does it make it any prettier?
A distraction from the purpose.
Delivering the simplest of messages.
And still they are not heard.
Oh no they are never heard.

Follow the sickness.
As the bodies dropp the fire burns.
And man is yet to learn.

Follow the sickness.
As the bodies dropp the fire burns.
And man is yet to learn.

And man is yet to learn.

And man is yet to learn.

Foolish know it alls.
A change in circumstances will cause a sudden fall.
A broken bone, or ego?
A laceration or a severed artery?
Is it serious or superficial?
An inflamation that just won't go down.

Follow the sickness.
As the bodies dropp the fire burns.
And man is yet to learn.

And it has brought me here.
A million passersby's.

[...] Read more

poem by Ace Of Black Hearts
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ANGRY WHITE BOY POLKA

[LAST RESORT (Papa Roach)]
Cut my life into pieces
This is my last resort, suffocation, no breathing
Don't give a... if I cut my arm bleeding
This is my last resort
'Cause I'm losing my sight, losing my mind
Wish somebody would tell me I'm fine
Losing my sight, losing my mind
Wish somebody would tell me I'm fine
Nothing's alright, nothing is fine
I'm running and a-crying
[CHOP SUEY! (System Of A Down)]
Wake up! (Wake up)
Grab a brush and put a little make-up
Hide the scars to fade away the shakeup
(Hide the scars to fade away the shakeup)
Why'd you leave the keys upon the table?
Here you go create another fable
You wanted to
Grab a brush and put a little makeup
You wanted to
Hide the scars to fade away the shakeup
You wanted to
Why'd you leave the keys upon the table?
You wanted to
I don't think you trust
In my self-righteous suicide
I cry when angels deserve to die, die, die
D-d-die die die die die
Hey!
[GET FREE (The Vines)]
I'm gonna get free
I'm gonna get free
I'm gonna get free
Ride into the sun
She never loved me
She never loved me
She never loved me
Why should anyone?
(Come here, come here, come here)
I'll take your photo for ya
(Come here, come here, come here)
Drive you around the corner
(Come here, come here, come here)
You know you really oughta
(Come here, come here, come here)
Move out to California*
[HATE TO SAY I TOLD YOU SO (The Hives)]
Do what I want 'cause I can, if I don't because I wanna
Be ignored by the stiff and the bored because I'm gonna

[...] Read more

song performed by Weird Al Yankovic
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Ladies First

Pamela Purse yelled, 'Ladies first,'
Pushing in front of the ice cream line.
Pamela Purse yelled, 'Ladies first,'
Grabbing the ketchup at dinnertime.
Climbing on the morning bus
She'd shove right by all of us
And there'd be a tiff or a fight or a fuss
When Pamela Purse yelled, 'Ladies first.'

Pamela Purse screamed, 'Ladies first,'
When we went off on our jungle trip.
Pamela Purse said her thirst was worse
And guzzled our water, every sip.
And when we got grabbed by that wild savage band,
Who tied us together and made us all stand
In a long line in front of the King of the land-
A cannibal known as Fry-'Em-Up Dan,
Who sat on his throne in a bib so grand
With a lick of his lips and a fork in his hand,
As he tried to decide who'd be first in the pan-
From back of the line, in that shrill voice of hers,
Pamela Purse yelled, 'Ladies first.'

poem by Sheldon Allan Silverstein
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La Muse Vénale (The Venal Muse)

Ô muse de mon coeur, amante des palais,
Auras-tu, quand Janvier lâchera ses Borées,
Durant les noirs ennuis des neigeuses soirées,
Un tison pour chauffer tes deux pieds violets?

Ranimeras-tu donc tes épaules marbrées
Aux nocturnes rayons qui percent les volets?
Sentant ta bourse à sec autant que ton palais
Récolteras-tu l'or des voûtes azurées?

II te faut, pour gagner ton pain de chaque soir,
Comme un enfant de choeur, jouer de l'encensoir,
Chanter des Te Deum auxquels tu ne crois guère,

Ou, saltimbanque à jeun, étaler tes appas
Et ton rire trempé de pleurs qu'on ne voit pas,
Pour faire épanouir la rate du vulgaire.

The Venal Muse

Muse of my heart, you who love palaces,
When January frees his north winds, will you have,
During the black ennui of snowy evenings,
An ember to warm your two feet blue with cold?

Will you bring the warmth back to your mottled shoulders,
With the nocturnal beams that pass through the shutters?
Knowing that your purse is as dry as your palate,
Will you harvest the gold of the blue, vaulted sky?

To earn your daily bread you are obliged
To swing the censer like an altar boy,
And to sing Te Deums in which you don't believe,

Or, hungry mountebank, to put up for sale your charm,
Your laughter wet with tears which people do not see,
To make the vulgar herd shake with laughter.

— Translated by William Aggeler

The Venal Muse

Muse of my heart, of palaces the lover,
Where will you, when the blast of winter blows
In the black boredom of snowed lights, discover
A glowing brand to warm your violet toes?

[...] Read more

poem by Charles Baudelaire
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The Sacrifice Of Er-Heb

Er-Heb beyond the Hills of Ao-Safai
Bears witness to the truth, and Ao-Safai
Hath told the men of Gorukh. Thence the tale
Comes westward o'er the peaks to India.

The story of Bisesa, Armod's child, --
A maiden plighted to the Chief in War,
The Man of Sixty Spears, who held the Pass
That leads to Thibet, but to-day is gone
To seek his comfort of the God called Budh
The Silent -- showing how the Sickness ceased
Because of her who died to save the tribe.

Taman is One and greater than us all,
Taman is One and greater than all Gods:
Taman is Two in One and rides the sky,
Curved like a stallion's croup, from dusk to dawn,
And drums upon it with his heels, whereby
Is bred the neighing thunder in the hills.

This is Taman, the God of all Er-Heb,
Who was before all Gods, and made all Gods,
And presently will break the Gods he made,
And step upon the Earth to govern men
Who give him milk-dry ewes and cheat his Priests,
Or leave his shrine unlighted -- as Er-Heb
Left it unlighted and forgot Taman,
When all the Valley followed after Kysh
And Yabosh, little Gods but very wise,
And from the sky Taman beheld their sin.

He sent the Sickness out upon the hills,
The Red Horse Sickness with the iron hooves,
To turn the Valley to Taman again.

And the Red Horse snuffed thrice into the wind,
The naked wind that had no fear of him;
And the Red Horse stamped thrice upon the snow,
The naked snow that had no fear of him;
And the Red Horse went out across the rocks,
The ringing rocks that had no fear of him;
And downward, where the lean birch meets the snow,
And downward, where the gray pine meets the birch,
And downward, where the dwarf oak meets the pine,
Till at his feet our cup-like pastures lay.

That night, the slow mists of the evening dropped,
Dropped as a cloth upon a dead man's face,
And weltered in the Valley, bluish-white
Like water very silent -- spread abroad,

[...] Read more

poem by Rudyard Kipling
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Grabby Gabby

Grabby Gabby was a little boy who was talking all the time
One day as he was walking, he saw on the sidewalk a dime

This started him to be grabby
Whenever he saw something shining, he would be grabby

One3 dayas he was walking, he saw a black shining lady's purse
He grabbed it and looked inside and found a lot of money in the purse

Also, he found a driver's license so he knew who the person was who owned the purse
So, he hurried to the ladie's house to return the purse

She was so happy that Grabby Gabby returned to her the purse and money
She gave him a reward of a large amount of money

June 29,2006, Clarence A. Graham, Jr.

poem by Jr. Clarence A. Graham
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Last Instructions to a Painter

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.

Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.

[...] Read more

poem by Andrew Marvell
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Four Ages of Man

1.1 Lo now! four other acts upon the stage,
1.2 Childhood, and Youth, the Manly, and Old-age.
1.3 The first: son unto Phlegm, grand-child to water,
1.4 Unstable, supple, moist, and cold's his Nature.
1.5 The second: frolic claims his pedigree;
1.6 From blood and air, for hot and moist is he.
1.7 The third of fire and choler is compos'd,
1.8 Vindicative, and quarrelsome dispos'd.
1.9 The last, of earth and heavy melancholy,
1.10 Solid, hating all lightness, and all folly.
1.11 Childhood was cloth'd in white, and given to show,
1.12 His spring was intermixed with some snow.
1.13 Upon his head a Garland Nature set:
1.14 Of Daisy, Primrose, and the Violet.
1.15 Such cold mean flowers (as these) blossom betime,
1.16 Before the Sun hath throughly warm'd the clime.
1.17 His hobby striding, did not ride, but run,
1.18 And in his hand an hour-glass new begun,
1.19 In dangers every moment of a fall,
1.20 And when 'tis broke, then ends his life and all.
1.21 But if he held till it have run its last,
1.22 Then may he live till threescore years or past.
1.23 Next, youth came up in gorgeous attire
1.24 (As that fond age, doth most of all desire),
1.25 His Suit of Crimson, and his Scarf of Green.
1.26 In's countenance, his pride quickly was seen.
1.27 Garland of Roses, Pinks, and Gillyflowers
1.28 Seemed to grow on's head (bedew'd with showers).
1.29 His face as fresh, as is Aurora fair,
1.30 When blushing first, she 'gins to red the Air.
1.31 No wooden horse, but one of metal try'd:
1.32 He seems to fly, or swim, and not to ride.
1.33 Then prancing on the Stage, about he wheels;
1.34 But as he went, death waited at his heels.
1.35 The next came up, in a more graver sort,
1.36 As one that cared for a good report.
1.37 His Sword by's side, and choler in his eyes,
1.38 But neither us'd (as yet) for he was wise,
1.39 Of Autumn fruits a basket on his arm,
1.40 His golden rod in's purse, which was his charm.
1.41 And last of all, to act upon this Stage,
1.42 Leaning upon his staff, comes up old age.
1.43 Under his arm a Sheaf of wheat he bore,
1.44 A Harvest of the best: what needs he more?
1.45 In's other hand a glass, ev'n almost run,
1.46 This writ about: This out, then I am done.
1.47 His hoary hairs and grave aspect made way,
1.48 And all gave ear to what he had to say.
1.49 These being met, each in his equipage
1.50 Intend to speak, according to their age,

[...] Read more

poem by Anne Bradstreet
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The Task: Book I. -- The Sofa

I sing the Sofa. I who lately sang
Truth, Hope, and Charity, and touched with awe
The solemn chords, and with a trembling hand,
Escaped with pain from that adventurous flight,
Now seek repose upon an humbler theme;
The theme though humble, yet august and proud
The occasion, - for the fair commands the song.

Time was when clothing, sumptuous or for use,
Save their own painted skins, our sires had none.
As yet black breeches were not, satin smooth,
Or velvet soft, or plush with shaggy pile.
The hardy chief upon the rugged rock
Washed by the sea, or on the gravelly bank
Thrown up by wintry torrents roaring loud,
Fearless of wrong, reposed his weary strength.
Those barbarous ages past, succeeded next
The birthday of invention, weak at first,
Dull in design, and clumsy to perform.
Joint-stools were then created; on three legs
Upborne they stood, - three legs upholding firm
A massy slab, in fashion square or round.
On such a stool immortal Alfred sat,
And swayed the sceptre of his infant realms;
And such in ancient halls and mansions drear
May still be seen, but perforated sore
And drilled in holes the solid oak is found,
By worms voracious eating through and through.

At length a generation more refined
Improved the simple plan, made three legs four,
Gave them a twisted form vermicular,
And o'er the seat with plenteous wadding stuffed
Induced a splendid cover green and blue,
Yellow and red, of tapestry richly wrought
And woven close, or needle-work sublime.
There might ye see the peony spread wide,
The full-blown rose, the shepherd and his lass,
Lap-dog and lambkin with black staring eyes,
And parrots with twin cherries in their beak.

Now came the cane from India, smooth and bright
With Nature's varnish; severed into stripes
That interlaced each other, these supplied
Of texture firm a lattice-work, that braced
The new machine, and it became a chair.
But restless was the chair; the back erect
Distressed the weary loins that felt no ease;
The slippery seat betrayed the sliding part
That pressed it, and the feet hung dangling down,

[...] Read more

poem by William Cowper
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Sickness

Hey little girl you re black and blue
Hey little girl you re six foot two
I know a man who loved too hard
He lost his mind it wasn t hard
Over this slckness
Over this slckness
Over this slckness
This slckness of love
Cute little knees that you got
Out in the dark parking lot
Cute little voice whispering
I know a man lost everything
Over this sickness
Over this sickness
Over this sickness
This sickness of love
Hey little girl i m almost through
Hey little girl i m almost you
Hey little girl the river runs
Hey little girl the rising sun
Over this sickness
This slckness of love

song performed by Iggy Pop
Added by Lucian Velea
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The Bride's Prelude

“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.

[...] Read more

poem by Dante Gabriel Rossetti
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Why is Sickness?

Some wise people say sickness born in the mind,
Not purposely, but from ignorance, which is not kind.
When the race-mind have power over some people,
They loose sight of the gracious living, fell off the steeple.

The mind creates the negativity, the eating habit follows,
So, the sickness develops. How? Nobody knows.
Then after thinking, having anger and hostility,
High blood pressure, then the heart troubles come into the vicinity.

When someone entertains thoughts of envy and jealousy,
Will loose his breath, life will and his lungs capacity.
The liver is the center of judgements & if it is negative, then with heavy drinking, fatty foods the liver will be offensive.

So many are fearful, cold, & do not wish to face anything,
The kidneys will brake down, specially from lots of animal food consuming.
When the person is materialistic the intestines will brake down,
Diarrhea comes when do not care, constipation when don't let go, hold on

Cancer is eating you up if you have a great regret
Added to it a high protein diet can cause the onset.
Diabetes is not a sickness, only wrong eating habits with greed,
Arthritis a wrong sugar love, kindness to others but fake, not a true deed.

Certainly there are others, eyes, ears and depression,
Skin troubles and the rest of the corruption.
What we think or do comes back to us many fold,
So, be careful what you are thinking, because it'll unfold.

And we can go on with each sickness this world entertain
All come out of negative thinking and will retain.
Only change in thinking, then the diet, move enough,
Have purpose, truth, peace & kindness and not being rough.

Trying to heal any sickness with some medicine,
It will just create another problem, but never health & discipline.
Stop, listen to your heart where God's energy should be,
Learn that you would find the way to self healing & be free.

poem by LaSoaphia QuXazs
Added by Poetry Lover
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Strange Sickness.

You are the reason for my illness,
You are the remedy for my sickness,
The strange sickness attacks me,
By increasing my heart's rhythm,
Giddiness in the head,
Palpitation at the chest,
Loss of appetite and
Scores of other symptoms,
Feeling quite hot when you are far,
Feeling strange when you are near,
All people seem to be happy and smile,
When you hold my hands,
Everyone seem to be sad and cry,
When you go away from me,
What sickness is this so strange,
That is induced by you?
What sickness is this so unique,
That is cleared by you?
You are the reason for me to be awkward,
Giggle at my mother when she scolds,
You are the reason for me to be childish,
When my father checks my progress,
You are the reason for me to flunk,
Two three subjects all of a sudden,
I am not ashamed of that failure, my love,
As long as you are the cause,
And the remedy for my sickness..
Something in you causes this!
Something in you clears this!

poem by Veeraiyah Subbulakshmi
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Terse Verse

Terse little verse, gold from beauties purse
In my soul thou so give
And on its worth my life I live
Terse little verse, gold from beauties purse
Love is a morsel of thine treasure
In one ounce is my immense pleasure
Terse little verse, gold from beauties purse
Sing like a muse
and in poetry fuse
my soul into verse from beauties purse

poem by Kevin Michael Murphy
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First I Look At The Purse

(william robinson/robert rogers)
Some fellows look at the eyes
Some fellows look at the nose
Some fellows look at the size
Some fellows look at the clothes
I dont care if her eyes are red
I dont care if her nose is long
I dont care if shes underfeed
I dont care if her clothes are wrong
First I look at the purse.
Some fellows like the smiles they wear
Some fellows like the legs that talk
Some fellows like the style of their hair,
They want the waist line to be small.
I dont care if their legs all vein
I dont care if their teeth are big
I dont care if she wears a ring
Why waste time looking at the waist line
Cause first I look at the purse....yeah!
A woman can be as fine as can be
Kisses sweeter than honey
That dont mean a thing to me,
If you aint got no money, baby.
Cause if the purse is fat, thats where its at. yeahaa...
Some fellows like the way they walk,
The way they swing and sway.
Some fellows like the way they talk,
If they can talk talk all day.
I dont care if she waddles like a duck or talks with a lisp
I still think Im in good luck if the dollar bills are crisp
Cause first I look at the purse....yeah yeah
Keep an eye on the money
Womans got to have some fine greenbacks hah
I aint greedy guys,
Oh I dont wanna work no more

song performed by Rod Stewart
Added by Lucian Velea
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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