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If you are going to go where corn grows, take a cutting tool with you.

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.


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Corn Circles

Corn circles
Appearing all over the land
Corn circles
Appearing all over the land
Nobody knows where they come from
Nobody understands
Corn circles
Mysterious symbols in the fields
Corn circles
Mysterious symbols in the fields
No one knows - are they phony
Or maybe are they real?
Corn circles!
Corn circles!
Corn circles
Is somebody playing a trick?
Corn circles
Pixies, witches, hoaxers
Take your pick
Throw a few theories out there
See what sticks!
Corn circles!
Corn circles!
Corn circles
Patterns in the gold
Corn circles
Pretty patterns in the gold
Like something out of the future
Or something very old
Corn circles!
Corn circles!

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Cutting It Fine

The door swings open but you wont go it
You hate the movie that you havent seen
You couldnt see what I have in mind
I see you laughing but youre
Cutting it, cutting it fine
You never should have done those things to me
Theres one thread left tween you and history
And while our temperature is rising high
Im warning you that you are
Cutting it, cutting it fine
Cutting it, cutting it fine...
You gambled all on one important game
Now take the debt and dont complain
Your game was up, I saw it all the time
I saw that vice, girl, youre
Cutting it, cutting it fine
Your sole advisor watch out for yourself
You never listen to anyone else
You were the one who ignored the signs
Dancing on a fine line
Cutting it, cutting it fine
Cutting it, cutting it fine...

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Georgic 1

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,
Nor may so dire a lust of sovereignty
E'er light upon thee, howso Greece admire

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The Hasty Pudding

A POEM IN THREE CANTOS


Canto I


Ye Alps audacious, through the heavens that rise,
To cramp the day and hide me from the skies;
Ye Gallic flags, that o'er their heights unfurled,
Bear death to kings, and freedom to the world,
I sing not to you. A softer theme I choose,
A virgin theme, unconscious of the muse,
But fruitful, rich, well suited to inspire
The purest frenzy of poetic fire.
Despise it not, ye bards to terror steeled,
Who hurl your thunders round the epic field;
Nor ye who strain your midnight throats to sing
Joys that the vineyard and the stillhouse bring;
Or on some distant fair your notes employ,
And speak of raptures that you ne'er enjoy.
I sing the sweets I know, the charms I feel,
My morning incense, and my evening meal,
The sweets of Hasty Pudding. Come, dear bowl,
Glide o'er my palate, and inspire my soul.
The milk beside thee, smoking from the kine,
It's substance mingled, married in with thine,
Shall cool and temper thy superior heat,
And save the pains of blowing while I eat.
Oh! could the smooth, the emblematic song
Flow like thy genial juices o'er my tongue,
Could those mild morsels in my numbers chime,
And, as they roll in substance, roll in rime,
No more thy awkward unpoetic name
Should shun the muse, or prejudice thy fame;
But rising grateful to the accustomed ear,
All bards should catch it, and all realms revere!
Assist me first with pious toil to trace
Through wrecks of time thy lineage and they race;
Declare what lovely squaw, in days of yore,
(Ere great Columbus sought thy native shore)
First gave thee to the world; her works of fame
Have lived indeed, but lived without a name.
Some tawny Ceres, goddess of her days,
First learned with stones to crack the well-dried maize,
Through the rough sieve to shake the golden shower,
In boiling water stir the yellow flour:
The yellow flour, bestrewed and stirred with haste,
Swell in the flood and thickens to a paste,
Then puffs and wallops, rises to the brim,
Drinks the dry knobs that on the surface swim;

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Dead Tomorrow

Don't you understand me?
In the back of all these visions
All these dreams inside me rotting
Like the clock is ticking down
Words like eyes they turn you inside out
To drown you later in your life
You see nothing but feel disturbed
When the pain just comes rushing in.
Words convulsing in full circles
Turning inside out to make
Us better on the outside, so much stronger now.
Can't look back because the past is burnt out
From the past because its burnt out from the past
Because its burnt out tune me out.
All my life waiting for the answers to
These dreams alone of the knife
That's cutting from my life
It's cutting from my life
It's cutting from my life
It's cutting from my life
It's cutting from my
Dead Tomorrow, dead tomorrow,
You'll be dead tomorrow
Dead Tomorrow,
You'll be dead tomorrow
Dead Tomorrow,
All my life waiting for the answers to
These dreams alone of the knife
That's cutting from my life
It's cutting from my life
It's cutting from my life
It's cutting from
Don't you understand me?
In the back of all these visions
All these dreams inside me rotting,
Like the clock is ticking down,
Can't look back because the past is burnt out
From the past because its burnt out from the past,
Because it's burnt out tune me out.
Dead Tomorrow, Dead Tomorrow,
You'll be dead Tomorrow, Dead Tomorrow

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Amy Lowell

Women's song of the corn

How beautiful are the corn rows,
Stretching to the morning sun,
Stretching to the evening sun.
Very beautiful, the long rows of corn.

How beautiful is the white corn,
I husk it,
I grind it.
Very beautiful, my white corn.

How beautiful is the red corn,
I gather it and make fine meal,
I am glad doing this.
Very beautiful, my red corn.

How beautiful is the black corn,
I give it to my father,
To my mother,
I give it to my child.
Very beautiful, the black corn.

How beautiful is the mottled corn,
Like the sky with little clouds,
I eat it looking at the sky.
Very beautiful, my mottled corn.

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The Corn-Stalk Fiddle

WHEN the corn's all cut and the bright stalks shine
Like the burnished spears of a field of gold;
When the field-mice rich on the nubbins dine,
And the frost comes white and the wind blows cold;
Then it's heigh-ho! fellows and hi-diddle-diddle,
For the time is ripe for the corn-stalk fiddle.
And when you take a stalk that is straight and long,
With an expert eye to its worthy points,
And you think of the bubbling strains of song
That are bound between its pithy joints —
Then you cut out strings, with a bridge in the middle,
With a corn-stalk bow for a corn-stalk fiddle.
Then the strains that grow as you draw the bow
O'er the yielding strings with a practiced hand!
And the music's flow never loud but low
Is the concert note of a fairy band.
Oh, your dainty songs are a misty riddle
To the simple sweets of a corn-stalk fiddle.
When the eve comes on, and our work is done,
And the sun drops down with a tender glance,
With their hearts all prime for the harmless fun,
Come the neighbor girls for the evening's dance,
And they wait for the well-known twist and twiddle —
More time than tune — from the corn-stalk fiddle.
Then brother Jabez takes the bow,
While Ned stands off with Susan Bland,
Then Henry stops by Milly Snow,
And John takes Nellie Jones's hand,
While I pair off with Mandy Biddle,
And scrape, scrape, scrape goes the corn-stalk fiddle.
'Salute your partners,' comes the call,
'All join hands and circle round,'
'Grand train back,' and 'Balance all,'
Footsteps lightly spurn the ground.
'Take your lady and balance down the middle'
To the merry strains of the corn-stalk fiddle.
So the night goes on and the dance is o'er,
And the merry girls are homeward gone,
But I see it all in my sleep once more,
And I dream till the very break of dawn
Of an impish dance on a red-hot griddle
To the screech and scrape of a corn-stalk fiddle.

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Shadow Of A Man

Mirror mirror upon the wall Im asking you,
Who is the most confused of them all?
Mirror mirror subservient twin screams back
At me you.
You sick flawless mime, I want to break you
Yeah, youre a clever one...
Is this a tool, can I step through, to find
Another plane,
Or just a shadow of a man
A superficial tool, to support the vanity,
Of weak, when you dont love yourself
If lifes as painful on your side, Ill break your
Existence and cut through mine
Youre a clever one
Is this a tool, can I step through, to find
Another plane,
Or just a shadow of a man
Are you my brother, you look like me,
Trapped inside another world my lost twin
A superficial tool, to support the vanity,
Of weak, when you dont love yourself
Mirror upon the wall, am I the reflection
Of you,
Mirror upon the wall, are you staring back
Through
Understanding has no place within my world
On your side
Is this a tool, can I step through, to find
Another plane,
Or just a shadow of a man
Are you my brother, you look like me,
Trapped inside another world my lost twin
Are you a tool, can I step through, to find
Another plane,
Im just a shadow of a man
Just a superficial tool, to support the vanity,
Of weak, when you dont love yourself

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John Barley-Corn, My Foe

John Barley-corn, my foe, John,
The song I have to sing
Is not in praise of you, John,
E'en though you are a king.
Your subjects they are legion, John,
I find where'er I go:
They wear your yoke upon their necks,
John Barley-Corn, my foe.
John Barley-Corn, my foe, John,
By your despotic sway
The people of our country, John,
Are suffering to-day.
You lay the lash upon their backs;
Yet willingly they go
And pay allegiance at the polls,
John Barley-Corn, my foe.
John Barley-Corn, my foe, John,
You've broken many a heart,
And caused the bitter tear, John,
From many an eye to start,
The widow and the fatherless
From pleasant homes to go,
And lead a life of sin and shame,
John Barley-Corn, my foe.
John Barley-Corn, my foe, John,
May Heaven speed the hour,
When Temperance shall wear the crown
And Rum shall lose its power;
When from the East unto the West
The people all shall know
Their greatest curse has been removed,
John Barley-Corn, my foe!

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Amy Lowell

Women's harvest song

I am waving a ripe sunflower,
I am scattering sunflower pollen to the four world-quarters.
I am joyful because of my melons,
I am joyful because of my beans,
I am joyful because of my squashes.

The sunflower waves.
So did the corn wave
When the wind blew against it,
So did my white corn bend
When the red lightning descended upon it,
It trembled as the sunflower
When the rain beat down its leaves.

Great is a ripe sunflower,
And great was the sun above my corn-fields.
His fingers lifted up the corn-ears,
His hands fashioned my melons,
And set my beans full in the pods.
Therefore my heart is happy
And I will lay many blue prayer-sticks at the shrine of Ta-wa.
I will give corn to Ta-wa,
Yellow corn, blue corn, black corn.
I wave the sunflower,
The sunflower heavy with pollen.
I wave it, I turn it, I sing,
Because I am happy.

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The Path Through The Corn

WAVY and bright in the summer air,
Like a pleasant sea when the wind blows fair,
And its roughest breath has scarcely curled
The green highway to a distant world,--
Soft whispers passing from shore to shore,
As from hearts content, yet desiring more--
Who feels forlorn,
Wandering thus down the path through the corn?

A short space since, and the dead leaves lay
Mouldering under the hedgerow gray,
Nor hum of insect, nor voice of bird,
O'er the desolate field was ever heard;
Only at eve the pallid snow
Blushed rose-red in the red sun-glow;
Till, one blest morn,
Shot up into life the young green corn.

Small and feeble, slender and pale,
It bent its head to the winter gale,
Hearkened the wren's soft note of cheer,
Hardly believing spring was near:
Saw chestnuts bud out and campions blow,
And daisies mimic the vanished snow
Where it was born,
On either side of the path through the corn.

The corn, the corn, the beautiful corn,
Rising wonderful, morn by morn:
First, scarce as high as a fairy's wand,
Then, just in reach of a child's wee hand;
Then growing, growing, tall, brave, and strong:
With the voice of new harvests in its song;
While in fond scorn
The lark out-carols the whispering corn.

A strange, sweet path, formed day by day,
How, when, and wherefore, we cannot say,
No more than of our life-paths we know,
Whither they lead us, why we go;
Or whether our eyes shall ever see
The wheat in the ear or the fruit on the tree;
Yet, who's forlorn?--
He who watered the furrows can ripen the corn.

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Why Do You Use That Accusing Tool

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

Why do you use,
That accusing tool.

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

Why do you use,
That accusing tool.

I'm not with a pick up mistress.
Or,
With another man...
Doing undercover!
Down,
And low,
With as many men as I can!

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

Why do you use,
That accusing tool.

I'm not outside hunting.
Running down fresh meat.
You are what I want, babe.
Why you knocking on me?

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

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Corn and Catholics

"What! still those two infernal questions,
That with our meals our slumbers mix --
That spoil our tempers and digestions --
Eternal Corn and Catholics!

Gods! were there ever two such bores?
Nothing else talk'd of night or morn --
Nothing in doors, or out of doors,
But endless Catholics and Corn!

Never was such a brace of pests --
While Ministers, still worse than either,
Skill'd but in feathering their nests,
Plague us with both, and settle neither.

So addled in my cranium meet
Popery and Corn, that oft I doubt,
Whether this year, 'twas bonded Wheat
Or bonded Papists, they let out.

Here, landlords, here, polemics nail you,
Arm'd with all rubbish they can rake up;
Prices and Texts at once assail you --
From Daniel these, and those from Jacob.

And when you sleep, with head still torn
Between the two, their shapes you mix,
Till sometimes Catholics seem Corn --
Then Corn again seems Catholics.

Now, Dantzic wheat before you floats --
Now, Jesuits from California --
Now, Ceres, link'd with Titus Oats,
Comes dancing through the "Porta Cornea."

Oft, too, the Corn grows animate,
And a whole crop of heads appears,
Like Papists, bearding Church and State --
Themselves, together by the ears!

In short, these torments never cease;
And oft I wish myself transferr'd off
To some far, lonely land of peace,
Where Corn or Papists ne'er were heard of.

Yes, waft me, Parry, to the Pole,
For -- if my fate is to be chosen
'Twixt bores and icebergs -- on my soul,
I'd rather, of the two, be frozen!

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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animae bop bag
allowed to carry on garment bag
a nimal bag print tote
an imal overnight bag
aloksak bags
amz bag fun src
ameribag microfiber bag
american tourister laptop bag
allied waste service blue bags
american indian medicine bags
alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags

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A Woman Who Grew Into A Rose

(A Poem For 21st Century Women # 2)


(Prov.31: 10–31 / Prov.18: 22 / Matt.13: 10–15)


A Woman Who Grew
Into A Rose
Remains In GOD’s Garden
… and Grows

Her Heartbeats Blossoms
Opens To Disclose
The Prettiest, Feminine
Petals-Pose

A Woman Who Grows
Into A Rose
Her Fresh–Faith Fragrance
Wafts and Flows …

… into A Knowledge
Of Heaven–Scent
She Offers Her Keen
Spiritual–Sense …
(Prov.31: 26)

… which Intoxicates
A Wise Man’s Nose
with Each Blissful Breeze
… Benevolence Blows
(Prov.31: 11,12,28)

& A Woman Who’s Grown
Into A Rose
Stems To Sister Roses
Leaves of Sacred Prose
(Prov.31: 15)

Yes, There Are Lilies, Orchids
& Magnolia–Blooms
and Such Unique Flora
Has Their Trace–Perfume

… Lavenders, Gardenias
& Honeysuckle Aromas
Are Also Potent Enough
To Revive Fainting Comas
(Prov.31: 29)

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