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It is better to be a bull for a year than a cow for a hundred years.

Croatian proverbs
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Social Netowrking Of Robots

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end of ww11

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poem by Rwetewrt Erwtwer
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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.

10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIII
THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
CONFESSION

Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

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poem by Jonathan Robin
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The Purple Cow Parodies

Gelett Burgess' original poem…

A Purple Cow

I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.

Poem parodied in the
style of…

John Milton

Hence, vain, deluding cows.
The herd of folly, without colour bright,
How little you delight,
Or fill the Poet's mind, or songs arouse!
But, hail! thou goddess gay of feature!
Hail divinest purple creature!
Oh, Cow, thy visage is too bright
To hit the sense of human sight.
And though I'd like, just once, to see thee
I never, never, never'd be thee!

Percy Bysshe Shelley

Hail to thee, blithe spirit!
Cow thou never wert;
But in life to cheer it
Playest thy full part
In purple lines of unpremeditated art.

The pale purple colour
Melts around thy sight
Like a star, but duller,
In the broad daylight.
I'd see thee, but I would not be thee if I might.

We look before and after
At the cattle as they browse;
Our most hearty laughter
Something sad must rouse.
Our sweetest songs are those that tell of Purple Cows.

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poem by Carolyn Wells
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Cow

Aw, go write yer tinklin' jingle, an' yer pretty phrases mingle,
Fer the mamby-pamby girl, all fluffy frill an' shinin' silk.
Them's the sort ter fetch yer trouble, when yer tries 'em, in the double.
Blow yer beauty! Wot's the matter with the maiden 'oo kin milk?
Them there rhymers uv the wattle! An' the bardlet uv the bottle -
'Im that sings uv sparklin' wine, an' does a perish fer the beer;
An' yer slap-dash 'orsey po-it! Garn! If you blokes only know it,
You 'ave missed the single subjec' fit ter rhyme about down 'ere.
An' although I ain't a bard, with bloomin' bays upon me brow,
I kinsider that it's up ter me ter sing about The Cow.
Cow, Cow
(Though it ain't a pretty row,
It's a word that 'ipnertises me; I couldn't tell yer 'ow.)
Though I ain't a gifted rhymer,
Nor a blamed Parnassus climber,
I'm inspired ter sing a tune er two about the Blessed Cow.

0h, the cow-bells are a-tinklin', and the daisies are a twinklin'
Well, that ain't the style ersackly I intended fer to sing.
'Ark, was over music greater then the buzzin' sepy-rater,
Coinin' gaily money daily fer the - no, that's not the thing!
'Omeward comes the cows a-lowin', an' the butter-cups are blowin';
But there's better butter in the - Blarst ! That ain't the proper way
See the pretty milkmaid walkin' - aw, it ain't no use er talkin'.
Listen 'ere, I want ter tell yer this: A cow's ther thing ter pay!
Sell yer 'orses, sell yer arrers, an' yer reapers, an' yer plough;
If yer want yer land ter pay yer, sacrifice yer life ter Cow
Cow, Cow
Sittin' underneath the bough,
With a bail, an' with a pail, an' with a little stool, an' thou
Kickin' when I pull yer teat there,
Swishin' flies, the pretty creatur.
Ah, there ain't no music sweeter - money squirtin' from the Cow.

Take away the wine-cup; take it. An' the foamin' flagon, break it.
Brimmin' cups uv butter-milk'll set yer glowin' thro' an' thro';
An' the reason I'm teetotal is becos me thrifty throat'll
Jest refuse ter swaller stuff that's costin' me a precious sou.
Once I wus a sinful spender. Used ter go a roarin' bender
Used ter often spend a thruppence when ther' wasn't any need.
An' the many ways I've busted money, when I should er trusted
It ter cattle an' erconomy, 'ud cause yer 'eart ter bleed
But I'm glad, me friends, that godliness 'as made me careful now;
Tho' I lorst the thing wot's next it when I cottoned ter the Cow.
Cow, Cow
Trudin' thro' the sloppy slough.
Ah, I once despised the Jews, but I kin under-stand 'em now
When they needed elevatin',
An' ole Moses kep' 'em waitin'
Fer religi'n, they went straight 'n' sorter substichooted Cow.

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poem by Clarence Michael James Stanislaus Dennis
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The Bull

See an old unhappy bull,
Sick in soul and body both,
Slouching in the undergrowth
Of the forest beautiful,
Banished from the herd he led,
Bulls and cows a thousand head.
Cranes and gaudy parrots go
Up and down the burning sky;
Tree-top cats purr drowsily
In the dim-day green below;
And troops of monkeys, nutting, some,
All disputing, go and come;
And things abominable sit
Picking offal buck or swine,
On the mess and over it
Burnished flies and beetles shine,
And spiders big as bladders lie
Under hemlocks ten foot high;
And a dotted serpent curled
Round and round and round a tree,
Yellowing its greenery,
Keeps a watch on all the world,
All the world and this old bull
In the forest beautiful.
Bravely by his fall he came:
One he led, a bull of blood
Newly come to lustihood,
Fought and put his prince to shame,
Snuffed and pawed the prostrate head
Tameless even while it bled.
There they left him, every one,
Left him there without a lick,
Left him for the birds to pick,
Left him there for carrion,
Vilely from their bosom cast
Wisdom, worth and love at last.
When the lion left his lair
And roared his beauty through the hills,
And the vultures pecked their quills
And flew into the middle air,
Then this prince no more to reign
Came to life and lived again.
He snuffed the herd in far retreat,
He saw the blood upon the ground,
And snuffed the burning airs around
Still with beevish odours sweet,
While the blood ran down his head
And his mouth ran slaver red.
Pity him, this fallen chief,
All his spendour, all his strength,

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poem by Ralph Hodgson
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Jubilate Agno: Fragment B, Part 4

For God has given us a language of monosyllables to prevent our clipping.

For a toad enjoys a finer prospect than another creature to compensate his lack.

Tho' toad I am the object of man's hate.
Yet better am I than a reprobate. who has the worst of prospects.
For there are stones, whose constituent particles are little toads.

For the spiritual musick is as follows.

For there is the thunder-stop, which is the voice of God direct.

For the rest of the stops are by their rhimes.

For the trumpet rhimes are sound bound, soar more and the like.

For the Shawm rhimes are lawn fawn moon boon and the like.

For the harp rhimes are sing ring string and the like.

For the cymbal rhimes are bell well toll soul and the like.

For the flute rhimes are tooth youth suit mute and the like.

For the dulcimer rhimes are grace place beat heat and the like.

For the Clarinet rhimes are clean seen and the like.

For the Bassoon rhimes are pass, class and the like. God be gracious to Baumgarden.

For the dulcimer are rather van fan and the like and grace place &c are of the bassoon.

For beat heat, weep peep &c are of the pipe.

For every word has its marrow in the English tongue for order and for delight.

For the dissyllables such as able table &c are the fiddle rhimes.

For all dissyllables and some trissyllables are fiddle rhimes.

For the relations of words are in pairs first.

For the relations of words are sometimes in oppositions.

For the relations of words are according to their distances from the pair.

For there be twelve cardinal virtues the gifts of the twelve sons of Jacob.

For Reuben is Great. God be gracious to Lord Falmouth.

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poem by Christopher Smart
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100 STD's 10,000 MTD's

There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.

The latter take a lot more lives.

*********

In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria

Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.

WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)

POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST

a partial list in alphabetical order

acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)

ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)

BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting

bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions

BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken

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poem by O. Anna Niemus
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Mon Frere Camille

Mon frere Camille he was first class blood
W'en he come off de State las' fall,
Wearin' hees boot a la mode box toe
An' diamon' pin on hees shirt also
Sam' as dem feller on Chi-caw-go;
But now he 's no blood at all,
Camille, mon frere.

W'at 's makin' dat change on mon frere
Camille?
Wall! lissen for minute or two,
An' I 'll try feex it up on de leetle song
Dat 's geevin' some chance kin' o' help it
along
So wedder I'm right or wedder I'm wrong
You 'll know all about heem w'en I get
t'roo,
Mon frere Camille.

He never sen' leter for t' orteen year
So of course he mus' be all right
Till telegraph 's comin' from Kan-Ka-Kee
'I 'm leffin' dis place on de half pas't'ree
W'at you want to bring is de beg' buggee
An' double team sure for me t' orsday night
Ton frere Camille.'

I wish you be dere w'en Camille arrive
I bet you will say 'W'at 's dat?'
For he 's got leetle cap very lak tuque bleu
Ole habitant 's wearin' in bed, dat's true,
An' w'at do you t'ink he carry too?
Geev it up? Wall! small valise wit' de fine
plug hat.
Mon frere Camille.

'Very strange.' I know you will say right off,
For dere 's not'ing wrong wit' hees clothes,
An' he put on style all de bes' he can
Wit' diamon' shinin' across hees han'
An' de way he's talkin' lak Yankee man
Mus' be purty hard on hees nose,
Mon frere Camille.

But he 's splain all dat about funny cap,
An' tole us de reason w'y,
It seem no feller can travel far,
An' specially too on de Pullman car,
'Less dey wear leetle cap only 'cos dollarre,
Dat 's true if he never die,

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poem by William Henry Drummond
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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poem by Jonathan Robin
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The White Bull

Ev'ry dusk eye in Madrid,
Flash'd blue 'neath its lid;
As the cry and the clamour ran round,
'The king has been crown'd!
And the brow of his bride has been bound
With the crown of a queen!'
And between
Te Deum and salvo, the roar
Of the crowd in the square,
Shook tower and bastion and door,
And the marble of altar and floor;
And high in the air,
The wreaths of the incense were driven
To and fro, as are riven
The leaves of a lily, and cast
By the jubilant shout of the blast
To and fro, to and fro,
And they fell in the chancel and nave,
As the lily falls back on the wave,
And trembl'd and faded and died,
As the white petals tremble and shiver,
And fade in the tide
Of the jewel dark breast of the river.

'Ho, gossips, the wonderful news!
I have worn two holes in my shoes,
With the race I have run;
And, like an old grape in the sun,
I am shrivell'd with drought, for I ran
Like an antelope rather than man.
Our King is a king of Spaniards indeed,
And he loves to see the bold bull bleed;
And the Queen is a queen, by the saints right fit,
In half of the Spanish throne to sit;
Tho' blue her eyes and wanly fair,
Her cheek, and her neck, and her flaxen hair;
For free and full--
She can laugh as she watches the staggering bull;
And tap on the jewels of her fan,
While horse and man,
Reel on in a ruby rain of gore;
And pout her lip at the Toreador;
And fling a jest
If he leave the fight with unsullied vest,
No crack on his skin,
Where the bull's sharp horn has entered in.
Caramba, gossips, I would not be king,
And rule and reign
Over wine-shop, and palace, and all broad Spain,
If under my wing--

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poem by Isabella Valancy Crawford
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Lament for Ignacio Sánchez Mejías

1. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon.
At five o'clock in the afternoon.

A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.

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poem by Federico García Lorca
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From Violence to Peace

Twenty-eight shotgun pellets
crater my thighs, belly and groin.
I gently thumb each burnt bead,
fingering scabbed stubs with ointment.

Could have neutered me, made extinct
the volatile, romantic man I am.
“He’s dead,”
doctor at emergency room
could’ve easily told my wife that night.
Instead, “Soak him in a bath twice a day. Apply
this ointment to the sores. Here’s a month’s supply
of pain killers.” I remember the deep guttural groan
I gave, when the doctor pressed my groin.
Assured
I could still make love, morphine drowsed me
and in a dull stupor I don’t remember
police visiting my bed, or laughing so hard,
they scowled for a serious answer.
I howled a U.F.O. shot me along the Río Grande,
and they cursed and left.

In the summer of ’88
I’d traded alfalfa for a bull calf.
Still smelling of milk udders,
I tied it to the truck rack and drove off.
Its hooves teethed
at pink roots
’til the whole lush field went bare dirt.
A magnificent bull.
Glowing wheel of heart
breathed brimming stream of white flame at dawn.
He wrangled his black brawn
like a battleshield to challenge the sun,
reared thick neck down and sideways,
lunged at me with dart and snort,
hoof-stamped and nostrilled dirt,
’til I growled him back
whipping air
with a limber willow branch,
poured grain in trough
and spread alfalfa.
I respected his horns
and he the whistling
menace of willow.

One afternoon my cousin Patricio
helped me band the bull’s scrotum,
usurp swollen sap
in his testicle sack. It withered

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poem by Jimmy Santiago Baca
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Funky New Year

Went to a party just last night
Wanted to bring the year in right
Woke up this morning I don't know how
Last night I was a happy man, but the way I feel right now
It's gonna be a FUNKY NEW YEAR
FUNKY NEW YEAR
Ooo, Ahh, got to be a FUNKY NEW YEAR
FUNKY NEW YEAR
Can't remember when I ever felt worse
Nothing matters and everything hurts
They were passin' round the bottle, made me feel brand new
Trouble with the new man he wants a hit too, hit me
FUNKY NEW YEAR
FUNKY NEW YEAR
oooooo, it's a FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
Lord, mmm, FUNKY NEW YEAR
Nurse I'm worse FUNKY NEW YEAR
I got to perk up a little FUNKY NEW YEAR
My hair hurts FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
FUNKY NEW YEAR
A party baby
Never again FUNKY NEW YEAR
FUNKY NEW YEAR
Who's shoes are these FUNKY NEW YEAR
FUNKY NEW YEAR
Party hardy baby FUNKY NEW YEAR
FUNKY NEW YEAR
What year is this anyway?

song performed by Eagles
Added by Lucian Velea
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A Bull For Me

I think, Sirs, and most inimitable Ladies
I think I prefer to look at a bull
The sketch of a bull, the head of a bull perhaps
even if but a study by an artist
rather than some fancy prophet in glorious paint
or in grand chapel or some miracle recounted
in paint and colors and with consummate skill
or even God descending
ah, all these do not take my fancy
they smack too much of the Elevated;
there’s too much
of the grandstanding in these
Grand Divine Themes
but the face of a bull, ah give me a sketch
of the face of a bull
just the bull, all marks of nature in it
and just itself
no symbolism, no conceit, no artifice
no High sounding theology, no Revelation
but just animal nature in its nudity
being a bull
just animal, its eyes and mouth and horns
just all coming together to form one creature
a portrait of a bull anytime for me
Sirs and most inimitable Ladies
none of the Holy Ones and the Great Prophets
and the Mighty and the Divine
and the Grand-Looking:
no bull for me, please;
just the plain head of a bull, as it is

poem by Raj Arumugam
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The Ballad of Bill's Breeches

Once on a time, a party by the name of Mr. BULL
Discovered that with many schemes his hands were pretty full.
His cares of family were great. Four fine young sons he'd got;
They were, indeed, of goodly breed, a strong and hefty lot.
But Mr. BULL's domestic cares (as shortly will be seen)
Were not with them, but with his wife, whose name was JINGOPHINE.
A foolish fad this lady had that all the boys were ninnies;
And, though they grew,
As children do,
She dressed them all in pinnies.

Now, while her boys were young, JOHN BULL engaged in business strife
Took little heed of their affairs, and left them to his wife;
And JINGOPHINE, who loved her lord, impressed them, noon and night.
With tales of his magnificence, his wisdom, wealth and might.
But when they talked of growing up, and 'helping pa' some day,
She shook her finger at them in her stern, maternal way.
'Your pa's a great, big man,' she said. 'You never, never, NEVER
Can hope to be
As big as he,
Or half so wise and clever.

Now, JINGOPHINE, like other dames of fussy, frilly kind,
Delighted to have round her folk of weak and narrow mind.
Pet persons were her weakness. also aldermen and those
Who held the very strictest views, and wore the nicest clothes.
They cheered her when she praised her lord, and listened, with a frown.
To tales of BILL; and all agreed he'd have to be 'kept down.'
'He is a naughty child,' they said, 'a mostprecocious brat.
To think good Mr. BULL should have an offspring such as that!'
But BILL despite the stern rebukes of aldermen and Wowsers,
Defied the crowd.
And shouted loud:
'Shut up! I want my trousers!'

Now, in the course of time, JOHN BULL awakened to the fact
That, in the interests of his sons, 'twas time for him to act.
'My dear,' he said, 'these sons of ours are growing quite immense;
We ought to have a business talk - I'11 call a conference.
They're nearly men; and they must learn, each one, to stand alone.
Each with responsibilities, and a household of his own.
They can't always be at our skirts, like great, big, awkward gabies.'
'Why, Mr. BULL!'
She cried. 'You fool!
Those boys are only babies!'

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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The Great Man Who Ate Cow Dung All His Life (secretly)

everyday
he feeds himself
with cow dung
but this is done
discreetly
for who in this
normal world
would like
to satisfy
himself with
dung
who in this
society would
love a man
who eats and
smells like
cow dung?

of course, he
feared
that soon if
society knows
he shall be
another ostracized
ostrich
electrically fenced
and monitored
and segregated
at Ward 8
for social
rehabilitation

he didn't like dung
reason and logic
so tell him well
but he couldn't resist
the smell of dung
even if it is kilometers
away
there is simply this
obsession for
cow dung
and he begins
to salivate even
for the word
dung

and for so many nights
he prayed
that his mind-set be

[...] Read more

poem by Ric S. Bastasa
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A Faithful Witness

To the firstborn of Yahseph,
Of all that is created;
To the secondborn of Yahseph,
Do set set your mind on Mount Zion;
For His name is His glory and,
Of the economic well-being.

Of the year of the rat,
Of the year of the dog,
Of the year of the cow,
Of the year of the bull,
Of the year of the sheep,
Of the year of the dragon,
Of the year of the snake,
Of the year of the pig,
Of the year of the goat,
Of the year of the lizard,
Of the year of the crocodile,
Of the year of the elephant,
Of the year of the scorpion,
Of the year of the turtle,
Of the year of the fish,
Of the year of the earth,
Of the year of the wind,
Of the year of the fire,
Of the year of the water,
And of the year of the bush!
Like the firstborns of slaves.

The hips of romance,
The faithful witness will not lie;
The same day,
The same night,
Of the love shared at where no oxen are;
And the crib was very clean.

poem by Edward Kofi Louis
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Two cows deconstruct Derrida

These two cows were ruminating
and one says, I was listening
to the milkmaid’s transistor

and this French philosopher
was explaining that there’s
no English translation of the French word
‘betise’ except ‘stupidity’ but

‘stupidity’ only refers to man
where the French ‘betise’ means
to behave like an animal…

and the other cow says
well what’s wrong with that

and the first cow says
well his point is, English cows
can’t be stupid; only man
can be stupid..

and the other cow says
well that’s a relief then
so does that mean that French cows
can be stupid

and the first cow says
no because they don’t have a word for it
in French

so the other cow says
so then is it better to be
an English cow
that can’t be stupid
or a French cow
that can’t be called stupid

and the first cow says
who cares, I’ve always said
the French ruminate too much
and then talk bullshit…

and the other cow says
I’m glad I’m a Jersey

what about that French milkmaid
I call sexyhands but
the farmer sometimes calls
a silly cow I wonder what
Derrida would say about that

poem by Michael Shepherd
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Custer

BOOK FIRST.

I.

ALL valor died not on the plains of Troy.
Awake, my Muse, awake! be thine the joy
To sing of deeds as dauntless and as brave
As e'er lent luster to a warrior's grave.
Sing of that noble soldier, nobler man,
Dear to the heart of each American.
Sound forth his praise from sea to listening sea-
Greece her Achilles claimed, immortal Custer, we.

II.

Intrepid are earth's heroes now as when
The gods came down to measure strength with men.
Let danger threaten or let duty call,
And self surrenders to the needs of all;
Incurs vast perils, or, to save those dear,
Embraces death without one sigh or tear.
Life's martyrs still the endless drama play
Though no great Homer lives to chant their worth to-day.

III.

And if he chanted, who would list his songs,
So hurried now the world's gold-seeking throngs?
And yet shall silence mantle mighty deeds?
Awake, dear Muse, and sing though no ear heeds!
Extol the triumphs, and bemoan the end
Of that true hero, lover, son and friend
Whose faithful heart in his last choice was shown-
Death with the comrades dear, refusing flight alone.

IV.

He who was born for battle and for strife
Like some caged eagle frets in peaceful life;
So Custer fretted when detained afar
From scenes of stirring action and of war.
And as the captive eagle in delight,
When freedom offers, plumes himself for flight
And soars away to thunder clouds on high,
With palpitating wings and wild exultant cry,

V.

So lion-hearted Custer sprang to arms,
And gloried in the conflict's loud alarms.

[...] Read more

poem by Ella Wheeler Wilcox
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The Martyr of Bovinia

She milked the cow; and all the morn was hushed
(It was a beast that never kicked or rushed)
The startled dicky-birds of early Spring
Sat up amazed to mark this splendid thing,
Nigh fainting with delight upon the bough . . . .
She milked the cow.

She milked the cow; nor all the glory rare
Of that October morning could compare
With that sweet sylvan scene; the grace, the charm
The rhythmic movement of her dimpled arm,
Would make a poor bloke feel just anyhow . . . .
She milked the cow.

She milked the cow. 'Twas at South Sassafras
(Which is a cruel word to rhyme,alas)
And all who gazed thereon decalred, with force,
It was sublime - except the cow, of course
Who wore a patient frown upn her brow . . . .
She milked the cow.

She milked the cow - at least, she said she did.
There was the milk in proof; and God forbid
That I should doubt the statement in the least,
(I sympathised in private with the beast
Who said - but still, what does it matter now?)
She milked the cow.

poem by Clarence Michael James Stanislaus Dennis
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