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Iron does not clang by itself.

Madagasy proverbs
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The Firemen's Ball

SECTION ONE

"Give the engines room,
Give the engines room."
Louder, faster
The little band-master
Whips up the fluting,
Hurries up the tooting.
He thinks that he stands,
[*] The reins in his hands,
In the fire-chief's place
In the night alarm chase.
The cymbals whang,
The kettledrums bang: —
"Clear the street,
Clear the street,
Clear the street — Boom, boom.
In the evening gloom,
In the evening gloom,
Give the engines room,
Give the engines room.
Lest souls be trapped
In a terrible tomb."
The sparks and the pine-brands
Whirl on high
From the black and reeking alleys
To the wide red sky.
Hear the hot glass crashing,
Hear the stone steps hissing.
Coal black streams
Down the gutters pour.
There are cries for help
From a far fifth floor.
For a longer ladder
Hear the fire-chief call.
Listen to the music
Of the firemen's ball.
Listen to the music
Of the firemen's ball.
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
"NIGHT
Of doom,"
Say the ding-dong doom-bells.

Faster, faster
The red flames come.
"Hum grum," say the engines,

[...] Read more

poem by Vachel Lindsay
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Become A Robot

Heres hoping you dont (hoping you dont)
Become a robot (clang clang)
Clang, clang, whoops, too late
Heres hoping you dont (hoping you dont)
Become a robot (clang clang)
Clang, clang, whoops, too late
Lets stick together cause were number 8*
Lets stick to numbers cause were great*
Heres hoping you dont (hoping you dont)
Become a robot (clang clang)
Clang, clang, whoops, too late
Hey!
Wait!
Heres hoping you dont (hoping you dont)
Harbor a deathwish* (help help)
Help, help, help yourself
Heres hoping you dont (hoping you dont)
Harbor a deathwish* (help help)
Help, help, help yourself
Hip, hip, horrific are the words we sing
Hip, hip, horrific is our thing
Heres hoping you dont (hoping you dont)
Become a robot (help help)
Help, help, help, help
Help, help, help
Notes
*these lines are disputable. the liner notes to then: the earlier years claim that the lines in the first bridge are as written here, and that in the second verse the line is harbor a wish
Quot; many fans claim to hear harbor a deathwish or harbor a penguin, but deathwish seems the most likely. others hear number a/cause were gray
E first bridge rather than what is printed here.

song performed by They Might Be Giants
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Rags & Old Iron

Norman curtis, oscar brown jr
Rags old iron rags old iron
All he was buying was just rags and old iron
I heard that old rag man now making his rounds
He came right to my alley lord with sorrowful sounds
Crying rags old iron and pulling his cart
Ask him how much hed give me for my broken heart
Rags old iron rags old iron
All he was buying was just rags and old iron
So I asked that old rag man how much he would pay
For a heart that was broken baby when you went away
For a burnt out old love light that no longer beams
And a couple of slightly used second hand dreams
Rags old iron rags old iron
All he was buying was just rags and old iron
For those big empty promises you used to make
For those memories of you that are no longer sweet
I wish he could haul them off down the street
Rags old iron rags old iron
All he was buying was just rags and old iron
When love doesnt last tell me what is it worth
It was once mamas most precious possession on earth
When I asked that old rag man if hed like to buy
He just shook his head and continued to cry
Rags old iron rags old iron
All he was buying was just rags and old iron
Rags old iron rags old iron
Rags old iron rags old iron rags old iron

song performed by Nina Simone
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Cabinessence

Light the lamp and fire mellow,
Cabin essence timely hello,
Welcomes the time for a change.
Lost and found, you still remain there.
Youll find a meadow filled with grain there.
Ill give you a home on the range.
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
Who ran the iron horse?
I want to watch you windblown facing
Waves of wheat for your embracing.
Folks sing a song of the grange.
Nestle in a kiss below there.
The constellations ebb and flow there.
And witness our home on the range.
Who ran the iron horse?
(truck driving man do what you can)
Who ran the iron horse?
(high-tail your load off the road)
Who ran the iron horse?
(out of night-life-its a gas man)
Who ran the iron horse?
(I dont believe I gotta grieve)
Who ran the iron horse?
(in and out of luck)
Who ran the iron horse?
(with a buck and a booth)
Who ran the iron horse?
(catchin on to the truth)
Who ran the iron horse?
(in the vast past, the last gasp)
Who ran the iron horse?
(in the land, in the dust, trust that you must)
Who ran the iron horse?
(catch as catch can)
Have you seen the grand coolie workin on the railroad?
Have you seen the grand coolie workin on the railroad?
Have you seen the grand coolie workin on the railroad?
Over and over,
The crow cries uncover the cornfield.
Over and over,
The thresher and hover the wheat field.
Over and over,

[...] Read more

song performed by Beach Boys
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Cold Iron

Gold is for the mistress -- silver for the maid --
Copper for the craftsman cunning at his trade.
"Good!" said the Baron, sitting in his hall,
"But Iron -- Cold Iron -- is master of them all."

So he made rebellion 'gainst the King his liege,
Camped before his citadel and summoned it to siege.
"Nay!" said the cannoneer on the castle wall,
"But Iron -- Cold Iron -- shall be master of you all!"

Woe for the Baron and his knights so strong,
When the cruel cannon-balls laid 'em all along;
He was taken prisoner, he was cast in thrall,
And Iron -- Cold Iron -- was master of it all!

Yet his King spake kindly (ah, how kind a Lord!)
"What if I release thee now and give thee back thy sword?"
"Nay!" said the Baron, "mock not at my fall,
For Iron -- Cold Iron -- is master of men all."

Tears are for the craven, prayers are for the clown --
Halters for the silly neck that cannot keep a crown.
"As my loss is grievous, so my hope is small,
For Iron -- Cold Iron -- must be master of men all!"

Yet his King made answer (few such Kings there be!)
"Here is Bread and here is Wine -- sit and sup with me.
Eat and drink in Mary's Name, the whiles I do recall
How Iron -- Cold Iron -- can be master of men all!"

He took the Wine and blessed it. He blessed and brake the Bread,
With His own Hands He served Them, and presently He said:
"See! These Hands they pierced with nails, outside My city wall,
Show Iron -- Cold Iron -- to be master of men all."

"Wounds are for the desperate, blows are for the strong.
Balm and oil for weary hearts all cut and bruised with wrong.
I forgive thy treason -- I redeem thy fall --
For Iron -- Cold Iron -- must be master of men all!"

Crowns are for the valiant -- sceptres for the bold!
Thrones and powers for mighty men who dare to take and hold.
"Nay!" said the Baron, kneeling in his hall,
"But Iron -- Cold Iron -- is master of men all!
Iron out of Calvary is master of men all!"

poem by Rudyard Kipling
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The Helot

I.

Low the sun beat on the land,
Red on vine and plain and wood;
With the wine-cup in his hand,
Vast the Helot herdsman stood.

II.

Quench'd the fierce Achean gaze,
Dorian foemen paus'd before,
Where cold Sparta snatch'd her bays
At Achaea's stubborn door.

III.

Still with thews of iron bound,
Vastly the Achean rose,
Godward from the brazen ground,
High before his Spartan foes.

IV.

Still the strength his fathers knew
(Dauntless when the foe they fac'd)
Vein and muscle bounded through,
Tense his Helot sinews brac'd.

V.

Still the constant womb of Earth,
Blindly moulded all her part;
As, when to a lordly birth,
Achean freemen left her heart.

VI.

Still, insensate mother, bore
Goodly sons for Helot graves;
Iron necks that meekly wore
Sparta's yoke as Sparta's slaves.

VII.

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poem by Isabella Valancy Crawford
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Iron, Lion, Zion

I am on the rock and then I check a stock
I have to run like a fugitive to save the life I live
Im gonna be iron like a lion in zion (repeat)
Iron lion zion
Im on the run but I aint got no gun
See they want to be the star
So they fighting tribal war
And they saying iron like a lion in zion
Iron like a lion in zion,
Iron lion zion
Im on the rock, (running and you running)
I take a stock, (running like a fugitive)
I had to run like a fugitive just to save the life I live
Im gonna be iron like a lion in zion (repeat)
Iron lion zion, iron lion zion, iron lion zion
Iron like a lion in zion, iron like a lion in zion
Iron like a lion in zion

song performed by Bob Marley
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Tales Of A Wayside Inn : Part 3. The Poet's Tale; Charlemagne

Olger the Dane and Desiderio,
King of the Lombards, on a lofty tower
Stood gazing northward o'er the rolling plains,
League after league of harvests, to the foot
Of the snow-crested Alps, and saw approach
A mighty army, thronging all the roads
That led into the city. And the King
Said unto Olger, who had passed his youth
As hostage at the court of France, and knew
The Emperor's form and face 'Is Charlemagne
Among that host?' And Olger answered: 'No.'

And still the innumerable multitude
Flowed onward and increased, until the King
Cried in amazement: 'Surely Charlemagne
Is coming in the midst of all these knights!'
And Olger answered slowly: 'No; not yet;
He will not come so soon.' Then much disturbed
King Desiderio asked: 'What shall we do,
if he approach with a still greater army!'
And Olger answered: 'When he shall appear,
You will behold what manner of man he is;
But what will then befall us I know not.'

Then came the guard that never knew repose,
The Paladins of France; and at the sight
The Lombard King o'ercome with terror cried:
'This must be Charlemagne!' and as before
Did Olger answer: 'No; not yet, not yet.'

And then appeared in panoply complete
The Bishops and the Abbots and the Priests
Of the imperial chapel, and the Counts
And Desiderio could no more endure
The light of day, nor yet encounter death,
But sobbed aloud and said: 'Let us go down
And hide us in the bosom of the earth,
Far from the sight and anger of a foe
So terrible as this!' And Olger said:
'When you behold the harvests in the fields
Shaking with fear, the Po and the Ticino
Lashing the city walls with iron waves,
Then may you know that Charlemagne is come.
And even as he spake, in the northwest,
Lo! there uprose a black and threatening cloud,
Out of whose bosom flashed the light of arms
Upon the people pent up in the city;
A light more terrible than any darkness;
And Charlemagne appeared;--a Man of Iron!

[...] Read more

poem by Henry Wadsworth Longfellow
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The Song Of Iron

I

Not yet hast Thou sounded
Thy clangorous music,
Whose strings are under the mountains…
Not yet hast Thou spoken
The blooded, implacable Word…

But I hear in the Iron singing -
In the triumphant roaring of the steam and pistons pounding -
Thy barbaric exhortation…
And the blood leaps in my arteries, unreproved,
Answering Thy call…
All my spirit is inundated with the tumultuous passion of Thy Voice,
And sings exultant with the Iron,
For now I know I too am of Thy Chosen…

Oh fashioned in fire -
Needing flame for Thy ultimate word -
Behold me, a cupola
Poured to Thy use!

Heed not my tremulous body
That faints in the grip of Thy gauntlet.
Break it… and cast it aside…
But make of my spirit
That dares and endures
Thy crucible…
Pour through my soul
Thy molten, world-whelming song.

… Here at Thy uttermost gate
Like a new Mary, I wait…

II

Charge the blast furnace, workman…
Open the valves -
Drive the fires high…
(Night is above the gates).

How golden-hot the ore is
From the cupola spurting,
Tossing the flaming petals
Over the silt and furnace ash -
Blown leaves, devastating,
Falling about the world…

Out of the furnace mouth -
Out of the giant mouth -

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poem by Lola Ridge
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The Lay of the Last Minstrel: Canto II.

I.
If thou would'st view fair Melrose aright,
Go visit it by the pale moonlight;
For the gay beams of lightsome day
Gild, but to flout, the ruins grey.
When the broken arches are black in night,
And each shafted oriel glimmers white;
When the cold light's uncertain shower
Streams on the ruin'd central tower;
When buttress and buttress, alternately,
Seem framed of ebon and ivory;
When silver edges the imagery,
And the scrolls that teach thee to live and die;
When distant Tweed is heard to rave,
And the owlet to hoot o'er the dead man's grave,
Then go-but go alone the while-
Then view St. David's ruin'd pile;
And, home returning, soothly swear,
Was never scene so sad and fair!

II
Short halt did Deloraine make there;
Little reck'd he of the scene so fair;
With dagger's hilt, on the wicket strong,
He struck full loud, and struck full long.
The porter hurried to the gate-
'Who knocks so loud, and knocks so late?'
'From Branksome I,' the warrior cried;
And straight the wicket open'd wide:
For Branksome's Chiefs had in battle stood,
To fence the rights of fair Melrose;
And lands and livings, many a rood,
Had gifted the shrine for their souls' repose.

III
Bold Deloraine his errand said;
The porter bent his humble head;
With torch in hand, and feet unshod,
And noiseless step, the path he trod,
The arched cloister, far and wide,
Rang to the warrior's clanking stride,
Till, stooping low his lofty crest,
He enter'd the cell of the ancient priest,
And lifted his barred aventayle,
To hail the Monk of St Mary's aisle.

IV
'The Ladye of Branksome greets thee by me,
Says, that the fated hour is come,
And that to-night I shall watch with thee,

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poem by Sir Walter Scott
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The Ride to Melrose, from The Lay of the Last Minstrel.

CANTO I.XIX.
The Lady sought the lofty hall,
Where many a bold retainer lay,
And with jocund din among them all,
Her son pursued his infant play.
A fancied moss-trooper, the boy
The truncheon of a spear bestrode,
And round the hall right merrily
In mimic foray rode.
Even bearded knights, in arms grown old,
Share in his frolic gambols bore,
Albeit their hearts of rugged mould
Were stubborn as the steel they wore.
For the gray warriors prophesied
How the brave boy, in future war,
Should tame the Unicorn's pride,
Exalt the Crescent and the Star.XX.

The Ladye forgot her purpose high
One moment and no more;
One moment gazed with a mother's eye,
As she paused at the arched door:
Then from amid the armed train,
She called to her William of Deloraine.XXI.

A stark moss-trooping Scott was he
As e'er couch'd Border lance by knee:
Through Solway sands, through Tarras moss,
Blindfold he knew the paths to cross;
By wily turns, by desperate bounds,
Had baffled Percy's best blood-hounds;
In Eske or Liddel, fords were none,
But he would ride them, one by one;
Alike to him was time or tide,
December's snow or July's pride;
Alike to him was tide or time,
Moonless midnight or matin prime:
Steady of heart and stout of hand
As ever drove prey from Cumberland;
Five times outlawed had he been
By England's King and Scotland's Queen.XXII.

'Sir William of Deloraine, good at need,
Mount thee on the wightest steed;
Spare not to spur, nor stint to ride,
Until thou come to fair Tweedside;
And in Melrose's holy pile
Seek thou the Monk of St. Mary's aisle.
Greet the father well from me;
Say that the fated hour is come,

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poem by Sir Walter Scott
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Worth Forest

Come, Prudence, you have done enough to--day--
The worst is over, and some hours of play
We both have earned, even more than rest, from toil;
Our minds need laughter, as a spent lamp oil,
And after their long fast a recompense.
How sweet the evening is with its fresh scents
Of briar and fern distilled by the warm wind!
How green a robe the rain has left behind!
How the birds laugh!--What say you to a walk
Over the hill, and our long promised talk
About the rights and wrongs of infancy?
Our patients are asleep, dear angels, she
Holding the boy in her ecstatic arms,
As mothers do, and free from past alarms,
The child grown calm. If we, an hour or two,
Venture to leave them, 'tis but our hope's due.
My tongue is all agog to try its speed
To a new listener, like a long--stalled steed
Loosed in a meadow, and the Forest lies
At hand, the theme of its best flatteries.
See, Prudence, here, your hat, where it was thrown
The night you found me in the house alone
With my worst fear and these two helpless things.
Please God, that worst has folded its black wings,
And we may let our thoughts on pleasure run
Some moments in the light of this good sun.
They sleep in Heaven's guard. Our watch to--night
Will be the braver for a transient sight--
The only one perhaps more fair than they--
Of Nature dressed for her June holiday.

This is the watershed between the Thames
And the South coast. On either hand the streams
Run to the great Thames valley and the sea,
The Downs, which should oppose them, servilely
Giving them passage. Who would think these Downs,
Which look like mountains when the sea--mist crowns
Their tops in autumn, were so poor a chain?
Yet they divide no pathways for the rain,
Nor store up waters, in this pluvious age,
More than the pasteboard barriers of a stage.
The crest lies here. From us the Medway flows
To drain the Weald of Kent, and hence the Ouse
Starts for the Channel at Newhaven. Both
These streams run eastward, bearing North and South.
But, to the West, the Adur and the Arun
Rising together, like twin rills of Sharon,
Go forth diversely, this through Shoreham gap,
And that by Arundel to Ocean's lap.
All are our rivers, by our Forest bred,

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poem by Wilfrid Scawen Blunt
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Calendar Night

This
Long hour
Of waiting
Is like that morn
When I drank thirteen
Cups of Arabica

I cling to this frail blanket
Frantically trying to abstain
From rays or forms of incandescence
I shut my mind off as if it’s a switch
But his convolutedness is Juggernaut
So once again I turn, churn, and curse in my bed

I now find myself groping for words to fill a month
I think this is how long it’ll take my darkness and I
To catch up like friends who drifted apart since graduation
Now I can hear three clocks simultaneously ticking in my ears
And the sound of the freezer is enough to turn my soda stone-cold
As thousands of little feet are hazing the ceiling into a playground

I wake up hoping that a glass of mineral water wouldn’t do that much harm
A late night talk show or a vintage John Wayne or Clint Eastwood western could still be on
I thought, as I picked the remote which is keeping itself together from the torturous
Onslaught of a two year old whose occupation is to pick up and fling things to pieces
I wondered how cavemen pass the time on a moonlit humid night as this as I flip channels
By the millisecond seeing more and more dinosaurs and flashes of meteors than tube pictures

Seven hours of bright lights squeezed cruel drops of sea water into my tired, red, and overly rubbed eyes
What does a man have to do to get a yawn he desires like an oasis in the sands of arousal?
I must have counted a legion of sheep when the first cloud of snooze rain, although just the size of a fist, showed its head
Pictures on the wall are gradually blurring, shadows are becoming longer and darker, lights are disappearing
Muscles have begun to twitch as consciousness, thought by thought, marches and evaporates to the sound of fainting time hands
Somnus came simultaneously with Dawn as if to say “finally” but the church bells drove the doze away-CLANG! CLANG! CLANG! CLANG!

poem by A.G. Bawang
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The Lay of the Last Minstrel: Canto III.

I.
And said I that my limbs were old,
And said I that my blood was cold,
And that my kindly fire was fled,
And my poor wither'd heart was dead,
And that I might not sing of love -
How could I to the dearest theme,
That ever warm'd a minstrel's dream
So foul, so false a recreant prove!
How could I name love's very name,
Nor wake my heart to notes of flame!

II
In peace, Love tunes the shepherd's reed;
In war, he mounts the warrior's steed;
In halls, in gay attire is seen;
In hamlets, dances on the green.
Love rules the court, the camp, the grove,
And men below, and saints above;
For love is heaven, and heaven is love.

III
So thought Lord Cranstoun, as I ween,
While, pondering deep the tender scene,
He rode through Branksome's hawthorn green.
But the Page shouted wild and shrill,
And scarce his helmet could he don,
When downward from the shady hill
A stately knight came pricking on.
That warrior's steed, so dapple-gray,
Was dark with sveat, and splashed with clay;
His armor red with many a stain
He seem'd in such a weary plight,
As if he had ridden the live-long night;
For it was William of Deloraine.

IV
But no whit weary did he seem,
When, dancing in the sunny beam,
He mark'd the crane on the Baron's crest;
For his ready spear was in his rest.
Few were the words, and stern and high,
That mark'd the foemen's feudal hate;
For question fierce, and proud reply,
Gave signal soon of dire debate.
Their very coursers seem'd to know
That each was other's mortal foe,
And snorted fire, when wheel'd around
To give each foe his vantage-ground.

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poem by Sir Walter Scott
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The Odyssey: Book 21

Minerva now put it in Penelope's mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband's treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend
whom he had met in Lacedaemon- Iphitus the son of Eurytus. The two
fell in with one another in Messene at the house of Ortilochus,
where Ulysses was staying in order to recover a debt that was owing
from the whole people; for the Messenians had carried off three
hundred sheep from Ithaca, and had sailed away with them and with
their shepherds. In quest of these Ulysses took a long journey while
still quite young, for his father and the other chieftains sent him on
a mission to recover them. Iphitus had gone there also to try and
get back twelve brood mares that he had lost, and the mule foals
that were running with them. These mares were the death of him in
the end, for when he went to the house of Jove's son, mighty Hercules,
who performed such prodigies of valour, Hercules to his shame killed
him, though he was his guest, for he feared not heaven's vengeance,
nor yet respected his own table which he had set before Iphitus, but
killed him in spite of everything, and kept the mares himself. It
was when claiming these that Iphitus met Ulysses, and gave him the bow
which mighty Eurytus had been used to carry, and which on his death
had been left by him to his son. Ulysses gave him in return a sword
and a spear, and this was the beginning of a fast friendship, although
they never visited at one another's houses, for Jove's son Hercules
killed Iphitus ere they could do so. This bow, then, given him by
Iphitus, had not been taken with him by Ulysses when he sailed for
Troy; he had used it so long as he had been at home, but had left it
behind as having been a keepsake from a valued friend.
Penelope presently reached the oak threshold of the store room;
the carpenter had planed this duly, and had drawn a line on it so as
to get it quite straight; he had then set the door posts into it and
hung the doors. She loosed the strap from the handle of the door,
put in the key, and drove it straight home to shoot back the bolts
that held the doors; these flew open with a noise like a bull
bellowing in a meadow, and Penelope stepped upon the raised
platform, where the chests stood in which the fair linen and clothes
were laid by along with fragrant herbs: reaching thence, she took down
the bow with its bow case from the peg on which it hung. She sat
down with it on her knees, weeping bitterly as she took the bow out of
its case, and when her tears had relieved her, she went to the
cloister where the suitors were, carrying the bow and the quiver, with
the many deadly arrows that were inside it. Along with her came her
maidens, bearing a chest that contained much iron and bronze which her
husband had won as prizes. When she reached the suitors, she stood
by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a maid on either side of her.

[...] Read more

poem by Homer, translated by Samuel Butler
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Book V - Part 07 - Beginnings Of Civilization

Afterwards,
When huts they had procured and pelts and fire,
And when the woman, joined unto the man,
Withdrew with him into one dwelling place,

Were known; and when they saw an offspring born
From out themselves, then first the human race
Began to soften. For 'twas now that fire
Rendered their shivering frames less staunch to bear,
Under the canopy of the sky, the cold;
And Love reduced their shaggy hardiness;
And children, with the prattle and the kiss,
Soon broke the parents' haughty temper down.
Then, too, did neighbours 'gin to league as friends,
Eager to wrong no more or suffer wrong,
And urged for children and the womankind
Mercy, of fathers, whilst with cries and gestures
They stammered hints how meet it was that all
Should have compassion on the weak. And still,
Though concord not in every wise could then
Begotten be, a good, a goodly part
Kept faith inviolate- or else mankind
Long since had been unutterably cut off,
And propagation never could have brought
The species down the ages.
Lest, perchance,
Concerning these affairs thou ponderest
In silent meditation, let me say
'Twas lightning brought primevally to earth
The fire for mortals, and from thence hath spread
O'er all the lands the flames of heat. For thus
Even now we see so many objects, touched
By the celestial flames, to flash aglow,
When thunderbolt has dowered them with heat.
Yet also when a many-branched tree,
Beaten by winds, writhes swaying to and fro,
Pressing 'gainst branches of a neighbour tree,
There by the power of mighty rub and rub
Is fire engendered; and at times out-flares
The scorching heat of flame, when boughs do chafe
Against the trunks. And of these causes, either
May well have given to mortal men the fire.
Next, food to cook and soften in the flame
The sun instructed, since so oft they saw
How objects mellowed, when subdued by warmth
And by the raining blows of fiery beams,
Through all the fields.
And more and more each day
Would men more strong in sense, more wise in heart,
Teach them to change their earlier mode and life

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poem by Lucretius
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Gisli: The Chieftain

To the Goddess Lada prayed
Gisli, holding high his spear
Bound with buds of spring, and laughed
All his heart to Lada's ear.

Damp his yellow beard with mead,
Loud the harps clang'd thro the day;
With bruised breasts triumphant rode
Gisli's galleys in the bay.

Bards sang in the banquet hall,
Set in loud verse Gisli's fame,
On their lips the war gods laid
Fire to chaunt their warrior's name.

To the Love-queen Gisli pray'd,
Buds upon his tall spear's tip;
Laughter in his broad blue eyes,
Laughter on his bearded lip.

To the Spring-queen Gisli pray'd,
She, with mystic distaff slim,
Spun her hours of love and leaves,
Made the stony headlands dim--

Dim and green with tender grass,
Blew on ice-fields with red mouth;
Blew on lovers hearts; and lured
White swans from the blue-arched south.

To the Love-queen Gisli pray'd,
Groan'd far icebergs tall and blue
As to Lada's distaff slim,
All their ice-locked fires flew.

To the Love-queen Gisli prayed,
She, with red hands, caught and spun.
Yellow flames from crater lips,
flames from the waking sun.

To the Love-queen Gisli prayed,
She with loom and beam and spell,
All the subtle fires of earth
Wove, and wove them strong and well.

To the Spring-queen Gisli prayed,
Low the sun the pale sky trod;
Mute her ruddy hand she raised
Beckon'd back the parting God.

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poem by Isabella Valancy Crawford
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The Lay of the Last Minstrel: Canto V.

I
Call it not vain;-they do not err,
Who say, that when the Poet dies,
Mute Nature mourns her worshipper,
And celebrates his obsequies:
Who say, tall cliff and cavern lone
For the departed Bard make moan;
That mountains weep in crystal rill;
That flowers in tears of balm distill;
Through his lov'd groves that breezes sigh,
And oaks, in deeper groan, reply;
And rivers teach their rushing wave
To murmur dirges round his grave

II
Not that, in sooth, o'er mortal urn
Those things inanimate can mourn;
But that the stream, the wood, the gale
Is vocal with the plaintive wail
Of those, who, else forgotten long,
Liv'd in the poet's faithful song,
And with the poet's parting breath,
Whose memory feels a second death.
The Maid's pale shade, who wails her lot,
That love, true love, should be forgot,
From rose and hawthorn shakes the tear
Upon the gentle Minstrel's bier:
The phantom Knight, his glory fled,
Mourns o'er the field he heap'd with dead;
Mounts the wild blast that sweeps amain,
And shrieks along the battle-plain.
The Chief, whose antique crownlet long
Still sparkled in the feudal song,
Now, from the mountain's misty throne,
Sees, in the thanedom once his own,
His ashes undistinguish'd lie,
His place, his power, his memory die:
His groans the lonely caverns fill,
His tears of rage impel the rill:
All mourn the Minstrel's harp unstrung,
Their name unknown, their praise unsung.

III
Scarcely the hot assault was staid,
The terms of truce were scarcely made,
When they could spy, from Branksome's towers,
The advancing march of martial powers.
Thick clouds of dust afar appear'd,
And trampling steeds were faintly heard;
Bright spears, above the columns dun,

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poem by Sir Walter Scott
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William and Helen

I.
From heavy dreams fair Helen rose,
And eyed the dawning red:
'Alas, my love, thou tarriest long!
O art thou false or dead?'-

II.
With gallant Fred'rick's princely power
He sought the bold Crusade;
But not a word from Judah's wars
Told Helen how he sped.

III.
With Paynim and with Saracen
At length a truce was made,
And every knight return'd to dry
The tears his love had shed.

IV.
Our gallant host was homeward bound
With many a song of joy;
Green waved the laurel in each plume,
The badge of victory.

V.
And old and young, and sire and son,
To meet them crowd the way,
With shouts, and mirth, and melody,
The debt of love to pay.

VI.
Full many a maid her true-love met,
And sobb'd in his embrace,
And flutt'ring joy in tears and smiles
Array'd full many a face.

VII.
Nor joy nor smile for Helen sad
She sought the host in vain;
For none could tell her William's fate,
In faithless, or if slain.

VIII.
The martial band is past and gone;
She rends her raven hair,
And in distraction's bitter mood
She weeps with wild despair.

IX.
'O rise, my child,' her mother said,

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poem by Sir Walter Scott
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Marmion: Canto V. - The Court

I.

The train has left the hills of Braid;
The barrier guard have open made
(So Lindesay bade) the palisade,
That closed the tented ground;
Their men the warders backward drew,
And carried pikes as they rode through
Into its ample bound.
Fast ran the Scottish warriors there,
Upon the Southern band to stare.
And envy with their wonder rose,
To see such well-appointed foes;
Such length of shaft, such mighty bows,
So huge, that many simply thought,
But for a vaunt such weapons wrought;
And little deemed their force to feel,
Through links of mail, and plates of steel,
When rattling upon Flodden vale,
The clothyard arrows flew like hail.

II.

Nor less did Marmion's skilful view
Glance every line and squadron through;
And much he marvelled one small land
Could marshal forth such various band:
For men-at-arms were here,
Heavily sheathed in mail and plate,
Like iron towers for strength and weight,
On Flemish steeds of bone and height,
With battle-axe and spear.
Young knights and squires, a lighter train,
Practised their chargers on the plain,
By aid of leg, of hand, and rein,
Each warlike feat to show,
To pass, to wheel, the croupe to gain,
The high curvet, that not in vain
The sword sway might descend amain
On foeman's casque below.
He saw the hardy burghers there
March armed, on foot, with faces bare,
For vizor they wore none,
Nor waving plume, nor crest of knight;
But burnished were their corslets bright,
Their brigantines, and gorgets light,
Like very silver shone.
Long pikes they had for standing fight,
Two-handed swords they wore,
And many wielded mace of weight,

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poem by Sir Walter Scott
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