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Once grape gathering has finished, you have to hang up the basket.

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Panic

Panic on the streets of london
Panic on the streets of birmingham
I wonder to myself
Could life ever be sane again ?
The leeds side-streets that you slip down
I wonder to myself
Hopes may rise on the grasmere
But honey pie, you're not safe here
So you run down
To the safety of the town
But there's panic on the streets of carlisle
Dublin, dundee, humberside
I wonder to myself
Burn down the disco
Hang the blessed dj
Because the music that they constantly play
It says nothing to me about my life
Hang the blessed dj
Because the music they constantly play
On the leeds side-streets that you slip down
Or provincial towns you jog 'round
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Hang the dj, hang the dj
Thankyou ...

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Don't Hang Up

Baby, I'm lying all alone
The pillow is all I have to hold
I can't feel you, god it isn't fair
Without you, I still wanna take you there
Don't hang up
Its just getting serious, damn
You're making me delirious
Don't hang up, til I'm finished with you
I'm not alone
Don't hang up
I am not alone
I can still feel you
Even when I'm lonely
And now I'm coming to
Don't hang up
I am not alone
I can still feel you
Even when I'm lonely
And now I'm coming to
Tell me, tell me what you see
Feel me, feel me underneath
Slowly, we begin to breathe
Hold on, hold on to your release
Don't hang up
Its just getting serious, damn
You're making me delirious
Don't hang up, till I'm finished with you
I'm not alone
Don't hang up
I am not alone
I can still feel you
Even when I'm lonely
And now I'm coming too
Don't hang up
I am not alone
I can still feel you
Even when I'm lonely
And now I'm coming too
You're far away, but we'll find a way
Ooh baby now lets make it right
Now close your eyes, damn
Don't hang up
It's just gettin' serious, damn
You're making me delirious
Don't hang up
Until I'm finished with you
I'm not alone
Don't hang up
I am not alone
I can still feel you

[...] Read more

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Snakes

Open the basket
Listen to the flute play
Open the basket
Listen to the flute play
Toot toot toot play
Snakes in the basket
Lie to lead you astray
Snakes in the basket
Force to make you betray
Your innermost truth hidden away

Now you're falling down to the underground
Slither down to your lair
Hidden in the many trenches of a hopeless war
Those who were sold out by a corporate board

Carry the casket
Never mind the gun spray
Bury the casket
Pawns in someone's gameplay
Shoot shoot shoot obey

Now you're falling down to the underground
Slither down to your lair
Hidden in the many trenches of a hopeless war
Those who were sold out by a corporate board

Listen to the flute play
Listen to the flute play
Listen to the flute play

Subscription to the spreading of lies
Soldier catches a glimpse of his demise deep down inside
Even he knows snakes come in many shapes and sizes
Many shapes and sizes
Snakes have no hands to be tied

Concoction of malicious lies
Deep inside the general despises himself
Listen to the flute play
Another reptile in line
Snakes without grass cannot hide

Now you're falling down to the underground
Slither down to your lair
Hidden in the many trenches of a hopeless war
Those who were sold out by a corporate board
Now you're falling down to the underground
Slither down to your lair
Forked tongues spread the poison with another toxic sting

[...] Read more

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The Teachers Are Afraid Of The Pupils

Theres too many people
Planning your downfall
When your spirits on trial
These nights can be frightening
Sleep transports sadness
To some other mid-brain
And somebody here
Will not be here next year
So you stand by the board
Full of fear and intention
And, if you think that theyre listening
Well, youve got to be joking
Oh, you understand change
And you think its essential
But when your profession
Is humiliation
Say the wrong word to our children ...
Well have you, oh yes, well have you
Lay a hand on our children
And its never too late to have you
Mucus on your collar
A nail up through the staff chair
A blade in your soap
And you cry into your pillow
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
Say the wrong word to our children ...
Well have you, oh yes, well have you
Lay a hand on our children
And its never too late to have you
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
To be finished would be a relief
Im very glad the spring has come
The sun shines out so bright
All the birds that are on the trees
Are singing for delight

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

[...] Read more

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Busy Signal

By: dolly parton
Busy signal
Thats what I get when I call you
Busy busy
Talking to someone new
I wish I knew
I shouldnt worry cause its probably his mother
Or then again it could even be his little brother
On the line
Making me lose my mind
Hang up hang up hang up hang up
Come on hang up hang up hang up
Gotta talk to my baby
Gotta tell him Im sorry
Busy signal
How can I tell him Im sorry
When I said I didnt care
I didnt mean a word I said
Talking outta my head
Ive got to reach him now and tell him that I love him
And from now on Ill stay right by his side and love him
All the time
So please somebody quit tying up the line
Hang up hang up hang up hang up
Come on hang up hang up hang up
Gotta talk to my baby
Gotta tell him Im sorry
I didnt mean to hurt you baby
I really really love you baby

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The Englishman in Italy

Piano di Sorrento

Fortù, Fortù, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco.
Now, open your eyes,
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the Plain saw me gather, I garland
--The flowers or the weeds.

Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads--speckled whlte
Over brown like a great spider's back,
As I told you last night--
Your mother bites off for her supper.
Red-ripe as could be,
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rockside,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look thro' the twisted dead vine-twigs,
Sole lattice that's known.
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth.
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:

[...] Read more

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The Englishman In Italy

PIANO DI SORRENTO

Fort, Fort, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco.
Now, open your eyes,
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the Plain saw me gather, I garland
---The flowers or the weeds.

Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,---speckled white
Over brown like a great spider's back,
As I told you last night,---
Your mother bites off for her supper.
Red-ripe as could be,
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flint-stone,
Or in the thick dust
On the path, or straight out of the rock-side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look thro' the twisted dead vine-twigs,
Sole lattice that's known.
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth.
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:

[...] Read more

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Hang Wire

Theyre going higher
Wind is whistling on the barbs
Your heads a hammer
Hang wire, hang wire
Hang wire
(meet you at the) hang wire
That man is a liar
The day is like a warm night
Salt rusts the cold line
Hang wire, hang wire
Hang wire
(meet you at the) hang wire
Every morning and every day
Ill bossanova with ya
If there were a fire
Can we scratch beneath this
Hang wire, hang wire
Hang wire
(meet you at the) hang wire?

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Let's Hang On

Music & Lyrics by: Bob Crewe, Denny Rendell, Sandy Linzer
--------------------------------------------------------------------------------
There ain't no good in our goodbyein'
True love takes a lot of tryin'
Ohh, I'm cryin'
Let's hang on
To what we've got
Don't let go girl
We got a lot
Got a lotta love between us
Hang on
Hang on
Hang on
To what we've got
You say you're gonNa go call it quits
Gonna chuck it all and break
our love to bits
Break it up
(I wish you'd never said it
Break it up
Oh, no we'll both regret it)
That little chip of diamond on your hand
Ain't a fortune baby byt you know it stands
For the love
(A love to tie and bind ya)
Such a love
(We just can't leave behind us)
Baby
Don't you know
Baby
Don't you go
Think it over and stay
Let's hang on
To what we've got
Don't let go girl
We got a lot
Got a lotta love between us
Hang on
Hang on
Hang on
To what we've got
There isn't anything I wouldn't do
I'd pay any price to get in good with you
Patch it up
(Give me a second turnin')
Patch it up
(Don't cool off while I'm burnin')
You've got me cryin' dyin' at your door
Don't shut me out,
ooh let me in once more

[...] Read more

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Hang On Your IQ

Chinese masseuse,
comes between us talks in haikus,
plastic venus.
Got a headrush,
in her pocket two rubbers two lubes,
and a silver rocket.
Hang on,
hang onto your IQ,
to your ID hang on,
hang on to your IQ,
to your ID I'm lonely Every morning,
my eyes will open wide I gotta get high,
before I go outside.
Roll another,
for breakfast burning clouds around,
and in my solar plexus.
Hang on,
hang on to your IQ,
to your ID hang on,
hang on to your IQ,
to your ID I'm lonely Legs eleven,
makes me stay up late two fat ladies on my back,
and now it's 88.
I'm a fool,
whose tool is small it's so miniscule,
it's no tool at all.
Hang on,
hang on to your IQ,
to your ID hang on,
hang on I'm lonely Oh

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Clusters Of Grapes

as God nature creates complete
a bunch of grapes growing on vine
each grape an interlocked fold skin
of original envisioned composition
so too human architect craftsman
creates cultivates ideas to time define

each grape is picked complete from vine
each grape is perfect as singular complete
an orb idea formed vine ripe fertile complete
each grape is taste savoured relished eaten
peel me a grape of an idea complete eaten
slave starves creates each gilded grape given


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Hang On Groovy

Hang on groovy, groovy hang on.
Hang on groovy, groovy hang on.
Hang on groovy, groovy hang on.
Hang on groovy, groovy hang on.
Let your hair hang down groovy.
Groovy, groovy, groovy, groovy.
Hang on groovy.
Youre in the groove.
Groovy, groovy, groovy.
Groovy, hang on.

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Out To Dry

The dust had just settled
She's wonderin', what happens now?
I don't know where I am
I've never seen this place before
Am I dreamin'?
Or is this the real world?
Your love's too good for me
Lay with me lady, you're drivin' me crazy
I promised you all my life
These things that sustain me, oh how they drain me
But I'll never hang you out to dry
The sun had just faded
She's wonderin', where are we now?
I don't know who, who I am
I aint never felt like this before
Am I dreamin'?
Or is this the real world
Your love's too good for me
Lay with me lady, you're drivin' me crazy
I promised you all my life
These things they sustain me, oh how they drain me
But I'll never hang you out to dry
I'll never hang you out to dry
I'll never hang you lord
I'll never hang you lord
I'll never hang you lord
I'll never hang you lord
I'll never hang you lord
Lay with me lady, you're drivin' me crazy
I promised you all my life
These things they sustain me, oh how they drain me
But I'll never hang you out to dry
I'll never hang you out to dry
I'll never hang you out to dry
Ooh ooh

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Amy Lowell

The Basket

I

The inkstand is full of ink, and the paper lies white and unspotted,
in the round of light thrown by a candle. Puffs of darkness sweep into
the corners, and keep rolling through the room behind his chair. The air
is silver and pearl, for the night is liquid with moonlight.

See how the roof glitters, like ice!

Over there, a slice of yellow cuts into the silver-blue, and beside it stand
two geraniums, purple because the light is silver-blue, to-night.


See! She is coming, the young woman with the bright hair.
She swings a basket as she walks, which she places on the sill,
between the geranium stalks. He laughs, and crumples his paper
as he leans forward to look. 'The Basket Filled with Moonlight',
what a title for a book!

The bellying clouds swing over the housetops.


He has forgotten the woman in the room with the geraniums. He is beating
his brain, and in his eardrums hammers his heavy pulse. She sits
on the window-sill, with the basket in her lap. And tap! She cracks a nut.
And tap! Another. Tap! Tap! Tap! The shells ricochet upon the roof,
and get into the gutters, and bounce over the edge and disappear.

'It is very queer,' thinks Peter, 'the basket was empty, I'm sure.
How could nuts appear from the atmosphere?'

The silver-blue moonlight makes the geraniums purple, and the roof glitters
like ice.


II

Five o'clock. The geraniums are very gay in their crimson array.
The bellying clouds swing over the housetops, and over the roofs goes Peter
to pay his morning's work with a holiday.

'Annette, it is I. Have you finished? Can I come?'

Peter jumps through the window.

'Dear, are you alone?'

'Look, Peter, the dome of the tabernacle is done. This gold thread
is so very high, I am glad it is morning, a starry sky would have
seen me bankrupt. Sit down, now tell me, is your story going well?'

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Amy Lowell

The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

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You Better Hang Up

Out here in the country where the weather gets so mean she thinks about the places that she aint never seen she knows that shes married but she cant remember why and she wonders what it might
Like with some other guy
And though shes hotter than an oven just to fill your lovin cup if a man answers, you better hang up
You better hang up you better hang up you better hang up you better hang up
Youre from new york city where they dont say no prayers anything goes and nobody cares and the country girl might thrill ya but you better pass her by cause her ol man love to kill ya for th
K thats in your eye
And though youre hotter than an oven just to fill her lovin cup if a man answers, you better hang up
You better hang up you better hang up you better hang up you better hang up

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The Helot

I.

Low the sun beat on the land,
Red on vine and plain and wood;
With the wine-cup in his hand,
Vast the Helot herdsman stood.


II.

Quench'd the fierce Achean gaze,
Dorian foemen paus'd before,
Where cold Sparta snatch'd her bays
At Achaea's stubborn door.


III.

Still with thews of iron bound,
Vastly the Achean rose,
Godward from the brazen ground,
High before his Spartan foes.


IV.

Still the strength his fathers knew
(Dauntless when the foe they fac'd)
Vein and muscle bounded through,
Tense his Helot sinews brac'd.


V.

Still the constant womb of Earth,
Blindly moulded all her part;
As, when to a lordly birth,
Achean freemen left her heart.


VI.

Still, insensate mother, bore
Goodly sons for Helot graves;
Iron necks that meekly wore
Sparta's yoke as Sparta's slaves.


VII.

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Red Grape

You're like a piece of sugar on the vine,
That's been resisted.
And sitting lusciously delicious,
Waiting to get plucked...
When time comes for the picking.

You're like a piece of sugar on the vine,
That's been resisted.
And sitting lusciously delicious,
Waiting to get plucked...
When time comes for the picking.
By someone patient,
Who sits wishing for you to lick.

You're like sugar on the vine,
Not ripe to lick.
You may be a nine in someone's mind.
But not quite ready to snip and pick.
Or slowly drip from someone's lips.

Red grape...
You're not quite ready to squeeze between teeth.
Red grape...
Your sweetness teases tongues among some.
And,
Red grape...
You look so ripe,
For an easy pick to lick!

You're like a piece of sugar on the vine,
That's been resisted.
And sitting lusciously delicious,
Waiting to get plucked...
When time comes for the picking.
But,
Red grape...
You're not quite ready to squeeze between teeth.
And,
Red grape...
You look so ripe,
For an easy pick to lick!

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