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Set a frog on a golden stool, away it hops to reach the pool.

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Tree's Frog - Parody Joyce Kilmer

I think that I shall never fail
to see with glee a frog full pail
less lovely than a poem which
most must with difficulty stitch.

Who's uninspired by froggy frail
leaves cheeks livid, features pale –
their sale may even make one rich
when cogent rhyme spares metre’s (gl) itch.

Sage frog we sing as holy graal
not trite, - right pristine risqué trail –
write neither tedious nor kitsch
preposterous or piteous pitch.

Wage man in name of culture’s flail
culls brazen female framed with veil,
In time of need none sex may switch -
unlike the frog, who’ll spawn enrich.

When frog finds itchy leg is pressed,
although he’ll jump, he won’t protest,
croak lends itself to joke’s delight
where faced with sore mosquito bite.

A cloud of frogs is treasure chest
most moonlit lovers has impressed,
with warble charming much unlike
officious neighbours swift to strike.

We rummage words which stipulate
fine frog’s resilient verbal gumption,
days, grievance sweeping, meditate
on nightly summer song’s resumption.

The nightingale’s no consolation
except for poets orthodox,
for Frog’s flag flies for every nation
as arcane jumping jack in box.

Against vain heckle we exude
full confidence in frogzster’s mood
whose speckles toad – more lecherous –
looks on with envy, missing bus.

For toad, four toed, can only yammer
in jaded solitary stammer,
Frog, indistructible none unhinge
resilient, when on singing binge.

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Phileas the Frog

Phileas the frog was awfully large -
To see the muscle in his thighs -
A sight bedazzling to your eyes!
With plenty there to feed a town -
If you would dare to take him down!

Phileas the frog could tow a barge.
One hefty bound could clear a tree -
A scary sight I'll guarantee!
And something else to make me dread:
Were he to land upon my head!

Phileas the frog was known as 'Sarge -'
Accounted by that massive chest.
No other frog would care to jest
That tidy Phileas!

So if you've sense and know your place -
And hold some value to your face,
Then don't get supercilious
With Phileas!


Copyright © Mark Raymond Slaughter 2009
All rights reserved.


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Jack Kerouac

The Scripture of the Golden Eternity

1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.

2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.

3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.

4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.

5
I am the golden eternity in mortal animate form.

6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.

7
This truth law has no more reality than the world.

8
You are the golden eternity because there is no me and no you, only one golden eternity.

9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.

10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.

11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.

12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.

13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.

14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.

15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.

16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.

17
It came on time.

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Hop Frog

Well they call me a juicy hop-frog
you can see me in any wood bog
don't you know that they call me the hop-frog
hopping frog
I'm a hop-frog
a hop-frog
they call me the hop-frog
hop, hop-frog
They call me the hop-frog
see me in any wood bog
don't you know that call me a hop-frog
hop-frog
They call me the hop-frog
see me in a wood bog
they're calling me a hop-frog
hop-frog
You can see me in a ballroom
you can see me in a bedroom
you can see me in the woods
hop, hop-frog
They call me the hop-frog
they call you the hop-frog
well they call you the hop-frog
hop, hop-frog
Frog

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The Frog and The Nightingale

Once upon a time a frog
Croaked away in Bingle Bog
Every night from dusk to dawn
He croaked awn and awn and awn
Other creatures loathed his voice,
But, alas, they had no choice,
And the crass cacophony
Blared out from the sumac tree
At whose foot the frog each night
Minstrelled on till morning night

Neither stones nor prayers nor sticks.
Insults or complaints or bricks
Stilled the frogs determination
To display his heart's elation.
But one night a nightingale
In the moonlight cold and pale
Perched upon the sumac tree
Casting forth her melody
Dumbstruck sat the gaping frog
And the whole admiring bog
Stared towards the sumac, rapt,

And, when she had ended, clapped,
Ducks had swum and herons waded
To her as she serenaded
And a solitary loon
Wept, beneath the summer moon.
Toads and teals and tiddlers, captured
By her voice, cheered on, enraptured:
"Bravo! " "Too divine! " "Encore! "
So the nightingale once more,
Quite unused to such applause,
Sang till dawn without a pause.

Next night when the Nightingale
Shook her head and twitched her tail,
Closed an eye and fluffed a wing
And had cleared her throat to sing
She was startled by a croak.
"Sorry - was that you who spoke? "
She enquired when the frog
Hopped towards her from the bog.
"Yes," the frog replied. "You see,
I'm the frog who owns this tree
In this bog I've long been known
For my splendid baritone
And, of course, I wield my pen
For Bog Trumpet now and then"

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Punch Up At 'Dart Man's Aim

Fifteen stone and just five foot eight
And yet he doesn't seem overweight
Deep, deep chest and shoulders wide
The strongest in this countryside.

He's the mighty Dan the frog
From the house beside the bog
Swarthy looking with raven hair
A happy man without a care.

He's no plans to take a wife
As he prefers the single life
And he's still a young man anyway
Just twenty five on his last birthday

Froggy is his dad's nickname
And that's from where the name frog came
But his nickname of frog he doesn't appreciate
In fact the word called frog he's grown to hate.

Fastest man for miles around
To part with the green back pound
In him you'll find nothing cheap
Money he can't seem to keep.

He's a happy sort of bloke
Happy even when he's broke
He's got the right mentality
Never down, always carefree.

Likes his guinness doesn't like beer
Drinks his liquor with good cheer,
Whiskey makes the man walk tall
And he likes whiskey best of all.

He is merciful though strong
And without good reason won't do wrong
But do him wrong and he will fight
And with his fists he'll put things right.

He'd prefer to crack your jaw
Than chastise you with the law
Solves his problems like a man
That's the way it is with Dan.

And though when need arise he can be hard
Dan the frog is no blaghguard
But his type you don't kick around
As men like him do not yield ground

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The Frog Prince

Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.

Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.

My guilts are what
we catalogue.
I’ll take a knife
and chop up frog.

Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father’s genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.

The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he’s an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.

Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.

Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.

Frog has boil disease
and a bellyful of parasites.

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Frog

France and China feed from your demise,
Restaurateurs are not exactly chums,
Oh how they rave about your tender thighs!
Gourmand orders - another frog succumbs…

Copyright © Mark R Slaughter 2010

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A Snail Goes To Heaven (A One-Act Tragicomedy)

Bare stage. A square neon sign on extreme right which reads: “This way to Heaven”.
Prolonged silence. Enter Snail, moving very slowly throughout the play.

Snail:
I’m a dead snail.
I’m going to Heaven.

I’ve lived for 15 years.
That’s a ripe old age.
I’ve been blessed.
Had a marvellous sex life, you know.
Well, if you know snails
we attract a mate with our slime.
Oh, slime turns me on, baby.

(Snail moves slowly, and then stops.)

Well, maybe I should focus on holy thoughts.
Purity...refined thoughts...you know...
Snail God does not like sex.
Copulation is not exactly what
Snail God meant when Snail God declared:
'Go forth and slime the world;
be ye together...'
Snail God demands purity
so let me be so...
after all, I’m going to Heaven...
a dead snail and moving on to Heaven...

(Snail moves slowly, and then stops.)

Had a precarious life,
you know,
all these 15 years...
A farmer saw me in the grass.
I heard him curse
and he raised his foot to crush me.
Well, unfortunately for him
he stepped on a snake
and the last I heard of the man
was an expletive
and the last I heard of the snake was a hiss.
Yes, I’ve had a long life
a risky life - but it’s all worth it
for an eternal life in Heaven
is my reward

(Snail moves slowly, and then stops.)

(Enter Frog, jumping. Snail looks at Frog in amazement. And Frog stops and looks at Snail in amazement.)

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Edward Lear

Teapots and Quails

Teapots and Quails,
Snuffers and Snails,
Set him a sailing
and see how he sails!
..
Mitres and Beams,
Thimbles and Creams,
Set him a screaming
and hark! how he screams!
..
Houses and Kings,
Whiskers and Swings,
Set him a stinging
and see how he stings!
..
Ribands and Pigs,
Helmets and Figs,
Set him a jigging
and see how he jigs!
..
Rainbows and Knives,
Muscles and Hives,
Set him a driving
and see how he drives!
..
Tadpoles and Tops,
Teacups and Mops,
Set him a hopping
and see how he hops!
..
Herons and Sweeps,
Turbans and Sheeps,
Set him a weeping
and see how he weeps!
Lobsters and Owls,
Scissors and Fowls,
Set him a howling
and hark how he howls!
..
Eagles and Pears,
Slippers and Bears,
Set him a staring
and see how he stares!
..
Sofas and Bees,
Camels and Keys,
Set him a sneezing
and see how he'll sneeze!
..
Wafers and Bears,

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My Frog

As I was walking by a pungent lake
Just outside of Meigs,
I stopped and did a double-take,
A frog with four hind legs! ! ! ! !

He was a rather normal frog,
From his head down to his waist,
And even with his excess limbs,
He had a certain grace.

So I picked him up and took him home
And there he would be today,
If that Molly girl hadn't come along
And stolen my frog away.

She snuck into my house, that thief,
And took him from his bed,
Then later had the gall to say:
'I had to bury him cause he was dead! '

Well one day Molly came to school
And said something about her frog
And when I questioned mine's whereabouts
She said she'd found hers on a log.

She went on to say that yesterday
Her little frog had died;
She sat there a while, just sat and sat
And cried, cried, cried, cried, cried.

I went to her frog's funeral,
Just to ease my suspicious mind,
And there lay a frog with four hind legs
Which looked a lot like mine!

Once again I questioned her
About her frog's strange state
And then she told the strange tale
Which I will now relate.

As she walked through my house
She heard a small voice say,
'I will gwant you any wish
If you'll take me away.

'Fow I'm not an owdinary fwog,
And with some love and cawe,
I will be bown again with golden wings
And Heavenly will be my share.'

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I Cant Reach You

Im a million ages past you
Im a million ages past you
A million years behind you too
A million years behind you too
A thousand miles up in the air
A thousand miles up in the air
A trillion times Ive seen you there
A trillion times Ive seen you there
Your hair is golden, mine is grey
Your hair is golden, mine is grey
You walk on grass, it turns to hay
You walk on grass, it turns to hay
You blood is blue and mine is red
You blood is blue and mine is red
My body strains, but the nerves are dead
My body strains, but the nerves are dead
I cant reach you
I cant reach you
Ive strained my eyes
Ive strained my eyes
I cant reach you
I cant reach you
Ive split my sides
Ive split my sides
I cant reach
I cant reach
Tryin to get on you
Tryin to get on you
See, feel or hear from you
See, feel or hear from you
The distances grow greater now
The distances grow greater now
You drink champagne and past me plow
You drink champagne and past me plow
You fly your plane right over my head
You fly your plane right over my head
Youre still alive and Im nearly dead
Youre still alive and Im nearly dead
I cant reach you
I cant reach you
With arms outstretched
With arms outstretched
I cant reach you
I cant reach you
I crane my neck
I crane my neck
I cant reach
I cant reach
Tryin to get on you
Tryin to get on you

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Walking The Frog

I have a pet frog
We go frog walking every day at 6pm
He is fine until he sees another frog
He sniffs & then tries to jump
I pull him away

Last week we had a problem
My frog stopped to do his business
A passer bye said stop your frog fouling
I cleared up after him but it left a slimy mark
The other man slipped on it

My frog likes water
Especially ponds
He likes jumping on lilies
The local gardener is mad
Control your frog he shouts

Well now Im in trouble
Despite the sign
Beware of the FROG
He bit a policeman
A fine guard frog

My frog is now banned
From walks anywhere
Poor froggy is in a cell
Eating flies & drinking water
Its a frogs life

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Christina Georgina Rossetti

A Frog's Fate

Contemptuous of his home beyond
The village and the village-pond,
A large-souled Frog who spurned each byway
Hopped along the imperial highway.


Nor grunting pig nor barking dog
Could disconcert so great a Frog.
The morning dew was lingering yet,
His sides to cool, his tongue to wet:
The night-dew, when the night should come,
A travelled Frog would send him home.


Not so, alas! The wayside grass
Sees him no more: not so, alas!
A broad-wheeled waggon unawares
Ran him down, his joys, his cares.
From dying choke one feeble croak
The Frog's perpetual silence broke: -
‘Ye buoyant Frogs, ye great and small,
Even I am mortal after all!
My road to fame turns out a wry way;
I perish on the hideous highway;
Oh for my old familiar byway!’


The choking Frog sobbed and was gone;
The Waggoner strode whistling on.
Unconscious of the carnage done,
Whistling that Waggoner strode on -
Whistling (it may have happened so)
A froggy would a-wooing go.’
A hypothetic frog trolled he,
Obtuse to a reality.


O rich and poor, O great and small,
Such oversights beset us all.
The mangled Frog abides incog,
The uninteresting actual frog:
The hypothetic frog alone
Is the one frog we dwell upon.

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Brent River Bride

Flow proudly fair river,
For one who fell under
Your spell was the liver
Doc, Gershon - asunder
Found all his plans, muddled
By nymphs of the water -
He greatly befuddled
Then married the daughter
Of Count Joe of Wandle
Far south of the city
And went on to fondle
Her milk flowing titty.
I send this wet letter
To Brentische planners;
Such amour is better
Than yekkishe manners.

LRH
6.5.06 In reply to GWH's Bride of Brent of 6.5.06

Bride of Brent

Unlike Lucia from far Lammermoor,
fair Linda, hailing from far Chaumonix,
excels when she’s preparing salmon or
deep-frying spuds and spinach that aren’t gammony.

She tried to keep the frog which wooing went
outside the net she guarded as a goalie
till she became the Bride of River Brent
and played the role of Princess Rowley-Powley.

The frog, he always used to say “Heigh-ho, '
because he knew that he could never find a
more lovely princess once she’d kissed him so
he was more charmed than Chaumonix by Linda.

Inspired by Linda, who married me at the Brent Bridge Hotel in August 1996, and by “A frog he would a-wooing go”: [Old folk song].

A Frog he would a-wooing go,
Heigho! says Rowley,
Whether his mother would let him or no.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.

So off he set with his opera hat,
Heigho! says Rowley,
And on the way he met with a Rat.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.

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The Greenie

A frog, dark green, sat in the gutter
and waited for the frightened flutter
of insects native to these parts.
He heard, that evening, just farts.

He had been raised by his grandmother
together with a younger brother.
His mom had died when she was two
inside the cistern of a loo.

The plumber had installed within
and fastened by a stainless pin
a reservoir that would dispense
blue liquid here to recompense

for odours, stains and other matters
like flying pieces, even splatters.
Yet no one had observed the critter
who spent her days inside the shitter.

Her skin was green, she was depressed
although with man and children blessed.
Postpartum blues had been the rumour,
her neighbour whispered the word tumour.

She was in somewhat of a trance
and took the first and final chance
drank Mrs. Stewart's liquid blue
and found her private Waterloo.

But I digress, back to emissions
they sound in insects like small fissions,
though frogs can never ascertain
if creatures on the windowpane

are moving, ready to be guzzled
or if their rectum is unmuzzled.
The flutter is what Nature chose
it is a way to diagnose.

A thunderbolt now shook the city
what follows really was a pity.
A huge white bird with bright red feet
reached up and grabbed, to taste and eat

the frog, our hero who had not
hatched from his mother's rooftop cot.
Still mourning noisily her death,
he took a long and final breath.

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The History Of Frog Pigment

A frog is green not by design,
but by his own volition,
it started all with Father Rhine
where Grandpa did his fishing.

Back then pollution was a word
used only by the teachers,
it's what they read and overheard
on air wave science features.

Each Saturday, my Opa sat
down by the raging river
he was a stocky man, not fat
and had a touchy liver.

I think they told us kids that fate
had brought him this affliction
I had my doubts....at any rate
it was a plain addiction.

His tackle box contained the lure
and hooks and rooster feathers,
two flasks of Russian Vodka, pure
a snot rag which was Heather's.

He'd spend the afternoon in place
and caught some on occasion,
a buddy from a different race
would join him, he was Asian.

The Asian fellow saw him first,
a frog of brownish colour,
and while they stilled their urgent thirst
Opa began to holler:

'This animal seems bigger then
the fishes in these waters
I think it is a water hen
with lots of sons and daughters.'

It is unclear what happened now,
the frog took great exception
he raised one eye beneath each brow
to tender this subreption.

He had, from passing fishermen
heard of the Northern creatures,
there was a land beyond Big Ben
where publicans and preachers

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Penmaen Pool

For the Visitors’ Book at the Inn


Who long for rest, who look for pleasure
Away from counter, court, or school
O where live well your lease of leisure
But here at, here at Penmaen Pool?

You’ll dare the Alp? you’ll dart the skiff?—
Each sport has here its tackle and tool:
Come, plant the staff by Cadair cliff;
Come, swing the sculls on Penmaen Pool.

What’s yonder?—Grizzled Dyphwys dim:
The triple-hummocked Giant’s stool,
Hoar messmate, hobs and nobs with him
To halve the bowl of Penmaen Pool.

And all the landscape under survey,
At tranquil turns, by nature’s rule,
Rides repeated topsyturvy
In frank, in fairy Penmaen Pool.

And Charles’s Wain, the wondrous seven,
And sheep-flock clouds like worlds of wool,
For all they shine so, high in heaven,
Shew brighter shaken in Penmaen Pool.

The Mawddach, how she trips! though throttled
If floodtide teeming thrills her full,
And mazy sands all water-wattled
Waylay her at ebb, past Penmaen Pool.

But what’s to see in stormy weather,
When grey showers gather and gusts are cool?—
Why, raindrop-roundels looped together
That lace the face of Penmaen Pool.

Then even in weariest wintry hour
Of New Year’s month or surly Yule
Furred snows, charged tuft above tuft, tower
From darksome darksome Penmaen Pool.

And ever, if bound here hardest home,
You’ve parlour-pastime left and (who’ll
Not honour it?) ale like goldy foam
That frocks an oar in Penmaen Pool.

Then come who pine for peace or pleasure
Away from counter, court, or school,

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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