Like a fence, character cannot be strengthened by whitewash.
American proverbs
Added by Lucian Velea
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Related quotes
Strengthened Faith
I need to get much richer,
With...
Spiritual beliefs.
Teasing 'things' just can't do it.
Or deliver to me mental relief.
I need to get richer,
With...
Spiritual beliefs.
'Cause...
Nothing that I ever had to 'bling',
Stayed to mean anything to me.
But my...
Faith is here to stay.
Although it is daily tested.
And...
Opposition everywhere wont let me rest.
It keeps my weaknesses invested.
Yes my...
Faith is here to stay.
Although it is daily tested.
And...
Opposition everywhere wont let me rest.
It keeps my weaknesses invested.
I've spent a lot of time by the riverside.
Strengthening a faith I feel inside.
And yes I feel it,
Strengthened faith!
Everyday and without fail.
Oh yes I feel it,
Strengthened faith.
And with it I must prevail.
'Cause...
Opposition everywhere wont let me rest.
It keeps my weaknesses invested.
I've spent a lot of time by the riverside.
Strengthening a faith I feel inside.
And...
I feel it,
Strengthened faith!
Everyday and without fail.
Oh yes I feel it,
Strengthened faith!
[...] Read more
poem by Lawrence S. Pertillar
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Over There
The fence is long and high where we love
You cant see the other side where they live
Ive spied with my little eye
And Ive sighed with my little sigh
But it seems Ive give all that I can give
Every hour I have to count to ten
And a thousand times Ive thought again
But it seems Ive given all that I can give
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
This is the fence that turns one into two
I want to break through but Im though if I do
Ive tried with my little try
And Ive cried with my little cry
But it seems that the gate holds the only clue
Every hour I have to count to ten
And a thousand times Ive though again
But it seems Ive given all that I can give
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
[brilliant solo from stan the man]
Every hour I have to count to ten
And a thousand times Ive thought again
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
But it seems Ive give all that I can give
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
song performed by Housemartins
Added by Lucian Velea
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Sitting On A Fence
Sitting on a fence is a man who sees no sense in fighting
Sitting on a fence is a man who sees no sense at all
Sitting on a fence is a man who strokes his twenty beards
Sitting on a fence is a man who drink real ale
But the real problem with this man
Is he says he cant when he can
Hed rather not get his hands dirty
Hell still be there when hes thirty
I told myself to keep my mouth shut
But I still end up saying if and but
I lied to myself right from the start
And Ive just worked out that Im falling apart
Sitting on a fence
Sitting on a fence is a man who looks up to his guardian
Sitting on a fence is a man who swings from poll to poll
Sitting on a fence is a man who sees both sides of both sides
Sitting on a fence is a man who looks down on opinion
But the real problem with this man
Is he says he cant when he can
Hes rather not get his hands dirty
Hell still be there when he is thirty
I told myself to keep my mouth shut
But I still end up saying if and but
I lied to myself right from the start
And Ive just worked out that Im falling apart
Sitting on a fence
song performed by Housemartins
Added by Lucian Velea
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On the Boundary
I Love the ancient boundary-fence,
That mouldering chock-and-log.
When I go ride the boundary
I let the old horse jog
And take his pleasure in and out
Where the sandalwood grows dense,
And tender pines clasp hands across
The log that tops the fence.
’Tis pleasant on the boundary-fence,
These sultry summer days;
A mile away, outside the scrub,
The plain is all ablaze,
The sheep are panting on the camps,
The heat is so intense;
But here the shade is cool and sweet
Along the boundary-fence.
I love to loaf along the fence,
So does my collie dog,
He often finds a spotted cat
Hid in a hollow log;
He’s very near as old as I
And ought to have more sense,
I’ve hammered him so many times
Along the boundary-fence.
My mother says that boundary fence
Must surely be bewitched;
The old man says that through that fence
The neighbours are enriched;
It’s always down, and through the gaps
Our stock all get them hence,
I takes me half my time to watch
The doings of that fence.
But should you seek the reason
You won’t travel very far,
’Tis there a mile away among
The murmuring Belar:
The Jones’s block joins on to ours,
And so, in consequence,
It’s part of Polly’s work to ride
Their side the boundary-fence.
poem by Barcroft Henry Thomas Boake
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Nature
Weather constantly changes.
No character, only dynamic.
Dull and dreary,
Or bitter and cold,
Or bright and shiny.
This is mother nature.
She is of this world.
She dictates the mood.
She affects mine.
Emotions, constantly changing.
Personality has dynamic,
But lacks character.
It is constantly changing.
Bitter and resentful,
Frustrated and annoyed
Happy & joyous.
This is human nature.
It is of this world.
It dictates our mood.
It affects another.
Mother nature cannot be controlled.
For she is not ours.
Yet mother nature controls me,
Though I am not hers.
Together, we must exist.
We must accept each as we both are.
Though one affects the other.
Based on emotion, not character.
During the storm,
The sky is still the sky,
The ground, is still the ground
The sun is still the sun.
This is the character of mother nature.
The snow may cover the ground,
But the ground remains.
The clouds may cover the sun,
But the sun remains.
Character is always constant.
Nature affects character.
Character is patience, kindness,
Compassion, empathy, forgiving.
Plain and simple,
Our character is love.
Human nature covers human character,
Although it might not be seen,
It still remains.
[...] Read more
poem by Ryan Lee Morris
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Dont Fence Me In
Wildcat kelley, lookin mighty pale,
Was standin by the sherrifs side
And when the sherrif said Im sendin you to jail,
Wildcat raised his head and cried
Oh, give me land, lots of land under starry skies above,
Dont fence me in.
Let me ride through the wide open country that I love,
Dont fence me in.
Let me be by myself in the evenin breeze,
Listen to the murmur of the cottonwood trees,
Send me off forever but I ask you please,
Dont fence me in.
Just turn me loose, let me straddle my old saddle
Underneath the western skies.
On my cayuse, let me wander over yonder
Till I see the mountains rise.
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I cant look at hobbles and I cant stand fences
Dont fence me in.
Wildcat kelley, back again in town,
Was standin by his sweethearts side,
And when his sweetheart said come on lets settle down,
Wildcat raised his head and cried
Oh, give me land, lots of land under starry skies,
Dont fence me in.
Let me ride through the wide open country that I love,
Dont fence me in.
Let me be by myself in the evenin breeze
Listen to the murmur of the cottonwood trees
Send me off forever but I ask you please,
Dont fence me in
Just turn me loose, let me straddle my old saddle
Underneath the western skies
On my cayuse, let me wander over yonder
Till I see the mountains rise.
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I cant look at hobbles and I cant stand fences
Dont..... fence me in.
###########
Transcription unknown; key correction by john mair.
Edited by cool hand luke
song performed by Ella Fitzgerald
Added by Lucian Velea
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Stephen Frye
Steve Frye,
is it possible to run
a private equity firm
without causing harm?
without investing
in slaughterhouses,
ecocide, and arms?
Is it possible to write
books without highly graphic
descriptions of violence?
Is it possible to write books
without a main character
who advances strip malls
and porn corporations,
sports teams with spectators
guzzling beer,
casinos which fleece the sheeple?
Is it possible to write books
without giving the villains
Irish, Italian, and German names..
as if you are still fighting WW2?
Is it possible to write books
without a commercial for animal
flesh in every chapter?
Is it possible to discuss the
JFK assassination without
impugning the character of
truthseeker Jim Garrison?
without promoting the CIA
lie that Oswald was
a Russian Marxist?
Is it possible that the FBI
and its author pawns
can admit the truth of
the past? Hoover's
role in JFK's murder,
Mark Felt's role
in the Watergate frame?
Mueller's role in
the crucifixion of ELF
nonviolent activists?
Mukasey's role in
waging illegal
and violent wars?
[...] Read more
poem by O. Anna Niemus
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Roan Stallion
The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.
[...] Read more
poem by Robinson Jeffers
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Berenice by edgar allan poe
MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, -as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? -from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.
My baptismal name is Egaeus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars -in the character of the family mansion -in the frescos of the chief saloon -in the tapestries of the dormitories -in the chiselling of some buttresses in the armory -but more especially in the gallery of antique paintings -in the fashion of the library chamber -and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.
The recollections of my earliest years are connected with that chamber, and with its volumes -of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before -that the soul has no previous existence. You deny it? -let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms -of spiritual and meaning eyes -of sounds, musical yet sad -a remembrance which will not be excluded; a memory like a shadow, vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.
In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy-land -into a palace of imagination -into the wild dominions of monastic thought and erudition -it is not singular that I gazed around me with a startled and ardent eye -that I loitered away my boyhood in books, and dissipated my youth in reverie; but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers -it is wonderful what stagnation there fell upon the springs of my life -wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, -not the material of my every-day existence-but in very deed that existence utterly and solely in itself.
Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew -I ill of health, and buried in gloom -she agile, graceful, and overflowing with energy; hers the ramble on the hill-side -mine the studies of the cloister -I living within my own heart, and addicted body and soul to the most intense and painful meditation -she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! -I call upon her name -Berenice! -and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh! gorgeous yet fantastic beauty! Oh! sylph amid the shrubberies of Arnheim! -Oh! Naiad among its fountains! -and then -then all is mystery and terror, and a tale which should not be told. Disease -a fatal disease -fell like the simoom upon her frame, and, even while I gazed upon her, the spirit of change swept, over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim -where was she, I knew her not -or knew her no longer as Berenice.
Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself -trance very nearly resembling positive dissolution, and from which her manner of recovery was in most instances, startlingly abrupt. In the mean time my own disease -for I have been told that I should call it by no other appelation -my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form -hourly and momently gaining vigor -and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.
To muse for long unwearied hours with my attention riveted to some frivolous device on the margin, or in the topography of a book; to become absorbed for the better part of a summer's day, in a quaint shadow falling aslant upon the tapestry, or upon the door; to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescence long and obstinately persevered in; -such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.
Yet let me not be misapprehended. -The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day dream often replete with luxury, he finds the incitamentum or first cause of his musings entirely vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.
My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio 'de Amplitudine Beati Regni dei'; St. Austin's great work, the 'City of God'; and Tertullian 'de Carne Christi, ' in which the paradoxical sentence 'Mortuus est Dei filius; credible est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est' occupied my undivided time, for many weeks of laborious and fruitless investigation.
Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fall to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice -in the singular and most appalling distortion of her personal identity.
During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning -among the trellised shadows of the forest at noonday -and in the silence of my library at night, she had flitted by my eyes, and I had seen her -not as the living and breathing Berenice, but as the Berenice of a dream -not as a being of the earth, earthy, but as the abstraction of such a being-not as a thing to admire, but to analyze -not as an object of love, but as the theme of the most abstruse although desultory speculation. And now -now I shuddered in her presence, and grew pale at her approach; yet bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.
And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, -one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon*, -I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But uplifting my eyes I saw that Berenice stood before me.
*For as Jove, during the winter season, gives twice seven days of warmth, men have called this clement and temperate time the nurse of the beautiful Halcyon -Simonides.
Was it my own excited imagination -or the misty influence of the atmosphere -or the uncertain twilight of the chamber -or the gray draperies which fell around her figure -that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word, I -not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being, lurked in any single line of the contour. My burning glances at length fell upon the face.
The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets now of a vivid yellow, and Jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupil-less, and I shrank involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!
The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface -not a shade on their enamel -not an indenture in their edges -but what that period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! -the teeth! -they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a phrenzied desire. All other matters and all different interests became absorbed in their single contemplation. They -they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Salle it has been well said, 'que tous ses pas etaient des sentiments, ' and of Berenice I more seriously believed que toutes ses dents etaient des idees. Des idees! -ah here was the idiotic thought that destroyed me! Des idees! -ah therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.
And the evening closed in upon me thus-and then the darkness came, and tarried, and went -and the day again dawned -and the mists of a second night were now gathering around -and still I sat motionless in that solitary room; and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow, or of pain. I arose from my seat and, throwing open one of the doors of the library, saw standing out in the antechamber a servant maiden, all in tears, who told me that Berenice was -no more. She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.
I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which intervened I had no positive -at least no definite comprehension. Yet its memory was replete with horror -horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed -what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, 'what was it? '
On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat, 'Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.' Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?
There came a light tap at the library door, and pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? -some broken sentences I heard. He told of a wild cry disturbing the silence of the night -of the gathering together of the household-of a search in the direction of the sound; -and then his tones grew thrillingly distinct as he whispered me of a violated grave -of a disfigured body enshrouded, yet still breathing, still palpitating, still alive!
He pointed to garments; -they were muddy and clotted with gore. I spoke not, and he took me gently by the hand; -it was indented with the impress of human nails. He directed my attention to some object against the wall; -I looked at it for some minutes; -it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and in my tremor it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white and ivory-looking substances that were scattered to and fro about the floor.
poem by Erie Morganmaples
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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Dont Fence Me In
Well, give me land, lots of land under starry skies above
But dont fence me in
Let me ride through that wide open country that I love
Dont fence me in
Let me be by myself in the evenin breeze
Listen to the murmur of the cottonwood trees
Send me off forever but I ask you please
Dont fence me in
Just turn me loose, let me straddle my old saddle
Underneath the western skies
On my cayuse, let me wander over yonder
Till I see the mountains rise
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I dont like hobbles and I cant stand fences
Dont fence me in
(instrumental break)
Just turn me loose, let me straddle my old saddle
Underneath the western skies
On my cayuse, let me wander over yonder
Till I see the mountains rise
I want to ride to the ridge where the west commences
Gaze at that ole moon until I lose my senses
I cant stand them hobbles and I dont care for fences
Dont fence me in
Oh no...dont you fence me in
song performed by Louis Armstrong
Added by Lucian Velea
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The Fence
Around my yard there stands a fence
It keeps the outside world out and I safe within
Though the structure is not that immense
It does the purpose as which it was built for and meant.
Neighbors and strangers it keeps out of my yard
Along with their trash and pets which does it harm
I am my yards protector, landscaper and guard
As it is my beauty, and not a trash bin or someone's farm.
My fence allows and welcomes the sunshine and the wind
Mother nature is always welcomed to visit and roam
The squirrels and the birds are always welcomed in
And welcome are the bee's with the pollen they've sewn.
Around my yard there stands a fence
It protects my yard from the enemies about
Too me it makes such perfect sense
Better to stop the entering, than for me to scream and shout.
As my yard is not the playground for a child to use
Or a shortcut for many persons to walk or run
As it it my yard which I won't neglect or abuse
And the work that I do on it, it will never be done.
In the summertime there will be plants to raise
And the leaves to rake when it becomes the fall
While hoping mother nature with me will always stay
And because of my fence, it will protect it all.
Around my yard there stands a fence
It protects and guards my yard everyday of the year
To others though it might cause an offense
As though it tells the people, not to come over here.
It is my yard which is mine to raise it like a child
To cut it and groom it and keep it nice for all to see
But truly it is GOD'S acre, which I saved from the wild
Then through the wonder of nature, in life I do believe.
So as days will come you will see myself in my yard
And sometimes you might see me nervous and tense
I hate clutter and trash so from there it is always barred
Also to protect my yard and myself, is my mighty fence.
Randy L. McClave
poem by Randy McClave
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Booger McNulty and Me
In 1948 Booger McNulty's coal yard stirred
constant gossip among the citizens who lived
in little bungalows on narrow blocks
in my far corner of Chicago.
That was more than 60 years ago,
a time when families took Sunday walks
and went back home in time to hear
Jack Benny on the radio.
A Sunday walk didn't cost a cent,
a price my parents could afford.
When my parents took a Sunday walk,
my sister and I always had to go along,
and every time we'd pass Booger's place,
I'd hear my mother ask my father
what could possibly be on the other side
of Booger's 10-foot fence.
Hoping to avoid a conversation,
my father always said he didn't know
but he believed it couldn't just be coal.
Back then, every kid in the neighborhood
wanted to climb that fence and look around.
But Booger didn't feature visitors.
According to the boy whose keister caught
a chunk of coal from Booger's slingshot,
there was nothing on the other side
except for pigeons and a lot of coal.
In the bungalows surrounding Booger's place,
immigrants from everywhere slept off beer and garlic
when they weren't working, which was pretty often,
according to my mother. My father always worked,
digging graves with the other men,
most of them, like him, from Ireland.
He dug graves because some Bulgarian
broke his nose, after which my mother ruled
no more boxing. He'd been undefeated until then.
I was ten in 1948 and I'd climb Booger's fence
when I was certain he was gone for the night.
Inside the yard I'd climb the piles of coal
until I got tired and then I'd go home
and take a bath before my father saw me.
My mother never let my father see me
cloaked in the soot of Booger's coal
[...] Read more
poem by Donal Mahoney
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Whitewash
(bill leen, robin wilson)
This night never happened
If its all right with you
Not a word of our weakness
So much as a clue
Theres a place outside
Im glad to play no part
The fairest arms can tally up the faintest stars
Wash away my weekend
Shatter my sight
Cmon sweet amnesia
Youre needed here tonight
Take a seat in the shadows
Forget it as it goes
Dissipate in the morning air
All you know
If you find out
Youll find every lie you might
I was nowhere near last night
Whitewash everything in sight
These suspicions have been long drained dry
Our persistence holds them here
A maze of bars and rented rooms remain
Enough to make you almost look away
This night never happened
If its all right with you
Another for the collection of things we didnt do
That private party is over
Thank God we get new starts
The fairest arms still tally up the faintest stars
When it comes down
In a clear and certain light
I was nowhere near last night
I was nowhere near last night
Whitewash everything in sight...
song performed by Gin Blossoms
Added by Lucian Velea
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A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
[...] Read more
poem by James Russell Lowell
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Sun-Up
(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)
I
CELIA
Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.
When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.
Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.
Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.
It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.
Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.
I wish Celia
could see the sea climb up on the sky
and slide off again…
[...] Read more
poem by Lola Ridge
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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Fencing
fence out despair
it does nothing good for the grass on the yard
fence in hope
for they are like finches that feed on the grains
to include the wastes of the kitchen
fence out doubt
they do nothing but crowd the room
like uninvited guests
who always ask for glasses of wine
though you want to close out
but they always persist in drunkenness
fence it love
you know what it can do to your bed
and the linens
and the bathroom
it gives you a sense of beginning
a feeling of eternity
when you have forgotten how to moan
fence out loneliness
you know how it destroys you
and deprives you of much needed sleep
when your eyes sink
like boats in the whirlpools of madness
but at any rate when these fenced out matters
still remain
such as the loneliness that you cannot drive away
or the doubt that still cling like dusts in the furniture
no matter how you dust them away
or the despair that appears like blood stains
in your pastel green carpets
well, why not be with them
and make them feel that they are at home with you
perhaps
they mean no harm
they do nothing
except to make you feel
that you are not alone
that happiness is a freak
that life is like all these
whole in sadness
undefeated in our psychological wars
that after all
they are your sources of strength
the tests of your mettle.
welcome them
after all they have nothing to stay
except in your
[...] Read more
poem by Ric S. Bastasa
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An Injustice
God knows how much I love her
Though she has loose character!
God knows how much I want her
Though she has loose character!
God knows how much I need her
Though she has loose character!
I can’t even walk with her
Though she has loose character!
I can’t even talk to her
Though she has loose character!
I can’t even look at her
Though she has loose character!
poem by Asif Andalib
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Character
One should exert character,
For character exhibits your soul
And the soul has a murky appearance,
It decided to be mysterious
But not when you gain character.
The character is an infinity, a logic
For the soul to create, so it does.
My soul worked like yours,
Once it even behaved like a saint
Opening the life around, then virtues surround.
My character is to be a mathematical puzzle,
My character is grand, my grand puzzle.
I have been this achievement from that achievement.
poem by Naveed Akram
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